Catalogue 143 ~ Holiday 2008 Contents
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Issue of Blake
BLAKE AN ILLUSTRATED QUARTERLY PBOCJLAllATION TIRED OF THE SPECTACLE OF SHORT STORIES, NOVELS, POEMS AND PLAYS STILL UNDER THE HEGEMONY OF THE BANAL WORD, MONO TONOUS SYNTAX, STATIC PSYCHOLOGY, DESCRIPTIVE NATURALISM, AND DESIROUS OF CRYSTALLIZING A VIEWPOINT ••• WE HEREBY DECLARE THAT : 1. THE REVOLUTION IN THE ENGLISH LANGUAGE IS AN AC COl\IPLISHED FA CT. 2. THE lllAGINATION IN SEARCH OF A FABULOUS WORLD IS AUTONOMOUS AND UNCONFINED. (Prudence is a rich, ugly old maid courted by Incapacity ... Blake) 3. PURE POETRY IS A LYRICAL ABSOLUTE THAT SEEKS AN A PRIORI BEAUTY WITHIN OURSELVES ALONE. (Bring oul number, weight and measure in a year of dearth ... ~lake) 4. NARRATIVE IS NOT .llERE ANECDOTE, BUT THE PROJEC TION OF A METAMORPHOSIS OF REALITY. (Enough I Or Too Much !... Blake) 6. THE EXPRESSION OF THESE CONCEPTS CL\lV BE ACHIEVED ONLY THROUGH THE RHYTHMIC " HALLUCINATION OF THE WORD ". (Rimbaud). 6. THE LITERARY CREATOR HAS THE RIGHT TO DISINTE GRATE THE PRIMAL llA'ITER OF WORDS IMPOSED ON HDI BY TEXT-BOOKS A.~D DICTIONARIES. (The road of excess leads to the palace of Wisdom ... Blake) 7. HE HAS THE RIGHT TO USE WORDS OF HIS OWN FASH IO~NG AND TO DISREGARD EXISTJNG GRAMMATICAL AND SYNTACTICAL LAWS. (The tigers of wrath are wiser lhan the horses of inslruclion ... Blake) 8. THE" LITANY OF WORDS" IS ADMI'ITED AS AN INDEPEN DE~T lJ-:\TIT. 9. WE ARE NOT CONCERNED WITH THE PROPAGATION OF SOCIOLOGICAL IDEAS, EXCEPT TO Ei\IANCJPATE THE CREATIVE El,E..\lEi"VTS FROl\I THE PRESENT IDEOLOGY. 10. TL\IE IS A TYRANNY TO BE ABOLISHED. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Literary High-Flier by K.J
David Morrell: Literary High-Flier BY K.J. HOWE “Nobodyisbornawarrior, inexactlythesamewaythat nobodyisbornanaverage man.Wemakeourselves intooneortheother.” —Carlos Castaneda Ifthereisoneauthorwhohastransformed himselfintoaliterarywarrior,it’sDavid Morrell.DavidpublishedFirst Bloodin1972, andhehasnowwrittenover30books.With 18millioncopiesinprint,thisITWThriller © Jennifer Esperanza Masterhasbeentranslatedinto26languages. Perhaps the best word to describe David is untiring. them. He is a pioneer who made the thriller accept- Relentless in his pursuit of excellence, he has been able at a higher level.” a high-flier in the publishing world for four decades. TheMasterCraftsman As Jon Land (Strong Justice) says, “David is a true warrior who sets trends rather than follows them. “The more you sweat in training, the less you will He doesn’t please anyone other than himself. He bleed in battle.” Navy SEALs Motto creates standards and then exceeds them.” One I’ve had the pleasure of hearing David, a former lit- only has to look at the variety and volume of David’s erature professor, speak numerous times, and one books to see that he has always been ahead of the of the many gems he shared was his strategic ap- curve. proach to writing novels. When he invests a year David’s novels are timeless—you can pick up any of of his life in a book, he wants to learn and grow as his books and be guaranteed a great read, regard- a result. Perhaps this is why David has straddled less of when the novel was written. Jon explains genres and has written mostly stand-alone novels that “David’s books don’t limit themselves to a spe- in a time when publishing encourages authors to cific time and culture. -
Bcsfazine #412 © September 2007, Volume 35, #9, Is the Monthly Club Newsletter Published by the British Columbia Science Fiction Association, a Social Organization
