Bulletin Focus: Conflicts and Interventions
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IN the NAME I
ounded 100 years ago, ENIT was originally known as the Ente Nazionale per le Industrie FTuristiche before changing its name to the Agenzia Nazionale del Turismo in 2016. Focusing on the period between its founding in 1919 and the 1960s – a decade characterised by a lively and y l a productive spirit – this book takes a look back at the history and cultural heritage of Italy’s tourism t I board, delving into its century-long dedication to promoting Italy abroad. n IN THE NAME i This publication explores how ENIT came to be founded, the strategies it employed to promote y g Italy’s attractions and the innovative marketing tools it devised over the years. Embark on a e t of BEAUTY a fascinating, historical journey that culminates in a collection of never-before-seen photographs taken r Enit: 100 years of cultural policy t s from ENIT’s own archives, yet further testament to the institution’s impressive initiatives to and tourism strategy in Italy m document Italy and promote its charm all over the world. s i r An additional project is currently underway to catalogue and digitise ENIT’s cultural assets, in the u o t hope of being able to make them available to the public in the near future, so that you may continue d to satisfy your curiosity piqued by this informative and essential publication. n a y c i l o p l a r u t l u c f o s r a e y 0 0 1 : t anuel Barrese graduated from the University of Rome, La Sapienza, with a Ph.D. -
East Indian Bronze Figures of Ganesh, 19Th/20Th
Lot Description Price (lot of 6) East Indian bronze figures of Ganesh, 19th/20th century, featuring four in dancing poses, one 1 multi-armed and one silvered seated, 9''h; Provenance: The Hemphill Collection of San Francisco $ 150 (lot of 7) East Indian bronze oil lamps, 19th/20th century, consisting of two standing beauties, hand lamp with figure of elephant, Ganesh base lamp, spoon shaped lamp, peacock lamp, Himalayan lamp, 8.5''h; 2 Provenance: The Hemphill Collection of San Francisco $ 175 Asian bronze seated Hotei on dragon throne, 20th century, holding a strand of praying beads and a bag 5 with traces of gilt, 8.5''h; Provenance: The Hemphill Collection of San Francisco $ 200 (lot of 2) Thai gilt bronze Buddhist figures, 19th century, figures each seated on tiered pedestals, some 7 damages, 17''h; Provenance: The Hemphill Collection of San Francisco $ 125 (lot of 6) group of Himalayan silver gilt metal votive pieces, 20th century, consisting of a table top prayer 8 wheel, a bowl, three rings, and a finial, 7.5''h; Provenance: The Hemphill Collection of San Francisco $ 175 (lot of 5) Assortment of Himalayan/Tibetan religious objects, consisting of a bronze bell with a vajra finial, a small bronze floral form stem cup, a copper phurba and a copper gao, 6.75''h; Provenance: The Hemphill 9 Collection of San Francisco $ 150 (lot of 6) Nepalese seated copper alloy Buddhas, 20th century, five are holding medicine jars, one with 11 hands in mudra, 5.5''h; Provenance: The Hemphill Collection of San Francisco $ 125 (Lot of 3) Chinese green -
Publishers Summer 2021
PUBLISHERS SUMMER 2021 HIRMER HIGHLIGHTS HIRMER HIGHLIGHTS Yinka Shonibare CBE makes colorful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic œuvre. 4 Curtain up for Yinka Shonibare! 5 An invitation to marvel, reflect and guess Since the 1990s, the British-Nigerian artist Yinka Shonibare CBE (*1962, London) has developed opulently executed sculptures and installations, colorful collages and theatrically staged photographs and films. To do so he transforms episodes from art and history whose effects influence our present- YINKA SHONIBARE CBE day lives. The volume takes up the traces of colonialism END OF EMPIRE and its consequences for role models, worldviews and body Ed. Thorsten Sadowsky for images in the works of Shonibare. the Museum der Moderne Salzburg Thorsten Sadowsky has been director of the Museum der Moderne Salzburg since 2018. Contributions by P. Gilroy, T. Sadowsky, A. Sargent, M. Schneider, Y. Shonibare CBE Text: English | German 256 pages, 200 color illustrations 9 ¾ × 11 ¼ in, hardcover $ 45.00 978-3-7774-3589-3 January 2021 Exhibition Museum der Moderne Salzburg 03.13.–07.04.2021 HIRMER HIGHLIGHTS Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of indus trial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow’s unique oeuvre from her early works until the present day. -
