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Nutcracker – the Story of Clara the AUSTRALIAN BALLET EDUCATION
TEACHER’S RESOURCE KIT SECONDARY SCHOOLS Nutcracker – The Story of Clara THE AUSTRALIAN BALLET EDUCATION Contents 05/ Synopsis 08/ The Creatives 10/ Spotlight on Nutcracker – The Story of Clara with Artistic Director David McAllister 11/ The Music 12/ Invitation to the Dance: Graeme Murphy on the origins of his Nutcracker 15/ Curricular activities TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 2 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov. Photography Justin Ridler. Nutcracker – The Story of Clara Choreography Graeme Murphy Creative associate Janet Vernon Concept Graeme Murphy and Kristian Fredrikson Music Piotr Ilyich Tchaikovsky Set and costume design Kristian Fredrikson Original lighting design John Drummond Montgomery recreated by Francis Croese Film collage Philippe Charluet TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 3 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov and Kevin Jackson. Photography Justin Ridler TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 4 THE AUSTRALIAN BALLET EDUCATION Nutcracker – The Story of Clara Amelia Soh, Natasha Kusen and artists of the Australian Ballet. Photography Daniel Boud SYNOPSIS ACT I During a sweltering Christmas Eve in Melbourne in the late During a troubled sleep Clara descends into hallucination. 1950s, the ageing Clara, once a famous Russian ballerina, She dreams that she encounters herself as a child and once struggles home through the scorching heat with her meagre again is terrified by shadows in the night. Then, as the clock shopping. All she can afford is a few provisions and a tiny strikes midnight on this final Christmas, she witnesses the death Christmas tree, which she places on a table. The music of of the man she loved and is caught in the destructive chaos of Tchaikovsky’s The Nutcracker from her radio fills her with the Russian Revolution. -
Sydneydancecompany.Com Sydney Dance Company Pre-Professional Year 2015 Prospectus
1 Photo of Sydney Dance Company Dancers Todd Sutherland and Janessa Dufty by Wendell Teodoro SYDNEYDANCECOMPANY.COM SYDNEY DANCE COMPANY PRE-PROFESSIONAL YEAR 2015 PROSPECTUS CONTENTS Message from Artistic Director Rafael Bonachela & Patron Darcey Bussell 3 About Pre-Professional Year & Course Outcomes 4 Reasons to join Sydney Dance Company’s Pre-Professional Year 5 Course Overview 6 Sample Weekly Schedule 7 Evaluation and Assessment Procedure 8 Teaching Faculty 9-10 About Sydney Dance Company 11 How to Apply 12 2 MESSAGE FROM RAFAEL BONACHELA Now in its second year, Sydney Dance Company’s Pre-Professional Year provides a strong training ground for the next generation of contemporary dance professionals. As one of the most recognised and respected contemporary dance companies in Australia, it’s wonderful to be able to connect with students and provide them with invaluable training opportunities, knowledge and professional experience so that they can then go and launch rewarding careers in the creative industries. As a dancer and choreographer, I know how important it is to have the best training opportunities available in order to reach your career goals. Sydney Dance Company thrives on an ethos of excellence and the Pre-Professional Year will allow you to develop your skills to the highest artistic and technical standards alongside our professional Company. Course Director Linda Gamblin will guide and nurture you throughout the year alongside our outstanding teaching team. Their diverse expertise and teaching methods will encourage you to reach your true potential as an artist. I’m looking forward to working with students as they develop into sound professionals – whether it’s as performers, choreographers, teachers or creatives – there are endless possibilities with the Pre-Professional Year course and we can’t wait to explore them with you. -
Jump on Board High-Performing Not-For-Profit Boards in Fundraising
