Eros and Aphrodite on the North Slope of the Acropolis in Athens
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
ENGLISH HOME LANGUAGE GRADE 9 Reading a Myth: Persephone
ENGLISH HOME LANGUAGE GRADE 9 Reading a myth: Persephone MEMORANDUM 1. This myth explains the changing of the seasons. Which season is your favourite and why? Learners own response. Winter/Autumn/Spring/Summer✓ + reason.✓ 2. Myths are stories that explain natural occurrences and express beliefs about what is right and wrong. What natural occurrence does the bracketed paragraph explain? The paragraph relates to earthquakes and volcanos✓ that shake the earth’s core. It suggests that “fearful’ fire-breathing giants” presumably volcanos✓, heave and struggle to get free, which causes the earthquakes. ✓ 3. How do the Greeks explain how people fall in love? Eros (Cupid) the god of love✓, shoots people in the heart with a love-arrow✓ that makes them fall in love. 4. Who is Pluto? He is the “dark monarch” king of the underworld✓ otherwise known as hell. 5. A cause is an effect or action that produces a result. A result is called an effect. What effect does Eros’s arrow have on Pluto? Eros’s arrow fills Pluto’s heart with warm emotions. ✓He sees Persephone and immediately falls in love with her. ✓ 6. What is the result of Demeter’s anger at the land? The ground was no longer fertile. ✓ Nothing could grow anymore. Men and oxen worked to grow crops, but they could not. ✓ There was too much rain ✓ and too much sun✓, so the crops did not grow. The cattle died✓ due to starvation. All of mankind would die✓ of starvation. 7. How do the details that describe what happened to the earth explain natural occurrences? The paragraph suggests that drought✓ is caused by Demeter who is angry✓ with the land. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Legend About Phaethon
The legend about Phaethon As the myth implies, there lived a young man named Phaethon, the son of the god Helios and the nymph Clymene. Every day the Sun rises above the Earth---this is the great god Helios drives his golden Chariot of the Sun across the sky. Once Phaethon wanted to proof his high blood and went to the palace of the god Helios. Helios saw Phaethon and asked him: – What brought you to my palace, my son? – Oh, the great and radiant Helios! - Please, establish your paternity. – It is true. You are my son indeed. Ask me everything you want to dispel your doubts. And Phaethon asked his father to allow him to drive the Chariot of the Sun instead of him. Helios was fearful at his son's request: - Bethink yourself, madman! It is above your strength, a mortal, to manage my Chariot of the Sun. Even the mighty Zeus cannot stay on the Chariot of the Sun and who is greater than he? But Phaethon insisted that Helios kept his promise and Helios had to agree. He put holy ointments on his son's face, so that hot rays would not burn it and led him to fiery horses who hoofed already. - Listen to my advice. Do not hurry the horses, they will run themselves, they are difficult to control. Keep the reins firmer, do not release them and try not to deviate from the route. Your way lies just between the Snake and the Altar. Do not go too low to the Earth, so as not to burn it, and do not go too high, or else you'll burn the sky. -
A Manned Flyby Mission to Eros
The Space Congress® Proceedings 1966 (3rd) The Challenge of Space Mar 7th, 8:00 AM A Manned Flyby Mission to Eros Eugene A. Smith Northrop Space Laboratories Follow this and additional works at: https://commons.erau.edu/space-congress-proceedings Scholarly Commons Citation Smith, Eugene A., "A Manned Flyby Mission to Eros" (1966). The Space Congress® Proceedings. 1. https://commons.erau.edu/space-congress-proceedings/proceedings-1966-3rd/session-2/1 This Event is brought to you for free and open access by the Conferences at Scholarly Commons. It has been accepted for inclusion in The Space Congress® Proceedings by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. A MANNED FLYBY MISSION TO EROS Eugene A. Smith Northrop Space Laboratories Hawthorne, California Summary Are there lesser bodies, other than the moon, sufficiently interesting for an early manned Eros (433), the largest of the known close ap mission? proach asteroids, will pass within 0.15 AU of the Earth during its 1975 opposition. This close approach, Are such missions technically and economically occurring near the asteroid's descending node and feasible? perihelion, offers an early opportunity for a relatively low energy manned interplanetary mission. Such a Can such missions complement, rather than com mission could provide data important to the space pete with, the more ambitious Mars and Venus technologies, to the astro sciences, and to the utiliza flights? tion of extraterrestrial resources. Mars and Venus are the primary targets of early manned planetary This paper presents a partial answer to these questions flight, and therefore early manned planetary missions by examining the technical feasibility of a 1975 manned to other objects should support or complement the mission to the close approach asteroid Eros (433). -
