Hypersonic Hyperstitions
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Evidence of Lingual-Luring by an Aquatic Snake
Journal of Herpetology, Vol. 34 No. 1 pp 67-74, 2000 Copyright 2000 Society for the Study of Amphibians and Reptiles Evidence of Lingual-luring by an Aquatic Snake HARTWELL H. WELSH, JR. AND AMY J. LIND Pacific Southwest Research Station, USDA Forest Service, 1700 Bayview Dr., Arcata, California 95521, USA. E-mail: hwelsh/[email protected] ABSTRACT.-We describe and quantify the components of an unusual snake behavior used to attract fish prey: lingual-luring. Our earlier research on the foraging behavior of the Pacific Coast aquatic garter snake (Thamnophis atratus) indicated that adults are active foragers, feeding primarily on aquatic Pacific giant salamanders (Dicamptodon tenebrosus) in streambed substrates. Juvenile snakes, however, use primarily ambush tactics to capture larval anurans and juvenile salmonids along stream margins, behaviors that include the lingual-luring described here. We found that lingual-luring differed from typical chemosensory tongue-flicking by the position of the snake, contact of the tongue with the water surface, and the length of time the tongue was extended. Luring snakes are in ambush position and extend and hold their tongues out rigid, with the tongue-tips quivering on the water surface, apparently mimicking insects in order to draw young fish within striking range. This behavior is a novel adaptation of the tongue-vomeronasal system by a visually-oriented predator. The luring of prey by snakes has been asso- luring function (Mushinsky, 1987; Ford and ciated primarily with the use of the tail, a be- Burghardt, 1993). However, Lillywhite and Hen- havior termed caudal luring (e.g., Neill, 1960; derson (1993) noted the occurrence of a pro- Greene and Campbell, 1972; Heatwole and Dav- longed extension of the tongue observed in vine ison, 1976; Jackson and Martin, 1980; Schuett et snakes (e.g., Kennedy, 1965; Henderson and al., 1984; Chizar et al., 1990). -
Managing the Human Weapon System: a Vision for an Air Force Human-Performance Doctrine
Calhoun: The NPS Institutional Archive DSpace Repository Faculty and Researchers Faculty and Researchers Collection 2009 Managing the Human Weapon System: A Vision for an Air Force Human-Performance Doctrine Tvaryanas, A.P. Tvaryanas, A.P., Brown, L., and Miller, N.L. "Managing the Human Weapon System: A Vision for an Air Force Human-Performance Doctrine", Air & Space Power Journal, pp. 34-41, Summer 2009. http://hdl.handle.net/10945/36508 Downloaded from NPS Archive: Calhoun In air combat, “the merge” occurs when opposing aircraft meet and pass each other. Then they usually “mix it up.” In a similar spirit, Air and Space Power Journal’s “Merge” articles present contending ideas. Readers are free to join the intellectual battlespace. Please send comments to [email protected] or [email protected]. Managing the Human Weapon System A Vision for an Air Force Human-Performance Doctrine LT COL ANTHONY P. TVARYANAS, USAF, MC, SFS COL LEX BROWN, USAF, MC, SFS NITA L. MILLER, PHD* The basic planning, development, organization and training of the Air Force must be well rounded, covering every modern means of waging air war. The Air Force doctrines likewise must be !exible at all times and entirely uninhibited by tradition. —Gen Henry H. “Hap” Arnold N A RECENT paper on America’s Air special operations forces’ declaration that Force, Gen T. Michael Moseley asserted “humans are more important than hardware” that we are at a strategic crossroads as a in asymmetric warfare.2 Consistent with this consequence of global dynamics and view, in January 2004, the deputy secretary of Ishifts in the character of future warfare; he defense directed the Joint Staff to “develop also noted that “today’s con!uence of global the next generation of . -
Sunday Morning Grid 6/22/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/22/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program High School Basketball PGA Tour Golf 4 NBC News Å Meet the Press (N) Å Conference Justin Time Tree Fu LazyTown Auto Racing Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Wildlife Exped. Wild 2014 FIFA World Cup Group H Belgium vs. Russia. (N) SportCtr 2014 FIFA World Cup: Group H 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program 13 MyNet Paid Program Crazy Enough (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Paid Program RescueBot RescueBot 24 KVCR Painting Wild Places Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Cooking Cooking Kitchen Lidia 28 KCET Hi-5 Space Travel-Kids Biz Kid$ News LinkAsia Healthy Hormones Ed Slott’s Retirement Rescue for 2014! (TVG) Å 30 ION Jeremiah Youssef In Touch Hour of Power Paid Program Into the Blue ›› (2005) Paul Walker. (PG-13) 34 KMEX Conexión En contacto Backyard 2014 Copa Mundial de FIFA Grupo H Bélgica contra Rusia. (N) República 2014 Copa Mundial de FIFA: Grupo H 40 KTBN Walk in the Win Walk Prince Redemption Harvest In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Paid Fórmula 1 Fórmula 1 Gran Premio Austria. -
Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2 -
Adrian Maher
ADRIAN MAHER WRITER/DIRECTOR/SUPERVISING PRODUCER Los Angeles, CA Cell: (310) 922-3080 Email: [email protected] Website: www.maherproductions.com ____________________________________________________________________________________________________________ PROFESSIONAL EXPERIENCE – REALITY AND DOCUMENTARY TELEVISION More than two decades of experience as a writer/director of documentary television programs, print journalist, on-air reporter, book author and private investigator. Strong writing, directing, producing, voiceover, investigative, digital media, and managerial skills. UNSUNG HOLLYWOOD: HARLEM GLOBETROTTERS: (TV ONE NETWORK) (ASmith and Company) Wrote, Directed and Produced a one -hour episode on the history of the Harlem Globetrotters from their founding in Chicago in 1927 to their present-day status as one of the most recognizable sports brands in the world. SPLIT-SECOND DECISION: (MSNBC) (The Gurin Company) Wrote, Directed and Produced three one-hour documentaries about people caught in catastrophic situations and the instant decisions they make to survive. UNSUNG HOLLYWOOD: RICHARD ROUNDTREE: (TV ONE NETWORK) (ASmith and Company) Wrote, and Produced a one-hour episode/biography on America’s first black-action movie star – Richard Roundtree – (star of “Shaft”) and the “blaxploitation” era in Hollywood films. TRIGGERS: WEAPONS THAT CHANGED THE WORLD (MILITARY CHANNEL) (Morningstar Entertainment) Wrote and Produced several episodes on history’s most fearsome weapons including “Gatling Guns,” “Tanks” and “Light Machine Guns.” -
Abstract Book JMIH 2011
Abstract Book JMIH 2011 Abstracts for the 2011 Joint Meeting of Ichthyologists & Herpetologists AES – American Elasmobranch Society ASIH - American Society of Ichthyologists & Herpetologists HL – Herpetologists’ League NIA – Neotropical Ichthyological Association SSAR – Society for the Study of Amphibians & Reptiles Minneapolis, Minnesota 6-11 July 2011 Edited by Martha L. Crump & Maureen A. Donnelly 0165 Fish Biogeography & Phylogeography, Symphony III, Saturday 9 July 2011 Amanda Ackiss1, Shinta Pardede2, Eric Crandall3, Paul Barber4, Kent Carpenter1 1Old Dominion University, Norfolk, VA, USA, 2Wildlife Conservation Society, Jakarta, Java, Indonesia, 3Fisheries Ecology Division; Southwest Fisheries Science Center, Santa Cruz, CA, USA, 4University of California, Los Angeles, CA, USA Corroborated Phylogeographic Breaks Across the Coral Triangle: Population Structure in the Redbelly Fusilier, Caesio cuning The redbelly yellowtail fusilier, Caesio cuning, has a tropical Indo-West Pacific range that straddles the Coral Triangle, a region of dynamic geological history and the highest marine biodiversity on the planet. Caesio cuning is a reef-associated artisanal fishery, making it an ideal species for assessing regional patterns of gene flow for evidence of speciation mechanisms as well as for regional management purposes. We evaluated the genetic population structure of Caesio cuning using a 382bp segment of the mitochondrial control region amplified from over 620 fish sampled from 33 localities across the Philippines and Indonesia. Phylogeographic -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
State, Foreign Operations, and Related Programs Appropriations for Fiscal Year 2018
STATE, FOREIGN OPERATIONS, AND RELATED PROGRAMS APPROPRIATIONS FOR FISCAL YEAR 2018 TUESDAY, MAY 9, 2017 U.S. SENATE, SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS, Washington, DC. The subcommittee met at 2:30 p.m., in room SD–192, Dirksen Senate Office Building, Hon. Lindsey Graham (chairman) pre- siding. Present: Senators Graham, Moran, Boozman, Daines, Leahy, Durbin, Shaheen, Coons, Murphy and Van Hollen. UNITED STATES DEMOCRACY ASSISTANCE STATEMENTS OF: HON. MADELEINE ALBRIGHT, CHAIRMAN OF THE BOARD, THE NA- TIONAL DEMOCRATIC INSTITUTE HON. STEPHEN HADLEY, CHAIRMAN OF THE BOARD, THE UNITED STATES INSTITUTE OF PEACE HON. VIN WEBER, CO-VICE CHAIRMAN OF THE BOARD, THE NA- TIONAL ENDOWMENT FOR DEMOCRACY HON. JAMES KOLBE, VICE CHAIRMAN OF THE BOARD, THE INTER- NATIONAL REPUBLICAN INSTITUTE TESTIMONY FROM DEMOCRACY PROGRAM BENEFICIARIES OUTSIDE WITNESS TESTIMONY SUBMITTED SUBSEQUENT TO THE HEARING OPENING STATEMENT OF SENATOR LINDSEY GRAHAM Senator GRAHAM. Thank you all. The subcommittee will come to order. Today, our hearing is on United States Democracy Assist- ance. I would like to welcome our witnesses who deserve long, glowing introductions—but you’re not going to get one because we got to get on one with the hearing. We’ve got Madeleine Albright, Chairman of the Board of the Na- tional Democratic Institute and former Secretary of State. Wel- come, Ms. Albright. James Kolbe, Vice-Chairman of the Board of the International Republican Institute. Jim, welcome. Vin Weber, Co-Vice Chairman of the Board of the National En- dowment for Democracy, all around good guy, Republican type. Stephen Hadley, Chairman of the Board of the United States In- stitute of Peace. -
Contextualising Legal Reviews for Autonomous Weapon Systems
Missing Man: Contextualising Legal Reviews for Autonomous Weapon Systems DISSERTATION of the University of St. Gallen, School of Management, Economics, Law, Social Sciences and International Affairs to obtain the title of Doctor of Philosophy in Law submitted by Fredrik von Bothmer from Germany Approved on the application of Prof. Dr. Thomas Burri and Prof. Dirk Lehmkuhl, PhD Dissertation no. 4804 Difo-Druck GmbH, Bamberg 2018 The University of St. Gallen, School of Management, Economics, Law, Social Sciences and International Affairs hereby consents to the printing of the present dissertation, without hereby expressing any opinion on the views herein expressed. St. Gallen, May 22, 2018 The President: Prof. Dr. Thomas Bieger II Table of Contents I. Introduction: Key Categories and Terminology ............................................. 7 A. Just another New Emerging Weapon Technology? ................................... 12 B. Terminology and Definition ....................................................................... 18 II. Legal Challenges posed by AWS: IHL and Responsibility .......................... 27 A. AWS as Means and Methods of Warfare ................................................... 33 B. Illegality of AWS per se .............................................................................. 34 1. Basic rules for inherent illegality of weapon systems ............................ 34 a) Indiscriminate weapon by nature ........................................................ 34 b) Unnecessary suffering or superfluous injury -
Activity, Habitat Use and the First Evidence of Lingual Lure Behavior in a South American Snake
SALAMANDRA 56(1): 39–47 Activity, habitat use and lingual lure behavior in a South American snakeSALAMANDRA 15 February 2020 ISSN 0036–3375 German Journal of Herpetology A fisherman’s tale: Activity, habitat use and the first evidence of lingual lure behavior in a South American snake Conrado Mario-da-Rosa1, Arthur Diesel Abegg2,3, Leandro Malta-Borges1, Alexandre Ferreira Righi4, Paulo Sérgio Bernarde5, Sonia Zanini Cechin1 & Tiago Gomes dos Santos1,6 1) Programa de Pós-Graduação em Biodiversidade Animal, Universidade Federal de Santa Maria, Av. Roraima, 1000, Santa Maria, Rio Grande do Sul, Brazil 2) Laboratório Especial de Coleções Zoológicas, Instituto Butantan, Av. Vital Brasil, 1500, São Paulo, São Paulo, Brazil 3) Programa de Pós-Graduação em Zoologia, Instituto de Biociências, Universidade de São Paulo, Travessa 14, Rua do Matão, 321, 05508-090, São Paulo, São Paulo, Brazil 4) Museu de História Natural e Jardim Botânico da Universidade Federal de Minas Gerais, R. Gustavo da Silveira, 1035, Belo Horizonte, Minas Gerais, Brazil 5) Laboratório de Herpetologia, Centro Multidisciplinar, Campus Floresta, Universidade Federal do Acre, Cruzeiro do Sul, Acre, Brazil 6) Universidade Federal do Pampa, Campus São Gabriel, Av. Antônio Trilha, 1847, São Gabriel, Rio Grande do Sul, Brazil Corresponding author: Conrado Mario-da-Rosa, e-mail: [email protected] Manuscript received: 23 August 2019 Accepted: 25 November 2019 by Arne Schulze Abstract. Literature data suggests that Thamnodynastes strigatus (Serpentes, Dipsadidae) is a snake that actively forages for anurans near waterbodies, using several microhabitats for this activity (e.g., shrubs, soil, and water). However, herein we present dissonant data previously known to the species, both concerning type of prey and foraging strategy. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Answer to Friday's
The Goodland Star-News / Tuesday, August 28, 2007 5 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have FUN BY THE NUMBERS you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, col- umn and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO FRIDAY’S TUESDAY EVENING AUGUST 28, 2007 WEDNESDAY EVENING AUGUST 29, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 E S E = Eagle Cable S = S&T Telephone E S E = Eagle Cable S = S&T Telephone Dog Bounty Dog Bounty Dog Bounty Dog Bounty Mindfreak Criss Angel Criss Angel Criss Angel Dog Bounty Dog Bounty CSI: Miami: Double Jeop- CSI: Miami: Driven The Sopranos: Whitecaps A new Dog Bounty CSI: Miami: Double Jeop- 36 47 A&E (R) (R) (R) (TVPG) (TVPG) (R) (R) (R) (R) (R) 36 47 A&E ardy (TV14) (HD) (TV14) (HD) house. (TVMA) (HD) (R) ardy (TV14) (HD) Laughs Laughs i-Caught Amateur video.