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IN the NAME I
ounded 100 years ago, ENIT was originally known as the Ente Nazionale per le Industrie FTuristiche before changing its name to the Agenzia Nazionale del Turismo in 2016. Focusing on the period between its founding in 1919 and the 1960s – a decade characterised by a lively and y l a productive spirit – this book takes a look back at the history and cultural heritage of Italy’s tourism t I board, delving into its century-long dedication to promoting Italy abroad. n IN THE NAME i This publication explores how ENIT came to be founded, the strategies it employed to promote y g Italy’s attractions and the innovative marketing tools it devised over the years. Embark on a e t of BEAUTY a fascinating, historical journey that culminates in a collection of never-before-seen photographs taken r Enit: 100 years of cultural policy t s from ENIT’s own archives, yet further testament to the institution’s impressive initiatives to and tourism strategy in Italy m document Italy and promote its charm all over the world. s i r An additional project is currently underway to catalogue and digitise ENIT’s cultural assets, in the u o t hope of being able to make them available to the public in the near future, so that you may continue d to satisfy your curiosity piqued by this informative and essential publication. n a y c i l o p l a r u t l u c f o s r a e y 0 0 1 : t anuel Barrese graduated from the University of Rome, La Sapienza, with a Ph.D. -
17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 Pm
17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 pm “Schönheit und Abgrund“ (beauty and the abyss) is the motto of this year’s celebrations of Modernism in Vienna. Gustav Klimt was one of the protagonists who shaped the intellectually vibrant, cosmopolitan city around 1900. He died a hundred years ago. In the photograph taken by Moriz Nähr in 1912, Gustav Klimt poses very much alive and not the least bit abyssal in his studio, petting his cat and glancing at the camera with vivid and warm-hearted eyes. It is one of his most famous portraits (estimate: 24,000-28,000 Euro) and is now on offer at the upcoming 17th WestLicht Photo Auction, only one of the highlights among more than 200 photographs and complementary rare treasures from the medium of the photobook. Klimt is accompanied by further Austrian masters of photography from the early 20th century like Rudolf Koppitz, Heinrich Kühn, Ferdinand Schmutzer, Madame d’Ora and Trude Fleischmann. The latter produced an enchanting portrait of the famous state opera dancer Tilly Losch, which is estimated at 2,500 to 3,000 Euro. Like Klimt, Czech photographer František Drtikol was a master of the female nude. Two works by him, “Untitled (Nude with shadow)”, 1926 (estimate: 9,000-10,000 Euro) and “Untitled (Backlit nude)”, c. 1926 (estimate: 7,000-9,000 Euro), are up for auction. Both come from the holdings of German photographer Grete Leistikow and display a cubist and art déco influence in their geometric elements, the expressively dynamic poses and the dramatic lighting. -
East Indian Bronze Figures of Ganesh, 19Th/20Th
Lot Description Price (lot of 6) East Indian bronze figures of Ganesh, 19th/20th century, featuring four in dancing poses, one 1 multi-armed and one silvered seated, 9''h; Provenance: The Hemphill Collection of San Francisco $ 150 (lot of 7) East Indian bronze oil lamps, 19th/20th century, consisting of two standing beauties, hand lamp with figure of elephant, Ganesh base lamp, spoon shaped lamp, peacock lamp, Himalayan lamp, 8.5''h; 2 Provenance: The Hemphill Collection of San Francisco $ 175 Asian bronze seated Hotei on dragon throne, 20th century, holding a strand of praying beads and a bag 5 with traces of gilt, 8.5''h; Provenance: The Hemphill Collection of San Francisco $ 200 (lot of 2) Thai gilt bronze Buddhist figures, 19th century, figures each seated on tiered pedestals, some 7 damages, 17''h; Provenance: The Hemphill Collection of San Francisco $ 125 (lot of 6) group of Himalayan silver gilt metal votive pieces, 20th century, consisting of a table top prayer 8 wheel, a bowl, three rings, and a finial, 7.5''h; Provenance: The Hemphill Collection of San Francisco $ 175 (lot of 5) Assortment of Himalayan/Tibetan religious objects, consisting of a bronze bell with a vajra finial, a small bronze floral form stem cup, a copper phurba and a copper gao, 6.75''h; Provenance: The Hemphill 9 Collection of San Francisco $ 150 (lot of 6) Nepalese seated copper alloy Buddhas, 20th century, five are holding medicine jars, one with 11 hands in mudra, 5.5''h; Provenance: The Hemphill Collection of San Francisco $ 125 (Lot of 3) Chinese green -