The newsletter of the B.C. Science Fiction Association #412 $3.00 September 2007 Contents Condominiums with Aluminum Siding...........................................1 We Will LoC You............................................................................2 Advertisements................................................................................ 4 Calendar........................................................................................... 6 Around the World ........................................................................... 7 Masthead/Colophon/and other Wallpaper BCSFAzine #412 © September 2007, Volume 35, #9, is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. ISSN: 1490-6406. Please send comments, subscriptions, suggestions, and/or submissions to Garth Spencer (the Editor), at [email protected] or Box 15335, VMPO, Vancouver, BC, CANADA V6B 5B1. BCSFAzine solicits electronic submissions, and black and white line illustrations in JPG or GIF format, and offers contributor's copies. BCSFAzine is printed most excellently by the good people at Copies Plus, at 1950 West Broadway, Vancouver, BC, tel. 604-731-7868. BCSFAzine is distributed monthly at WHITE DWARF BOOKS, 3715 West 10th Avenue, Vancouver, BC, V6R 2G5, tel. 604-228-8223; email [email protected]. Single copies C$3.00/US$2.00 each. (Subscription/membership rates are given towards the end of this zine. This Month in BCSFA Friday, Sept. 14: BCSFAzine deadline – see Garth at FRED (from 8 pm on at Boston Pizza, Broadway near Granville) if you want to submit to issue #412 Thursday, Sept. 20: September book discussion at "Our Town" café, 245 East Broadway, Vancouver, starting at 7 pm. Book to be discussed will be a surprise! Saturday, Sept. 22: BCSFA party/meeting at 7 pm at Kathleen Moore-Freeman's, 7064 No. 1 Road, Richmond, BC V7C 1T6. See Mapquest or call Kathleen at 604-277-0845 for directions. -
Publishing Blackness: Textual Constructions of Race Since 1850
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form. -
Type Title Author Publisher ISBN # Pages Length PFLAG Cincinnati Lending Library
PFLAG Cincinnati Lending Library # Type Title Author Publisher ISBN Pages Length Audio Accepting your Gay or Lesbian Child: Parents Share their Stories Sounds True Recordings Audio Coming Out: Kate Ramsdell Audio Reconciling Ministry Conference April 2002 MUSE, Jimmy Creech, Tanya Pike Audio Steve Schalchlin – PFLAG Cincinnati Annual Fundraiser 02/27/99 Audio Stranger in Our Midst (2 volume) Bishop Paul Egertson Audio What Matters: A Benefit CD for Matthew Shepard Foundation Randi Driscoll Audio CD Boy Meets Boy Levithan, David Full Cast Audio 345 Book (Lost)Found #1 Adams, Marc Window Books 1-889829-10-2 127 Book (Lost)Found #2 Adams, Marc Window Books 1-889829-10-2 127 Book (Lost)Found #3 Adams, Marc Window Books 1-889829-10-2 127 Book A Mother Looks At the Gay Child Davis, Jesse New Falcon Publications 1-56184-126-9 160 Book A Face in the Crowd, Expressions of Gay Life in America Peterson, John and Martin Prospect Publishing 0-9719618-0-8 132 Bedogne Book A Fire Engine for Ruthie Newman, Leslea Clarion Books 0-618-15989-4 32 Book A Journey to Moriah Murray, Rhea Banta & Pool, Publishers 0-9667237-0-8 149 Book A Member of the Family: Gay Men Write about Their Families Edit: Preston, John A Dutton Book 0-525-93549-5 309 Book A Place at the Table: The Gay Individual in American Society (2 Bawer, Bruce Poseidon Press 0-671-79533-3 269 Copies) Book A Promise To Remember The Names Project Book of Letters: Edit: Brown, Joe Avon Books 0-380-76711-2 323 Remembrances of Love from the Contributors to the Quilt Book About Face: A Gay Officer’s Account of How He Stopped Kennedy, James E A Birch Lane Press Book 1-55972-281-9 302 Prosecuting Gays in the Army and Started Fighting for Their Rights (autographed) Book Acts of Disclosure: The Coming-Out Process of Contemporary Vargo MS, Marc E. -
RIVERFRONT CIRCULATING MATERIALS (Can Be Checked Out)
