DOCSLIB.ORG

The Board of Trustees of the International Fund for Concerned Photography Is Drawn from Many Intellectual Disciplines. All Trust

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Board of Trustees of the International Fund for Concerned Photography Is Drawn from Many Intellectual Disciplines. All Trust the International fund for Concerned Photography inc. 275 Fifth Avenue, New York, N.Y. 10016 The Board of Trustees of The International Fund for Concerned Photography is drawn from many intellectual disciplines. All trustees are involved in the visual perception of the world, working closely with us to identify talent and ideas, indicate the direc­ tion and quality of our various projects, and provide active support. Included among the Board and the Advisory Council are photographers, film-makers, educators, museum curators, art historians, psychologists, architects, writers, journalists, and business executives who share both a concern for man and his world and a commitment to the goals of the Fund. Board of Trustees - The International Fund for Concerned Photography Rosellina Bischof Burri Zurich: Founding Trustee Frank R. Donnelly New York: Child psychologist; social worker; author; Associate Director, Playschool Association; Founder, Studio Museum, Harlem Matthew Huxley Washington, D.C.: Chief, Standards Development Branch, National Institute of Mental Health; author Karl Katz New York: Chairman of Exhibitions and Loans, Metro­ politan Museum of Art Gy orgy Kepes Cambridge, Mass.: Professor of Visual Design, M.I.T.; painter; author Ellen Liman New York: Painter; author; collector William H. MacLeish Woods Hole, Mass.: Editor of Oceanus, the official publication of Woods Hole Oceanographic Institution Henry M. Margolis New York: Chairman of the Board of Trustees, ICP, industrialist; Director, American Committee of the Weizmann Institute of Science Mitchell Pallas Chicago: Chairman of the Board, Center for Photographic Arts Dr. Fritz Redi Massachusetts: Professor of Behavioral Sciences; author Nina Rosenwald New York: Photographer; board member, Young Concert Artists Society; member. Citizens Committee for Children Eileen S. Shneiderman New York: Founding Trustee Howard Squadron New York: Founding Trustee and Secretary of ICP; attorney; Vice President, American Jewish Congress David L. Strout Kansas City, Mo.: Vice President, Design and Cultural Affairs, Crown Center; formerly Dean, Rhode Island School of Design Don Underwood New York: Communications specialist; former Associate Editor of Life; for Professor of Journalism, University of Utah Sandra Weiner New York: Instructor of Photography, New York University; photographer; author Cornell Capa New York: Founding Trustee & Executive Director of ICP; photographer; editor; author In formation is a separate Board of Trustees for the International Center of Photography (ICP), which will include some members of the Fund Board and new supporters who have an active interest in the establishment of aCenter devoted exclusively to photography. Members as of July 15, 1974 are: Cornell Capa New York: Founding Trustee & Executive Director of International fund For Concerned Photography; Photographer; Editor; Author David Finn New York: Chairman of the Board, Ruder & Finn; Author; Photographer; Collector Thomas Hess New York: Art Critic Rita Hillman New York: Philanthropist Beverly Karp New York: Collector Karl Katz New York: Chairman of Exhibitions and Loans, Metro­ politan Museum of Art Henry Margolis New York: Chairman of the Board, International fund for Concerned Photography; Industrialist Jerry Mason New York: President and Editor in Chief, Ridge Press Bess Myers on New York: Frederick S. Pa pert New York: Chairman of the Board, Papert, Koenig, & Lois Company Nina Rosenwald New York: Photographer Louis Salton New York: Industrialist; Collector Howard Squadron New York: Founding Trustee & Secretary of International fund for Concerned Photography; Attorney and Partner, Squadron, Gartenberg, Ellenoff & Plesent Susan Tepper New York: Painter Edward M. M. Warburg