JUMP ON BOARD HIGH-PERFORMING NOT-FOR-PROFIT BOARDS IN FUNDRAISING November 2019 PREPARED BY Melissa Smith Director & Founder, Noble Ambition in partnership with Perpetual ABOUT THE AUTHOR Melissa is former Global Fundraiser of the Year (IFC, 2011) and Australian Fundraiser of the Year (FIA, 2011). She has facilitated philanthropic giving across education, the arts and health, and worked with hundreds of donors in Australia, Asia and the United States. Melissa has led four fundraising programs from start-up to established, from Powerhouse Museum and Sydney Opera House in the arts, to University of Technology, Sydney and RMIT University, in education. Melissa has a BA Hons (First Class, USyd), Masters of Management (UTS); is a Churchill Fellow (2007) and a graduate of University of Melbourne’s Asialink Leaders Program and Benevolent Society’s Sydney Leadership Program. She has presented her research internationally in areas including the impact of culture on philanthropy, international best practice in arts philanthropy, and the role of leadership in philanthropy. Melissa’s lifelong interest and experience enables her to understand both philanthropy and fundraising. As a thought leader in the philanthropic and fundraising sector, she is in the privileged position of possessing the practical and strategic skills to support both pillars equally. Jump on Board: High-performing not-for-profit boards in fundraising 2 Philanthropic fundraising in Australia is in a state of rapid change. While mass giving is in decline, major gifts are on the rise, and in coming years we will see the largest intergenerational transfer of wealth in our nation’s history. This undoubtedly presents an exciting opportunity for the non-for-profit (NFP) sector to attract significant support, but also raises questions about how prepared NFPs are to maximise this opportunity. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Moca Board of Trustees New Members Final
FOR IMMEDIATE RELEASE November 12, 2018 THE BOARD OF TRUSTEES OF THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA) ANNOUNCES FIVE NEW MEMBERS DR. ADRIAN CHENG, MARINA KELLEN FRENCH, SIMON MORDANT, SEAN PARKER, AND JULIA STOSCHEK BRING THEIR WIDE-RANGING INTERNATIONAL EXPERIENCES AND DEPTH OF PHILANTHROPIC COMMITMENTS TO AN EXPANDED BOARD LOS ANGELES—The Board of Trustees of The Museum of Contemporary Art, Los Angeles (MOCA), today announced the addition of five new members: Dr. Adrian Cheng, Marina Kellen French, Simon Mordant, Sean Parker, and Julia Stoschek. The members bring an international outlook, various industry backgrounds, and deep commitment to the arts. They each add strength to an expanded and invigorated MOCA Board. “I am thrilled and proud to welcome such an esteemed group of new trustees,” said MOCA Board Chair Maria Seferian. “Each of our new trustees is a leader in his or her industry and a deeply dedicated philanthropist who has contributed to many important causes around the world. MOCA is embarking on a new chapter, and we are all very excited about what’s to come.” “I am humbled and grateful to welcome five extraordinary philanthropists, leading art specialists, and pioneering supporters of the arts and social causes to the board of MOCA,” said Klaus Biesenbach, the Director of The Museum of Contemporary Art. “Each, in their own way, brings a unique knowledge and experience to the Board that will broaden and strengthen the growth of the museum going forward.” Dr. Adrian Cheng joins the MOCA Board from Hong Kong. Mr. Cheng is an internationally-renowned businessman. -
Takeovers Panel Annual Report 2009-10
Takeovers Panel Annual Report 2009-2010 © Commonwealth of Australia 2010 ISBN 978-0-642-74631-3 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth. Requests and inquiries concerning reproduction and rights should be addressed to the: Commonwealth Copyright Administration Attorney-General’s Department 3-5 National Circuit BARTON ACT 2600 Or posted at: http://www.ag.gov.au/cca A copy of this document appears on the Takeovers Panel website. The website address is: www.takeovers.gov.au. Printed by CanPrint Communications Pty Ltd Level 10, 63 Exhibition Street Melbourne VIC 3000 Telephone: 03 9655 3500 Facsimile: 03 9655 3511 Internet: www.takeovers.gov.au Email: [email protected] 26 August 2010 The Honourable Wayne Swan MP Deputy Prime Minister Parliament House Canberra ACT 2600 Dear Deputy Prime Minister ANNUAL REPORT 2009-10 In accordance with section 183 of the Australian Securities and Investments Commission Act 2001, I submit the 2009-10 Annual Report of the Takeovers Panel for presentation to Parliament. The report has been prepared in accordance with section 70(2) of the Public Service Act 1999. Yours sincerely Simon McKeon President iii CONTENTS INDEX OF COMPLIANCE ................................................................................................... vii SECTION 1 — INTRODUCTORY ........................................................................................... 1 Introduction -
