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Doctors in Performance 2016 Doctors in Performance 2016 Second Festival Conference of Music Performance and Artistic Research 8­9 SEPTEMBER 2016 Royal Irish Academy of Music, Dublin Welcome to the Royal Irish Academy of Music, Dublin I am delighted to welcome you to the Royal Irish Academy of Music (RIAM) for the second Doctors in Performance Festival Conference. We are delighted to host an event which promotes the value of Artistic Research that is embedded in artistic practice. I hope that guests from outside Ireland enjoy our vibrant capital city, and that you will all have a Deborah Kelleher, Director, memorable time in the company of supportive Royal Irish Academy of colleagues over the course of the next two days. Music WiFi Connect to: RIAM­GUESTS Password: 36Westland Twitter @RIAMAcademyDub #DocsPerf16 1 Conference Schedule Thursday 8 September 2016 Morning Session 9:00 am − 12:30 pm 9:00 am − 10:00 am Registration Foyer Welcome and opening remarks: Katherine Brennan 9:40 am − 10:00 am Deborah Kelleher, Director, RIAM Hall 10:05 am − 11:25 am Parallel sessions 1 − 4 Recital Room Katherine Brennan Hall Organ Room Early Music Room Chair: Majella Chair: Markus Kuikka Chair: Päivi Järviö Boland Recital: Maciej Fortuna and Lecture Recital: Assi Lecture Recital: Jing Krzysztof Dys Karttunen Ouyang (Ignacy Jan Paderewski (Sibelius Academy, University (Royal Northern Academy of Music, Poznań) of the Arts Helsinki) College of Music) am ‘Classical inspirations in jazz ‘Reciprocal approaches – the ‘The characteristic 10:55 compositions based on grotesque narratives and writing of the London ‐ selected works by Roman musical gesture: Practise‐led Pianoforte School in am Maciejewski’ research on the musical the early 19th century’ gestures embedded in 10:05 François Couperin’s harpsichord music’ Paper: Guadalupe López‐ Paper: Minna Hovi Paper: Anu Íñiguez (Sibelius Academy, University Vehviläinen (Sibelius Academy, University of the Arts Helsinki) (Sibelius Academy, am of the Arts Helsinki) University of the Arts ‘Reciprocal approaches – the Helsinki) 11:25 ‘Autoethnography of a grotesque narratives and ‐ period cellist: Performance musical gesture: Grimace, ’Creating Spaces in am psychology and technical espionage, and grotesque in Practicing: An aesthetics in the variation Louis Couperin's La Autoethnographical 10:55 works by Beethoven and Piemontoise’ Study on a Pianist’s Mendelssohn’ Mental Space’ Keynote address: Professor John Butt, University of Glasgow 11:30 am − 12:30 pm Organ Room 'Bach’s Well‐Tempered Clavier ‐ adding the temperament of time' Chair: Denise Neary 12:30 pm − 2:00 pm Lunch 2 Thursday 8 September 2016 Afternoon Session 2:00 pm − 5:55 pm 2:00 pm − 3:40 pm Parallel sessions 5 − 8 Katherine Brennan Hall Early Music Room Organ Room Recital Room Chair: Kerry Houston Chair: Francesca Placanica Chair: Gerard Gillen Recital: Adilia Yip Recital: Elina Mustonen Lecture Recital: Imelda (Royal Conservatory (Sibelius Academy, University Drumm Antwerp) of the Arts Helsinki) (Royal Irish Academy of Music) pm ‘Music Beyond Traditions— ‘Her Infinite Variety – 2:50 (re‐)search into the Women of Shakespeare in ‘When is a Mezzo not a ‐ performer’s experience on Word and Music’ Mezzo? The vocal pm ethnic and Western music’ classification of female singers, exploring the effects 2:00 of aging on voices as demonstrated by the title role of Bizet’s Carmen’ Lecture Recital: Clare Recital: Laura Ellestad Lecture Recital: Marta Erdei McCague (Norwegian Academy of (Royal Irish Academy of pm (DIT Conservatory of Music Music) Music) and Drama) 3:40 ‐ ‘Kappleiks and House Parties: ‘Sacred Music Meets Prelude pm ‘Charles Oberthur (1819‐ Norwegian Traditional Fiddle and Fugue In Gyӧrgy Orbán’s 1895): Meditation, a musical in Upper Midwestern Aulos’ 2:50 sketch for the harp, Opus Contexts, 1900‐1970’ 153’ 3:40 pm − 4:15 pm Refreshments 4:15 pm − 5:55 pm Parallel sessions 9 − 12 Early Music Room Organ Room Katherine Brennan Hall Chair: Jenny O'Connor‐ Chair: Lorraine Byrne Recital Room Chair: David Horne Madsen Bodley Recital: Jyrki Myllärinen Recital: Marjukka Päivärinne Recital: Robert Crowe (Sibelius Academy, University (Sibelius Academy, University (Boston University) pm of the Arts Helsinki) of the Arts Helsinki) 5:05 ‘“Indexing the Soul”: the ‐ ‘An overview on modern ‘Il maestro e lo scolare – ornamentational art of the pm Finnish solo guitar music’ Muzio Clementi and John last operatic castrato, Field’ Giovanni Battista Velluti’ 4:15 Lecture Recital: Archie Chen Lecture Recital: Michael Lecture Recital: Katharina (Royal Irish Academy of Nielsen Uhde Music) (DIT Conservatory of Music (Valparaiso University) and and Drama) R. Larry Todd pm (Duke University) ‘Towards a Historically ‘Improvising a Microtonal 5:55 Informed Performance of