DOCSLIB.ORG

Wienerroither & Kohlbacher Galerie Bei Der Albertina Zetter Galerie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wienerroither & Kohlbacher Galerie Bei Der Albertina Zetter Galerie Galerie bei ■ der Albertina Zetter bel etage Kunsthandel Johannes Modern Faber Masters Viennese Modern Art Week 19–24 November Kunsthandel Giese & Schweiger Galerie Kovacek Spiegelgasse Galerie Ruberl Kunsthandel Kolhammer Wienerroither & Kohlbacher bel etage 1 Galerie 2 Kunsthandel 3 Kunsthandel 4 Mahlerstraße 15, Johannes Faber Giese & Schweiger Kolhammer Dorotheergasse 12 A-1010 Wien Brahmsplatz 7 Akademiestraße 1 Plankengasse 7 A-1040 Wien A-1010 Wien A-1010 Wien opening hours 7 Mahlerstraße 15: Monday to Friday 1-6pm opening hours opening hours Dorotheergasse 13 Dorotheergasse 12: Tuesday to Friday 1-6pm, Tuesday to Friday, 2-6pm Monday to Friday 10am-6pm A-1010 Wien Saturday 11am-6pm Saturday 11am-1pm Saturday noon to 5pm and by appointment opening hours p: +43 1 512 23 79 p: +43 1 505 75 18 p: +43 1 513 18 43 Monday to Friday 10am-6pm [email protected] [email protected] [email protected] Saturday 10am-4pm www.jmcfaber.at www.gieseundschweiger.at www.beletage.com p: +43 1 513 32 69 For more than 40 years Wolfgang Bauer has been We deal with photographs of the international Since 1980, Giese & Schweiger have been [email protected] 1 offering an extraordinarily rich selection of first-class Classical Modernism mainly in original prints, so- regarded as specialists for 19th and 20th century www.kunsthammer.at called vintage prints. The repertoire of our gallery Austrian painting. Beyond specialist knowledge furniture and art objects of Viennese Art Nouveau The brothers Florian and Nikolaus Kolhammer includes names such as Helmut Newton, Ansel and quality standards, it is the passion for art and by renowned architects such as Adolf Loos, Otto offer primarily high-quality art objects of Viennese 5 4 Adams, Man Ray, Henri Cartier-Bresson, Josef its mediation on which they successfully rely on. Wagner, Josef Hoffmann and Kolo Moser as well Art Nouveau in the middle of the art district and in 6 Sudek, Frantisek Drtikol, Heinrich Kühn and Rudolf With important positions in post-war art, the bridge as paintings and sculptures by exceptional pain- the immediate vicinity of St. Stephen's Cathedral. Koppitz. to contemporary art is built. The factor of quality 8 ters and sculptors of the early 20th century and The assortment includes products of the Wiener connects beyond the epochs. the WIENER WERKSTÄTTE. Since 2014 you can Werkstätte, art nouveau glass - especially the find bel etage also in Dorotheergasse 12. Here Whether old or new: art is always avant-garde! glass manufactory Johann Loetz-Witwe - as well Wolfgang Bauer also shows a small selection of as paintings. Another specialty are the timelessly 3 outstanding works of art by Viennese watchmakers modern art objects of the Hagenauer workshop. and silversmiths of the 18th and 19th centuries. 1 On December 13, 2018 6.30pm we invite you to a reading by Dr. Otto Brusatti “Evil Christmas”. The young violinist Catherina Lee will play compositions by Bach and Paganini. 2 Smoking set, designed by Josef Hoffmann, manufactured by Portois & Fix, Vienna around 1901 Rudolf Koppitz (1884-1936), Two Dancers, Otto Mueller (1874-1930), Two girls sitting on a sofa, Wiener Werkstätte around 1920, brass, chased and polished, Large sideboard from a grand dining room Vienna 1928, Vintage pigment print 1912/14, lithograph (hand print), 21,5 x 26,8 cm (motif) dimensions: tray 32 cm diameter; large cup (cigar bowl) 11,5 x 11 cm Galerie Kovacek 5 Galerie Ruberl 6 W&K - 7 Galerie bei der 8 Program ■ Zetter Galerie bei der Spiegelgasse 12 Himmelpfortgasse 11 Wienerroither Albertina ■ Zetter Tuesday, November 20th, 11am Albertina A-1010 Wien A-1010 Wien W&K Wienerroither & Kohlbacher & Kohlbacher Lobkowitzplatz 1, Ecke Gluckgasse Strauchgasse 2 Galerie Kovacek opening hours opening hours A-1010 Wien Monday to Friday 10am-6pm Monday to Friday 10am-6pm, Strauchgasse 2 “Paperwork from Klimt to Cézanne” Spiegelgasse Saturday 10am-2pm and by appointment Saturday 10am-1pm and by appointment A-1010 Wien opening hours Interview with Andrea Glanninger-Leitner and paper Monday to Friday 10am-6pm, Saturday 11am-2pm restorer Doris Pitour. Kunsthandel p: +43 1 512 99 54 p: +43 1 513 19 92 opening hours Advent Saturdays 11am-5pm Giese & Schweiger m +43 664 212 31 40 m: +43 664 2021030 Richard Ruberl Monday to Friday 10am-6pm, [email protected] m: +43 664 4554360 Christa Armann Saturday 10am-noon and by appointment p: +43 1 513 14 16 Wednesday, November 21st, 5pm bel etage www.kovacek.at [email protected] [email protected] Galerie Ruberl p: +43 1 533 99 77 Kunsthandel www.ruberl.at www.galerie-albertina.at Himmelpfortgasse 11 Specialized in the assortment of glass from five [email protected] ■ centuries as well as Austrian paintings from the The gallery program ranges from classical www.w-k.art The Galerie bei der Albertina Zetter specialises Questions and Answers “From Modernism 19th and 20th centuries, the gallery, run in third modernism to the Austrian avant-garde after 1945, in Austrian art of the 20th and 21st centuries. In to Contemporary” The gallery W&K - Wienerroither & Kohlbacher, with generation by Sylvia Kovacek, is located in close with a focus on Oskar Kokoschka. The repertoire keeping with the idea of the Gesamtkunstwerk, we locations in Vienna and New York, presents works proximity of St. Stephen's Cathedral. The extensive includes early drawings and gouaches from the show high-quality exhibits of Art Nouveau and the Wednesday, November 21st, 6-9pm of classical modern and post-war art. In November, gallery programme includes selected works by 1910s, watercolors from Kokoschka's Dresden Wiener Werkstätte, as well as selected paintings Kunsthandel Giese & Schweiger highlights by Gustav Klimt, Egon Schiele, Oskar Modern Gustav Klimt and Egon Schiele, as well as glasses period, as well as numerous selected ink and and sculptures of Austrian classical modernism. Akademiestraße 1 Kokoschka and Alfred Kubin as well as represen- designed by Josef Hoffman and Koloman Moser. pencil drawings by Alfred Kubin. A counterpart ■ tatives of international modern art such as Lyonel This autumn the Galerie bei der Albertina Zetter “What you always wanted to know to this are various works such as overpaintings, Feininger, Erich Heckel and Ernst Ludwig Kirchner focuses on Vienna around 1900: Parallel to the from your art dealer” Masters crosses, face farces and body poses, gestural exhibition Rudolf Kalvach - Between Genius and will be presented in Strauchgasse. works on Ultraphan and finger paintings by Arnulf Insanity and the commemorative exhibition Gustav Thursday, November 22nd, 5pm Rainer from the years 1950 to 2000. Viennese Klimt - Egon Schiele - Kolo Moser, the book “Wie- Galerie Kovacek ner Keramik” will be presented on November 23rd. Spiegelgasse 12 Modern Art Week We will also be showing an exclusive selection of ceramics by Michael Powolny and Berthold Löffler. Expert tour with Regine Kovacek on the subject: “Glasses from the Lötz Art Glass Manufactory 19–24 November and the Wiener Werkstätte” Friday, November 23rd, 4-7pm Galerie bei der Albertina ■ Zetter Lobkowitzplatz 1 Kunsthandel Book presentation “Wiener Keramik” by Thomas Arlt and Arthur Weilinger Kolhammer Lecture at 5pm Johannes Faber Saturday, November 24th, 1pm Galerie Ruberl Galerie Johannes Faber Brahmsplatz 7 Wienerroither “Introduction to art photography from 1890 to 1960” & Kohlbacher by Johannes Faber Gustav Klimt (1862-1918), Lying woman to the right, Oskar Kokoschka (1886-1980), Hiob, 1917, charcoal on paper, 17,5 x 24,7 cm Egon Schiele, Crouching Female Nude, 1914, Michael Powolny (1871-1954), Dancers, c. 1907, 1916/17, pencil on paper, 31,6 x 49,3 cm gouache, watercolour and black chalk on paper, 310 x 480 mm Wiener Keramik, H 25 cm and H 24 cm respectively .
Load more

Recommended publications
  • 17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 Pm
    17TH WESTLICHT PHOTO AUCTION Friday, March 9, 2018, 5 pm “Schönheit und Abgrund“ (beauty and the abyss) is the motto of this year’s celebrations of Modernism in Vienna. Gustav Klimt was one of the protagonists who shaped the intellectually vibrant, cosmopolitan city around 1900. He died a hundred years ago. In the photograph taken by Moriz Nähr in 1912, Gustav Klimt poses very much alive and not the least bit abyssal in his studio, petting his cat and glancing at the camera with vivid and warm-hearted eyes. It is one of his most famous portraits (estimate: 24,000-28,000 Euro) and is now on offer at the upcoming 17th WestLicht Photo Auction, only one of the highlights among more than 200 photographs and complementary rare treasures from the medium of the photobook. Klimt is accompanied by further Austrian masters of photography from the early 20th century like Rudolf Koppitz, Heinrich Kühn, Ferdinand Schmutzer, Madame d’Ora and Trude Fleischmann. The latter produced an enchanting portrait of the famous state opera dancer Tilly Losch, which is estimated at 2,500 to 3,000 Euro. Like Klimt, Czech photographer František Drtikol was a master of the female nude. Two works by him, “Untitled (Nude with shadow)”, 1926 (estimate: 9,000-10,000 Euro) and “Untitled (Backlit nude)”, c. 1926 (estimate: 7,000-9,000 Euro), are up for auction. Both come from the holdings of German photographer Grete Leistikow and display a cubist and art déco influence in their geometric elements, the expressively dynamic poses and the dramatic lighting.
    [Show full text]
  • Publishers Summer 2021
    PUBLISHERS SUMMER 2021 HIRMER HIGHLIGHTS HIRMER HIGHLIGHTS Yinka Shonibare CBE makes colorful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic œuvre. 4 Curtain up for Yinka Shonibare! 5 An invitation to marvel, reflect and guess Since the 1990s, the British-Nigerian artist Yinka Shonibare CBE (*1962, London) has developed opulently executed sculptures and installations, colorful collages and theatrically staged photographs and films. To do so he transforms episodes from art and history whose effects influence our present- YINKA SHONIBARE CBE day lives. The volume takes up the traces of colonialism END OF EMPIRE and its consequences for role models, worldviews and body Ed. Thorsten Sadowsky for images in the works of Shonibare. the Museum der Moderne Salzburg Thorsten Sadowsky has been director of the Museum der Moderne Salzburg since 2018. Contributions by P. Gilroy, T. Sadowsky, A. Sargent, M. Schneider, Y. Shonibare CBE Text: English | German 256 pages, 200 color illustrations 9 ¾ × 11 ¼ in, hardcover $ 45.00 978-3-7774-3589-3 January 2021 Exhibition Museum der Moderne Salzburg 03.13.–07.04.2021 HIRMER HIGHLIGHTS Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of indus trial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow’s unique oeuvre from her early works until the present day.
