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Western Literature in Japanese Film (1910-1938) Alex Pinar
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral. -
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
OUTRAGE BEYOND a BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production a FILM by TAKESHI KITANO
A FILM BY TAKESHI KITANO OUTRAGE BEYOND A BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production A FILM BY TAKESHI KITANO OUTRAGEWORLD SALES INTERNATIONAL PRESS BEYONDJAPAN - 2012 - 112MIN - COLOR - CINEMASCOPE - DOLBY SRD/SR RICHARD LORMAND - FILM PRESS PLUS Celluloid Dreams www.FilmPressPlus.com 2 rue Turgot Paris F 75009 [email protected] T : + 33 1 4970 0370 T: +33-9-7044-9865 (France) F : + 33 1 4970 0371 IN VENICE: +39-347-256-4143 [email protected] www.celluloid-dreams.com The huge Sanno crime family has grown into a huge organization, expanding its power into politics and legitimate big business. The Sanno’s upper ranks are now dominated by young executives who promote black-marketeering rather than the traditional underground income sources. The old-guard members are penting up resentment as they see themselves being pushed to the sidelines. This vulnerable spot in the Sanno hierachy is exactly what anti-gang detective Kataoka has been looking for, as the police force prepares a full-scale crackdown. With secret plots and dirty tricks, the ambitious Kataoko will open up a whole new game of yakuza power struggle. Detective Kataoka intends to instigate conflict between the Sanno and the Hanabishi, their long-time neighboring ally, in the hopes that they ultimately destroy each other. To help weaken the Sanno, the underhanded cop also provokes their grumbling old-guard executives to consider usurping Chairman Kato from top position. And Kataoka’s trump card is the arranged release from prison of Otomo, the rumored-dead boss of a family once crushed by the Sanno. -
La Nuberu Bagu Y El Nuevo Japón: Historias Crueles De Juventud
Comillas Journal of International Relations | nº 17 | 008-023 [2020] [ISSN 2386-5776] 8 DOI: 10.14422/cir.i17.y2020.002 LA NUBERU BAGU Y EL NUEVO JAPÓN: HISTORIAS CRUELES DE JUVENTUD The Nuberu Bagu and the New Japan. Cruel Stories of Youth Antonio Santos Universidad Cantabria Autor E-mail: [email protected] FIRMA INVITADA En 1956 se estrenaron en Japón tres largometrajes basados en novelas de Shintaro Ishihara. Su éxito originará una serie de películas, antesala de la Nuberu Bagu: un joven cine encaminado Resumen a la transformación radical del séptimo arte y de la sociedad japonesa, cuyos representantes se muestran muy críticos con su tiempo. Los trabajos innovadores que realizaron estos jóvenes cineastas autorizaron a algunos críticos a reconocer en ellos la vanguardia de una Nueva Ola. El ejemplo más distinguido de esta desviación hacia posiciones radicales lo proporcionó Nagisa Oshima con sus Historias crueles de juventud (1960). Comparten estos jóvenes cineastas parecido interés por la exploración formal, encaminado a la renovación del lenguaje; un movimiento radical y revolucionario, orientado a practicar una nueva lectura. In 1956 three motion pictures, based upon novels written by Shintaro Ishihara, were released in Japan. Its success will stimulate the production of new films, forerunners of the so called Nuberu Abstract Bagu: a young national cinema oriented to the radical transformation of the Japanese films and society. The new filmmakers were very critic with his time and country, and they were the basis of an avant-garde film movement in Japan. The most distinguished member of this group was Nagisa Oshima, the author of emblematic films as Cruel Story of Youth (1960). -
Fiscal Year 2015 Results Briefing(4.1MB)
