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Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical
Hiroshi Hamaya 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 Record of Anger and Grief, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo -
The Board of Trustees of the International Fund for Concerned Photography Is Drawn from Many Intellectual Disciplines. All Trust
the International fund for Concerned Photography inc. 275 Fifth Avenue, New York, N.Y. 10016 The Board of Trustees of The International Fund for Concerned Photography is drawn from many intellectual disciplines. All trustees are involved in the visual perception of the world, working closely with us to identify talent and ideas, indicate the direc tion and quality of our various projects, and provide active support. Included among the Board and the Advisory Council are photographers, film-makers, educators, museum curators, art historians, psychologists, architects, writers, journalists, and business executives who share both a concern for man and his world and a commitment to the goals of the Fund. Board of Trustees - The International Fund for Concerned Photography Rosellina Bischof Burri Zurich: Founding Trustee Frank R. Donnelly New York: Child psychologist; social worker; author; Associate Director, Playschool Association; Founder, Studio Museum, Harlem Matthew Huxley Washington, D.C.: Chief, Standards Development Branch, National Institute of Mental Health; author Karl Katz New York: Chairman of Exhibitions and Loans, Metro politan Museum of Art Gy orgy Kepes Cambridge, Mass.: Professor of Visual Design, M.I.T.; painter; author Ellen Liman New York: Painter; author; collector William H. MacLeish Woods Hole, Mass.: Editor of Oceanus, the official publication of Woods Hole Oceanographic Institution Henry M. Margolis New York: Chairman of the Board of Trustees, ICP, industrialist; Director, American Committee of the Weizmann Institute of Science Mitchell Pallas Chicago: Chairman of the Board, Center for Photographic Arts Dr. Fritz Redi Massachusetts: Professor of Behavioral Sciences; author Nina Rosenwald New York: Photographer; board member, Young Concert Artists Society; member. -
The Photographer's Legacy: Our Members Speak out About Their Work
The magazine of The Foreign Correspondents’ Club of Japan May 2016, Volume 48 No. 5, ¥400 The photographer’s legacy: Our members speak out about their work Vol. 48, Number 5 May 2016 contact the editors [email protected] Publisher FCCJ Editor Gregory Starr Art Director Andrew Pothecary www.forbiddencolour.com Editorial Assistants Naomichi Iwamura, Tyler Rothmar Photo Coordinator Akiko Miyake Publications committee members Gavin Blair, Freelance (Chair); Geoffrey Tudor, Orient Aviation; Monzurul Huq, Prothom Alo; Julian Ryall, Daily Telegraph; Patrick Zoll, Neue Zürcher Zeitung; Sonja Blaschke, Freelance; John R. Harris, Freelance FCCJ BOARD OF DIRECTORS Bob President Suvendrini Kakuchi, University World News, UK Kirschenbaum 1st Vice President Peter Langan, Freelance 2nd Vice President Imad Ajami, IRIS Media Secretary Mary Corbett, Cresner Media Treasurer Robert Whiting, Freelance HLADIK MARTIN p14 Directors at Large In this issue Masaaki Fukunaga, the Sanmarg Milton Isa, Associate Member Yuichi Otsuka, Associate Member James Simms, Forbes Contributor, Freelance The Front Page Ex-officio Lucy Birmingham From the President by Suvendrini Kakuchi 4 Kanji William Sposato, Freelance Collections: Kyushu earthquakes by the numbers 4 FCCJ COMMITTEE CHAIRS Associate Members Liaison Milton Isa From the archives by Charles Pomeroy 5 Compliance Kunio Hamada DeRoy Memorial Scholarship Masaaki Fukunaga Entertainment Sandra Mori, Suvendrini Kakuchi Exhibition Bruce Osborn Film Karen Severns Finance Robert Whiting Food & Beverage Robert Whiting Freedom -
Page 1 EYES WIDE OPEN: 100 YEARS of LEICA PHOTOGRAPHY
EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY OCTOBER 24, 2014 – JANUARY 11, 2015 DEICHTORHALLEN HAMBURG / HOUSE OF PHOTOGRAPHY The exhibition EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY curated by Hans-Michael Koetzle, illuminates various aspects of recent small-format photography, from journalistic strategies to documentary approaches and free artistic positions, spanning fourteen chapters. Among the artists whose work will be shown are Alexander Rodchenko, Henri Cartier-Bresson, Robert Capa, Christer Strömholm, Robert Frank, Bruce Davidson, William Klein, William Eggleston, René Burri, Thomas Hoepker and Bruce Gilden. Following its premiere in the House of Photography at the Deichtorhallen Hamburg, the exhibition will travel to Berlin, Frankfurt and Vienna, among other locations. According to an entry in the workshop records, by March 1914 at the latest, Oskar Barnack, who worked as an industrial designer at Ernst Leitz in Wetzlar, completed the first functional model of a small-format camera for 35mm cinema film. The introduction of the Leica (a combination of »Leitz« and »Camera«) which was delayed until 1925 due to the war, was not merely the invention of a new camera; the small, reliable and always-ready Leica, equipped with a high-performance lens specially engineered by Max Berek, marked a paradigm shift in photography. Not only did it offer amateur photographers, newcomers and emancipated women greater access to photography; the Leica, which could be easily carried in a coat pocket, also became a ubiquitous part of everyday life. The comparatively affordable small-format camera stimulated photographic experimentation and opened up new perspectives. In general, visual strategies for representing the world became more innovative, bold and dynamic. -
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical
Hiroshi HAMAYA 1915 Born in Tokyo, Japan 1933 Joins Practical Aeronautical Research Institute (Nisui Jitsuyo Kouku Kenkyujo), starts working as an aeronautical photographer. The same year, works at Cyber Graphics Cooperation. 1937 Forms “Ginkobo” with his brother, Masao Tanaka. 1938 Forms “Youth Photography Press Study Group” (Seinen Shashin Houdou Kenkyukai) with Ken Domon and others. With Shuzo Takiguchi at the head, participates in “Avant-Garde Photography Association” (Zenei Shashin Kyokai). 1941 Joins photographer department of Toho-Sha. (Retires in 1943) Same year, interviews Japanese intellectuals as a temporary employee at the Organization of Asia Pacific News Agencies (Taiheiyo Tsushinsha). 1960 Signs contract with Magnum Photos, as a contributing photographer. 1999 Passed away SOLO EXHIBITIONS 2017 A Chronicle of Grief and Anger, Taka Ishii Gallery Photography / Film, Tokyo, Japan 2015 Hiroshi Hamaya Photographs 1930s – 1960s, The Niigata Prefectural Museum of Modern Art, Niigata, Japan, July 4 – Aug. 30; Traveled to: Setagaya Art Museum, Tokyo, Japan, Sept. 19 – Nov. 15; Tonami Art Museum, Toyama, Japan, Sept. 2 – Oct. 15, 2017. [Cat.] Hiroshi Hamaya Photographs 100th anniversary: Snow Land, Joetsu City History Museum, Niigata, Japan 2013 Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto, J. Paul Getty Museum, Los Angeles, CA, USA [Cat.] 2012 Hiroshi Hamaya: “Children in Japan”, “Chi no Kao [Aspects of Nature]”, “American America”, Kawasaki City Museum, Kanagawa, Japan 2009 Shonan to Sakka II Botsugo -
The Cornell Capa Papers Dates: C
Collection Overview Creator: Cornell Capa Title: The Cornell Capa papers Dates: c. late 1800s-2008 (bulk 1946-1976) Call Number: ICP.001 Volume: 54 linear ft, 55.21 cubic ft. (77 boxes; 33 seven inch Hollinger boxes, 32 twelve inch banker boxes, 1 oversized and 8 “other” sized boxes) Location: Mana contemporary / Shelf 1A-4A, 1B Historical Abstract: The Cornell Capa papers cover the history of photojournalism and photography pedagogy. Capa worked on assignment or on staff for several agencies including Time-Life, Holiday, Sports Illustrated and more. He was the director or served as a founding member of Magnum Photos, The Associated Society of Magazine Photographers, and The Overseas Press Club. Capa wrote and photographed several photo essays as well as serving as the photographer for many books and corporate catalogs. He founded the Capa-Chim Memorial Foundation, the Fund for Concerned Photography, and eventually, the International Center of Photography, where he served as director until his death in 2008. Scope and Content Some multi-media materials have already been, or should be considered for Abstract: digital preservation including cassette tapes, VHS tapes, brittle and faded sheets. Ask archivists for digitized materials. Moldy letters have been removed from the collection, and replaced with photocopies on acid-free paper. Arrangement: Organized into 11 series: 1. Time-Life; 2. Assignments and published works; 3. American Society of Magazine Photographers (ASMP); 4. Overseas Press Club (OPC); 5. Missionary Projects; 6. Magnum; 7. Capa-Chim Photographic Foundation Inc.; 8. Israel trip, 1967; 9. International Fund for Concerned Photography; 10. International Center of Photography; and 11. -