New York: Photographers Advisory Council (in formation) Henri Cartier-Bresson Paris Carl Chiarenza Boston Bruce Davidson New York Benedict Fernandez New York KarlW. Gullers Sweden Ernst Haas New York Hiroshi Hamaya Japan Ken Heyman New York Gordon Parks New York Eliot Porter New Mexico George Rodger England Arthur Rothstein New York W. Eugene Smith New York Howard Sochurek New York Roman Vishniac New York INTERNATIONAL CENTER OF PHOTOGRAPHY - 1130 Fifth Avenue, N.Y.C. The International Center of Photography will open approximately October 15, 1974, with three exhibitions. CLASSICS OF DOCUMENTARY PHOTOGRAPHY: Werner Bischof, Robert Capa, David Seymour - "Chim," Lewis W. Hine, and Dan Weiner The work of these five photographers sets the tone and tradition of the concern for mankind. This humanistic tradition in photography was established by the pioneer documentary photographer, Lewis W. Hine (1874-1940). Hine's suc­ cinct summation of the purpose of the documentary photograph has been the underlying inspiration and ideal of all those who have devoted themselves to the use of the camera as a tool of social awareness and exploration of beauty: "There were two things I wanted to do. I wanted to show the things that need to be corrected. I wanted to show the things that need to be appreciated." This exhibit also marks the publication of the first six titles in the ICP Library of Photographers (Grossman/Viking 1974), definitive monographs on Werner Bischof, Robert Capa, David Seymour - "Chim," Lewis W. Hine, Roman Vishniac, and Dan Weiner. Approximately 100 black-and-white prints, from 11" X 14" to 20" X 30" in size, to be printed in New York under the supervision of Cornell Capa. APROPOS USSR (1954 and 1973): Henri Cartier-Bresson In an homage to Cartier-Bresson, Lincoln Kirstein said that "over the last 30 years the photography of Henri Cartier-Bresson has resulted in a body of work unique in the history of this craft, not alone in kind, but in quality . .His mind and eye are always on the point of focused historical discovery, the "X" that marks the spot where time and space cross in a potential explosion, which can illuminate some facet of our behavior in our time and our places . But his particular distinction is that he knows history is a continuum, that the points in time at which he feels his fingers can press, have been preceded by all the factors that make some crucial moment, of many moments, decisive." From Cartier-Bresson's two trips to Russia - one in 1954 when,by virtue of the fact that he was permitted to use his camera with the kind of freedom not allow­ ed to any foreigner since the Russian Revolution of 1917, he presented us with the first peek behind the Iron Curtain; and his second journey to Russia in 1973 - emerges a photographic document of the land and the people that is unparalleled in the depth and sensitivity of reportage, and that carries the unmistakable mark of Bresson's decisive moments in visual history. The exhibit is created by ICP, and its showing at the Center will be its world premiere. Approximately 100 black-and-white prints, in sizes ranging from 16" X 20" to 40" X 60", to be printed in Paris under Cartier-Bresson's personal supervision. International Center of Photography- Opening Exhibits continued Pg. 2 THE EYE OF THE BEHOLDER A stunning group exhibition of 21 masters of color photography. The show, consisting of 57 large color prints, is a testament to human vision and the power and scope of the photographic image. The photographers are: Brian Brake, Jerry Cooke, John Dominis, David Douglas Duncan, Douglas Faulkner, Joe Franklin, Burt Glinn, Ernst Haas, Bhupendra Karia, Jay Maisel, Gordon Parks, Eliot Porter, Harry Redl, Co Rentmeester, Marc Riboud, Emil Schulthess George Silk, Howard Sochurek, Takeyoshi Tanuma, Pete Turner, and John Zimmerman. The exhibit is sponsored by E. R. Squibb & Sons, Inc., and supported by Berkey K & L Color Labs. It was conceived to help the Retinitis Pigmentosa Foundation, and its only showing was at the Squibb Gallery in Princeton, New Jersey. mg/724.
Load more

Recommended publications
  • Claude Cookman, IUB, 2011
    Summary: Claude Cookman, April 9, 2010 Colleagues, Here is a summary of what I think are my most significant accomplishments since I presented my case for tenure in the fall of 1999. Thanks very much for your consideration. Teaching Peer-reviewed conference papers in teaching “The effects of Just in Time Teaching on motivation and engagement in a history of photography course,” lead author in a study with two graduate students, Sara Mandel and Mike Lyons. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. “A comparison of Just-in-Time Teaching across disciplines and course levels,” Laura A. Guertin, Claude Cookman, Sarah Zappe, Heeyoung Kim. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. Book chapters on teaching (Not peer-reviewed) “Using Just-in-Time Teaching to Foster Critical Thinking in a Humanities Course,” in Just In Time Teaching, eds. Scott Simkins, Mark Maier, Sterling, Va.: Stylus Publishing, 2009. (16 pages) Abstract. Details my use of the Just-in-Time Teaching method to foster motivation and engagement in students in my J462 History of Twentieth Century Photography course. It incorporates data collected across three semesters. “Transforming students into historical researchers: A Photographic Historian’s Perspective,” in The Scholarship of Teaching and Learning in Higher Education: Contributions of Research Universities, eds. William E. Becker, Moya L. Andrews, Bloomington: Indiana University Press, 2004. (22 pages) Abstract. Discusses my philosophy of teaching and learning and the methods I use to foster students’ development of critical thinking, creative practice and an historical consciousness.
    [Show full text]
  • Remembering Ernst Haas
    Special Report: Remembering Ernst Haas September 12, 2016 By Eric Meola “No photographer has worked more successfully to express the sheer physical joy of seeing.” — John Szarkowski, on Ernst Haas Thirty years have passed since the photographer Ernst Haas died on September 12, 1986. Haas was to color photography what Robert Frank was to black and white: a revolutionary. Looking at his work it is impossible to separate the person, his images and his words. Often called the ‘poet’ of photography, no other photographer influenced my generation as much as Haas did, and in a world of sound bites, Instagram and tweets, his writings are a bridge to another time when photography was a profoundly different medium and craft: In every artist there is poetry. In every human being there is the poetic element. We know, we feel, we believe…one cannot photograph art. One can only live it in the unity of his vision, as well as in the breadth of his humanity, vitality, and understanding. There is no formula—only man with his conscience speaking, writing, and singing in the new hieroglyphic "Pamplona, Spain 1956," by Ernst Haas language of light and time. — Ernst Haas Haas was born in Vienna in 1921 and famously bartered several kilos of butter in post-war Europe for his first camera, a Rolleiflex. At the invitation of Robert Capa he joined Magnum in 1949, and in 1951 he moved to the United States. In 1953, Life magazine ran 24 pages of his photographs of New York City in two consecutive issues, and in 1962 a retrospective of his work was the first color photography exhibition at the Museum of Modern Art in New York.
    [Show full text]
  • Notable Photographers Updated 3/12/19
    Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius
    [Show full text]
  • MAGNUM PHOTOS and PICTO 1950-2020
    70 Years of Correspondences: MAGNUM PHOTOS and PICTO 1950-2020 NEW YORK, NY / ACCESSWIRE / Oct 26, 2020 / RICHARD TAITTINGER GALLERY is pleased to announce the exhibition 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020, curated by photography historian Carole Naggar. This exhibition is a collaboration with MAGNUM PHOTOS and PICTO and a celebration of the seventy years of partnership between two important institutions in the photo world. This exhibition consists of three parts - YESTERDAY, TODAY and TOMORROW - and is an overview of this continuous collaboration since 1950. It is presented through the work of nineteen photographers and more than 100 prints (vintage and modern). Curated by Carole Naggar October 29 - December 20, 2020 Opening: October 29, 2020, 2 p.m. - 9 p.m. MAGNUM PHOTOS was founded in Paris in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour in response to World War II and the need to observe and report on the state of the world. Today her agency has 89 international members (past and present). Founded in 1950 by Pierre and France Gassmann, PICTO produced works for Magnum's founders such as Henri Cartier-Bresson, Robert Capa and Chim, as well as other notable artists such as William Klein, Willy Ronis, Robert Doisneau and Edouard Boubat. Photography is an innovative medium that records history and change and deals with them. This exhibition celebrates leading figures in the field and offers a journey through the medium of the past 70 years that invites us to imagine its future. 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020 will be on display at RICHARD TAITTINGER GALLERY, 154 Ludlow Street, from October 29th to December 20th, 2020.
    [Show full text]
  • Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical
    Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 Record of Anger and Grief, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo
    [Show full text]
  • P Ho T O a U C T Io N
    VIENNA, OCTOBER 2ND 2020 PHOTO AUCTION 77, ALFRED EISENSTAEDT EXPERTEN SPECIALISTS PROF. JOHANNES FABER 22. Gründer der Galerie Johannes Faber in Wien, OSTLICHT Kunsthändler und Experte für klassische PHOTO AUCTION Fotografie; zahlreiche Ausstellungen, Preise, Freitag, 2. Oktober 2020, Stipendien und Publikationen. 17 Uhr (MESZ) Founder and director of Galerie Johannes Faber in Vienna, art dealer and expert for classic VORBESICHTIGUNG photography; numerous exhibitions, awards, ab Mittwoch, 23. September scholarships and publications. nach persönlicher Vereinbarung: PHOTO [email protected], Tel.: +43 1 996 20 66 17 ND AUCTION 22 OSTLICHT ANNA ZIMM PHOTO AUCTION Kunsthistorikerin, Expertin für Fotografie, Researcher. Friday, October 2nd 2020, Seit 2008 bei OstLicht (früher WestLicht) Photo Auction. 5 pm (CEST) Art historian, Photographs Specialist, Researcher. Working for OstLicht (former WestLicht) Photo Auction VIEWING since 2008. from Wednesday, September 23rd [email protected] only by appointment: [email protected], Tel.: +43 1 996 20 66 17 MICHAEL KOLLMANN Kurator Fotobuch WestLicht / OstLicht, Begründer vom Vienna Photo Book Festival, Fotobuch- UPDATED BUYER’S Herausgeber und Experte für seltene Fotobücher. PREMIUM Photo book curator WestLicht / OstLicht, founder The total purchase price for of the Vienna Photo Book Festival, editor of photo all lots consists of the hammer books and expert for rare photo books. price plus the premium of Absberggasse 27, 26 % (incl. 5 % VAT) for lots [email protected] 1100 Vienna, Austria remaining in the EU. Tel.: +43 1 996 20 66 17 For lots that are exported to For general enquiries third countries or purchased about this auction, email with a valid VAT number the should be addressed to premium is 20 %.
    [Show full text]
  • Marc Riboud: Home, on the Road an Intrepid Photographer
    Marc Riboud: Home, On the Road An Intrepid Photographer 25 January – 8 March, 2008 Artist’s Reception Thursday, 24 January, 6-8pm New York – Howard Greenberg Gallery proudly presents a retrospective exhibition of rare vintage and contemporary photographic prints on the work of acclaimed French photojournalist Marc Riboud, one of the great names of Magnum who is best known for his extensive world travels. Comprised of more than 60 works, the exhibition features images Riboud made as he traveled throughout the world on assignment for major publications for well over fifty years. Riboud has long been associated with the illustrious Magnum Photos, Inc., having been mentored by two of the agency’s founders, famed photographers Henri Cartier-Bresson and Robert Capa. Highly sensitive to the nuances and subtleties of cultural variations, Riboud’s photographs provide insightful and memorable vignettes of our rich and diverse world. Known for his strong and graphic compositions, a sense of compassion is also present in his images. (over) Most recently, Renzo Piano commissioned Riboud to document the construction of the New York Times Building. Again, Riboud in his famed style captured the building of a unique structure. The workers frozen in space are almost dancing as they complete the project. This series is reminiscent of one of the artist’s best know images, Eiffel Tower Painter, 1953. It depicts a man painting the famous structure. He is posed as if an acrobat perched between the metal armatures of the tower, below which the city of Paris emerges out of the photographic haze. From Paris he ventured East, moving through India, then Hong Kong en route to China.