HAPPINET CORPORATION Stock Listing :Tokyo Stock Exchange Code Number :7552 Fiscal Year 2015 Results Briefing May 20, 2016 Table目次 of Contents FY2015 Results Summary 2 FY2015 Financial Results 9 FY2016 Group- Group-WideWide Main Policy 19 FY2016 Measures for the Distribution Business 21 FY2016 Measures for the Contents Business 26 FY2016 Fu ll-YPjtiYear Projection 31 Information related to Share Price 34 FY2015 Results Summary TtTetsuo IhikIshikawa President and Representative Director 2 FY2015目次 Results Summary (¥ million) FY2014 FY2015 YOY Net sales 217,232 187,274 --13.813.8% Operating income 5,056 3,450 --31.831.8% Ordinary income 5,124 3,497 -31.8% Profit attributable to owners of parent 4,049 2,359 -41.7% 3 FY2015目次 Results Summary Toy Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary 93,270 Compared to the previous fiscal year, net sales hovered at a low level due to a lack of major hit products during the 76,874 yearyear--endend sales season, which is the greatest sales 76,821 opportunity. 4,279 Segment income also lagged, due mainly to posting of an valuation loss from overstocked products. 2, 710 2,848 FY2013 FY2014 FY2015 Segment income 2712.71 billion yen 4274.27 billion yen 2842.84 billion yen Clearance amounts 1.0 billion yen 1.6 billion yen 1.8 billion yen Inventory amounts 2.4 billion yen 2.3 billion yen 2.2 billion yen Inventory turnover rate 31.0 38.7 33.6 FY2013 FY2014 FY2015 4 FY2015目次 Results Summary Visual and Music Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary In an environment where the package market remains sluggish as a whole due to effects of the distribution of software via the Internet, net sales of the Group in this 42,955 43,372 business segment also remained weak. -
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Kamen Rider Fourze Astro Switch Secret Report
Kamen Rider Fourze Astro Switch Secret Report Dime Wye atomising her calottes so only that Stefan beseeches very spiccato. Dennis remains glimmering after Haley municipalises privatively or trapans any proctologists. Poul undock metabolically. Rider System as well as keeping things loose and light, which is always good for the beginning of the series. They discuss: The Matrix DVD, Yearbook Photos, Bob losing his mind and Ashley finally turns the podcast into being entirely about lesbian subtext. Miu and Shun went. Gentaro and Shun tag team it, managing to free Nadeshiko, who transforms as well; Gentaro and Nadeshiko Double Rocket Rider Kick Sadonas! Also Jerry is the absolute worst in canon. New episode summaries are up for December, and it looks like the KRC is celebrating Christmas in style at the Rabbit Hutch. During the party, a Zodiarts appear. Edenoites also possess telepathic abilities that are focused through a gem in the forehead, which can be hidden telepathically, though in times of stress can become visible. Also, all the text is in caps. Birth Buster from her. Down arrows to advance ten seconds. Meteor slid a small plastic piece in the end of his Storm Shaft and pulled it, preparing his final attack. The gang is forced to confront the power of the incel as Alex tries to turn a guy down and he resorts to drinking strong juice. Rider, and a lot more about Fourze over the last couple of days. Also Jazz Hands is out of prison. He of COURSE wipes the floor with both Birth and Proto Birth with relative ease. -
BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019
BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019 TABLE OF CONTENTS 1 BANDAI NAMCO Group Outline 3 Related Market Data Group Organization Toys and Hobby 01 Overview of Group Organization 20 Toy Market 21 Plastic Model Market Results of Operations Figure Market 02 Consolidated Business Performance Capsule Toy Market Management Indicators Card Product Market 03 Sales by Category 22 Candy Toy Market Children’s Lifestyle (Sundries) Market Products / Service Data Babies’ / Children’s Clothing Market 04 Sales of IPs Toys and Hobby Unit Network Entertainment 06 Network Entertainment Unit 22 Game App Market 07 Real Entertainment Unit Top Publishers in the Global App Market Visual and Music Production Unit 23 Home Video Game Market IP Creation Unit Real Entertainment 23 Amusement Machine Market 2 BANDAI NAMCO Group’s History Amusement Facility Market History 08 BANDAI’s History Visual and Music Production NAMCO’s History 24 Visual Software Market 16 BANDAI NAMCO Group’s History Music Content Market IP Creation 24 Animation Market Notes: 1. Figures in this report have been rounded down. 2. This English-language fact book is based on a translation of the Japanese-language fact book. 1 BANDAI NAMCO Group Outline GROUP ORGANIZATION OVERVIEW OF GROUP ORGANIZATION Units Core Company Toys and Hobby BANDAI CO., LTD. Network Entertainment BANDAI NAMCO Entertainment Inc. BANDAI NAMCO Holdings Inc. Real Entertainment BANDAI NAMCO Amusement Inc. Visual and Music Production BANDAI NAMCO Arts Inc. IP Creation SUNRISE INC. Affiliated Business -
