Eastern Progress Is Located Just Off Andrew Patterson
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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
MTV's Most Popular Veejay Doesn't Intend to Spend the Rest of His Life About Th~T
.)'...4. ':' ~ •• 1.01 .... ' 1 .. , . ....',J.iu,. " .. ~ ' t..... l hr n lOtI< 'O!!T, 3Ui<4CAt . J1d4UARi 23 . 200(} n -_ •• NEW YORK POST SUNOAY . JANUA~Y 23 . 2000 ~ • • •1 • i ;s ..... " l1tsu)iYlI~ ' ~ -------------------------------------- MTV's most popular veejay doesn't intend to spend the rest of his life about th~t : . -.- -:. :.-....-;~ . ..~.id!!, _1M ~cripl'" . introducing Britney Spears videos. He has plans beyond "Total Request Live" . t..opiee-,-a ..... ant nLe . andlor dirtrt.........: f1iat "" ould and music-video TV. He's talking about branching out mogul-style into I- be the audience," I ;·• .. • end, nnly'fI been sitcoms and movies. And a lot of important people are listening. on JIIIitcom and ..... ith MTV pro- ducer and roomie Juon Ryan (Along with «orne other friends I They plan to By MICHAEl GllTZ film a short lo ter this year in New York and then take EE:-JAGE ~irl,. ....· Rnt it from there. Car!'on Daly. Tht'y Oaly'a st.udy riJO(, loch • T.queal over hi" every like the re.-ult nf a ~II\'V)' move while c8mpin~ outside cnee r plan. but d un't MlVs Time Square studio believe it. where Only ho!'! ' s "Total "I'm an idiot: in )<: i!" t1" Onh' Rcqucllt Live" - MlVs .. , don'l kno ..... nn." pl<iycn:; in anernoon countdown !'!ho ..... '., the bu.sint'I'II. J !l; hnulct prnh· that's become thl.' network's ably buy a Who'" ImportAnt most pnpulur ~eri('s . A1manac bt'for(' I sav :otI nll'· Record compnnil.'s want thing .stupId in fron't u( th(' Daly. -
The Commodification of the Other and Mtv╎s Construction of the Â
Democratic Communiqué Volume 22 Issue 1 Article 2 3-1-2008 Bollyville, U.S.A: The Commodification of the Other and TM V’s Construction of the “Ideal Type” Desi Murali Balaji Follow this and additional works at: https://scholarworks.umass.edu/democratic-communique Recommended Citation Balaji, Murali (2008) "Bollyville, U.S.A: The Commodification of the Other and TM V’s Construction of the “Ideal Type” Desi," Democratic Communiqué: Vol. 22 : Iss. 1 , Article 2. Available at: https://scholarworks.umass.edu/democratic-communique/vol22/iss1/2 This Research Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Democratic Communiqué by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Balaji: Bollyville, U.S.A: The Commodification of the Other and MTV’s Con Bollyville, U.S.A: The Commodification of the Other and MTV’s Construction of the “Ideal Type” Desi Murali Balaji When the Music Television Network launched MTV Desi in 2005, it promised to bridge the divide between South Asian Americans and their counterparts in the Indian subcontinent.1 This study looks at how MTV Desi tried to create an “ideal type” South Asian American through its programming, presenting an image of South Asian Americans as loving “Bhangra but also Shakira… MTV but also Bollywood.” The author seeks to articulate the political economy of identity by describing MTV’s attempts to define and commodify “Desi-ness.” The author also attempts to explain why MTV Desi ultimately failed and how marginalized audiences can resist commodification by rejecting corporate- defined identity. -
2016 School Library Partner Manual
2016 School Library Partner Manual School Library Partner Manual Contents Summer Reading at New York Libraries: An Introduction .................. 3 2016 Summer Reading ....................................................................... 4 Summer Reading and Your School Library ......................................... 5 Collaborate with your local public library!.........................................................5 Promote summer reading at your school by working with faculty, students, and families ...............................................................................................................6 Summer Reading Websites, Resources, Information, and Materials ... 7 General Summer Reading Resources ................................................. 8 Information and Research ...................................................................................8 Promotional Materials .........................................................................................8 Educators Flyer ...............................................................................................9 Parents Flyer (Side 1) .................................................................................... 10 Parents Flyer (Side 2) .................................................................................... 11 Parents of Young Children Flyer ................................................................... 12 Teen Video Challenge Flyer ......................................................................... 13 Teen NY Flyer -
“My Son the Fanatic” by Hanif Kureishi
