Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit Debout) Michel Briand
Choreographic/Political Performances: Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit debout) Michel Briand Abstract:Choreographic activism could be exemplified by three case studies: performances by Steven Cohen, esp. Coq/Cock, 2013; “sextremist” actions by the Femen, since 2012; Nuit debout (“Up all night!”), a democratic forum at the Place de la République, 2016. Some issues are crucial here: “dancing” social and political conflict and ethical/aesthetical interactions; deconstructing/constructing heterotopic spaces and utopian bodies; carnivalesque interplays of irony, critical thinking, spectacular celebration and denunciation; dialectics of discursive and synesthetic pragmatic and negotiation. These performances may also compare to anti-AIDS actions. This paper intends to study choreographic activism or artivism (i.e. art activism) in three context-specific case studies, considered through three main pragmatic perspectives: - Occupying and building up (heterotopic) spaces and times: where? when? - Standing up against and for (esthetic, ethic, and political) values : what? - Queering bodies, discourses, identities, and communities: who? how? But I first would like to state some epistemological and methodological prolegomena about the relation between dance and politics, relying both on ancient, esp. Greek, and recent scholarship on aestheticizing politics and politicizing aesthetics. Politics and dance: humanity and space, dissensus, carnival 1. The Aristotelian definition of human being as phúsei zoon politikón (“a political animal by nature”), in Politics 1253a1-11, implies that a person defines her/himself both as an animal (with a sensitive and practical body as well as embodied psychology, cognition, and thought) and as a part of an organized group (a pólis, not “town”, like ástu, but “city”, that is a “public body” ideally based on eleuthería - freedom, autonomía – self-governance, and koinonía - mutuality).
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