P Ho T O a U C T Io N
VIENNA, OCTOBER 2ND 2020 PHOTO AUCTION 77, ALFRED EISENSTAEDT EXPERTEN SPECIALISTS PROF. JOHANNES FABER 22. Gründer der Galerie Johannes Faber in Wien, OSTLICHT Kunsthändler und Experte für klassische PHOTO AUCTION Fotografie; zahlreiche Ausstellungen, Preise, Freitag, 2. Oktober 2020, Stipendien und Publikationen. 17 Uhr (MESZ) Founder and director of Galerie Johannes Faber in Vienna, art dealer and expert for classic VORBESICHTIGUNG photography; numerous exhibitions, awards, ab Mittwoch, 23. September scholarships and publications. nach persönlicher Vereinbarung: PHOTO [email protected], Tel.: +43 1 996 20 66 17 ND AUCTION 22 OSTLICHT ANNA ZIMM PHOTO AUCTION Kunsthistorikerin, Expertin für Fotografie, Researcher. Friday, October 2nd 2020, Seit 2008 bei OstLicht (früher WestLicht) Photo Auction. 5 pm (CEST) Art historian, Photographs Specialist, Researcher. Working for OstLicht (former WestLicht) Photo Auction VIEWING since 2008. from Wednesday, September 23rd [email protected] only by appointment: [email protected], Tel.: +43 1 996 20 66 17 MICHAEL KOLLMANN Kurator Fotobuch WestLicht / OstLicht, Begründer vom Vienna Photo Book Festival, Fotobuch- UPDATED BUYER’S Herausgeber und Experte für seltene Fotobücher. PREMIUM Photo book curator WestLicht / OstLicht, founder The total purchase price for of the Vienna Photo Book Festival, editor of photo all lots consists of the hammer books and expert for rare photo books. price plus the premium of Absberggasse 27, 26 % (incl. 5 % VAT) for lots [email protected] 1100 Vienna, Austria remaining in the EU. Tel.: +43 1 996 20 66 17 For lots that are exported to For general enquiries third countries or purchased about this auction, email with a valid VAT number the should be addressed to premium is 20 %. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
18Th International Short Film Festival
18th International Short Film Festival FILM CATALOG 2021 NOTE INTERACTIVE PDF WELCOME Some contents in this catalog are linked to external sources, such as our website To the eighteenth VIENNA SHORTS! This year’s festival edition has kept us on our toes (viennashorts.com) or various movie trailers (e.g., vimeo.com). The links are displayed as for the entire year, while our elbow room has been severely limited: no festival trips, no buttons and can be found in the texts or in the footer. The footer also functions as a path, new impressions, no vivid exchange when the credits roll and the audience leaves the showing the currently active level of the catalog. theater—instead, we were stuck in a digital world between lackadaisical work meetings, Zoom panels, and pajama-heavy jury deliberations. Please allow your PDF reader to access the internet upon request in order to use this helpful feature. Yet while we’re still yearning for the energy of in-person meetings, the world has grown a bit smaller almost unnoticed—and our elbow room has expanded considerably. We’ve found close and trusted allies across Europe with whom, it seemed, we spent more e.g. Footer: e.g. Trailer: time than with our roommates and partners. We’ve strengthened our productive festival friendships with Diagonale in Graz and Crossing Europe in Linz and reached a comple- tely new audience with our revamped online film portal and the platform THIS IS SHORT. SELECTION FIDO FIDO 6 TRAILER After so many months of uncertainty, it is great to see that working from home, in that triangle of bed–fridge–desk, has yielded some inspiring certainties as well: for instance, that you don’t have to go very far for the most amazing journeys—maybe just to the nearest cinema. -
7.10 Nov 2019 Grand Palais
PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY -
Wienerroither & Kohlbacher Galerie Bei Der Albertina Zetter Galerie