    [Show full text]
  • P Ho T O a U C T Io N
    VIENNA, OCTOBER 2ND 2020 PHOTO AUCTION 77, ALFRED EISENSTAEDT EXPERTEN SPECIALISTS PROF. JOHANNES FABER 22. Gründer der Galerie Johannes Faber in Wien, OSTLICHT Kunsthändler und Experte für klassische PHOTO AUCTION Fotografie; zahlreiche Ausstellungen, Preise, Freitag, 2. Oktober 2020, Stipendien und Publikationen. 17 Uhr (MESZ) Founder and director of Galerie Johannes Faber in Vienna, art dealer and expert for classic VORBESICHTIGUNG photography; numerous exhibitions, awards, ab Mittwoch, 23. September scholarships and publications. nach persönlicher Vereinbarung: PHOTO [email protected], Tel.: +43 1 996 20 66 17 ND AUCTION 22 OSTLICHT ANNA ZIMM PHOTO AUCTION Kunsthistorikerin, Expertin für Fotografie, Researcher. Friday, October 2nd 2020, Seit 2008 bei OstLicht (früher WestLicht) Photo Auction. 5 pm (CEST) Art historian, Photographs Specialist, Researcher. Working for OstLicht (former WestLicht) Photo Auction VIEWING since 2008. from Wednesday, September 23rd [email protected] only by appointment: [email protected], Tel.: +43 1 996 20 66 17 MICHAEL KOLLMANN Kurator Fotobuch WestLicht / OstLicht, Begründer vom Vienna Photo Book Festival, Fotobuch- UPDATED BUYER’S Herausgeber und Experte für seltene Fotobücher. PREMIUM Photo book curator WestLicht / OstLicht, founder The total purchase price for of the Vienna Photo Book Festival, editor of photo all lots consists of the hammer books and expert for rare photo books. price plus the premium of Absberggasse 27, 26 % (incl. 5 % VAT) for lots [email protected] 1100 Vienna, Austria remaining in the EU. Tel.: +43 1 996 20 66 17 For lots that are exported to For general enquiries third countries or purchased about this auction, email with a valid VAT number the should be addressed to premium is 20 %.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • 7.10 Nov 2019 Grand Palais
    PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY
    [Show full text]
  • August 2011 Featuring
    N-SPHERE a world behind curtains | august 2011 FEATURING SYMON CHOW RUDOLF KOPPITZ HENRY AND JUNE VINCENT DUCARD GERTRUD STEIN S[K]EEN N-SPHERE AUGUST 2011 EDITORIAL TRANQUILIZERS It is hot, very hot in these parts of the to perception in an entanglement of world. This is the hottest fraction of the senses. year in the northern hemisphere. It is the perfect moment to listen to Gertrud The night is long, and a quiet breeze slow- Stein's beats and feel the temperature ly moves the curtains. In Henry and June's rising even more. It is the perfect slice bed, a new dimension of sensuality is ex- of time and space to talk about sensual- plored. Reality is bent to will, but a will ity and eroticism and lascivious sweaty of masked resources, hidden affairs and skin while crickets fill out the silent night subtle liberation. However hot, nights are outside the curtains. bound to recline into a slight chill, creas- ing goosebumps on the skin. Time to step When lips part slightly, a faint breath behind a heavy door, feel the stifling air, can be heard. She slowly stands up dance your desires away. I do hope you from your bed and walks lazily, her skin are listening to Plastic Spoon right now. trailing in faint light. The sensitivity of vi- sion creates a connection with all other Ah, dawn. Dawn is here; cool, frail dawn, senses. Symon Chow's works depict invaded by a walk on marble side-walks, intensively the connection between high-heels in one hand and your garter breath and skin, remarkably modelling a in his pocket.
    [Show full text]
  • Contributions to a History of Photography in Austria Edited By
    Contributions to A History of Photography in Austria Edited by Monika Faber for Photoinstitut Bonartes · Vienna and Walter Moser for the Photographic Collection of the Albertina · Vienna Volume 10 Elizabeth Cronin Heimat Photography in Austria A Politicized Vision of Peasants and Skiers Photoinstitut Bonartes · Vienna Albertina · Vienna Fotohof edition · Salzburg Preface This book series is dedicated to those friends whose unending trust and generous engagement have accompanied and supported the Photographic Collection of the Albertina and Photoinstitut Bonartes from the beginning. Alpine landscapes and rural forms of life signified more than just a geogra- phic peculiarity in interwar Austria. The identification model of the Ständestaat’s anti-modernism could also be capitalized on as an idyll with tourist potential. Folklore and winter sports entered into a continuing bond here. It was no big step from the apotheosis of hard work and the admiration of traditional handicraft to the glorification of a patriarchal society of preindustrial character. Whether in the modernist Austrian pavilion at the World’s Exposition in Paris in 1937, in lavish photographic volumes, or in the up-to-date medium of the illustrated magazine: Heimat photography brought forth and deepened visual leitmotifs for this view of Austria far into the postwar reconstruction era. We thank Elizabeth Cronin for developing her dissertation into this publication, which places essential holdings of the photographic collections of the Albertina and the Photoinstitut Bonartes in a wider context for the first time. The project would not have come about without Michael Ponstingl’s enthusiastic as well as efficient commitment. Monika Faber, Photoinstitut Bonartes Walter Moser, Albertina Pages 2–3 · Peter Paul Atzwanger, Ploughing by the Lakeside, c.
    [Show full text]
  • One Hundred Years of Nakedness in German Performance
    One Hundred Years of Nakedness in German Performance Karl Toepfer Nothing in theatre elevates the identity of actor over character more com- pletely than nudity. Yet as a performance or spectacle, nudity remains a theat- rical phenomenon, a form of masking, insofar as it amplifies desire to discover, to expose something hidden within the body that one cannot discover, as ei- ther performer or spectator, through any mediated image of the body. Nudity onstage usually signifies a heightened measure of freedom and trust exchanged between performers and spectators. But here I examine a hierarchy of condi- tions under which nudity, as a manifestation of “real” presence, undermines not only distinctions between actor and character but distinctions between theatre and “reality.” More precisely, I examine aesthetic strategies by which nudity, as a form of exposure, becomes less and less containable within con- ventional theatre spaces and urges performers to expose the theatricality of spaces that otherwise seem imperturbably “real.” This essay discusses this un- containability of nude performance from an evolutionary or historical per- spective by analyzing nude performance aesthetic strategies in Germany over a 100-year period, from 1893 to 1992, with each strategy ascribing a different political or ideological significance to the power of the naked body to extend the realm of performance deeper into zones of reality considered too “authen- tic” to support (or tolerate) any confusion between nakedness and imperson- ation. The appeal of German Nacktkultur around 1900 rested upon the assumption that the act of displaying one’s nakedness and the act of observing the naked- ness of others could form a group or communal activity representing a pow- erful set of political values.
    [Show full text]
  • Photography and Research in Austria
    Photography and Research in Austria Vienna, the Door to the European East Symposium 2001 Vienna European Society for the History of Photography Klinger ESHP Symposium Vienna 2001 European Society for the History of Photography European Society for the History of Photography Photography and Research in Austria – Vienna, the Door to the European East The proceedings of the Vienna Symposium Austrian National Library Vienna, 20 - 22 June 2001 Dietmar Klinger Verlag Cover: Entrance of the Austrian National Library, Heldenplatz, Vienna I (Photo: Eva Farnberger) Frontispiece: The delegates at the Austrian National Library, Vienna (Photo: Viktor Kabelka) The Symposium was organized by: Anna Auer, President of the ESHP Uwe Schögl, Project director, Austrian National Library German Library Cataloguing in Publishing Data A catalogue record for this book is available from the German Library Designed and produced by Theorie & Praxis – Dr. Winfried Helm and a.b PhotoDesign – Dionys Asenkerschbaumer © 2002 by Dietmar Klinger Verlag, Passau © Text: the contributors ISBN 3-932949-12-9 Printed in Germany Contents Preface . 9 Johanna Rachinger Inauguration Speech . 11 Milanka Todi´c Anastas Jovanovic´: Calotype Portraits and Cityscapes . 13 Károly Kincses A Photographer Without Limits . 21 Barbara Schaukal Sebastianutti & Benque – Five Photographers. Four Generations. Three Continents . 27 Antonín Dufek By 1918: Paths from and to Vienna . 37 Julie Jirec¡ková – The First Lady of Art Photography in Bohemia . 39 Eva Dahlman The Swedish Photographer Lewis Larsson and the American Colony Photographers . 45 Aleksander Bassin 150 Years of Photography in Slovenia . 51 András Török Resurrecting Budapest Photographer Manó Mai and his Studio/ Home . 57 Ulla Fischer-Westhauser Court Photographers – Photographers for the Court? .
    [Show full text]
  • An Egalitarian Gaze: Photographic Representations of Working People in Britain, 1919- 1939
    University of Huddersfield Repository Nolan, MIchael An Egalitarian Gaze: Photographic Representations of Working People in Britain, 1919- 1939. Original Citation Nolan, MIchael (2020) An Egalitarian Gaze: Photographic Representations of Working People in Britain, 1919- 1939. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/35301/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ An Egalitarian Gaze. Photographic Representations of Working People in Britain, 1919- 1939. Michael Nolan. A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy. The University of Huddersfield. February 2020. Tom, Annie, Mary and Paul. Castlegate, Huddersfield, circa 1938. 2 To Diane, Lauren, Daniel and Ryan. 3 Copyright Statement. i.The author of this thesis (including any appendices and/ or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.
    [Show full text]
  • 8.11 Nov 2018 Grand Palais
    PRESS KIT , 2013 COURTESY OF THE ARTIST & GALERIE NATHALIE OBADIA, PARIS / BRUSSELS CALDER SERIES #2 © MICKALENE THOMAS 8.11 NOV 2018 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Press kit – Paris Photo 2018 Under the High Patronage of Mr Emmanuel MACRON President of the French Republic PRESS CONTACT – BRUNSWICK ARTS [email protected] - Pierre-Édouard MOUTIN Marina DAVID Andréa AZEMA Paris: +33 (0)1 53 96 83 83 - Charlotte SIDWELL London: +44 (0) 7834 502 346 PARIS PHOTO Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex - [email protected] www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com The fair programme and information made available to the press are regularly updated on: www.press.parisphoto.com 1 Press kit – Paris Photo 2018 CONTENTS INTRODUCTION - FAIR DIRECTORS 3 FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE 4 EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) 5 - PUBLISHERS/ART BOOK DEALERS 8 - KEY FIGURES 9 EXHIBITOR PROJECTS - MAIN SECTOR 10 SOLO 12 DUO SHOWS 25 HIGHLIGHTS 30 - PRISMES SECTOR 75 - CURIOSA SECTOR – new 83 - FILM SECTOR 90 - PUBLISHING & ART BOOK DEALERS SECTOR 100 SIGNING SESSIONS 110 PROGRAMME – PATHS / EXHIBITIONS / AWARDS 115 ELLES x PARIS PHOTO 116 CARTE BLANCHE – STUDENTS 2018 118 PRIVATE COLLECTION EXHIBITION– MCEVOY FAMILY 123 THIS MUST BE THE PLACE – JPMORGAN CHASE ART COLLECTION 124 BAPTISTE RABICHON “EN VILLE” – BMW ART & CULTURE 125 THE 2018 LEICA OSKAR BARNACK AWARDS
    [Show full text]
  • PDF Catalogue
    2021 TH 6 1 pril A , ienna V 1 23. OSTLICHT PHOTO AUCTION 23RD OSTLICHTPHOTO AUCTION Freitag, 16. April 2021, 17 Uhr (MESZ) Friday, April 16TH 2021, 5 pm (CEST) VORBESICHTIGUNG/VIEWING ab Dienstag, 6. April nach persönlicher Vereinbarung: [email protected] from Tuesday, April 6th only by appointment: [email protected] Tel.: +43 1 996 20 66 17 UPDATED BUYER’S PREMIUM The total purchase price for all lots consists of the hammer price plus the premium of 26 % (incl. the reduced VAT of 5 % only) for lots remaining in the EU. For lots that are exported to third countries or purchased with a valid VAT number the premium is 20 %. For general enquiries about this auction, email LOT 149 should be addressed to [email protected] 2 FEATURED LOTS 1 HEINRICH KÜHN (1866 – 1944) ‘Nude Study’, Tyrol 1907 Gum pigment print, Vintage 30,4 × 24,7 cm (12 × 9.7 in) Registration marks by the photographer on the reverse LITERATURE Heinrich Kühn (1866 – 1944), Innsbruck 1978, p. 77; Heinrich Kühn, Die vollkommene Fotografie, Albertina Vienna 2010, p. 134. (Nude study Mary Warner). € 18.000 / € 30.000 – 40.000 Die 1907 entstandene Aktstudie zeigt Heinrich Kühns Muse Mary Warner. Die Wiedergabe der zarten Lichtreflexe im langen Haar, sowie der sorgfältig gesetzte Kontrast zwischen der hell schimmernden Haut und dem dunklen Hintergrund bezeugen Kühns künstlerische Meister- schaft. Mary Warner, welche Kühn selbst als das „geduldigste Modell“ bezeichnete, arbeitete ab 1904 als Kindermädchen für die Kühns und posierte oft stundenlang für die minutiös vorbereiteten Arran- gements, die alle darauf zielten „die delikatesten Feinheiten des Lichtspiels mit fast unübertrefflicher Vornehmheit und überzeugender Wahrheit zu schildern“, wie Kühn es beschrieb.
    [Show full text]