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Benjamin Jowett (1817-1893)
Centre for Idealism and the New Liberalism Working Paper Series: Number 4 Bibliography of Benjamin Jowett (1817-1893) (2018 version) Compiled by Professor Colin Tyler Centre for Idealism and the New Liberalism University of Hull Every Working Paper is peer reviewed prior to acceptance. Authors & compilers retain copyright in their own Working Papers. For further information on the Centre for Idealism and the New Liberalism, and its activities, visit our website: http://www.hull.ac.uk/pas/ Or, contact the Centre Directors Colin Tyler: [email protected] James Connelly [email protected] Centre for Idealism and the New Liberalism School of Law and Politics University of Hull, Cottingham Road Hull, HU6 7RX, United Kingdom Table of Contents Acknowledgements 3 I. Writings 4 II. Reviews and obituaries 6 III. Other discussions 13 IV. Newspaper reports regarding Benjamin Jowett 18 V. Jowett papers 19 2 Acknowledgments for the 2017 version Once again, I am pleased to thank scholars who sent in references, and hope they will not mind my not mentioning them individually. All future references will be received with thanks. Professor Colin Tyler University of Hull December 2017 Acknowledgments for original, 2004 version The work on this bibliography was supported by a Resource Enhancement Award (B/RE/AN3141/APN17357) from the Arts and Humanities Research Board. ‘The Arts and Humanities Research Board (AHRB) funds postgraduate and advanced research within the UK’s higher education institutions and provides funding for museums, galleries and collections that are based in, or attached to, HEIs within England. The AHRB supports research within a huge subject domain - from ‘traditional’ humanities subjects, such as history, modern languages and English literature, to music and the creative and performing arts.’ I have also profited enormously from having access to the Brynmor Jones Library at the University of Hull, a resource which benefits from an excellent stock of written and electronic sources, as well as extremely helpful and friendly librarians. -
Two Books on the Victorian Interest in Hellenism
Journal of The Faculty of Environmental Science and Technology, Okayama University Vo1.2, No.1, pp.169-174, January 1997 Two Books on the Victorian Interest in Hellenism Masaru OGINO* (Received October 29, 1996) In the 1980s there appeared two books about the Victorian attitude toward the ancient Greeks, or about how the Victorians felt about and incorporated the ancient Greek culture. The two books are Richard Jenkyn, The Victorians and Ancient Greece (Massachusetts: Harvard University Press, 1980) and Frank M Turner, The Greek Herita.ge in Victorian Britain (New Haven: Yale University Press, 1984). Although they deal with the same subject, their approaches toward the subject are quite different from each other. In this paper, I will pick up two themes from each book- - "Greek Gods and Mythology" and .. Plato and his Philosophy" -- and see the difference in their approaches. 1. INTRODUCTION The Victorians and Ancient Greece by Richard Jenkyns and The Greek Herimge in Victorian Brimm by Frank M Turner- - these two books seem to be like each other; judging from their titles, they seem to give us the same kind of stories about the Victorian attitude toward the ancient Greece. But as it turns out, these two books are totally unlike each other. Of course, no two books are not, or should not, be the same, even if they treat the same subject matter. But in the case of the two books mentioned above, despite the identity of the subject matter- - the Victorians' approaches to the ancient Greeks- - they are almost diametrically different from each other. That is, although they deal with the same subject, their approaches to the subject are completely different Jenkyns' book gives us a general view of how the Victorians accepted the various heritages of the ancient Greek culture, while Turner's book, limiting itself to the main famous figures, gives an academic account of how the Victorians tried to understand the ancient Greeks and to incorporate them into their own age. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
No Longer an Alien, the English Jew: the Nineteenth-Century Jewish
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot Mary A. Linderman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Linderman, Mary A., "No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot" (1997). Dissertations. 3684. https://ecommons.luc.edu/luc_diss/3684 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Mary A. Linderman LOYOLA UNIVERSITY CHICAGO "NO LONGER AN ALIEN, THE ENGLISH JEW": THE NINETEENTH-CENTURY JEWISH READER AND LITERARY REPRESENTATIONS OF THE JEW IN THE WORKS OF BENJAMIN DISRAELI, MATTHEW ARNOLD, AND GEORGE ELIOT VOLUME I (CHAPTERS I-VI) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY MARY A. LINDERMAN CHICAGO, ILLINOIS JANUARY 1997 Copyright by Mary A. Linderman, 1997 All rights reserved. ii ACKNOWLEDGMENTS I wish to acknowledge the invaluable services of Dr. Micael Clarke as my dissertation director, and Dr. -
Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 12-2-2014 Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Logan, Cameron, "Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax" (2014). Doctoral Dissertations. 603. https://opencommons.uconn.edu/dissertations/603 i Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan, Ph.D. University of Connecticut, 2014 This study explores the pitch structures of passages within certain works by Ralph Vaughan Williams and Arnold Bax. A methodology that employs the nonatonic collection (set class 9-12) facilitates new insights into the harmonic language of symphonies by these two composers. The nonatonic collection has received only limited attention in studies of neo-Riemannian operations and transformational theory. This study seeks to go further in exploring the nonatonic‟s potential in forming transformational networks, especially those involving familiar types of seventh chords. An analysis of the entirety of Vaughan Williams‟s Fourth Symphony serves as the exemplar for these theories, and reveals that the nonatonic collection acts as a connecting thread between seemingly disparate pitch elements throughout the work. Nonatonicism is also revealed to be a significant structuring element in passages from Vaughan Williams‟s Sixth Symphony and his Sinfonia Antartica. A review of the historical context of the symphony in Great Britain shows that the need to craft a work of intellectual depth, simultaneously original and traditional, weighed heavily on the minds of British symphonists in the early twentieth century. -
Annual Record 2012 Balliol College Annual Record 2012 Balliol College Annual Record 2012
Balliol College Annual Record 2012 Balliol College Annual Record 2012 Balliol College Annual Record 2012 Balliol College Oxford OX1 3BJ Telephone: (01865) 277777 Fax: (01865) 277803 Website: www.balliol.ox.ac.uk Edited and Designed by Sophie Petrou Printed by Berforts Information Press Ltd Front cover: Francis Bacon’s crest tooled in gold (see article on page 45), photograph by Jeremy Hinchliff Contents Visitor, Master, Fellows and Lecturers, Preachers in Chapel 5 The Master’s Letter: 13 Memorials: Lord Tom Bingham 17 Professor Baruch S. Blumberg 22 Lord Rodger of Earlsferry 28 Obituaries: Lynn Margulis 34 John F. Burke 39 Michael Douglas Gwynne 42 Francis Bacon and Ben Jonson in the College library Kathryn Murphy 45 Where have all the mockers gone? Richard Heller 51 The fiftieth anniversary of a ‘philistine’ proposal Peter Howell 54 Alan Montefiore’s birthday Paul Flather 60 Rossetti: Painter & Poet Book reviews: MyJ. B. Dear Bullen Hugh: letters from Richard Cobb to Rebecca Whiteley 65 Hugh Trevor-Roper and others Ed. Tim Heald Sir Colin Lucas 68 Can Intervention Work? SpiritualityRory Stewart and and mental Gerald health Knaus Will Clegg 72 Ed. Peter Gibert Olivera Petrovich 77 Poetry: Ian Blake 81 Brian Cosgrove 81 William Parkinson 83 Carl Schmidt 85 Vidyan Ravinthiran 86 Carmen Bugan 87 Letters to the editor: Paul Braterman 88 Adrian Firth 89 College News: First Year Graduates 91 First Year Undergraduates 95 The William Westerman Pathfinders 99 Firsts and Distinctions 99 University and College Prizes 101 College Scholarships 103 Doctorates of Philosophy 104 The Library 107 Archives 109 College Staff 111 JCR and MCR 112 Clubs, Societies and Sports 116 Old Members’ News: Honours 136 Births, Marriages, Deaths 137 News and Notes 142 Balliol College 2011–2012 Visitor MasterThe Right Honourable Lord Reed, PC. -
INNOVATION Under Austerity
Issue 68, 1st Quarter 2013 INNOVATION Under Austerity European Missile Defense Military Values JOINT FORCE QUARTERLY Inside Issue 68, 1st Quarter 2013 Editor Col William T. Eliason, USAF (Ret.), Ph.D. JFQ Dialogue Executive Editor Jeffrey D. Smotherman, Ph.D. Supervisory Editor George C. Maerz Letters 2 Production Supervisor Martin J. Peters, Jr. From the Chairman Senior Copy Editor Calvin B. Kelley 4 Copy Editor/Office Manager John J. Church, D.M.A Bridging the Basics By Bryan B. Battaglia 6 Internet Publications Editor Joanna E. Seich Director, NDU Press Frank G. Hoffman Forum Design Chris Dunham, Guy Tom, and Jessica Reynolds U.S. Government Printing Office Executive Summary 8 Printed in St. Louis, Missouri by 10 Russia and European Missile Defenses: Reflexive Reset? By Stephen J. Cimbala Military Wisdom and Nuclear Weapons By Ward Wilson 18 NDU Press is the National Defense University’s Managing Foreign Assistance in a