AND DID THOSE HOOVES Pan and the Edwardians
1 AND DID THOSE HOOVES Pan and the Edwardians By Eleanor Toland A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2014 2 “….a goat’s call trembled from nowhere to nowhere…” James Stephens, The Crock of Gold, 1912 3 Contents Abstract………………………………………………………………………………………...4 Acknowledgements……………………………………………………………………………..5 Introduction: Pan and the Edwardians………………………………………………………….6 Chapter One: Pan as a Christ Figure, Christ as a Pan Figure…………………………………...17 Chapter Two: Uneasy Dreams…………………………………………..…………………......28 Chapter Three: Savage Wildness to Garden God………….…………………………………...38 Chapter Four: Culminations….................................................................................................................48 Chapter Five: The Prayer of the Flowers………………...…………………………………… 59 Conclusion…………………………………………………………………………………….70 Works Cited…………………………………………………………………………………...73 4 Acknowledgements My thanks to Lilja, Lujan, Saskia, Thomas, Emily, Eve, Mehdy, Eden, Margie, Katie, Anna P, the other Anna P, Hannah, Sarah, Caoilinn, Ronan, Kay, Angelina, Iain et Alana and anyone else from the eighth and ninth floor of the von Zedlitz building who has supplied a friendly face or a kind word. Your friendship and encouragement has been a fairy light leading me out of a perilous swamp. Thank you to my supervisors, Charles and Geoff, without whose infinite patience and mentorship this thesis would never have been finished, and whose supervision went far beyond the call of duty. Finally, thank you to my family for their constant support and encouragement. 5 Abstract A surprisingly high number of the novels, short stories and plays produced in Britain during the Edwardian era (defined in the terms of this thesis as the period of time between 1900 and the beginning of World War One) use the Grecian deity Pan, god of shepherds, as a literary motif. -
Proclus and Artemis: on the Relevance of Neoplatonism to the Modern Study of Ancient Religion
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 13 | 2000 Varia Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion Spyridon Rangos Electronic version URL: http://journals.openedition.org/kernos/1293 DOI: 10.4000/kernos.1293 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2000 ISSN: 0776-3824 Electronic reference Spyridon Rangos, « Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion », Kernos [Online], 13 | 2000, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1293 ; DOI : 10.4000/kernos.1293 Kernos Kernos, 13 (2000), p. 47-84. Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Andent Religion* Imagine the situation in which contemporary philosophers would find themselves if Wittgenstein introduced, in his Philosophical Investigations, the religious figure of Jesus as Logos and Son of God in order to illuminate the puzzlement ofthe private-language paradox, or if in the second division of Being and Time Heidegger mentioned the archangel Michael to support the argument of 'being toward death'. Similar is the perplexity that a modern reader is bound to encounter when, after a highly sophisticated analysis of demanding metaphysical questions about the relationship of the one and the many, finitude and infinity, mind and body, Proclus, l in ail seriousness and without the slightest touch of irony, assigns to some traditional gods of Greek polytheism a definitive place in the structure of being. -
Myth and Origins: Men Want to Know
Journal of Literature and Art Studies, October 2015, Vol. 5, No. 10, 930-945 doi: 10.17265/2159-5836/2015.10.013 D DAVID PUBLISHING Myth and Origins: Men Want to Know José Manuel Losada Université Complutense, Madrid, Spain Starting with a personal definition of “myth”, this paper seeks to substantiate the claim that every myth is essentially etiological, in the sense that myths somehow express a cosmogony or an eschatology, whether particular or universal. In order to do that, this study reassesses Classical and Judeo-Christian mythologies to revisit and contrast the narratives of origin—of the cosmos, of the gods and of men—found in ancient polytheism and in Judeo-Christian monotheism. Taking into consideration how these general and particular cosmogonies convey a specific understanding of the passage of time, this article does not merely recount the cosmogonies, theogonies, and anthropogonies found in the Bible and in the works of authors from Classical Antiquity, but it also incorporates a critical commentary on pieces of art and literature that have reinterpreted such mythical tales in more recent times. The result of the research is the disclosure of a sort of universal etiology that may be found in mythology which, as argued, explains the origins of the world, of the gods, and of men so as to satisfy humankind’s ambition to unveil the mysteries of the cosmos. Myth thus functions in these cases as a vehicle that makes it possible for man to return the fullness of a primordial age, abandoning the fleeting time that entraps him and entering a time still absolute. -
Greek Creation Myth in the Beginning There Was Only the Infinite Space Known As Chaos. Inside This Void Was a Single Creature, N
Greek Creation Myth In the beginning there was only the infinite space known as Chaos. Inside this void was a single creature, Nyx, the bird with black wings. She laid a golden egg and for ages sat upon it. When it finally hatched, out came Eros, the god of love. One half of the shell rose up to become the sky, and the other half became the Earth. He named the Earth Gaia and the sky Uranus. Eros then made them fall in love. More… They had many children; among them were giants and Titans, one of which was name Atlas, who, due to his bad behavior was punished to forever hold the Earth and the sky apart. Two other children were named Cronus and Rhea, who married and ruled the world. They also had children. One was name Demeter, who was the Goddess of all things that grow. Hera was the Goddess of marriage and the birth of children. Hestia, as the goddess of the home and sacred hearth. Poseidon, god of the sea, Hades, god of the dead, and Zeus who became the God of the world and ruled the air and the sky. Before they were born, the universe prophesied that one of these children would overtake Cronus and rule the world. To avoid this fate, Cronus swallowed up each of his children as soon as they were born. All of them, except Zeus, who had been hidden by his mother Rhea. When he was fully grown, Zeus conquered Cronus in a great war and rescued his siblings. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
Bulletin of the Geological Society of Greece
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Documentation Centre - EKT journals Bulletin of the Geological Society of Greece Vol. 43, 2010 GEOMYTHOLOGICAL APPROACH OF ASOPOS RIVER (AEGINA, GREECE) Mariolakos I. National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Dynamic Tectonic Applied Geology Theocharis D. National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Dynamic Tectonic Applied Geology https://doi.org/10.12681/bgsg.11248 Copyright © 2017 I. Mariolakos, D. Theocharis To cite this article: Mariolakos, I., & Theocharis, D. (2010). GEOMYTHOLOGICAL APPROACH OF ASOPOS RIVER (AEGINA, GREECE). Bulletin of the Geological Society of Greece, 43(2), 821-828. doi:https://doi.org/10.12681/bgsg.11248 http://epublishing.ekt.gr | e-Publisher: EKT | Downloaded at 20/02/2020 23:45:10 | Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, 2010 Bulletin of the Geological Society of Greece, 2010 Πρακτικά 12ου Διεθνούς Συνεδρίου Proceedings of the 12th International Congress Πάτρα, Μάιος 2010 Patras, May, 2010 GEOMYTHOLOGICAL APPROACH OF ASOPOS RIVER (AEGINA, GREECE) Mariolakos I.1 and Theocharis D.1 1 National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Dynamic Tectonic Applied Geology, GR-15784 Athens, Greece, [email protected], [email protected] Abstract In Greek Mythology rivers are, with some exceptions, Gods and they were “born” by the Titans, Oceanus and Tethys. The River Gods are also considered to have given birth to some Islands. Amongst them Aso- pos River has the most important position as he is considered to have given birth to Aegina, Salamis, Euboea and some other islands as well. -
The God Eros N Hesiod’S Theogony, an Ancient Greek Account of Creation, the Author Names Eros Among the Very First Gods
MUSEUM FRIDAY FEATURE Staying home doesn’t mean you can’t enjoy beautiful art or visit museum exhibitions. The Museum of Art and Archaeology is launching a Friday Feature spotlighting artworks in the Museum’s collection each week. And we look forward to welcoming you back to our galleries as soon as permissible. The God Eros n Hesiod’s Theogony, an ancient Greek account of creation, the author names Eros among the very first gods. He is lauded as the “most beautiful of all the immortal gods, the limb-loosener, who overwhelms judgment Iand wise council in the breast of gods and all men.” Subsequent authors drew upon Hesiod, but further embellished the god’s overwhelming seductiveness. Aristophanes, in his Birds, implies that the god’s potency is such that he brings on a frenzy of procreation among the other gods, after he himself couples with dark Chaos. Simply put, from chaos came love, and thus love emerges as a powerful force in ancient Greek creation stories, bringing forth the family of primeval gods. But love was not a one-dimensional concept to the ancient Greeks. In fact, Hesiod’s Eros is no romantic being, but rather his power is coercive and uncontrollable. The English word “erotic” derives from the Greek “eros,” and its meaning to the ancient Greeks was one thing only: overpowering sexual desire. The poet Sappho lamented that it was a physical “torture” and others described it similarly. Different forms of love to the Greeks, such as “agape” and “philia,” carried gentler, non-sexual meanings. It comes as no surprise that the first representations of Eros depicted him as a young male god, the very symbol of reproductive potency to the ancient Greeks, who believed the fetus grew from the sperma alone, since there was no knowledge of the human egg.