System: the creative ‘Poplars, Bells, and Marches: ‐ Chopin Op. 10 Études’ implications of a hybrid scale Joseph Joachim’s Drei Stücke pm based on the structure of the Op. 5, or, the Limits of 5:05 standard guitar fretboard Musical Ciphers’ and the resulting xenharmonic microtonal system’ 7:00 pm Reception: Freemasons' Hall, 17 Molesworth Street 3 Friday 9 September 2016 Morning Session 9:00 am − 1:45 pm 9:00 am − 11:10 am Parallel sessions 13 − 16 Early Music Room Katherine Brennan Hall Organ Room Recital Room Chair: Lina Navickaitė‐ Chair: Anu Vehviläinen Chair: Barbara Dignam Chair: Wing Lau Martinelli Recital: Annette Cleary Lecture Recital: Christian (Royal Irish Academy of Fernqvist Music) (University of York) am 9:50 ‘Recital of Sonata 3 and 4 ‘The Resistance of the Flute: ‐ from Geminiani’s Opus 5 A Report on a Performer’s am Sonatas for Violoncello and Artistic Habitus and Basso Continuo, with an Creativity in Indeterminate 9:00 introduction to the composer Compositions’ and his works for Cello’ Lecture Recital: Cecilia Oinas Lecture Recital: Erin Vander Lecture Recital: Tham Horng Lecture Recital: Kiana Shafiei and Maija Parko Wyst Kent (Royal Northern College of (Sibelius Academy, University (University of Nevada, Las (Universiti Pendidikan Sultan Music) am of the Arts Helsinki) Vegas) Idris, Malaysia) ‘Investigating contemporary 10:40 ‐ ‘The multilayered practicing ‘Kimmo Hakola’s Diamond ‘Franz Schubert’s Piano Persian piano repertoire and am process of a piano duo: Street and loco: A Sonata in B‐flat Major, D960: its performance’ Schenker’s Syrische Tänze Performance Guide’ An Exploration of the 9:50 (1899) revisited’ Performance and Interpretation’ Paper: Nataliya Kompaniyets‐ Paper: Maria Borghesi Paper: Pei Ann Yeoh Paper: Laura Toxværd Jouri (University of Pavia, (King’s College London) (Rhythmic Music am (Royal Irish Academy of Cremona) Conservatory, Copenhagen) Music) ‘Searching for a Jazz Other: 11:10 ‐ ‘J. S. Bach Italian Concert: an Asian perspectives’ ‘Composition of graphic and ‘Use of elements of sonata unicum in Arturo Benedetti sonic works through the am form in Medtner's vocal Michelangeli's repertoire’ improvisers’ co‐creation’ works, in particular sonata‐ 10:40 vocalise, Op. 41’ Keynote address: Dr John O'Conor 11:15 am − 12:15 pm Katherine Brennan Hall 'Humour and Tragedy in the Beethoven Piano Sonatas' Chair: Orla McDonagh 12:15 pm − 1:45 pm Lunch 4 Friday 9 September 2016 Afternoon Session 1:45 pm − 6:05 pm 1:45 pm − 3:55 pm Parallel sessions 17 − 20 Katherine Brennan Hall Early Music Room Organ Room Recital Room Chair: Antonio Cascelli Chair: Ruth Stanley Chair: Clíona Doris Chair: Mary Lennon Recital: Chiara Bertoglio pm (Conservatory of Milan) 2:35 ‐ ‘Spicing up Bach: Busoni on pm Bach’s Goldberg Variations’ 1:45 Recital: Sarah Grunstein Lecture Recital: Henri Bok Lecture Recital: Sylvia Lecture Recital: Anne (Independent, New York) (Universiteit Leiden Academy O’Brien Elisabeth Piirainen of Creative and Performing (Royal Irish Academy of (Sibelius Academy, University pm ‘Bach’s Goldberg Variations Arts) and Eleri Ann Evans Music) of the Arts Helsinki) 3:25 BWV 988’ (University of Huddersfield, ‐ United Kingdom) ‘The Bodleian melody: an ‘Facets of expression in pm investigation of melodic Russian Clarinet Music’ ‘The process of developing structure in works by Seóirse 2:35 the microtonal capabilities of Bodley’ single reed instruments’ Recital: Sarah Grunstein Paper: Age Veeroos Paper: Wing Lau Paper: Elisa Järvi (Independent, New York) (Estonian Academy of Music (University of Arkansas) (Sibelius Academy, University pm and Theatre) of the Arts Helsinki) 3:55 ‘Bach’s Goldberg Variations ‘“Feeling in Time”: Schnabel’s ‐ BWV 988’ ‘Bowing near the bridge with Integrated Approach to ‘Working on the new pm soft dynamics and its impact Interpretative Performance’ quarter‐tone piano’ on harmonic spectrum of 3:25 sound’ 3:55 pm − 4:25 pm Refreshments 4:25 pm − 6:05 pm Parallel sessions 21 − 24 Katherine Brennan Hall Early Music Room Recital Room Organ Room Chair: Mark Fitzgerald Chair: Wolfgang Marx Chair: Laura Watson Recital: Linley Hamilton Lecture Recital: Markus Lecture Recital: Jeroen Billiet (Ulster University) Sarantola (Royal Conservatoire – (Sibelius Academy, University School of Arts of University pm ‘The use of horizontal and of the Arts Helsinki) College Ghent) vertical tension devices and 5:15 ‐ related methods of tension ‘Hugo Riemann and Phrasing’ ‘”Brave Belges” of the Belle pm release in jazz improvisation’ Epoque: a critical study of artistic incentives in the late‐ 4:25 romantic Ghent horn playing tradition and its worldwide legacy’ Lecture Recital: Evangelia Recital: Naiara De La Puente Lecture Recital: Kristi Kapten Mitsopoulou (Sibelius Academy, University (Estonian Academy
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