CBRN Emergency: The U.S. Government cross-component, professional military and 25 academic publishing house. It publishes books, Response to Japan’s “Triple Disaster” By Suzanne Basalla, William Berger, journals, policy briefs, occasional papers, and C. Spencer Abbot monographs, and special reports on national security strategy, defense policy, interagency 32 Operationalizing Mission Command: Leveraging Theory to Achieve cooperation, national military strategy, regional Capability By Kathleen Conley security affairs, and global strategic problems. Special Feature This is the official U.S. Department of Defense edition of JFQ. Any copyrighted portions of this The 600-pound Gorilla: Why We Need a Smaller Defense Department journal may not be reproduced or extracted without 36 permission of the copyright proprietors. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
The Music of the Spheres: Music and the Gendered Mind in Nineteenth-Century Britain
THE MUSIC OF THE SPHERES: MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Anna Peak August, 2010 Examining Committee Members: Dr. Sally Mitchell, Advisory Chair, English and Women‘s Studies Dr. Peter M. Logan, English Dr. Steve Newman, English Dr. Ruth A. Solie, External Member, Music and Women‘s Studies, Smith College ii © by Anna Louise Peak 2010 All Rights Reserved iii ABSTRACT This interdisciplinary study examines how nineteenth-century British ideas about music reflected and influenced the period‘s gendering of the mind. So far, studies of Victorian psychology have focused on the last half of the century only, and have tended to elide gender from the discussion. This study will contribute to a fuller picture of nineteenth-century psychology by demonstrating that the mind began to be increasingly gendered in the early part of the century but was largely de-gendered by century‘s end. In addition, because music was an art form in which gender norms were often subverted yet simultaneously upheld as conventional, this study will also contribute to a fuller understanding of the extent to which domestic ideology was considered descriptive or prescriptive. This work makes use of but differs from previous studies of music in nineteenth- century British literature in both scope and argument. Drawing throughout on the work of contemporary music historians and feminist musicologists, as well as general and musical periodicals, newspapers, essays, and treatises from the long nineteenth century, this dissertation argues that music, as a field, was increasingly compartmentalized beginning early in the century, and then unified again by century‘s end. -
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Philology as rhetoric in Emily Dickinson's poems. Item Type text; Dissertation-Reproduction (electronic) Authors Hallen, Cynthia Leah. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 04:06:13 Link to Item http://hdl.handle.net/10150/185586 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
The Fitness of Scripture: Richard Chenevix Trench and Victorian Doctrines of Scripture
The Fitness of Scripture: Richard Chenevix Trench and Victorian Doctrines of Scripture by Cole William Hartin A Doctoral Thesis submitted to the Faculty of Wycliffe College and the Graduate Centre for Theological Studies of the Toronto School of Theology. In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theological Studies awarded by Wycliffe College and the University of Toronto. © Copyright by Cole William Hartin 2019 The Fitness of Scripture: Richard Chenevix Trench and Victorian Doctrines of Scripture Cole William Hartin Doctor of Philosophy in Theological Studies Wycliffe College and the University of Toronto 2019 Abstract This thesis outlines Archbishop Richard Chenevix Trench’s theology of Scripture, showing that he reads the Bible distinctively by situating him within the broader Victorian Church of England. Furthermore, it argues that because of the clarity with which Trench apprehends the character of Scripture and the interpretive implications of this, he offers a comprehensive paradigm from which one can articulate a coherent understanding of “the fitness of Holy Scripture for unfolding the spiritual life of men.” I examine Trench’s theology of Scripture by way of comparison with other prominent thinkers in the Church of England during his time. First, Charles Simeon’s devout but unidimensional interpretation, which aims to discover the full range of biblical teaching, is set beside Trench’s layered Christological reading of the text. The next chapter discusses Benjamin Jowett’s attempts to uncover the original meaning and context of each passage of Scripture. Trench’s doctrine of the Holy Spirit’s authorship juxtaposes with Jowett, opening room for a further future unfolding of the meaning inherent in Scripture.