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VIENNA, OCTOBER 2ND 2020 PHOTO AUCTION 77, ALFRED EISENSTAEDT EXPERTEN SPECIALISTS PROF. JOHANNES FABER 22. Gründer der Galerie Johannes Faber in Wien, OSTLICHT Kunsthändler und Experte für klassische PHOTO AUCTION Fotografie; zahlreiche Ausstellungen, Preise, Freitag, 2. Oktober 2020, Stipendien und Publikationen. 17 Uhr (MESZ) Founder and director of Galerie Johannes Faber in Vienna, art dealer and expert for classic VORBESICHTIGUNG photography; numerous exhibitions, awards, ab Mittwoch, 23. September scholarships and publications. nach persönlicher Vereinbarung: PHOTO [email protected], Tel.: +43 1 996 20 66 17 ND AUCTION 22 OSTLICHT ANNA ZIMM PHOTO AUCTION Kunsthistorikerin, Expertin für Fotografie, Researcher. Friday, October 2nd 2020, Seit 2008 bei OstLicht (früher WestLicht) Photo Auction. 5 pm (CEST) Art historian, Photographs Specialist, Researcher. Working for OstLicht (former WestLicht) Photo Auction VIEWING since 2008. from Wednesday, September 23rd [email protected] only by appointment: [email protected], Tel.: +43 1 996 20 66 17 MICHAEL KOLLMANN Kurator Fotobuch WestLicht / OstLicht, Begründer vom Vienna Photo Book Festival, Fotobuch- UPDATED BUYER’S Herausgeber und Experte für seltene Fotobücher. PREMIUM Photo book curator WestLicht / OstLicht, founder The total purchase price for of the Vienna Photo Book Festival, editor of photo all lots consists of the hammer books and expert for rare photo books. price plus the premium of Absberggasse 27, 26 % (incl. 5 % VAT) for lots [email protected] 1100 Vienna, Austria remaining in the EU. Tel.: +43 1 996 20 66 17 For lots that are exported to For general enquiries third countries or purchased about this auction, email with a valid VAT number the should be addressed to premium is 20 %. [email protected] WWW.OSTLICHT-AUCTION.COM Chinese men on a ship, »30« plate mark on the image side in the upper left, newly glazed and sealed 1 ATTRIBUTED TO NATALIS RONDOT (1821–1900) Nine quarter-plate daguerreotypes including the first photograph of Shanghai, China 1844–45 Teahouse and bridge in Shanghai Yu Self-portrait of the photographer, 9 quarter-plate daguerreotypes each mounted in paper Garden, »30« plate mark in the lower right »60« and »GARANTIE« plate marks on passepartout behind modern mount and a flower-shaped plate mark in the the image side in the upper left, newly € 180.000 / € 350.000–400.000 upper right, newly glazed and sealed glazed and sealed 6 7 Die neun zwischen Sommer 1844 und Spätherbst 1845 Im Spätherbst 1845 stellte Rondot ausgedehnte Erkun- The nine daguerreotypes, which were created between In the late autumn of 1845, Rondot made extensive in China entstandenen Daguerreotypien die vor einigen dungen in der lokalen Textilindustrie in Shanghai an. Im summer 1844 and late autumn 1845, were discovered explorations of the local textile industry in Shanghai. Jahren entdeckt wurden bedeuten eine historische Zuge dieses Aufenthaltes fotografierte er im Teegarten, recently, and are a photo historical sensation. Not only During this stay he took photographs in the tea garden, Sensation. Damit wird nicht nur neues Licht auf die der mit seinen Pavillons und Felsgrotten um einen See does this shed new light on the introduction of photo- which with its pavilions and rock grottoes around a Einführung der Fotografie in China geworfen und ein für die Mitglieder der Mission der malerischste Ort der graphy in China and identify a previously unknown lake was the most picturesque place in the city for the bislang unbekannter französischer Bildautor identifiziert, Stadt war. Die erhaltene Aufnahme zeigt das Teehaus und French daguerreotypist, it also shifts the chronology of members of the