18Th International Short Film Festival
18th International Short Film Festival FILM CATALOG 2021 NOTE INTERACTIVE PDF WELCOME Some contents in this catalog are linked to external sources, such as our website To the eighteenth VIENNA SHORTS! This year’s festival edition has kept us on our toes (viennashorts.com) or various movie trailers (e.g., vimeo.com). The links are displayed as for the entire year, while our elbow room has been severely limited: no festival trips, no buttons and can be found in the texts or in the footer. The footer also functions as a path, new impressions, no vivid exchange when the credits roll and the audience leaves the showing the currently active level of the catalog. theater—instead, we were stuck in a digital world between lackadaisical work meetings, Zoom panels, and pajama-heavy jury deliberations. Please allow your PDF reader to access the internet upon request in order to use this helpful feature. Yet while we’re still yearning for the energy of in-person meetings, the world has grown a bit smaller almost unnoticed—and our elbow room has expanded considerably. We’ve found close and trusted allies across Europe with whom, it seemed, we spent more e.g. Footer: e.g. Trailer: time than with our roommates and partners. We’ve strengthened our productive festival friendships with Diagonale in Graz and Crossing Europe in Linz and reached a comple- tely new audience with our revamped online film portal and the platform THIS IS SHORT. SELECTION FIDO FIDO 6 TRAILER After so many months of uncertainty, it is great to see that working from home, in that triangle of bed–fridge–desk, has yielded some inspiring certainties as well: for instance, that you don’t have to go very far for the most amazing journeys—maybe just to the nearest cinema. -
The Cold War in the Classroom
PALGRAVE STUDIES IN EDUCATIONAL MEDIA The Cold War in the Classroom International Perspectives on Textbooks and Memory Practices Edited by Barbara Christophe Peter Gautschi Robert Thorp Palgrave Studies in Educational Media Series Editors Eckhardt Fuchs Georg Eckert Institute for International Textbook Research Braunschweig, Germany Felicitas Macgilchrist Georg Eckert Institute for International Textbook Research Braunschweig, Germany Managing Editor Wendy Anne Kopisch Georg Eckert Institute for International Textbook Research Braunschweig, Germany Editorial Board Member Michael Apple University of Wisconsin–Madison Madison, WI, USA Tânia Maria F. Braga Garcia Federal University of Paraná Curitiba, Brazil Eric Bruillard ENS de Cachan Cachan, France Nigel Harwood School of English University of Sheffield Sheffield, UK Heather Mendick Independent Scholar London, UK Eugenia Roldán Vera Departamento de Investigaciones Educativas CINVESTAV Mexico City, Mexico Neil Selwyn Faculty of Education Monash University Clayton, VIC, Australia Yasemin Soysal University of Essex Colchester, UK There is no education without some form of media. Much contemporary writing on media and education examines best practices or individual learning processes, is fired by techno-optimism or techno-pessimism about young people’s use of technology, or focuses exclusively on digital media. Relatively few studies attend – empirically or conceptually – to the embeddedness of educational media in contemporary cultural, social and political processes. The Palgrave Studies in Educational Media series aims to explore textbooks and other educational media as sites of cultural contestation and socio-political forces. Drawing on local and global perspectives, and attending to the digital, non-digital and post- digital, the series explores how these media are entangled with broader continuities and changes in today’s society, with how media and media practices play a role in shaping identifications, subjectivations, inclusions and exclusions, economies and global political projects. -