La Visió Del Col·Leccionista. Els Millors Fotollibres Segons Martin Parr
1 - La visió del col·leccionista. Els millors fotollibres segons Martin Parr Owen Simmons (fotògraf desconegut) The Book of Bread Maclaren and Sons, Londres, 1903 Vladimir Maiakovski i Aleksandr Ródtxenko Pro eto. Ei i mne Gos. Izd-vo (publicacions de l’Estat), Moscou, 1923 Albert Renger-Patzsch Die Welt ist Schön Kurt Wolff Verlag, Munic, 1928 Germaine Krull Métal Librairie des Arts Décoratifs, París, 1928 August Sander Antlitz der Zeit: 60 Fotos Deutscher Menschen Transmare Verlag i Kurt Wolff Verlag, Munic, 1929 Bill Brandt The English at Home B. T. Batsford Ltd., Londres, 1936 Comissariat de propaganda de la Generalitat de Catalunya Madrid Indústries Gràfiques Seix i Barral, Barcelona, 1937 Robert Capa Death in the Making Covici Friede Inc., Nova York, 1938 Heinrich Hoffmann (ed.) Winterhilfswerk-Heftchen Bild-Dokumente Heinrich Hoffmann, Munic, de 1938 a c. 1942 KZ: Bildbericht aus fünf Konzentrationslagern Oficina d’informació de guerra nord-americana), 1945 imoni col·locat ho gaudeix] Éditions du Seuil, Album Petite Planete, París, 1956 The Great Hall of the People Editorial de belles arts del poble, Pequín, 1959 Dirk Alvermann Algerien / L’Algérie Rütten & Loening, Berlín, 1960 Dirk Alvermann vitrina Parr Algerien / L’Algérie Rütten & Loening, Berlín, 1960 (facsímil 2011) Kazuo Kenmochi Narcotic Photographic Document Inoue Shoten, Tòquio, 1963 Kazuo Kitai Teikoh Mirai-sha Press, Tòquio, 1965 Ed van der Elsken Sweet Life Harry N. Abrams Inc., Nova York, 1966 Gian Butturini London Editrice SAF, Verona, 1969 Enrique Bostelmann América: -
HC HAW Pressrelease 2019
Hasselbladstiftelsen Hasselblad Foundation Press Release Daido Moriyama Gothenburg, March 8, 2019 Hasselblad Award Winner 2019 The Hasselblad Foundation is pleased to announce that Japanese photographer Daido Moriyama is the recipient of the 2019 Hasselblad Foundation International Award in Photography for the sum of SEK 1,000,000 (approx. USD 110,000). The award ceremony will take place in Gothenburg, Sweden on October 13, 2019. A symposium will be held on October 14, followed by the opening of an exhibition of Moriyama’s work at the Hasselblad Center, and the release of a new book about the artist, published by Verlag der Buchhandlung Walther König. The Foundation’s citation regarding the Hasselblad Award Laureate 2019, Daido Moriyama: »Daido Moriyama is one of Japan’s most renowned photographers, celebrated for his radical approach to both medium and subject. Moriyama’s images embrace a highly subjective but authentic approach. Reflecting a harsh vision of city life and its chaos of everyday existence and unusual characters, his work occupies a unique space between the illusory and the real. Moriyama became the most prominent artist to emerge from the short-lived yet pro- foundly influential Provoke movement, which played an important role in liberating photography from tradition and interrogating the very nature of the medium. His bold, uncompromising style has helped engender widespread recognition of Japanese photography within an international context. Influen- ced by photographer William Klein, the writings of Jack Kerouac and -
Elist 45: Recent Aquisitionsphotography 1 Elist 45: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
ANDREW Elist 45: Recent AquisitionsPHOTOGRAPHY 1 Elist 45: Recent Aquisitions ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1. -
Santa Fe, New Mexico, 87501 Dear Dr. Porter: in 1974 . . . the Enclosures
the International fund for Concerned Photography inc. 275 Fifth Avenue, New York, N.Y. 10016 June 10, 1974 Dr. Eliot Porter Route 4, Box 33 Santa Fe, New Mexico, 87501 Dear Dr. Porter: This note is to inform you that all is not bad news in 1974 . The enclosures will tell you that the INTERNATIONAL CENTER of PHOTO GRAPHY has acquired the building you undoubtedly know well, the Audubon House on 94th Street and Fifth Avenue!! The plans are advancing satisfactorily and, if all goes well, we are to open in late September or early October with a full program of exhibits, education, and archival services!! I am writing to you to ask your help in the creation of a Photographers Advisory Council, which would in fact define the quality, the commit ment, and the direction of the Center. I have already received the enthusiastic acceptances of Henri Cartier-Bresson, Ernst Haas, W. Eugene Smith, Dr. Roman Vishniac, Hiroshi Hamaya, Gordon Parks, Arthur Rothstein, Howard Sochurek, Ben Fernandez, Carl Chiarenza, and Bruce Davidson. I also intend to ask Ansel Adams, Imogen Cunningham, Walker Evans, Richard Avedon, and Ken Heyman. It would give me great joy and honor if you'd accept!! Any comments and other suggestions about the composition and function of the Council?? Hope to hear from you at your earliest convenience. Have a great summer. mg Enclosures PS: Any possibility for a major Porter exhibit? ? Board of Trustee* The Fund seeks to encourage and assist photographers of all ages and Cornell Capa, New York Matthew Huxley, Washington, D.C. -
The Gaze of Things
The Gaze of Things Between 1957 and 1972, a radical transformation in photographic language was brought about in Japan by a group of photographers who started to develop their work in the post- war period. This renovation ran parallel to the great economic, cultural and psychosocial changes of a period marked by social confrontation directed in particular against the American legacy of the occupation. The unprecedented economic rise experienced by the country from 1964 onwards, together with its rapid immersion in an industrial and consumer culture that suppressed the values and structures of a fundamentally agrarian society, formed the background against which these artists developed a new kind of photography. The Gaze of Things. Japanese Photography in the Context of Provoke is an exhibition that gathers a selection of pictures taken by photographers belonging to four generations: Toyoko Tokiwa, Ikkō Narahara, Shōmei Tōmatsu, Eikoh Hosoe, Akira Satō, Kikuji Kawada, Hiroshi Hamaya, Takashi Hamaguchi, Nobuyoshi Araki, Yutaka Takanashi, Takuma Nakahira, Daidō Moriyama, Tamiko Nishimura, Ishiuchi Miyako and Kōji Enokura. In 1956, a series of photographs by Ikkō Narahara entitled Ningen no tochi (Human Land) was exhibited at a Tokyo gallery. It already displayed a new type of gaze that had little in common with the naturalist realism of the great post-war photographers like Ken Domon. Narahara called it a “personal document”, meaning a subjective document which, while based upon his personal gaze on concrete realities, allows itself to be affected by the realities those objects return to us. Shōmei Tōmatsu had meanwhile been working for years on a form of “documenting” that would move beyond the supposed “objectivity” of photojournalism. -
Photographer Report & Presentation
photojournalism basics professor ripka ASSIGNMENT PHOTOGRAPHER REPORT INSTRUCTIONS & PRESENTATION Using the list of photographers, you will create a 3–4 page report and a presentation on a photographer of your choice. HANDING IN: 1. Select a photographer from the provided list of photographers. Look at multiple Submit your report and slide deck to ICON photographers, not just the frst one you fnd. Make sure you like their work. Once you have selected a photographer, notify instructor for approval via email. No two people may do the same photographer. First to notify takes precedence. A google spreadsheet will be created by instructor so you can see who has been claimed. 2. Select three photos you like (or hate) by your photographer to analyze. NOTE: This will be due the week after this project is assigned as you will use these photos to explore various aspects of photography during lectures. Be sure to have jpgs of the photos. 3. Find out about your photographer. Write no more than a paragraph or two recapitu- lating their career, viewpoints, and major subject matter. 4. For each photo, research when/where/why the image was made and list 2-3 of the news values that this photograph hits. Those news values are: • Timeliness • Proximity • Impact • Magnitude • Prominence • Confict • Novelty • Emotional Appeal 5. For each photo, its composition, photographic techniques, and lighting. You should discuss no less than 10 of the concepts we have covered. Do not merely describe the photo. Do not insert the photos to your written report as they will be in the slide deck.