mission. His photograph was thus taken sondern es verschiebt sich auch die Chronologie der die kleine Zubringer-Brücke in einer seitenverkehrten the earliest photographs taken in the city of Shanghai more than a decade before that of Louis Legrand, who frühesten Aufnahmen aus der Stadt Shanghai um mehr Ansicht. Dies beweist, dass die Kamera nicht mit einem by more than a decade. In any case, the series has an had photographed from the same vantage point. Both als ein Jahrzehnt. Die Serie besitzt jedenfalls einen außer- Prisma ausgestattet war, was für die frühen Daguerreo- exceptional status as an important cultural asset that pictures show the teahouse and the small feeder bridge, gewöhnlichen Stellenwert als bedeutendes Kulturgut, typen typisch ist. documents both French and Chinese history. In the but Rondot’s daguerreotype is shown in an inverted das sowohl französische wie chinesische Geschichte meantime, more detailed research results are available view. This proves that his camera was not equipped dokumentiert. Mittlerweile liegen nähere Forschungser- Ein Indiz zur Zuschreibung ist schließlich das schöne from Terry Bennett, the renowned researcher on the with a prism, which is typical for early daguerreotypes. gebnisse von Terry Bennett, dem renommierten Forscher Selbstporträt des jungen Delegierten, der nach seiner history of photography in Asia. zur Geschichte der Fotografie in Asien, vor. Rückkehr im Alter von 25 Jahren zum Ritter der Ehren- Finally, an indication of the attribution is the beautiful legion ernannt wurde. Die Identifikation von Rondot Natalis Rondot, an art historian and economist from self-portrait of the young delegate, who was made a Der aus Lyon stammende Kunsthistoriker und Ökonom als Autor der vorliegenden Aufnahmen ist außerdem Lyon, was 22 years old when he was commissioned to Knight of the Legion of Honor at the age of 25 after his Natalis Rondot hatte mit 22 Jahren den Auftrag erhalten, relevant, als mit Jules Itier ein weiterer Fotograf participate in the Lagrené mission to China as delegate return. The identification of Rondot as the author of als Handelsrepräsentant für Textilien an der Lagrené- (mit eigener Ausrüstung) die Lagrené-Chinamission of the Ministry of Commerce specialized in the wool the present daguerreotypes is furthermore relevant as Mission nach China teilzunehmen. Im Februar 1844 ver- begleitete. Allerdings verließ dieser die Reisegruppe be- textile industry. In February 1844, he left France on another photographer (with his own equipment), Jules ließ er Frankreich an Bord der Dampfkorvette Archimède, reits Ende August 1845, also vor Eintreffen in Shanghai – board the Archimède steam corvette, whose captain, Itier, also accompanied the Lagrené China Mission. deren Kapitän, François-Edmond Pâris, eine Daguerreo- daher kann er diese Aufnahmen nicht gemacht haben, François-Edmond Pâris, carried a daguerreotype equip- However, he left the group at the end of August 1845, typie-Ausrüstung mitführte. Nachdem Rondot den die als geschlossene Gruppe in einer authentischen Holz- ment. After Rondot had accompanied the captain in before arriving in Shanghai, so he could not have taken Kapitän bei der Anfertigung von Daguerreotypien be- box aus der Entstehungszeit aufgefunden wurden. the making of daguerreotypes, he was able to use the these photographs, which were found as a group in gleitet hatte, konnte er die Ausrüstung im weiteren Ver- equipment himself as the journey progressed. This is their original wooden storage box. lauf der Reise auch selbst nutzen. Dies ist durch Berichte evidenced by reports that describe, for example, his belegt, die etwa seine Aufnahmetätigkeit anlässlich der photographic activities on the occasion of the signing Vertragsunterzeichnung in Whampoa im November 1844 of the contract in Whampoa in November 1844. The schildern. In China hatte Rondot schließlich die Gelegen- preserved plates show that Rondot photographed heit, anlässlich von Treffen der französischen Delegierten several times at meetings of French delegates with mit chinesischen Beamten zu daguerreotypieren, etwa Chinese officials, for example during reciprocal visits on bei gegenseitigen Besuchen auf Schiffen (die Aufnahmen ships (the daguerreotypes also show Chinese rigging). zeigen auch chinesische Takelagen). 8 9 1 2 3 4 5 6 List of plates: 1 Self-portrait of the photographer, »60« and »GARANTIE« plate marks on the image side in the upper left, newly glazed and sealed 2 Teahouse and bridge in Shanghai Yu Garden, »30« plate mark in the lower right and a flower-shaped plate mark in the upper right, newly glazed and sealed 3 Chinese men on a ship, »30« plate mark on the image side in the upper left, newly glazed and sealed 4 Two Chinese men on a ship, »60« and »GARANTIE« plate marks on the image side in the lower right, newly glazed and sealed 5 Chinese woman, »H.S« plate mark in the lower left and »30« plate mark in the lower right, newly glazed and sealed 6 Chinese official on a ship, »30« plate mark, newly glazed and sealed 7 Senior sailor sitting next to boxes and ropes on a ship, »60« and »GARANTIE« plate marks on the image side in the upper left, newly glazed and sealed 8 Lazarist missionary, unmounted 8 9 9 Standing European woman in a crinoline dress, »60« and »GARANTIE« plate marks on the image side in the upper left, unmounted 7 10 11 2 3 FRANZ K. STREZEK Attributed to (1809–1895) FRANÇOIS Cavalary Captain, BENJAMIN Vienna c. 1856 LAMICHE (1808–1875) Stereo-daguerreotype in the original leather case Cartomancer, 9,5 × 11,9 × 1,5 cm France c. 1855 Photographer’s embossing »STREZEK’S DAGUERROTYP- Stereo-daguerreotype ATELIER WIEN, LEOPOLDSTADT 8,4 × 17,1 cm 587« on the mount; integrated Newly sealed in stereo viewer by »ROSPINI reverse-painted glass K.K.HOF / Drechsler u. Opticus / mat with rectangular
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  • Vogue Media Kit 2019

    Vogue Media Kit 2019

    MEDIA KIT 2019 EDWARD ENNINFUL OBE A NEW ERA OF BRITISH VOGUE “Before I got the job I spoke to certain women and they felt they were not represented by the magazine, so I wanted to create a magazine that was open and friendly. A bit like a shop that you are not scared to walk into. You are going to see all different colours, shapes, ages, genders, religions. That I am very excited about.” - Editor-In-Chief, Edward Enninful, OBE The first issue under Enninful was The December 2017 issue. VA N E S S A K I N G O R I M B E “I’m excited to assume this highly-coveted role. In a moment when continuous change across the communications; fashion and luxury industries creates dynamic and exhilarating opportunities for the strongest media brands, Vogue’s unrivalled equity sets it apart as the best of the best.” - Publishing Director, Vanessa Kingori, MBE Vanessa is the first new Publishing Director at British Vogue in a quarter of a century. Having begun her tenure in January 2018, she ushers in a new direction in Vogue’s business strategy. BRITISH VOGUE LEADERSHIP TEAM ACHIEVEMENTS & AWARDS 2018 Edward Enninful OBE Vanessa Kingori MBE Goldsmith’s, University of London | University of the Arts London | Honorary Honorary Fellowship Doctorate “Enninful’s trailblazing work on Italian and “The first female publisher in British Vogue’s American Vogue and W Magazine led to his 102 year-long history, Vanessa Kingori MBE is appointment at British Vogue – where he has instrumental to the creative vision and continued to innovate and inspire.” emphasis on diversity