Galerie bei ■ der Albertina Zetter bel etage Kunsthandel Johannes Modern Faber Masters Viennese Modern Art Week 19–24 November Kunsthandel Giese & Schweiger Galerie Kovacek Spiegelgasse Galerie Ruberl Kunsthandel Kolhammer Wienerroither & Kohlbacher bel etage 1 Galerie 2 Kunsthandel 3 Kunsthandel 4 Mahlerstraße 15, Johannes Faber Giese & Schweiger Kolhammer Dorotheergasse 12 A-1010 Wien Brahmsplatz 7 Akademiestraße 1 Plankengasse 7 A-1040 Wien A-1010 Wien A-1010 Wien opening hours 7 Mahlerstraße 15: Monday to Friday 1-6pm opening hours opening hours Dorotheergasse 13 Dorotheergasse 12: Tuesday to Friday 1-6pm, Tuesday to Friday, 2-6pm Monday to Friday 10am-6pm A-1010 Wien Saturday 11am-6pm Saturday 11am-1pm Saturday noon to 5pm and by appointment opening hours p: +43 1 512 23 79 p: +43 1 505 75 18 p: +43 1 513 18 43 Monday to Friday 10am-6pm [email protected] [email protected] [email protected] Saturday 10am-4pm www.jmcfaber.at www.gieseundschweiger.at www.beletage.com p: +43 1 513 32 69 For more than 40 years Wolfgang Bauer has been We deal with photographs of the international Since 1980, Giese & Schweiger have been [email protected] 1 offering an extraordinarily rich selection of first-class Classical Modernism mainly in original prints, so- regarded as specialists for 19th and 20th century www.kunsthammer.at called vintage prints. The repertoire of our gallery Austrian painting. Beyond specialist knowledge furniture and art objects of Viennese Art Nouveau The brothers Florian and Nikolaus Kolhammer includes names such as Helmut Newton, Ansel and quality standards, it is the passion for art and by renowned architects such as Adolf Loos, Otto offer primarily high-quality art objects of Viennese 5 4 Adams, Man Ray, Henri Cartier-Bresson, Josef its mediation on which they successfully rely on. -
August 2011 Featuring
N-SPHERE a world behind curtains | august 2011 FEATURING SYMON CHOW RUDOLF KOPPITZ HENRY AND JUNE VINCENT DUCARD GERTRUD STEIN S[K]EEN N-SPHERE AUGUST 2011 EDITORIAL TRANQUILIZERS It is hot, very hot in these parts of the to perception in an entanglement of world. This is the hottest fraction of the senses. year in the northern hemisphere. It is the perfect moment to listen to Gertrud The night is long, and a quiet breeze slow- Stein's beats and feel the temperature ly moves the curtains. In Henry and June's rising even more. It is the perfect slice bed, a new dimension of sensuality is ex- of time and space to talk about sensual- plored. Reality is bent to will, but a will ity and eroticism and lascivious sweaty of masked resources, hidden affairs and skin while crickets fill out the silent night subtle liberation. However hot, nights are outside the curtains. bound to recline into a slight chill, creas- ing goosebumps on the skin. Time to step When lips part slightly, a faint breath behind a heavy door, feel the stifling air, can be heard. She slowly stands up dance your desires away. I do hope you from your bed and walks lazily, her skin are listening to Plastic Spoon right now. trailing in faint light. The sensitivity of vi- sion creates a connection with all other Ah, dawn. Dawn is here; cool, frail dawn, senses. Symon Chow's works depict invaded by a walk on marble side-walks, intensively the connection between high-heels in one hand and your garter breath and skin, remarkably modelling a in his pocket. -
The Cold War in the Classroom
PALGRAVE STUDIES IN EDUCATIONAL MEDIA The Cold War in the Classroom International Perspectives on Textbooks and Memory Practices Edited by Barbara Christophe Peter Gautschi Robert Thorp Palgrave Studies in Educational Media Series Editors Eckhardt Fuchs Georg Eckert Institute for International Textbook Research Braunschweig, Germany Felicitas Macgilchrist Georg Eckert Institute for International Textbook Research Braunschweig, Germany Managing Editor Wendy Anne Kopisch Georg Eckert Institute for International Textbook Research Braunschweig, Germany Editorial Board Member Michael Apple University of Wisconsin–Madison Madison, WI, USA Tânia Maria F. Braga Garcia Federal University of Paraná Curitiba, Brazil Eric Bruillard ENS de Cachan Cachan, France Nigel Harwood School of English University of Sheffield Sheffield, UK Heather Mendick Independent Scholar London, UK Eugenia Roldán Vera Departamento de Investigaciones Educativas CINVESTAV Mexico City, Mexico Neil Selwyn Faculty of Education Monash University Clayton, VIC, Australia Yasemin Soysal University of Essex Colchester, UK There is no education without some form of media. Much contemporary writing on media and education examines best practices or individual learning processes, is fired by techno-optimism or techno-pessimism about young people’s use of technology, or focuses exclusively on digital media. Relatively few studies attend – empirically or conceptually – to the embeddedness of educational media in contemporary cultural, social and political processes. The Palgrave Studies in Educational Media series aims to explore textbooks and other educational media as sites of cultural contestation and socio-political forces. Drawing on local and global perspectives, and attending to the digital, non-digital and post- digital, the series explores how these media are entangled with broader continuities and changes in today’s society, with how media and media practices play a role in shaping identifications, subjectivations, inclusions and exclusions, economies and global political projects. -
European Contexts of the 20Th
EUROPEAN CONTEXTS OF THE 20TH CENTURY ART IN VOJVODINA The Museum of Contemporary Art Vojvodina, Novi Sad, 2008 Book Concept: Miško Šuvaković i Dragomir Ugren Editors: Miško Šuvaković i Dragomir Ugren Editorial Staff: Živko Grozdanić, Ješa Denegri, Vladimir Mitrović, Miško Šuvaković i Dragomir Ugren Authors: Marija Cindori, Ješa Denegri, Nevena Daković, Nikola Dedić, Milica Doroški, Sanja Kojić Mladenov, Slo- bodan Ivkov, Olga Kovačev Ninkov, Kristian Lukić, Jelena Matić, Nebojša Milenković, Vladimir Mitrović, Miroslav Mušić, Ferenc Nemet, Gordana Nikolić, Tijana Palkovljević, Lidija Prišing, Milica Radulović, Miško Šuvaković, Slađana Varagić, Ana Vilenica, Suzana Vuksanović Original text selection: Miško Šuvaković Review: dr Aleksandar Ignjatović i dr Nikola Šuica TABLE OF CONTENTS: Vojvodinian Art Space 7 Ješa Denegri The 20th Century Art in Vojvodina: Contradictions and Hybrid Characteristics of the 20th Century Art in Vojvodina 13 Miško Šuvaković Ješa Denegri Vojvodinian artistic space It should be said at the very beginning that the use and the sults, in a �ord – their o�n opuses, artists as unique personali� advocation of terms such as “Vojvodinian art”, “art in Vojvo� ties – every�here, and in Vojvodina as �ell – represent the ey dina”, “Vojvodinian art scene”, “Vojvodinian artistic space”, indicator of artistic processes and artistic values. Only from an “Vojvodinian visual arts space” and ������������������������of ���������������������similar ones does not a posteriori understanding of these processes and values, and have any -
Contributions to a History of Photography in Austria Edited By
Contributions to A History of Photography in Austria Edited by Monika Faber for Photoinstitut Bonartes · Vienna and Walter Moser for the Photographic Collection of the Albertina · Vienna Volume 10 Elizabeth Cronin Heimat Photography in Austria A Politicized Vision of Peasants and Skiers Photoinstitut Bonartes · Vienna Albertina · Vienna Fotohof edition · Salzburg Preface This book series is dedicated to those friends whose unending trust and generous engagement have accompanied and supported the Photographic Collection of the Albertina and Photoinstitut Bonartes from the beginning. Alpine landscapes and rural forms of life signified more than just a geogra- phic peculiarity in interwar Austria. The identification model of the Ständestaat’s anti-modernism could also be capitalized on as an idyll with tourist potential. Folklore and winter sports entered into a continuing bond here. It was no big step from the apotheosis of hard work and the admiration of traditional handicraft to the glorification of a patriarchal society of preindustrial character. Whether in the modernist Austrian pavilion at the World’s Exposition in Paris in 1937, in lavish photographic volumes, or in the up-to-date medium of the illustrated magazine: Heimat photography brought forth and deepened visual leitmotifs for this view of Austria far into the postwar reconstruction era. We thank Elizabeth Cronin for developing her dissertation into this publication, which places essential holdings of the photographic collections of the Albertina and the Photoinstitut Bonartes in a wider context for the first time. The project would not have come about without Michael Ponstingl’s enthusiastic as well as efficient commitment. Monika Faber, Photoinstitut Bonartes Walter Moser, Albertina Pages 2–3 · Peter Paul Atzwanger, Ploughing by the Lakeside, c.