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Screendollars August 10, 2020 About Films, the Film Industry No
For Exhibitors Screendollars August 10, 2020 About Films, the Film Industry No. 129 Newsletter and Cinema Advertising Happy birthday to Stan Durwood, the Founder of AMC Theatres, born 100 years ago on August 5, 1920. Stan was a highly motivated and creative entrepreneur, who expanded the family theatre business he took over in 1960 to become one of the largest theatre chains in the world. He is credited with many innovations that transformed the movie business, most notably, the creation of the multiplex cinema and the invention of the arm-rest cup holder. Purpose-built, multiple- screen, cinema entertainment complexes became Parkway Twin Theatres, the first Multiplex, The dominant force in exhibition in the late 20th century, growing a $2B annual industry in opened in Kansas City on July 12, 1963 1975 to a $6B industry in 1997. He was a proud son of Kansas City, where AMC is based. Welcome Back - Looking Forward to a Brighter 2021 As theatres begin to re-open and the industry comes back to life, we take stock of the positive signs of what lies ahead. The movie business has been interrupted, but it is not broken. Despite the significant challenges this year, when new movies return to theatres, audiences will follow. When circumstances permit, people are going to say to themselves, “I have been stuck at home for months watching streaming, and I’m tired of that. Now I want go out with friends and family, see other people, and experience something fantastic." Screendollars has produced this three-minute video, which previews the Must-See Movies which will be coming to theatres in 2021. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Western Literature in Japanese Film (1910-1938) Alex Pinar
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials dʼinvestigació i docència en els termes establerts a lʼart. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix lʼautorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No sʼautoritza la seva reproducció o altres formes dʼexplotació efectuades amb finalitats de lucre ni la seva comunicació pública des dʼun lloc aliè al servei TDX. Tampoc sʼautoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral. -
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
OUTRAGE BEYOND a BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production a FILM by TAKESHI KITANO
A FILM BY TAKESHI KITANO OUTRAGE BEYOND A BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production A FILM BY TAKESHI KITANO OUTRAGEWORLD SALES INTERNATIONAL PRESS BEYONDJAPAN - 2012 - 112MIN - COLOR - CINEMASCOPE - DOLBY SRD/SR RICHARD LORMAND - FILM PRESS PLUS Celluloid Dreams www.FilmPressPlus.com 2 rue Turgot Paris F 75009 [email protected] T : + 33 1 4970 0370 T: +33-9-7044-9865 (France) F : + 33 1 4970 0371 IN VENICE: +39-347-256-4143 [email protected] www.celluloid-dreams.com The huge Sanno crime family has grown into a huge organization, expanding its power into politics and legitimate big business. The Sanno’s upper ranks are now dominated by young executives who promote black-marketeering rather than the traditional underground income sources. The old-guard members are penting up resentment as they see themselves being pushed to the sidelines. This vulnerable spot in the Sanno hierachy is exactly what anti-gang detective Kataoka has been looking for, as the police force prepares a full-scale crackdown. With secret plots and dirty tricks, the ambitious Kataoko will open up a whole new game of yakuza power struggle. Detective Kataoka intends to instigate conflict between the Sanno and the Hanabishi, their long-time neighboring ally, in the hopes that they ultimately destroy each other. To help weaken the Sanno, the underhanded cop also provokes their grumbling old-guard executives to consider usurping Chairman Kato from top position. And Kataoka’s trump card is the arranged release from prison of Otomo, the rumored-dead boss of a family once crushed by the Sanno. -
Lista Distribuidores Correccion
• 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black -
ALAN DE PELLETTE – Director | Producer | Writer