video tapes, new books and fashionableW clothes the boy had bought just a few months before. Also without explanation, Ali had parted from the English girlfriend who used to come often to the house. His old friends had stopped ringing. For reasons he didn't himself understand, Parvez wasn't able to bring up the subject of Ali's unusual behaviour. He was aware that he had become slightly afraid of his son, who, between his silences, was developing a sharp tongue. One remark Pawez did make, 'You don't play your guitar any more,' elicited the mysterious but conclu- sive reply, 'There are more important things to be done.' Yet Parvez felt his son's eccentricity an injustice. He had al- ways been aware of the pitfalls that other men's sons had fallen into in England. And so, for Ali, he had worked long hours and spent a lot of money paying for his education as an accountant. He had bought him good suits, all the books he required and a computer. And now the boy was throwing his possessions out! - - The TV, video and sound system followed the guitar. Soon the room was practically bare. Even the unhappy walls bore marks where Ali's pictures had been removed. Parvez couldn't sleep; he went more to the whisky bottle, even when he was at work. He realised it was imperative to discuss the matter with someone sympathetic. HANIF KUREISHI My Son the Fanatic Surreptitiously, the father began going into his son's bedroom. He would sit there for hours, rousing himself only to seek clues. -
Tension Between Reform and Orthodox Judaism in “Eli, the Fanatic”
Undergraduate Review Volume 13 Article 14 2017 Tension between Reform and Orthodox Judaism in “Eli, The aF natic” Katie Grant Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the English Language and Literature Commons Recommended Citation Grant, Katie (2017). Tension between Reform and Orthodox Judaism in “Eli, The aF natic”. Undergraduate Review, 13, 106-116. Available at: http://vc.bridgew.edu/undergrad_rev/vol13/iss1/14 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2017 Katie Grant have caused interdenominational tension throughout Tension Between history, but “Eli, The Fanatic” captures the specific struggles of the post-Holocaust era. The story presents Reform and devastating insight into the obstacles that Orthodox Jews from Germany faced upon immigrating to Ameri- Orthodox Judaism ca to escape persecution in the 1930s and 1940s, as well in “Eli, the Fanatic” as the struggles that Reform sects faced upon accepting the exiles into their communities. The story exemplifies the challenges that Orthodox and Reform sects endure KATIE GRANT when they live in close proximity, and the social and political forces that can prevent the sects from living together amicably. he relationship between fundamentalist Jewish The story is set in the fictional town of Wood- sects and progressive Jewish sects is constant- enton, New York, which is portrayed as a sheltered and Tly evolving and is greatly -
Entire Issue 1
Bollyville, U.S.A: The Commodification of the Other and MTV’s Construction of the “Ideal Type” Desi Murali Balaji When the Music Television Network launched MTV Desi in 2005, it promised to bridge the divide between South Asian Americans and their counterparts in the Indian subcontinent.1 This study looks at how MTV Desi tried to create an “ideal type” South Asian American through its programming, presenting an image of South Asian Americans as loving “Bhangra but also Shakira… MTV but also Bollywood.” The author seeks to articulate the political economy of identity by describing MTV’s attempts to define and commodify “Desi-ness.” The author also attempts to explain why MTV Desi ultimately failed and how marginalized audiences can resist commodification by rejecting corporate- defined identity. n its 25-plus years of existence, the Music Television Network has been one of the primary forces in shaping global youth culture and cultivating youth identity.2 The Viacom-owned network’s influence has been so expansive that MTV programs are now a staple of youth consumption in every corner of the Iworld. 3 MTV, in many ways, is popular culture, indulging its viewers with the lav- ishness of consumerism and breeding a loyal following among an age group that varies from impressionable pre-teens to middle-age voyeurs. MTV in the United States has traditionally targeted white, suburban teenagers, and as its content para- digm has shifted away from music videos and into new “reality”-based program- ming, the network has expanded its reach into movies and even books. In many ways, the network has evolved into an “all-encompassing ‘lifestyle’ channel for its young targeted audience.”4 MTV’s success in shaping culture has been so prevalent that the network itself is synonymous with cool. -
Dancers to Deliver Workshops to Experience This Remarkable Work at a to Grow
ORB Sydney Sydney Dance Dance Company Company 2 One Another Proudly taking 2 ONE ANOTHER to Shanghai later this month www.samsonite.com.au/red Sydney Dance Company New Breed 30 Nov – 9 Dec Carriageworks All tickets $35 BOOK NOW At the box office or via roslynpackertheatre.com.au carriageworks.com.au Made possible by: Welcome Message 2—3 Sydney Dance Company is pleased to welcome Reaching out to and engaging young people you to 2 One Another - a full length work by is integral to everything we do, and in 2017, Rafael Bonachela. Since it was created in 2012, our education and public programs continue 2 One Another has had an extraordinary touring to grow. Over the winter months, our teaching life, both in Australia and internationally. It artists have travelled extensively alongside seemed only right that we should celebrate its the Company dancers to deliver workshops 100th performance by bringing it back to the in schools throughout regional Australia, stage it premiered on. in parallel with our national tour across six states and territories. During this 2 This work has been warmly received by One Another season, a whole new group of audiences all over the world and we are secondary students will have the chance #SDC2OneAnother delighted that after this Sydney season, it to experience this remarkable work at a will have its Chinese premiere as part of the school matinee. 