European Contexts of the 20Th
EUROPEAN CONTEXTS OF THE 20TH CENTURY ART IN VOJVODINA The Museum of Contemporary Art Vojvodina, Novi Sad, 2008 Book Concept: Miško Šuvaković i Dragomir Ugren Editors: Miško Šuvaković i Dragomir Ugren Editorial Staff: Živko Grozdanić, Ješa Denegri, Vladimir Mitrović, Miško Šuvaković i Dragomir Ugren Authors: Marija Cindori, Ješa Denegri, Nevena Daković, Nikola Dedić, Milica Doroški, Sanja Kojić Mladenov, Slo- bodan Ivkov, Olga Kovačev Ninkov, Kristian Lukić, Jelena Matić, Nebojša Milenković, Vladimir Mitrović, Miroslav Mušić, Ferenc Nemet, Gordana Nikolić, Tijana Palkovljević, Lidija Prišing, Milica Radulović, Miško Šuvaković, Slađana Varagić, Ana Vilenica, Suzana Vuksanović Original text selection: Miško Šuvaković Review: dr Aleksandar Ignjatović i dr Nikola Šuica TABLE OF CONTENTS: Vojvodinian Art Space 7 Ješa Denegri The 20th Century Art in Vojvodina: Contradictions and Hybrid Characteristics of the 20th Century Art in Vojvodina 13 Miško Šuvaković Ješa Denegri Vojvodinian artistic space It should be said at the very beginning that the use and the sults, in a �ord – their o�n opuses, artists as unique personali� advocation of terms such as “Vojvodinian art”, “art in Vojvo� ties – every�here, and in Vojvodina as �ell – represent the ey dina”, “Vojvodinian art scene”, “Vojvodinian artistic space”, indicator of artistic processes and artistic values. Only from an “Vojvodinian visual arts space” and ������������������������of ���������������������similar ones does not a posteriori understanding of these processes and values, and have any -
Inside Corporate
INSIDE CORPORATE WOLF THEISS Corporate Monitor FY 2015 CONTENTS 4 Foreword 27 M&A overview 30 Country focus 6 Introduction ALBANIA AUSTRIA 7 Regional focus 16 Deal experience 30 32 25 Conclusion CROATIA SURVEY FINDINGS SURVEY 38 COUNTRY M&A FOCUS COUNTRY ROMANIA SERBIA 46 48 AUSTRIA BOSNIA- BULGARIA HERZEGOVINA 36 34 CROATIA CZECH REPUBLIC HUNGARY POLAND 40 42 44 SLOVENIA UKRAINE SERBIA 52 54 SLOVAK REPUBLIC 50 FOREWORD Welcome to the newest edition of the Wolf Theiss Corporate Monitor. As in previous years, the Wolf Theiss Corporate Monitor provides insights into the current and prospective M&A environment in Central, Eastern and South Eastern Europe (“CEE/SEE”). Together with Mergermarket, we have analysed the main drivers and challenges for corporate transactions in 2015 and beyond in each of the countries that make up the region. In order to put our statistical analysis into a broader and more meaningful context, we have also surveyed dealmakers from many different industries as well as private equity firms who have been Horst Ebhardt involved in regional transactions in the past year. Finally, we have Wolf Theiss also outlined some of the main legal developments that affect M&A transactions in each country in CEE/SEE. While there are some overarching regional trends that almost make CEE/SEE a separate asset class, our analysis highlights the wide range of economic indicators by country and the breadth of investment opportunities. Overall, the region continues to be a major emerging market, still growing at twice the speed of Western Europe, with many of its countries making significant progress in reaching EU standards. -
Eva Fischer Est Née À Daruvar (Ex Yougoslavie), En 1920
Eva Fischer est née à Daruvar (Ex Yougoslavie), en 1920. Elle s’est Born in Daruvar (Ex-Yugoslavia) on 1920, Eva studied at the diplômée à l'Académie des Beaux-arts de Lyon et est retournée à Academy of Fine Arts in Lyon (France) and returned to Belgrade just Belgrade au moment des bombardements nazis sur la ville en 1941. before the bombardments of 1941. Her father, Leopold, Chief Rabbi, Le père Leopoldo, Grand Rabbin et excellent talmudiste fut déporté and noted Talmudist, was deported by the Nazis with more than par les nazis avec plus de trente membres de sa famille. thirty members of his family. Avec sa mère et un frère de dix ans plus jeune qu’elle, ils furent Eva was interned with her mother and her younger brother