ALAN DE PELLETTE – Director | Producer | Writer Alan de Pellette is a director from Glasgow with wide ranging credits in TV and film. He began his career in radio and created the long running BBC Scottish comedy, OFF THE BALL, before moving into TV and a range of comedies for BBC Two, Three and BBC Scotland, including the award winning CHEWIN' THE FAT and the critically acclaimed OVERNITE EXPRESS & SHREDDED WEEK. Alan is currently producing a live action children’s television series of Julia Donaldson’s PRINCESS MIRROR BELLE for BBC Children’s Productions in Glasgow. As well as moving into drama, Alan has also made several documentaries for the BBC, including SCOTLAND'S GAME CHANGERS, which was nominated for both an RTS and Celtic Media Award in 2018. He has directed numerous single dramas, including MYSTIQUE NO 375, a children's drama for the BBC that screened in 15 countries around Europe during 2017 and 2018. In the last year, Alan has directed 15 episodes of Channel 4's ground breaking continuing drama, HOLLYOAKS, including major storylines on racism, far right grooming and domestic abuse. Alan has numerous film credits as a writer/director. His first short, THE AFICIONADO, was part of the UK Film Council scheme, '8½', under patron Peter Mullan. It screened in festivals around the world and is shown regularly on TV across Europe by Mini Movie Channel. He has made 4 other successful short films, including a 45’ portmanteau of connected stories, DECLARATIONS , inspired by the 60th anniversary of the UN Declarations of Human Rights. It premiered at the 2009 New York Independent Film Festival, where Alan won Best International Director. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
ME,YOUBY BILLE AUGUST a Film Based on the Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS
ME,YOUBY BILLE AUGUST A Film based On The Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS Ischia, 1955. In the waters of the island in the bay of Naples, Marco (16) Caia is Jewish. Marco does not have these prejudices, on the contrary, spends his days sailing with Nicola (52), a hardened fisherman who tells this discovery pushes him to delve into the girl’s life even more. A stories about the sea and the war, that is still very fresh in his memory. beautiful complicity is established between the two in which Caia reveals Marco is different from the other boys, he prefers spending his time her painful past, with a childhood stolen by the SS and a father who in the company of the hermetic Nicola rather than going to the beach, preferred to throw his daughter out of a train in Yugoslavia, rather having courting girls or bathing in the ocean like his peers. Shy and curious, he her to experience the horrors of a concentration camp. takes advantage of his holidays on the Italian island to fill his eyes with Marco’s gestures remind Caia of her father: his protective attitudes, the images of a world that is so distant from his native London or from the way he kisses her on the forehead, the sound of his voice when he the gloomy boarding school in Scotland where his family sheltered Marco pronounces her name in Romanian, Chaiele. Next to him she feels the to protect him from the bombings. presence of her father, even though Marco is just a slender boy 4 years On vacation with his parents at his maternal uncle’s house, he will live younger than her. -
![Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020](https://docslib.b-cdn.net/cover/3954/inmedia-3-2013-%C2%AB-cinema-and-marketing-%C2%BB-online-online-since-22-april-2013-connection-on-22-september-2020-603954.webp)
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Screendollars About Films, the Film Industry No
For Exhibitors October 12, 2020 Screendollars About Films, the Film Industry No. 138 Newsletter and Cinema Advertising Sparked by this year’s renewed interest in independent distributors and genre films, we celebrate the creativity of American International Pictures, the pioneer of mass-production, low-budget film making. AIP was founded in 1954 as American Releasing Corporation (ARC) by Samuel Arkoff, an entertainment lawyer, and James Nicholson, a former sales manager for Realart Pictures. They soon expanded into production so they could take full control of their product, both creatively and financially. AIP developed a checklist of creative elements to ensure a film’s appeal to their target youth audience, largely overlooked by studios of the day. Their ARKOFF formula, named after the founder, included these elements: Action, Revolution, Killing, Oratory, Fantasy and Fornication. AIP would frequently bundle multiple pictures to play as double features at the nearly 4000 drive-ins (Click to Play) operating in the US in the 50’s and 60’s. One of AIP’s famously prolific and successful directors, was Roger Corman, "The Pope of Pop Cinema", who established a cult following for himself and AIP through his adaptions of Edgar Allen Poe tales as horror films. Famously, AIP’s new project development began by creating the film’s title and movie poster, which was then market-tested to confirm interest before the screenwriter, director and cast were hired. Today’s independent producers have many lessons they can learn from the film entrepreneurs