Workshop Word JFH Apr 2016 TW
Sydney Dance Company April School Holidays 2016 — Sydney Dance Jazz, Theatre Jazz JFH &Company Hip Hop April School 2 days $165 Holidays 2016 For Ages— 8—18 Contemporary & Lyrical 2 days $165 For Ages 8—18 Timetable Sydney Ages 8 & 9 Elementary Dance Thursday 14 April Friday 15 April 9.30am-10.00am Registration Company 10.00am-11.15am JAZZ with Jess JAZZ with Jess 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm HIP HOP with Jayden HIP HOP with Jayden 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm JFH with Elysha JFH with Elysha 2.45pm-4.00pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica Ages 10 & 11 Intermediate Thursday 14 April Friday 15 April 9.30am-10.00am Registration January 10.00am-11.15am HIP HOP with Jayden HIP HOP with Jayden 11.15am-11.30am Morning recess SchoolMorning recess Holidays 11.30am-12.45pm JAZZ with Jess JAZZ with Jess 12.45pm-1.30pm Lunch break Lunch break 2016 1.30pm-2.45pm THEATRE JAZZ with Veronica THEATRE JAZZ with Veronica 2.45pm-4.00pm JFH with Elysha JFH with Elysha 2 days $165 Contemporary Ages 12 & 13 Intermediate/Advanced Lyrical Thursday 21 April Friday 22 April Theatre Jazz 9.30am-10.00am Registration Hip Hop 10.00am-11.15am JAZZ with Amy JFH with Lauren 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JFH with Heath JAZZ with Amy 12.45pm-1.30pm Lunch break Lunch breakFor ages 8 to 18 1.30pm-2.45pm HIP HOP with Thomas THEATRE JAZZ with Veronica 2.45pm-4.00pm THEATRE JAZZ with Leslie HIP HOP with Thomas Ages 14-18 Intermediate/Advanced Thursday 21 April Friday 22 April 9.30am-10.00am Registration 10.00am-11.15am JFH with Heath JAZZ with Amy 11.15am-11.30am Morning recess Morning recess 11.30am-12.45pm JAZZ with Amy JFH with Lauren 12.45pm-1.30pm Lunch break Lunch break 1.30pm-2.45pm THEATRE JAZZ with Leslie HIP HOP with Thomas 2.45pm-4.00pm HIP HOP with Thomas THEATRE JAZZ with Leslie Faculty - Juniors Veronica George – Theatre Jazz Jayden Rodrigues – Hip Hop Veronica is a professional Musical Theatre performer. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Annual Report 2018–19 Art Gallery of Western Australia
Annual Report 2018–19 Art Gallery of Western Australia Location Sponsorship Perth Cultural Centre, Western Australia For information on becoming a Gallery partner please contact the Partnership Manager by telephoning 9492 6693. Postal Address PO Box 8363 Donations and Cultural Gifts Perth Business Centre Information on donations to the Gallery, including the Cultural Gifts Program and the PERTH WESTERN AUSTRALIA 6849 Cultural Bequest Program, is available on request from the Art Gallery of Western Australia Foundation. Contact In line with the State Government requirements, the Art Gallery of Western Australia Annual Report Info line: 9492 6622 2018-19 is published in an electronic format. The Gallery encourages people to use recycled paper if Telephone: 9492 6600 they print a copy of this report or sections of it. Email: [email protected] The 2018-19 Annual Report is provided on the Art Gallery of Western Australia website in PDF format Website: artgallery.wa.gov.au (entire report) as well as in an accessible (text-only) version, which excludes the financial statements. https://artgallery.wa.gov.au/about/annual-reports Opening hours This work is copyright. It may be reproduced in whole or in part for study or training if the source is Wednesday to Monday 10 am to 5 pm acknowledged. Such use must not be for commercial purposes. Subject to the Copyright Act 1968, Closed Tuesdays, Anzac Day, Good Friday and Christmas Day reproduction, storage in a retrieval system or transmission in any form by any means of any part of the work other than for the purposes above is not permitted without prior written authorisation from the Admission Art Gallery of Western Australia. -