    [Show full text]
  • An Investigation of Sacred and Mundane Landscapes and the Alchemy of Light
    The splendour of the insignificant: An investigation of sacred and mundane landscapes and the alchemy of light Item Type Thesis Authors White-Jackson, Rachel Citation White, R. (2017) 'The splendour of the insignificant: An investigation of sacred and mundane landscapes and the alchemy of light', PhD Thesis, University of Derby Download date 24/09/2021 16:34:20 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10545/621819 UNIVERSITY OF DERBY THE SPLENDOUR OF THE INSIGNIFICANT: AN INVESTIGATION OF SACRED AND MUNDANE LANDSCAPES AND THE ALCHEMY OF LIGHT RACHEL WHITE DOCTOR OF PHILOSOPHY 2017 1 THE SPLENDOUR OF THE INSIGNIFICANT: AN INVESTIGATION OF SACRED AND MUNDANE LANDSCAPES AND THE ALCHEMY OF LIGHT CONTENTS LIST OF IMAGES 3 PREFACE 13 ABSTRACT 14 INTRODUCTION 16 A WORN OUT AESTHETIC OF PURITY 40 COMMONPLACE BEAUTIES 87 THE SPLENDOUR OF THE INSIGNIFICANT 139 RISKING ENCHANTMENT 197 CONCLUSION: UGLINESS COSTS MORE 245 THE SURFACE GLITTERED OUT OF HEART OF LIGHT 256 BIBLIOGRAPHY 278 2 LIST OF IMAGES Introduction - Rachel White, M6 Toll Road, 2007 Rachel White, Car, 2015 Chapter 1 - A WORN-OUT AESTHETIC OF PURITY Rachel White, Moon, 2016 Ansel Adams, Tetons and Snake River, Grand Teton National Park, 1942 Ansel Adams, Monolith, The Face of Half Dome, Yosemite Valley, 1927 Joe Cornish, Buachaille Etive Mor, Winter, Scotland, (Date unspecified) Thomas Cole, ‘The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, 1836 Ansel Adams, Aspens, Northern New Mexico, 1958
    [Show full text]
  • Mirrors and Windows American Photography Since 1960
    List of Photographers Mirrors Robert Adams Elliott Erwitt Leslie Krims Sylvia Plachy and Windows Diane Arbus Reed Estabrook William Larson Eliot Porter Larry Fink Helen Levitt Douglas Prince American Bill Arnold Lewis Baltz Lee Friedländer Sol LeWitt Edward Ranney Photography Anthony Barboza William Gedney Jerome Liebling Robert Rauschenberg Joseph Bellanca Ralph Gibson Danny Lyon Leland Rice since 1960 Jim Bengston Frank Gohlke Joan Lyons Edward Ruscha Richard Benson Emmet Gowin Nathan Lyons Lucas Samaras Gary Beydler Jan Groover Michael McLoughlin Naomi Savage The Museum Paul Caponigro Ernst Haas Jerry McMillan Stephen Shore of Modem Art, Walter Chappell Charles Hagen Larry McPherson Art Sinsabaugh Michael Ciavolino Betty Hahn Robert Mapplethorpe Keith A. Smith New York William Clift Gary L. Hallman Roger Mertin Rosalind Solomon July 28-October 2, 1978 Mark Cohen Charles Harbutt Ray K. Metzker Eve Sonneman Linda Connor Chauncey Hare Sheila Metzner Wayne Sorce Marie Cosindas Dave Heath Joel Meyerowitz Lew Thomas Robert Cumming Robert Heinecken Duane Michals George A. Tice Darryl Curran Richard P. Hume Richard Misrach Jerry N. Uelsmann William Current Scott Hyde John Mott-Smith Max Waldman Joseph Dankowski Christopher P. James Nicholas Nixon Todd Walker Judy Dater Ken Josephson Tetsu Okuhara Andy Warhol This exhibition has been made Bruce Davidson Simpson Kalisher Arthur Oilman Henry Wessel, Jr. possible by generous support from Roy DeCarava Colleen Kenyon Bill Owens Geoff Winningham Philip Morris Incorporated and Tod Papageorge Far left: Jerry N. Uelsmann. Untitled. 1964. The Museum of Modem Art, New York. Purchase the National Endowment for the Arts John M. Divola, Jr. Irwin B. Klein Garry Winogrand in Washington, D.C.
    [Show full text]
  • Between Art and Information: Communicating World Health, 1948–70*
    Journal of Global History (2018), 13, pp. 94–120 © Cambridge University Press 2018. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S1740022817000304 Between art and information: communicating world health, 1948–70* Alexander Medcalf Centre for Global Health Histories, Berrick Saul Building BS/120, University of York, Heslington, York, YO10 5DD E-mail: [email protected] Abstract With the advent of new media technologies and approaches in the twentieth century, public health officials became convinced that health needed mass media support. The World Health Organization believed that educating people, as well as informing them about the health situation around the world, could assist in the enduring fight against disease. Yet in an increas- ingly competitive media landscape, the agency recognized the need to persuade people and hold their attention through attractive presentation. Public information, the name given to the multiple strategies used to communicate with the public, was rarely straightforward and required the agency not only to monitor the impact of its own efforts but also to identify opportunities to further enhance its reputation, especially when this was in danger of damage or misappropriation. The WHO’s understanding of public information provides insights into the development of international information, communication, and education networks and prac- tices after 1945, as well as the increasingly central position of these processes in generating support for and evincing the value of international organizations.
    [Show full text]
  • The Photographer's Legacy: Our Members Speak out About Their Work
    The magazine of The Foreign Correspondents’ Club of Japan May 2016, Volume 48 No. 5, ¥400 The photographer’s legacy: Our members speak out about their work Vol. 48, Number 5 May 2016 contact the editors [email protected] Publisher FCCJ Editor Gregory Starr Art Director Andrew Pothecary www.forbiddencolour.com Editorial Assistants Naomichi Iwamura, Tyler Rothmar Photo Coordinator Akiko Miyake Publications committee members Gavin Blair, Freelance (Chair); Geoffrey Tudor, Orient Aviation; Monzurul Huq, Prothom Alo; Julian Ryall, Daily Telegraph; Patrick Zoll, Neue Zürcher Zeitung; Sonja Blaschke, Freelance; John R. Harris, Freelance FCCJ BOARD OF DIRECTORS Bob President Suvendrini Kakuchi, University World News, UK Kirschenbaum 1st Vice President Peter Langan, Freelance 2nd Vice President Imad Ajami, IRIS Media Secretary Mary Corbett, Cresner Media Treasurer Robert Whiting, Freelance HLADIK MARTIN p14 Directors at Large In this issue Masaaki Fukunaga, the Sanmarg Milton Isa, Associate Member Yuichi Otsuka, Associate Member James Simms, Forbes Contributor, Freelance The Front Page Ex-officio Lucy Birmingham From the President by Suvendrini Kakuchi 4 Kanji William Sposato, Freelance Collections: Kyushu earthquakes by the numbers 4 FCCJ COMMITTEE CHAIRS Associate Members Liaison Milton Isa From the archives by Charles Pomeroy 5 Compliance Kunio Hamada DeRoy Memorial Scholarship Masaaki Fukunaga Entertainment Sandra Mori, Suvendrini Kakuchi Exhibition Bruce Osborn Film Karen Severns Finance Robert Whiting Food & Beverage Robert Whiting Freedom
    [Show full text]
  • Page 1 EYES WIDE OPEN: 100 YEARS of LEICA PHOTOGRAPHY
    EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY OCTOBER 24, 2014 – JANUARY 11, 2015 DEICHTORHALLEN HAMBURG / HOUSE OF PHOTOGRAPHY The exhibition EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY curated by Hans-Michael Koetzle, illuminates various aspects of recent small-format photography, from journalistic strategies to documentary approaches and free artistic positions, spanning fourteen chapters. Among the artists whose work will be shown are Alexander Rodchenko, Henri Cartier-Bresson, Robert Capa, Christer Strömholm, Robert Frank, Bruce Davidson, William Klein, William Eggleston, René Burri, Thomas Hoepker and Bruce Gilden. Following its premiere in the House of Photography at the Deichtorhallen Hamburg, the exhibition will travel to Berlin, Frankfurt and Vienna, among other locations. According to an entry in the workshop records, by March 1914 at the latest, Oskar Barnack, who worked as an industrial designer at Ernst Leitz in Wetzlar, completed the first functional model of a small-format camera for 35mm cinema film. The introduction of the Leica (a combination of »Leitz« and »Camera«) which was delayed until 1925 due to the war, was not merely the invention of a new camera; the small, reliable and always-ready Leica, equipped with a high-performance lens specially engineered by Max Berek, marked a paradigm shift in photography. Not only did it offer amateur photographers, newcomers and emancipated women greater access to photography; the Leica, which could be easily carried in a coat pocket, also became a ubiquitous part of everyday life. The comparatively affordable small-format camera stimulated photographic experimentation and opened up new perspectives. In general, visual strategies for representing the world became more innovative, bold and dynamic.
    [Show full text]