in the renfermés à Vallegrande (Île de Curzola), qui était heureusement Vallegrande concentration camp (on the island of Curzola) under the sous l’administration italienne. Ils ont obtenu, en 1943, le permis de Italian administration. She was allowed to assist her sick mother with se transférer à Bologne pour pouvoir soigner la mère malade. Eva a her brother in Split’s hospital, where they received permission to be commencé donc à collaborer avec le Partito d’Azione (Partisans contre transferred to Bologna. There, in 1943, Eva began to collaborate with les nazi-fascistes). the “Partito d’Azione” (the Resistance against the Nazis). À la fin de la guerre, Eva choisit Rome comme ville d'adoption. At the end of the war she made Rome her home. She became a Entrée immédiatemnt à faire partie du groupe d'artistes de Via member of a group of Via Margutta. -
Masterpieces of the KUNSTHALLE BREMEN from Delacroix to Beckmann
Press release Masterpieces of the KUNSTHALLE BREMEN From Delacroix to Beckmann 10/25/2019 >> 02/16/2020 I am pleased to present the exhibition catalog the Guggenheim Museum Bilbao has devoted to the collections of the Kunsthalle Bremen, one of Germany’s most celebrated museums for its pioneering role in modern art collecting. Its fascinating collecting history began in 1823, when a group of art lovers from the city of Bremen joined together to create this institution, then known as the Kunstverein. This wonderful exhibition allows visitors to see the evolution of European art in the 19th and 20th centuries, and at the same time delve into the aesthetics of two important creative centers: Germany—represented by such important figures as Caspar David Friedrich, Modersohn-Becker, Dix, Kirchner, Beckmann and Nolde—and France—with artists such as Cézanne, Van Gogh, Monet, Delacroix and Picasso. The selection of works is a testament to the passion for painting and the foresight of German collectors in their acquisition of contemporary paintings which, over time, have achieved masterpiece status. I congratulate the organizers of the exhibition for their magnificent work to make this project a reality and offer the public a new perspective on the world of painting. It is a great satisfaction for Iberdrola to work together with a cultural institution of such international standing as the Guggenheim Museum Bilbao, with whom we have collaborated since its foundation over 20 years ago. This collaboration comes out of our belief in the importance of promoting art as a vital part of our Social Dividend. -
Eisenbeiß Family History & Genealogy
Page 1 of 119 Eisenbeiß Family History & Genealogy 19-Aug-2021 Compiled by: Clyde T. Eisenbeis (a:3.1.5.3.7-4.8.2.1.3-7.1) Co-compiled by: Albert Eisenbeiß of Germany (a:3.1.5.3.7-4.7.8.6.5-1) Henri Eisenbeis of France (b:2.1.1.1.6-9.2.9.3.1-2) Dennis Eisenbeis of California (a:3.1.5.3.7-4.8.6.6.6-1.2) Contacts: For contact information => http://eisenbeisz.foxping.com Copyright 1982-2020, Clyde T. Eisenbeis Any portion of this document may be copied or reproduced with proper attribution without permission from the author unless designated otherwise. Proper attribution includes the copyright notice / date / author and this statement shall be part of the copied sections even if only portions of the document are utilized. Page 2 of 119 Acknowledgments This book is dedicated to the record keepers who over the past centuries recorded the information that now holds our keen interest. Their insight and interest in documenting the footsteps of our ancestors has led to a fascinating chronicle of history for us to enjoy. There are many record keepers who deserve recognition, but most are unknown to us. There are, however, individuals who are known and who deserve special mention. They are Werner Haussmann, Dr. Hans Rommel, and Pfarrer Strobel, from the Black Forest area of Germany, Albert Eisenbeiß of Waiblingen/Neustadt, Germany, Henri Eisenbeis of Paris, France, and Dennis Eisenbeis of California. Because of their continued, long-term commitment to gather and compile Eisenbeiß genealogy and history, Albert, Dennis, and Henri are listed as co-compilers.