1-Day-Intensive-2015
Sydney Dance Company July School Holidays 29th June or 6th July __ 1 Day Intensive $80 Yoga/Pilates Ballet Class Contemporary Repertoire For ages 14—18 An introduction from Linda Gamblin Course Director, Pre-Professional Year Sydney Dance Company’s one-day intensive for senior dance students will give you a great insight into how we spend our days in the full-time Pre-Professional Year Course giving you food for thought as you continue to explore the wonderful world of dance. Meticulous training in classical and contemporary technique, including intense pilates and yoga practice is the best foundation for developing as a dancer. In this one day intensive you will learn Sydney Dance Company repertoire choreographed by Rafael Bonachela along with exploring improvisation skills and task work, which extends the dancer to become the artist. Timetable _________________________________________________________________________ Ages 14 to 18 Intermediate Monday 29 June 9.30am – 10.00am Registration 10.00am-11.15am Yoga / Pilates with Jolie Brook 11.15am-11.30am Recess 11.30am – 12.45pm Ballet Class with Linda Gamblin 12.45pm-1.30pm Lunch 1.30pm – 4.30pm Contemporary Workshop with Thomas Bradley Includes Technique, Task Work, Improvisation & Sydney Dance Company Repertoire (2 One Another) _________________________________________________________________________ Ages 14 to 18 Intermediate Monday 6 July 9.30am – 10.00am Registration 10.00am-11.15am Yoga / Pilates with Jolie Brook 11.15am-11.30am Recess 11.30am – 12.45pm Ballet Class with Paul Knobloch 12.45pm-1.30pm Lunch 1.30pm – 4.30pm Contemporary Workshop with Thomas Bradley Includes Technique, Task Work, Improvisation & Sydney Dance Company Repertoire (2 One Another) __________________________________________________________________________ Faculty _________________________________________________ _______________________________________ Linda Gamblin - Ballet Thomas Bradley - Contemporary Linda Gamblin has enjoyed a prestigious classical dance Thomas originally comes from Cootamundra, regional career. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
Frame of Mind William Forsythe | Rafael Bonachela
MEDIA RELEASE March 26, 2015 AUSTRALIAN PREMIERE SEASON SYDNEY DANCE COMPANY’S FRAME OF MIND WILLIAM FORSYTHE | RAFAEL BONACHELA NINE MELBOURNE SHOWS ONLY MAY 6 TO 16, BOOK NOW! ★★★★ ½ - It’s sublime. – Sunday Telegraph Astonishing… powerful, personal and poetic… quite simply, breathtaking. – Limelight Magazine ★★★★ - It’s a delight…a potent blend of technique, daring and playfulness. - SMH Could be seen again and again without exhausting its possibilities. - The Australian ★★★★ - Passionate… precise… breath-stealing. – The Guardian Sydney Dance Company The Wharf, Pier 4, 15 Hickson Road, Sydney, NSW 2000, Australia MEDIA RELEASE March 26, 2015 As part of its Australian premiere season, Sydney Dance Company is set to presen t a limited run of its acclaimed double bill, Frame of Mind, at Southbank Theatre, Melbourne . This is an exceptional opportunity to experience two mesmerising danceworks - legendary American choreographer William Forsythe’s acclaimed masterpiece Quintett, and Rafael Bonachela’s newly created Frame of Mind, direct from its world premiere Sydney performances. Created in 1993, William Forsythe’s Quintett is one of the most renowned contemporary dance works of the 20th Century. This highly poetic and powerful work, developed in collaboration with Ballet Frankfurt dancers Dana Caspersen, Stephen Galloway, Jacopo Godani, Thomas McManus and Jone San Martin, was a final love letter to Forsythe’s wife, dancer Tracy-Kai Maier, who succumbed to cancer in 1994, aged 32. Quintett is set to a hauntingly beautiful soundtrack by renowned post-minimalist British composer, Gavin Bryars; his iconic 1975 composition, Jesus's Blood Never Failed Me Yet. Inspired by a grainy, chance recording of a homeless man singing, the looped vocals begin as a barely audible, distant melody, and acquire a slowly evolving, growing orchestral accompaniment, which with its insistent optimism, tinged with tragedy, creeps under the skin and magnifies the intense poignancy of the choreography.