The Photographer's Legacy: Our Members Speak out About Their Work
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Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical
Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 Record of Anger and Grief, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo -
Télécharger Le Dossier De Presse Complet Pour
MAGNUM IN HARLEM 9 novembre > 27 janvier entrée libre du mardi au samedi 13:00 – 18:30 et les soirs de spectacle fermé du 23 décembre au 8 janvier Eve Arnold Cornell Capa Bruce Davidson Raymond Depardon Leonard Freed Paul Fusco Burt Glinn Hiroji Kubota Constantine Manos Wayne Miller Eli Reed Dennis Stock Alex Webb Harlem. New York City. USA.1963. - © Leonard Freed/Magnum Photos Informations : Maison des Arts I Anne ‐Mary Simon 01 45 13 19 09 [email protected] Service de presse I Agence Myra 01 40 33 79 13 / [email protected] Au nord de Central Park, davantage qu’un quartier, au firmament des hauts lieux les plus attractifs de New York, Harlem a toujours suscité autant d’intérêt et de ferveur que son histoire aura été féconde, incisive ou meurtrie mais sans cesse renaissante. Harlem est indissociable de la culture afro-américaine et de la lutte pour l’égalité des droits civiques produisant, au fil de son territoire, une géographie physique et sensible de vies qui se dévoilent aussi simplement qu’y transparait une affirmation identitaire belle et puissante. L’exposition collective Magnum in Harlem, comme 31 chroniques croisées, posées sur plusieurs décennies, rassemble les regards talentueux de 13 photographes Magnum dont chaque cliché, à chaque fois pénétrant, se noue à une vision particulière de Harlem. « Black is beautiful » se conjugue avec dignité, pudeur et flamboyance, dans les coulisses d’un défilé de mode, sur la scène de l’Apollo Theater, dans la rue lorsque qu’une nuée d’enfants improvisent une marelle sur un marquage de la police, dans une voiture abandonnée, lorsque des habitants endimanchés se rassemblent, alors que des jeunes femmes sur leur 31 prennent la pose. -
The Board of Trustees of the International Fund for Concerned Photography Is Drawn from Many Intellectual Disciplines. All Trust
the International fund for Concerned Photography inc. 275 Fifth Avenue, New York, N.Y. 10016 The Board of Trustees of The International Fund for Concerned Photography is drawn from many intellectual disciplines. All trustees are involved in the visual perception of the world, working closely with us to identify talent and ideas, indicate the direc tion and quality of our various projects, and provide active support. Included among the Board and the Advisory Council are photographers, film-makers, educators, museum curators, art historians, psychologists, architects, writers, journalists, and business executives who share both a concern for man and his world and a commitment to the goals of the Fund. Board of Trustees - The International Fund for Concerned Photography Rosellina Bischof Burri Zurich: Founding Trustee Frank R. Donnelly New York: Child psychologist; social worker; author; Associate Director, Playschool Association; Founder, Studio Museum, Harlem Matthew Huxley Washington, D.C.: Chief, Standards Development Branch, National Institute of Mental Health; author Karl Katz New York: Chairman of Exhibitions and Loans, Metro politan Museum of Art Gy orgy Kepes Cambridge, Mass.: Professor of Visual Design, M.I.T.; painter; author Ellen Liman New York: Painter; author; collector William H. MacLeish Woods Hole, Mass.: Editor of Oceanus, the official publication of Woods Hole Oceanographic Institution Henry M. Margolis New York: Chairman of the Board of Trustees, ICP, industrialist; Director, American Committee of the Weizmann Institute of Science Mitchell Pallas Chicago: Chairman of the Board, Center for Photographic Arts Dr. Fritz Redi Massachusetts: Professor of Behavioral Sciences; author Nina Rosenwald New York: Photographer; board member, Young Concert Artists Society; member. -
Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit Debout) Michel Briand
Choreographic/Political Performances: Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit debout) Michel Briand Abstract:Choreographic activism could be exemplified by three case studies: performances by Steven Cohen, esp. Coq/Cock, 2013; “sextremist” actions by the Femen, since 2012; Nuit debout (“Up all night!”), a democratic forum at the Place de la République, 2016. Some issues are crucial here: “dancing” social and political conflict and ethical/aesthetical interactions; deconstructing/constructing heterotopic spaces and utopian bodies; carnivalesque interplays of irony, critical thinking, spectacular celebration and denunciation; dialectics of discursive and synesthetic pragmatic and negotiation. These performances may also compare to anti-AIDS actions. This paper intends to study choreographic activism or artivism (i.e. art activism) in three context-specific case studies, considered through three main pragmatic perspectives: - Occupying and building up (heterotopic) spaces and times: where? when? - Standing up against and for (esthetic, ethic, and political) values : what? - Queering bodies, discourses, identities, and communities: who? how? But I first would like to state some epistemological and methodological prolegomena about the relation between dance and politics, relying both on ancient, esp. Greek, and recent scholarship on aestheticizing politics and politicizing aesthetics. Politics and dance: humanity and space, dissensus, carnival 1. The Aristotelian definition of human being as phúsei zoon politikón (“a political animal by nature”), in Politics 1253a1-11, implies that a person defines her/himself both as an animal (with a sensitive and practical body as well as embodied psychology, cognition, and thought) and as a part of an organized group (a pólis, not “town”, like ástu, but “city”, that is a “public body” ideally based on eleuthería - freedom, autonomía – self-governance, and koinonía - mutuality). -
Page 1 EYES WIDE OPEN: 100 YEARS of LEICA PHOTOGRAPHY
EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY OCTOBER 24, 2014 – JANUARY 11, 2015 DEICHTORHALLEN HAMBURG / HOUSE OF PHOTOGRAPHY The exhibition EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY curated by Hans-Michael Koetzle, illuminates various aspects of recent small-format photography, from journalistic strategies to documentary approaches and free artistic positions, spanning fourteen chapters. Among the artists whose work will be shown are Alexander Rodchenko, Henri Cartier-Bresson, Robert Capa, Christer Strömholm, Robert Frank, Bruce Davidson, William Klein, William Eggleston, René Burri, Thomas Hoepker and Bruce Gilden. Following its premiere in the House of Photography at the Deichtorhallen Hamburg, the exhibition will travel to Berlin, Frankfurt and Vienna, among other locations. According to an entry in the workshop records, by March 1914 at the latest, Oskar Barnack, who worked as an industrial designer at Ernst Leitz in Wetzlar, completed the first functional model of a small-format camera for 35mm cinema film. The introduction of the Leica (a combination of »Leitz« and »Camera«) which was delayed until 1925 due to the war, was not merely the invention of a new camera; the small, reliable and always-ready Leica, equipped with a high-performance lens specially engineered by Max Berek, marked a paradigm shift in photography. Not only did it offer amateur photographers, newcomers and emancipated women greater access to photography; the Leica, which could be easily carried in a coat pocket, also became a ubiquitous part of everyday life. The comparatively affordable small-format camera stimulated photographic experimentation and opened up new perspectives. In general, visual strategies for representing the world became more innovative, bold and dynamic. -
Elist 47: Recent Aquisitionsphotography 1 Elist 47: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
ANDREW Elist 47: Recent AquisitionsPHOTOGRAPHY 1 Elist 47: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1. -
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 A Chronicle of Grief and Anger, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo -
Hiroji Kubota | Ocula
ARTIST&INSIGHT Hiroji Kubota 08&Dec&2015 Hiroji&Kubota.&©&Dan&Szpara You currently have on show more than 100 of your photographs at both Sundaram Tagore and the Aperture Foundation – perhaps you could pick out which image you feel is most symbolic of your practice? For me, there are a few works which standout. Of the dye-transfers on show at Sundaram Tagore, it is my triptych of the Guilin Mountains in China from 1981 and my photograph of the Golden Rock of Burma from 1978. Then at the Aperture Foundation, where they have on display my earlier platinum prints from the 60s and 70s, my image of Shanghai in 1979 and Hong Kong in 1971 are especially symbolic. Hiroji&Kubota,&CHINA.'Guilin,&1981.&Dye-transfer&print.&Image&courtesy&Sundaram&Tagore&Gallery. The works on show at Sundaram Tagore utilise the technique of dye-transfer printing, which you worked with in the 1980s. Please could you take us through this method of production? Producing works using the dye-transfer technique is extremely complex and time-consuming. With the help of the genius printer, Nino Mohnde, we would painstakingly print my photographs using 6 to 9 natural dye colours. The technique cannot be used today as the technology no longer remains. Hiroji&Kubota,&Kyaiktiyo,'Burma,&1978.&Dye-transfer&print,&20&x&24&inches/50.8&x&61&cm.&©&Hiroji&Kubota/Magnum&Photos&image courtesy&of&Sundaram&Tagore&Gallery How has your involvement with Magnum Photos Photographers co-operative influenced your practice over the years? In 1961, while I was studying political science as Waseda University, Tokyo, I met 4 Magnum Photographers (Elliott Erwitt, Rene Burri, Burt Glinn and Brian Brake). -
The Cornell Capa Papers Dates: C
Collection Overview Creator: Cornell Capa Title: The Cornell Capa papers Dates: c. late 1800s-2008 (bulk 1946-1976) Call Number: ICP.001 Volume: 54 linear ft, 55.21 cubic ft. (77 boxes; 33 seven inch Hollinger boxes, 32 twelve inch banker boxes, 1 oversized and 8 “other” sized boxes) Location: Mana contemporary / Shelf 1A-4A, 1B Historical Abstract: The Cornell Capa papers cover the history of photojournalism and photography pedagogy. Capa worked on assignment or on staff for several agencies including Time-Life, Holiday, Sports Illustrated and more. He was the director or served as a founding member of Magnum Photos, The Associated Society of Magazine Photographers, and The Overseas Press Club. Capa wrote and photographed several photo essays as well as serving as the photographer for many books and corporate catalogs. He founded the Capa-Chim Memorial Foundation, the Fund for Concerned Photography, and eventually, the International Center of Photography, where he served as director until his death in 2008. Scope and Content Some multi-media materials have already been, or should be considered for Abstract: digital preservation including cassette tapes, VHS tapes, brittle and faded sheets. Ask archivists for digitized materials. Moldy letters have been removed from the collection, and replaced with photocopies on acid-free paper. Arrangement: Organized into 11 series: 1. Time-Life; 2. Assignments and published works; 3. American Society of Magazine Photographers (ASMP); 4. Overseas Press Club (OPC); 5. Missionary Projects; 6. Magnum; 7. Capa-Chim Photographic Foundation Inc.; 8. Israel trip, 1967; 9. International Fund for Concerned Photography; 10. International Center of Photography; and 11. -
La Visió Del Col·Leccionista. Els Millors Fotollibres Segons Martin Parr
1 - La visió del col·leccionista. Els millors fotollibres segons Martin Parr Owen Simmons (fotògraf desconegut) The Book of Bread Maclaren and Sons, Londres, 1903 Vladimir Maiakovski i Aleksandr Ródtxenko Pro eto. Ei i mne Gos. Izd-vo (publicacions de l’Estat), Moscou, 1923 Albert Renger-Patzsch Die Welt ist Schön Kurt Wolff Verlag, Munic, 1928 Germaine Krull Métal Librairie des Arts Décoratifs, París, 1928 August Sander Antlitz der Zeit: 60 Fotos Deutscher Menschen Transmare Verlag i Kurt Wolff Verlag, Munic, 1929 Bill Brandt The English at Home B. T. Batsford Ltd., Londres, 1936 Comissariat de propaganda de la Generalitat de Catalunya Madrid Indústries Gràfiques Seix i Barral, Barcelona, 1937 Robert Capa Death in the Making Covici Friede Inc., Nova York, 1938 Heinrich Hoffmann (ed.) Winterhilfswerk-Heftchen Bild-Dokumente Heinrich Hoffmann, Munic, de 1938 a c. 1942 KZ: Bildbericht aus fünf Konzentrationslagern Oficina d’informació de guerra nord-americana), 1945 imoni col·locat ho gaudeix] Éditions du Seuil, Album Petite Planete, París, 1956 The Great Hall of the People Editorial de belles arts del poble, Pequín, 1959 Dirk Alvermann Algerien / L’Algérie Rütten & Loening, Berlín, 1960 Dirk Alvermann vitrina Parr Algerien / L’Algérie Rütten & Loening, Berlín, 1960 (facsímil 2011) Kazuo Kenmochi Narcotic Photographic Document Inoue Shoten, Tòquio, 1963 Kazuo Kitai Teikoh Mirai-sha Press, Tòquio, 1965 Ed van der Elsken Sweet Life Harry N. Abrams Inc., Nova York, 1966 Gian Butturini London Editrice SAF, Verona, 1969 Enrique Bostelmann América: -
HC HAW Pressrelease 2019
Hasselbladstiftelsen Hasselblad Foundation Press Release Daido Moriyama Gothenburg, March 8, 2019 Hasselblad Award Winner 2019 The Hasselblad Foundation is pleased to announce that Japanese photographer Daido Moriyama is the recipient of the 2019 Hasselblad Foundation International Award in Photography for the sum of SEK 1,000,000 (approx. USD 110,000). The award ceremony will take place in Gothenburg, Sweden on October 13, 2019. A symposium will be held on October 14, followed by the opening of an exhibition of Moriyama’s work at the Hasselblad Center, and the release of a new book about the artist, published by Verlag der Buchhandlung Walther König. The Foundation’s citation regarding the Hasselblad Award Laureate 2019, Daido Moriyama: »Daido Moriyama is one of Japan’s most renowned photographers, celebrated for his radical approach to both medium and subject. Moriyama’s images embrace a highly subjective but authentic approach. Reflecting a harsh vision of city life and its chaos of everyday existence and unusual characters, his work occupies a unique space between the illusory and the real. Moriyama became the most prominent artist to emerge from the short-lived yet pro- foundly influential Provoke movement, which played an important role in liberating photography from tradition and interrogating the very nature of the medium. His bold, uncompromising style has helped engender widespread recognition of Japanese photography within an international context. Influen- ced by photographer William Klein, the writings of Jack Kerouac and -
Elist 45: Recent Aquisitionsphotography 1 Elist 45: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
ANDREW Elist 45: Recent AquisitionsPHOTOGRAPHY 1 Elist 45: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1.