MPLC Studioliste Juli21-2.Pdf
MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX DCM FILM DISTRIBUTION (SCHWEIZ) CLAUSSEN+PUTZ FILMPRODUKTION Label Anglia Television Animal Planet Productions # Animalia Productions 101 Films Annapurna Productions 12 Yard Productions APC Kids SAS 123 Go Films Apnea Film Srl 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) Apollo Media Distribution Gmbh 2929 Entertainment Arbitrage 365 Flix International Archery Pictures Limited 41 Entertaiment LLC Arclight Films International 495 Productions ArenaFilm Pty. 4Licensing Corporation (fka 4Kids Entertainment) Arenico Productions GmbH Ascot Elite A Asmik Ace, Inc. A Really Happy Film (HK) Ltd. (fka Distribution Workshop) Astromech Records A&E Networks Productions Athena Abacus Media Rights Ltd. Atlantic 2000 Abbey Home Media Atlas Abot Hameiri August Entertainment About Premium Content SAS Avalon (KL Acquisitions) Abso Lutely Productions Avalon Distribution Ltd. -
Rightsholder-List.Pdf
IE-Ireland COR - Corporations: Employees Facilities Label 101 Films 12 Yard Productions 123 Go Films 1A Productions Limited 1st Miracle Productions Inc 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) 2929 Entertainment 365 Flix International 3DD Entertainment 41 Entertaiment LLC 495 Productions 4Licensing Corporation (fka 4Kids Entertainment) 7&7 Producers Sales Services 9 Story Enterprises 99Pro Media Gmbh A Really Happy Film (HK) Ltd. (fka Distribution Workshop A&E Networks Productions Aardman Abacus Media Rights Ltd Abbey Home Media Abduction Films Abot Hameiri About Premium Content SAS Abso Lutely Productions Absurda Acacia ACIP (fka Angel City Factory (ACP)) Acorn Media Acorn Media Acorn TV Actaeon Films Action Concept Film und Stuntproduktion (ex. Germany) Active Entertainment Adhoc Films Adler Media Adult Swim Productions Adventure Line Productions (ALP) Adventure Pictures Aenon Affiliate of Valiant Women Society (fka Maralee Dawn Ministries) After Dark Films Agatha Christie Productions Ager Film AI Film AIM Group (dba Cinevision Global -Ambassador Film Library) Air Productions Akkord Film Produktion Aktis Films International Al Dakheel Inc Alberio Films Alchemy Alchemy Television Group Alcina Pictures (ex. Canada) Alcon Entertainment Alcon Television All3media International Alley Cat Films Alliance Atlantis International Distribution Alliance Atlantis International Distribution Allied Vision Ltd All-In-Production Gmbh Allmedia Pictures Gmbh Alonso Entertainment Gmbh Aloupis Productions Altitude Films Sales Amazing -
UNIKOM Gilang Ramadhan Putra 6. Daftar Isi.Pdf
DAFTAR ISI LEMBAR PENGESAHAN ......................................................................... i LEMBAR PERNYATAAN ORISINALITAS ............................................ ii KATA PENGANTAR ................................................................................. iii ABSTRAK ................................................................................................... iv ABSTRACT ................................................................................................... v DAFTAR ISI ................................................................................................ vi DAFTAR GAMBAR .................................................................................... x DAFTAR TABEL ........................................................................................ xiii DAFTAR LAMPIRAN................................................................................. xiv BAB I. PENDAHULUAN ........................................................................... I.1 Latar Belakang Masalah ......................................................................... 1 I.2 Identifikasi Masalah ................................................................................ 5 I.3 Rumusan Masalah ................................................................................... 6 I.4 Batasan Masalah ..................................................................................... 6 I.5 Tujuan & Manfaat Perancangan ............................................................. 6 I.5.1 Tujuan Perancangan -
Harga Sewaktu Wak Jadi Sebelum
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