2017 Shanghai International Arts Festival. 2 One Another will be performed in Zhongshan Everything that Sydney Dance Company (The People’s) Park before the Company achieves and delivers around the country and takes to the stage of the Shanghai Grand across the world is made possible through the Theatre to present a double bill of Cacti support of our philanthropic and corporate and Lux Tenebris. -
TRANSCRIPT by FLYING FANATIC EFA Episode 15
TRANSCRIPT BY FLYING FANATIC EFA Episode 15 - Too Cool for School [ph] – Indicates preceding word has been spelled phonetically [sic] – Indicates preceding word has been transcribed verbatim MUSIC : Write My Story by Olly Anna ANNOUNCER GUY : You've tuned in to the Earp Fiction Addiction , a fan podcast all about Wynonna Earp fanfiction. Join our intrepid host DarkWiccan and Delayne as they dive deep into the sometimes sweet, sometimes spicy, and always varied world of fanfiction for the Wynonna Earp fandom. MUSIC : A Proper Story by Darren Korb DARKWICCAN : Thanks Announcer Guy and welcome everybody to the Earp Fiction Addiction , the podcast dedicated entirely to Wynonna Earp fanfiction, I am your host DarkWiccan and with me is my co-host - DELAYNE : Hi, it’s Delayne! DARKWICCAN : And this week we’re getting all sorts of nostalgic for the nineties. Not because the stories are set in the nineties, but because that’s when Delayne and I were in high school. [laughter] Because this week we are dedicating the episode to our favorite High School AUs. DELAYNE : I know it’s called “Too cool for school”, but I was definitely “too school for cool”. [laughter] I will put that one out there for here. DARKWICCAN : [laughter] Well, y'know, I think that’s true for more folks than not, you know what I mean? Like, yeah there were those, of course, the stereotypical jocks, and preps, and whatnot, but I think most folks I talk to they were like, “No, I wasn’t the popular one, I was a pretty studious person”, and the thing is, is I hear that so often it feels like most people thought they weren’t the popular one, and most people thought they were pretty studious. -
Generation X and the Invention of a Third Feminist Wave
GENERATION X AND THE INVENTION OF A THIRD FEMINIST WAVE by ELIZABETH ANN BLY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Renée Sentilles Department of History CASE WESTERN RESERVE UNIVERSITY January, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________ candidate for the ______________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2009 by Elizabeth Ann Bly All rights reserved iii For Gabe, Kristin, and Xoe And in memory of Judith Northwood (1964-2009) iv TABLE OF CONTENTS LIST OF ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xiii INTRODUCTION 1 White Grrrls 7 ―We Don‘t Need Another Wave‖ 11 Generation X, Feminism, and Contemporary History 19 ―The Order of Things‖ 25 CHAPTER ONE: “Generation X and the 1970s Pop Cultural Discourse on „Women‟s Lib‟” 32 ―Women‘s Lib‖: The Media‘s ―Charred Bra‖ Revolution 35 A Day in the Life: ―Women‘s Lib‖ as Spectacle 38 ―And Then There‘s Maude‖: ―Women‘s Lib‖ and Adult TV 46 Women‘s Lib -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 480 372 PS 031 481 TITLE Marketing Violent Entertainment to Children: A One-Year Follow-Up Review of Industry Practices in the Motion Picture, Music Recording and Electronic Game Industries. A Report to Congress. INSTITUTION Federal Trade Commission, Washington, DC. PUB DATE 2001-12-00 NOTE 101p.; For the Six Month Follow-Up Report, see ED 452 453. AVAILABLE FROM Federal Trade Commission, 600 Pennsylvania Avenue, NW, Washington, DC 20580. Tel: 877-FTC-HELP (Toll Free); Web site: http://www.ftc.gov. For full text: http://www.ftc.gov/os/2001/ 12/violencereportl.pdf. PUB TYPE Reports Evaluative (142) EDRS PRICE EDRS Price MF01/PC05 Plus Postage. DESCRIPTORS Adolescents; *Advertising; Children; *Compliance (Legal); Federal Regulation; *Film Industry; Influences; Mass Media; *Mass Media Role; Merchandising; Popular Music; Video Games; *Violence IDENTIFIERS Entertainment Industry; Federal Trade Commission; *Music Industry ABSTRACT In a report issued in September 2000, the Federal Trade Commission reported that the motion picture, music recording, and electronic game segments of the entertainment industry intentionally promoted products to children that warranted parent cautions. This report responds to the request of the Senate Commerce Committee by focusing on advertising placement in popular teen media and disclosure of rating and labeling information in advertising. The report details commission findings indicating that the movie and electronic game industries have taken steps to better communicate rating information to parents, and that the game industry and a number of movie studios ave placed some specific limits on ad placements to avoid targeting youth. The music industry is beginning to include the parental advisory in advertising, but has not taken steps to limit advertising to children.