SLAVERY BIBLIOGRAPHY TOPICS ABOLITION AMERICAN REVOLUTION & SLAVERY AUDIO-VISUAL BIOGRAPHIES CANADIAN SLAVERY CIVIL WAR & LINCOLN FREE AFRICAN AMERICANS GENERAL HISTORY HOME LIFE LATIN AMERICAN & CARIBBEAN SLAVERY LAW & SLAVERY LITERATURE/POETRY NORTHERN SLAVERY PSYCHOLOGICAL ASPECTS OF SLAVERY/POST-SLAVERY RELIGION RESISTANCE SLAVE NARRATIVES SLAVE SHIPS SLAVE TRADE SOUTHERN SLAVERY UNDERGROUND RAILROAD WOMEN ABOLITION Abolition and Antislavery: A historical encyclopedia of the American mosaic Hinks, Peter. Greenwood Pub Group, c2015. 447 p. R 326.8 A (YRI) Abolition! : the struggle to abolish slavery in the British Colonies Reddie, Richard S. Oxford : Lion, c2007. 254 p. 326.09 R (YRI) The abolitionist movement : ending slavery McNeese, Tim. New York : Chelsea House, c2008. 142 p. 973.71 M (YRI) 1 The abolitionist legacy: from Reconstruction to the NAACP McPherson, James M. Princeton, NJ: Princeton University Press, c1975. 438 p. 322.44 M (YRI) All on fire : William Lloyd Garrison and the abolition of slavery Mayer, Henry, 1941- New York : St. Martin's Press, c1998. 707 p. B GARRISON (YWI) Amazing Grace: William Wilberforce and the heroic campaign to end slavery Metaxas, Eric New York, NY : Harper, c2007. 281p. B WILBERFORCE (YRI, YWI) American to the backbone : the life of James W.C. Pennington, the fugitive slave who became one of the first black abolitionists Webber, Christopher. New York : Pegasus Books, c2011. 493 p. B PENNINGTON (YRI) The Amistad slave revolt and American abolition. Zeinert, Karen. North Haven, CT : Linnet Books, c1997. 101p. 326.09 Z (YRI, YWI) Angelina Grimke : voice of abolition. Todras, Ellen H., 1947- North Haven, Conn. : Linnet Books, c1999. 178p. YA B GRIMKE (YWI) The antislavery movement Rogers, James T. -
AL PLASTINOPLASTINO His Era, Plastino Was the Last Surviving Penciler/Inker of Superman Comic Books
LAST SUPERMAN STANDING: THE STANDING: SUPERMAN LAST LAST SUPERMAN STANDING Alfred John Plastino might not be as famous as the creators of Nancy, Joe Palooka, Batman, and other classic daily and THE STORY Sunday newspaper strips, but he worked on many of them. And of ALAL PLASTINOPLASTINO his era, Plastino was the last surviving penciler/inker of Superman comic books. In these pages, the artist remembers both his struggles and triumphs in the world of cartooning and beyond. A near-century of history and insights shared by Al, his family, and contemporaries Allen Bellman, Nick Cardy, Joe Giella, and Carmine Infantino— along with successors Jon Bogdanove, Jerry Ordway, and Mark Waid —paint a layered portrait of Plastino’s life and career. From the author and designer team of Curt Swan: A Life In Comics. PLASTINO AL Foreword by Paul Levitz. STORY EDDY ZENO EDDY An illustrated biography EDDY ZENO Plastino cover.indd 1 8/19/14 2:26 PM LAST SUPERMAN STANDING THE STORY AL PLASTINO EDDY ZENO Plastino.indd 1 9/3/14 1:52 PM Contents Foreword By Paul Levitz .................................................................................................. 4 Introduction ...................................................................................................................... 6 Globs Of Clay, Flecks Of Paint ...................................................................................... 8 Harry “A” ............................................................................................................................ 16 The War -
History of Early Journalism in Montana 1863-1890
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1915 History of early journalism in Montana 1863-1890 William Goodheart Breitenstein The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Breitenstein, William Goodheart, "History of early journalism in Montana 1863-1890" (1915). Graduate Student Theses, Dissertations, & Professional Papers. 5033. https://scholarworks.umt.edu/etd/5033 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A. HISTORY OF EARLY JOURNALISM IN MONTANA 1863-1890 Submitted as one of the requirements for the degree of Master of Arts By William Goodheart Breitenstein University of Montana May, 1915 UMI Number: EP40497 All fights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. O'issartaSton WbJishfeg UMI EP40497 Published by ProQuest LLC (2014). Copyright in the Dissertation held by the Author. Microform Edition © ProQ uest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQ uest LLC. -
Signed Modern Firsts I: Achebe–Kunzru
Pryor-Johnson Rare Books Signed Modern Firsts I: Achebe-Kunzru [1123 Broadway, Suite 517, New York, NY 10075] [email protected] What an odd time to be an antiquarian bookseller. As the whole world strives to heal while convulsing with rage against injustice, issue points and binding variants can seem pitifully insignificant. We slip into the shop masked and gloved to wrap and dispatch books, but 1123 Broadway has not now for months been a haven of bibliophilia, with baroque music playing and a pot of coffee freshly brewed. Yet we hear from our clients and feel ourselves that cultivating bibliomania — even reading the books — has been a balm. Reading has been an escape as well as a means of rediscovering some of the humanity that’s been eroded by seclusion. Signed books have always had to do with imputed distance: the author’s signature in it is a marker of its having passed through her hands, sometime somewhere. As our own geographical remit has narrowed, a signed book now feels even more like a piece of moon fallen into our hands. We feel it is vital to amplify black, brown and native voices. Thus we highlight the following authors in this list: Achebe, Borges, Danticat, Erdrich, Fuentes, Garcia-Aguilera, Iweala and Kunzru. Their work travers- es style, subject and period. There is no one “literature of color,” nor do we wish to tokenize or fetishize these authors’ work. Bringing the work of people of color to the fore nevertheless feels like a small but powerful role the world of antiquarian books can play — a safeguard against our becoming truly irrelevant or frivolous. -
Reading Publics and Canon Formation in 20Th Century Us Fiction
Copyright by Laura Knowles Wallace 2016 The Dissertation Committee for Laura Knowles Wallace Certifies that this is the approved version of the following dissertation: QUEER NOVELTY: READING PUBLICS AND CANON FORMATION IN 20TH CENTURY US FICTION Committee: Brian Bremen, Supervisor Chad Bennett Ann Cvetkovich Jennifer Wilks Janet Staiger QUEER NOVELTY: READING PUBLICS AND CANON FORMATION IN 20TH CENTURY US FICTION by Laura Knowles Wallace, BA, MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2016 Dedication For who else but my students, whose insistent presence served as persistent reminder of the stakes of this project? The many ways contemporary queer readers and critics have invested pre-Stonewall writing and images with romance or nostalgia or distaste all point to the funny communicability of shadow-relations and secret emotions across time, as if they acquire heft only in the long term, where the difficulty of the problems they want to solve (like historical isolation and suffering) can emerge in their full intractability. Christopher Nealon, Foundlings, 2001 I don’t have to wonder whose group I’m in today. Certainly the people who always think the public problem is theirs are gay. Eileen Myles, “To Hell,” Sorry, Tree, 2007 Acknowledgements Thank you to my committee (Brian Bremen, Jennifer Wilks, Chad Bennett, Ann Cvetkovich, and Janet Staiger) for your time, your enthusiasm, and your questions. Thank you to the other faculty members whose teaching and encouragement shaped this project, especially Hannah Wojciehowski, Eric Darnell Pritchard, Mia Carter, and Heather Houser. -
Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost.