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American Photographs Free
FREE AMERICAN PHOTOGRAPHS PDF Walker Evans | 208 pages | 04 Apr 2013 | TATE PUBLISHING | 9781849761284 | English | London, United Kingdom Photographs of Native American Indians. American Indian Photographs. We are looking for Citizen Archivists to add specific topical subject tags to each photograph in the Record Group. Adding tags will help increase access to these rich records. New to the Citizen Archivist program? Learn how to register and get started. Already have an account? Login here. View the photographs in the Catalog, and get started tagging! Note: some of the photographs in this mission may already have existing tags. Please review each image and add any relevant tags from this list to the left side of the record. Download American Photographs PDF version of this list. Top Skip to main content. Native American Photographs Tagging Mission. Topical Subject Tag Additional information for when to add this tag Agriculture Add this tag when you identify farming, crops, gardening, etc. Animals American Photographs this tag to identify American Photographs that have wild animals and American Photographs Art and Artifacts Add this tag to identify American Photographs that include basketwork, beadwork, crafts, etc. Buildings Add this tag American Photographs identify photographs that have any buildings Bureau of Indian Affairs Personnel American Photographs this tag identify photographs of BIA personnel Camps Add this tag to American Photographs photographs of Native American encampments Children Add this tag to identify photographs of children Clothing Add this tag to identify photographs where clothing or Native dress is prominent. Schools Add this tag to identify photographs of schools and related activities Transportation Add this tag to identify photographs of transportation methods, such as vehicles. -
Photographers Women
WOMEN PHOTOGRAPHERS WOMEN BORIS FRIEDEWALD PHOTOGRAPHERS From Julia Margaret Cameron to Cindy Sherman PRESTEL Munich · London · New York In a profession like this it is both an advantage and a dis- advantage to be a woman … From time to time, I have been able to take photos where my male colleagues had failed … Not many women work as photo reporters, a profession that requires absolute health, patience, and curiosity, as well as an open approach, skill, and courage in completely unex - p ec ted situations: all qualities that women possess. Gisèle Freund, 1977 Contents 006 | Introduction 078 | Lady Clementina Hawarden 166 | Sarah Moon 082 | Florence Henri 170 | Inge Morath 086 | Candida Höfer 174 | Zanele Muholi 008 | Berenice Abbott 090 | Evelyn Hofer 178 | Madame d’Ora 012 | Eve Arnold 094 | Graciela Iturbide 182 | Bettina Rheims 016 | Anna Atkins 098 | Lotte Jacobi 186 | Viviane Sassen 020 | Ellen Auerbach 102 | Gertrude Käsebier 190 | Shirana Shahbazi 024 | Jessica Backhaus 108 | Rinko Kawauchi 194 | Cindy Sherman 028 | Tina Barney 112 | Herlinde Koelbl 198 | Dayanita Singh 034 | Lillian Bassman 118 | Germaine Krull 202 | Rosalind Solomon 038 | Sibylle Bergemann 122 | Dorothea Lange 206 | Grete Stern 042 | Margaret Bourke-White 126 | An-My Lê 210 | Ellen von Unwerth 046 | Claude Cahun 130 | Helen Levitt 214 | JoAnn Verburg 050 | Julia Margaret Cameron 134 | Vera Lutter 218 | Carrie Mae Weems 054 | Imogen Cunningham 138 | Vivian Maier 222 | Francesca Woodman 058 | Rineke Dijkstra 142 | Sally Mann 226 | Madame Yevonde 060 | Trude Fleischmann 146 | Hellen van Meene 064 | Martine Franck 150 | Susan Meiselas 068 | Gisèle Freund 154 | Lee Miller 231 | List of Images 070 | Nan Goldin 158 | Lisette Model 237 | Selected Literature 074 | Jitka Hanzlová 162 | Tina Modotti 240 | Imprint Introduction A woman. -
PROCEEDINGS of the 120TH NATIONAL CONVENTION of the VETERANS of FOREIGN WARS of the UNITED STATES
116th Congress, 2d Session House Document 116–165 PROCEEDINGS of the 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Orlando, Florida ::: July 20 – 24, 2019 116th Congress, 2d Session – – – – – – – – – – – – – House Document 116–165 THE PROCEEDINGS OF THE 120TH NATIONAL CON- VENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES COMMUNICATION FROM THE ADJUTANT GENERAL, THE VETERANS OF FOREIGN WARS OF THE UNITED STATES TRANSMITTING THE PROCEEDINGS OF THE 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES, HELD IN ORLANDO, FLORIDA: JULY 20–24, 2019, PURSUANT TO 44 U.S.C. 1332; (PUBLIC LAW 90–620 (AS AMENDED BY PUBLIC LAW 105–225, SEC. 3); (112 STAT. 1498) NOVEMBER 12, 2020.—Referred to the Committee on Veterans’ Affairs and ordered to be printed U.S. GOVERNMENT PUBLISHING OFFICE 40–535 WASHINGTON : 2020 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respectively, shall be printed annually, with accompanying illustrations, as separate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] ii LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES KANSAS CITY, MISSOURI September, 2020 Honorable Nancy Pelosi The Speaker U. -
Albanian Catholic Bulletin Buletini Katholik Shqiptar
ISSN 0272 -7250 ALBANIAN CATHOLIC BULLETIN PUBLISHED PERIODICALLY BY THE ALBANIAN CATHOLIC INFORMATION CENTER Vol.3, No. 1&2 P.O. BOX 1217, SANTA CLARA, CA 95053, U.S.A. 1982 BULETINI d^M. jpu. &CU& #*- <gP KATHOLIK Mother Teresa's message to all Albanians SHQIPTAR San Francisco, June 4, 1982 ALBANIAN CATHOLIC PUBLISHING COUNCIL: ZEF V. NEKAJ, JAK GARDIN, S.J., PJETER PAL VANI, NDOC KELMENDI, S.J., BAR BULLETIN BARA KAY (Assoc. Editor), PALOK PLAKU, RAYMOND FROST (Assoc. Editor), GJON SINISHTA (Editor), JULIO FERNANDEZ Volume III No.l&2 1982 (Secretary), and LEO GABRIEL NEAL, O.F.M., CONV. (President). In the past our Bulletin (and other material of information, in cluding the book "The Fulfilled Promise" about religious perse This issue has been prepared with the help of: STELLA PILGRIM, TENNANT C. cution in Albania) has been sent free to a considerable number WRIGHT, S.J., DAVE PREVITALE, JAMES of people, institutions and organizations in the U.S. and abroad. TORRENS, S.J., Sr. HENRY JOSEPH and Not affiliated with any Church or other religious or political or DANIEL GERMANN, S.J. ganization, we depend entirely on your donations and gifts. Please help us to continue this apostolate on behalf of the op pressed Albanians. STRANGERS ARE FRIENDS News, articles and photos of general interest, 100-1200 words WE HAVEN'T MET of length, on religious, cultural, historical and political topics about Albania and its people, may be submitted for considera tion. No payments are made for the published material. God knows Please enclose self-addressed envelope for return. -
Erich Hartmann " Erich Hartmann, the Poetry of Daily Life " March 21 - May 4Th 2019
Catherine & André Hug present : Carte blanche à CLAIRbyKahnGallery Erich Hartmann " Erich Hartmann, the Poetry of Daily Life " March 21 - May 4th 2019 Galerie Catherine et André Hug 40, rue de Seine / 2, rue de l’Échaudé 75006 Paris www.galeriehug.com Mardi au samedi : 11h à 13h et 14h30 à 19h The Kiss,©ErichHartmann/MagnumPhotos/CLAIRbyKahn The Erich Hartmann, The Poetry of Daily Life exhibition emerged from a chance meeting and an immediate enchantment. The meeting was between Anna-Patricia Kahn, who is the director of CLAIRbyKahn, and Catherine and André Hug, who are the renowned owners of their eponymous gallery in Paris. And the enchantment took place the instant Catherine and André were shown the Erich Hartmann oeuvre. Then and there, they decided to give a "carte blanche" for a Hartmann show to CLAIRbyKahn, the gallery which represents the photographer’s archives. Hartmann (b. 1922 in Munich, d. 1999 in New York) is celebrated for the subtle, mysterious poetry that emanates from his photography, the play of shadow and light that is captivating yet respectful. He embraced places, objects, and people with his camera, never unsettling the moment, always capturing it in a way that allowed it to be rediscovered. The Poetry of Daily Life exhibition features 27 images by Hartmann that magnify the glory of the ordinary and the dignity of the routine. The photographs on display are all vintage prints that have the unique quality of being developed by Hartmann’s own hand. This will be a momentous year for the Erich Hartmann archives as there will also be two major museum exhibitions consecrated to the legendary photographer: in Bale, Switzerland from February to July 2019 as part of a collective exhibition Isrealities; and then in November 2019, his Irish portfolio will be exhibited at the National Gallery of Ireland in Dublin. -
INGE MORATH La Vita. La Fotografia
MILANO - MUSEO DIOCESANO CARLO MARIA MARTINI 19 GIUGNO – 1° NOVEMBRE 2020 INGE MORATH La vita. La fotografia 150 immagini e documenti originali ricostruiscono la vicenda umana e professionale della fotografa austriaca, prima donna a entrare nell’agenzia Magnum Photos. Dal 19 giugno al 1° novembre 2020, il Museo Diocesano Carlo Maria Martini di Milano ospita una retrospettiva dedicata alla fotografa austriaca Inge Morath (Graz, 1923 – New York, 2002), la prima donna a essere accolta nell’agenzia Magnum Photos. L’iniziativa è parte dei palinsesti culturali Aria di Cultura e I talenti delle donne, promossi e coordinati dal Comune di Milano. Attraverso 150 immagini e documenti originali, l’esposizione, curata da Brigitte Blüml – Kaindl, Kurt Kaindl, e Marco Minuz, col supporto del Forum austriaco della cultura, col sostegno di Rinascente, media partner IGP Decaux, ripercorre il cammino umano e professionale di Inge Morath, dagli esordi al fianco di Ernst Haas ed Henri Cartier-Bresson fino alla collaborazione con prestigiose riviste quali Picture Post, LIFE, Paris Match, Saturday Evening Post e Vogue, attraverso i suoi principali reportage di viaggio, che preparava con cura maniacale, studiando la lingua, le tradizioni e la cultura di ogni paese dove si recava, fossero essi l’Italia, la Spagna, l’Iran, la Russia, la Cina, al punto che il marito, il celebre drammaturgo Arthur Miller, ebbe a ricordare che “Non appena vede una valigia, Inge comincia a prepararla”. Il percorso espositivo dà conto di questa sua inclinazione, presentando alcuni dei suoi reportage più famosi, come quello realizzato a Venezia nel 1953, con immagini colte in luoghi meno frequentati e nei quartieri popolari della città lagunare, che sposano la tradizione fotografica dell’agenzia Magnum di ritrarre persone nella loro quotidianità. -
![By Lennart Nilsson [1]](https://docslib.b-cdn.net/cover/0684/by-lennart-nilsson-1-720684.webp)
By Lennart Nilsson [1]
Published on The Embryo Project Encyclopedia (https://embryo.asu.edu) A Child Is Born (1965), by Lennart Nilsson [1] By: Zhang, Mark Keywords: human embryos [2] Dell Publishing in New York City, New York, published Lennart Nilsson [3]'s A Child Is Born in 1966. The book was a translation of the Swedish version called Ett barn blir till, published in 1965. It sold over a million copies in its first edition, and has translations in twelve languages. Nilsson, a photojournalist, documented a nine-month human pregnancy [4] using pictures and accompanying text written by doctors Axel Ingelman-Sundberg, Claes Wirsén and translated by Britt and Claes Wirsén and Annabelle MacMillian. Critics lauded A Child Is Born for its photographs taken in utero of a developing fetus [5]. Furthermore, the work received additional praise for what many described as simple and scientifically accurate explanations of complicated processes during development. Nilsson, born in Sweden in 1922, worked as a photojournalist since the mid-1940s. Using instruments with macro-lenses and wide-angled lenses, Nilsson photographed human fetuses. Nilsson published those images both in Life's cover article “Drama of Life before Birth” in 1965 and in A Child Is Born a few months later. Nilsson said that he intended A Child Is Born to be a practical guide for the expectant parents. To serve that purpose, Nilsson addressed common anxieties and myths about pregnancy [4] by presenting a photographic account of a fetus [5]'s growth from conception [6] through birth. Additionally, he solicited the help of Claes Wirsén, a doctor at theK arolinska Institute [7] in Solna, Sweden, and Axel Ingelman-Sundberg, a professor at the Sabbatsberg Hospital in Stockholm, Sweden, to help him write the text. -
Germaine Krull
Germaine Krull Germaine Krull est née le 29 y règne en maître et les photographes Hugo Erfurth et novembre 1897 de parents alle- Heinrich Kühn y sont cités en exemples. Elle est dans la mands à Poznan, une ville polo- classe du professeur Spörl pour qui la personne représen- naise qui fait partie du royaume tée n’est qu’un moyen pour atteindre un but : la représen- de Prusse depuis le Congrès de tation artistique. Elle adore l’école qui est une expérience Vienne, au hasard d’un déplace- absolument nouvelle, les travaux pratiques, son profes- ment professionnel de son père, seur, la découverte de la ville avec pour la première fois un ingénieur qui va ensuite des amies de son âge. rejoindre son poste en Bosnie où elle passera une partie de sa Elle fréquente la bohème munichoise et s’engage en Autoportrait, Paris, 1927 petite enfance. La famille s’ins- politique. Elle a son premier contact avec le bouddhisme talle ensuite dans la campagne romaine puis à Paris où « ... cette philosophie [qui] est la mienne depuis. La réin- sa mère tient une table d’hôtes « ... assez élégante. Il y a carnation ; les fautes que vous faites, vous les expiez ; la des attachés de consulats et quelques hommes de lettres, conscience de la vie qui tourne et qui revient2... ». C’est là des étudiantes en musique1. » Son père refuse qu’elle aille à qu’elle découvre l’art moderne, qu’elle forme son goût sous l’école et engage une préceptrice. Ensuite ce sera la Slové- l’infl uence d’un ami peintre plus âgé qu’elle. -
17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 Pm
17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 pm “Schönheit und Abgrund“ (beauty and the abyss) is the motto of this year’s celebrations of Modernism in Vienna. Gustav Klimt was one of the protagonists who shaped the intellectually vibrant, cosmopolitan city around 1900. He died a hundred years ago. In the photograph taken by Moriz Nähr in 1912, Gustav Klimt poses very much alive and not the least bit abyssal in his studio, petting his cat and glancing at the camera with vivid and warm-hearted eyes. It is one of his most famous portraits (estimate: 24,000-28,000 Euro) and is now on offer at the upcoming 17th WestLicht Photo Auction, only one of the highlights among more than 200 photographs and complementary rare treasures from the medium of the photobook. Klimt is accompanied by further Austrian masters of photography from the early 20th century like Rudolf Koppitz, Heinrich Kühn, Ferdinand Schmutzer, Madame d’Ora and Trude Fleischmann. The latter produced an enchanting portrait of the famous state opera dancer Tilly Losch, which is estimated at 2,500 to 3,000 Euro. Like Klimt, Czech photographer František Drtikol was a master of the female nude. Two works by him, “Untitled (Nude with shadow)”, 1926 (estimate: 9,000-10,000 Euro) and “Untitled (Backlit nude)”, c. 1926 (estimate: 7,000-9,000 Euro), are up for auction. Both come from the holdings of German photographer Grete Leistikow and display a cubist and art déco influence in their geometric elements, the expressively dynamic poses and the dramatic lighting. -
Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected]