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Overcoming Adversity
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 11 : 4 April 2011 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. Overcoming Adversity David J. Bunce, M.S. ============================================== King George VI http://en.wikipedia.org/wiki/File:King_George_VI_of_England,_formal_photo_portrait,_ circa_1940-1946.jpg Language in India www.languageinindia.com 462 11 : 4 April 2011 David J. Bunce, M.S. Overcoming Adversity The King’s Speech – an Award Winning Movie Recently a British movie, “The King’s Speech,” overwhelmingly won the Oscar award for best picture. The movie received many other prestigious and highly coveted awards as well. The stories, scenes, characters, dramatic episodes, and the imagination that goes with movie-making have immense impact on the viewers. A King’s Adversity I find stories of people who have overcome adversity deeply moving, and inspiring. One story of overcoming a great impediment, one that seems insurmountable, is the story of King George the VI. I’d like to briefly summarize his story because I think you’ll find his struggle with stuttering and overcoming this handicap most interesting. The story also highlights how confidence-building measures, encouraging spouses and friends, and simple therapies help overcome adversity in life. Albert – King George VI King George VI was the last Emperor of British India, and his face occupied a prominent place in coins and currency notes of British India; and it continued to be so in the period immediately after the independence of India from the British rule. -
Hollywood Chinese by Erica Marcus Published: April 10, 2008
Hollywood Chinese By Erica Marcus Published: April 10, 2008 Hollywood Chinese: A Very Queer Story An Interview with Filmmaker Arthur Dong Filmmaker Arthur Dong, who created Coming Out Under Fire, Licensed to Kill, Family Fundamentals and other LGBT films, has finished a new film Hollywood Chinese, a vivid and entertaining journey tracking the experience of Chinese Americans in America’s film industry. The film opens in the Bay Area on April 11 at San Francisco’s Sundance Kabuki Cinemas and at Oakland’s Grand Lake Theater. A San Francisco native, Arthur Dong Whowould have thought that it would be a heterosexual Chinese recently spoke to Bay Times about the director (Ang Lee) to bring the a great gay love story (Brokeback film. Mountain) to the silver screen. (Bay Times) So, you’re going to be at the screening in San Francisco on Friday and in Oakland on Saturday. You’ve assembled one hell of a cast - Ang Lee, Wayne Wang, Joan Chen, David Henry Huang, B.D. Wong, Nancy Kwan, Amy Tan and Fu Man Chu. But I gotta ask - is it a queer film? (Arthur Dong) Am I queer? No, I mean is the film, Hollywood Chinese, queer? That’s the answer. Am I queer? Ah ha! So there. Okay, identity politics is so passé. You got me, but now I’m curious. Do you believe that a queer sensibility is embedded in one’s vision? I believe that my films are embedded with my vision and I happen to be a gay man. I’m not saying all gay people produce gay products, but I do. -
Reflections from the Developments of School Science Curricula
Imitation game: Reflections from the developments of school science curricula SONG, Jinwoong (宋眞雄) Department of Physics Education, Seoul National University What will fulfill this need can be stated in equally simple terms. It is, ironically enough, that science be taught as science. (Joseph J. Schwab, 1962: 188-9) 1.Introduction The Imitation Game is a 2014 British historical drama film directed by Morten Tyldu m and written by Graham Moore, based on the biography Alan Turing: The Enigma by A ndrew Hodges. It stars Benedict Cumberbatch as British cryptanalyst Alan Turing, who dec rypted German intelligence codes for the British government during the Second World War (https://en.wikipedia.org/wiki/The_Imitation_Game). The ’Imitation Game’ refers to so-calle d ‘Turing Test’ which is a test for artificial intelligence suggested by a famous British ma thematician, Alan Turing (1912-54), who is known as the father of the computer. Through his paper, “Computing machinery and intelligence” (1950), Tuning gave a conceptual fou ndation of AI (Artificial Intelligence), by suggesting the Turing Test, “a test of a machine’ s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a h uman.” (https://en.wikipedia.org/wiki/Turing_test) Science is now considered as one of the core (often three of them) subjects across th e world, together with the national language and mathematics. For example, in PISA studi es, science is included in the three main areas, with literacy and mathematics (e.g. OECD, 2018). And, in TIMSS studies, science and mathematics are the two main subjects for th e international comparison (https://timssandpirls.bc.edu/timss2015/). -
CODEBREAKING Suggested Reading List (Can Also Be Viewed Online at Good Reads)
MARSHALL LEGACY SERIES: CODEBREAKING Suggested Reading List (Can also be viewed online at Good Reads) NON-FICTION • Aldrich, Richard. Intelligence and the War against Japan. Cambridge: Cambridge University Press, 2000. • Allen, Robert. The Cryptogram Challenge: Over 150 Codes to Crack and Ciphers to Break. Philadelphia: Running Press, 2005 • Briggs, Asa. Secret Days Code-breaking in Bletchley Park. Barnsley: Frontline Books, 2011 • Budiansky, Stephen. Battle of Wits: The Complete Story of Codebreaking in World War Two. New York: Free Press, 2000. • Churchhouse, Robert. Codes and Ciphers: Julius Caesar, the Enigma, and the Internet. Cambridge: Cambridge University Press, 2001. • Clark, Ronald W. The Man Who Broke Purple. London: Weidenfeld and Nicholson, 1977. • Drea, Edward J. MacArthur's Ultra: Codebreaking and the War Against Japan, 1942-1945. Kansas: University of Kansas Press, 1992. • Fisher-Alaniz, Karen. Breaking the Code: A Father's Secret, a Daughter's Journey, and the Question That Changed Everything. Naperville, IL: Sourcebooks, 2011. • Friedman, William and Elizebeth Friedman. The Shakespearian Ciphers Examined. Cambridge: Cambridge University Press, 1957. • Gannon, James. Stealing Secrets, Telling Lies: How Spies and Codebreakers Helped Shape the Twentieth century. Washington, D.C.: Potomac Books, 2001. • Garrett, Paul. Making, Breaking Codes: Introduction to Cryptology. London: Pearson, 2000. • Hinsley, F. H. and Alan Stripp. Codebreakers: the inside story of Bletchley Park. Oxford: Oxford University Press, 1993. • Hodges, Andrew. Alan Turing: The Enigma. New York: Walker and Company, 2000. • Kahn, David. Seizing The Enigma: The Race to Break the German U-boat Codes, 1939-1943. New York: Barnes and Noble Books, 2001. • Kahn, David. The Codebreakers: The Comprehensive History of Secret Communication from Ancient Times to the Internet. -
Youngjoon Lee Course Number: GVPT282 Email: [email protected]
Course Title: Politics and the Developing World Instructor: Youngjoon Lee Course Number: GVPT282 Email: [email protected] Term: Summer, 2021 Office Hours: By Appointment Credits: 3 Course Dates: From Jul 12, 2021–Aug 20, 2021 Course Times: Online/Asynchronous Course Description We study political science. Therefore, we need to ask important political science questions. These questions may include, but not limited to, “is the democratic model of economic development superior to the autocratic model?”, “have governments become more repressive in the Internet era than before?”, “why do authoritarian leaders sometimes adopt democratic institutions?”, as well as “why do former dictators’ sons and daughters garner public support?” Learning Outcomes After successfully completing this course, students should be able to: - Gain basic knowledge about the politics in Africa, Asia, Latin America, and the Middle East. - Understand the political economy in the developing world. - Understand research design required for undergraduate students majoring in political science. · Students are required to submit a research proposal which investigates a topic and/or a country. Required Resources Class materials will be uploaded in the ELMS by the Instructor by 6pm on Monday, Jul 5, 2021. Detailed lists are provided below. Class materials are listed in alphabetical order by the authors’ last names. Students are encouraged to read the assigned materials before attending the lectures. Course Videos GVPT282 is an online (asynchronous) course in summer session II (Jul 12–Aug 20: six weeks). Course videos will be uploaded in the ELMS by 6pm on Monday and Wednesday. Therefore, the total number of course videos will be twelve. Each course video will run for 110 minutes. -
Benedict Cumberbatch Talks the Imitation Game
JANUARY 2015 | VOLUME 16 | NUMBER 1 Smart Meets Sexy BENEDICT CUMBERBATCH TALKS THE IMITATION GAME Inside HUGH BONNEVILLE LIAM NEESON PUBLICATIONS MAIL AGREEMENT NO. 41619533 THE 10 INCREDIBLE MOVIES YOU HAVE TO SEE THIS YEAR, PAGE 26 CONTENTS JANUARY 2015 | VOL 16 | Nº1 COVER STORY 40 GENIUS ROLE Benedict Cumberbatch’s fervent fans won’t be disappointed with his latest role. The Imitation Game casts the 38-year-old Brit as Alan Turing, a gay, mathematical genius who helped hasten the end of WWII. Here he talks about bringing Turing to life and his various other talents BY INGRID RANDOJA REGULARS 4 EDITOR’S NOTE 8 SNAPS 10 IN BRIEF 14 SPOTLIGHT: CANADA 16 ALL DRESSED UP 20 IN THEATRES 44 CASTING CALL 47 RETURN ENGAGEMENT 48 AT HOME 50 FINALLY… FEATURES IMAGE HARGRAVE/AUGUST AUSTIN BY PHOTO COVER 26 2015’S BIG PICS! 32 FABLED CAST 34 MAN OF ACTION 38 PAPA BEAR It’s going to be an epic year We break down which famous Taken 3 star Liam Neeson Paddington’s Hugh Bonneville at the movies. We take you actors play which well-known talks about his longtime says playing father figure to a through the 10 films you must fairy tale characters in love of action movies, and mischievous talking bear gave see, starting with the return of the musical extravaganza recent decision to get clean him the chance to revisit his Star Wars! Into the Woods and healthy own childhood BY INGRID RANDOJA BY INGRID RANDOJA BY BOB STRAUSS BY INGRID RANDOJA JANUARY 2015 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR THOMAS STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN VICE PRESIDENT, PRODUCTION SHEILA GREGORY CONTRIBUTORS LEO ALEFOUNDER, BOB STRAUSS ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA. -
Why Python for Chatbots
Schedule: 1. History of chatbots and Artificial Intelligence 2. The growing role of Chatbots in 2020 3. A hands on look at the A.I Chatbot learning sequence 4. Q & A Session Schedule: 1. History of chatbots and Artificial Intelligence 2. The growing role of Chatbots in 2020 3. A hands on look at the A.I Chatbot learning sequence 4. Q & A Session Image credit: Archivio GBB/Contrasto/Redux History •1940 – The Bombe •1948 – Turing Machine •1950 – Touring Test •1980 Zork •1990 – Loebner Prize Conversational Bots •Today – Siri, Alexa Google Assistant Image credit: Photo 172987631 © Pop Nukoonrat - Dreamstime.com 1940 Modern computer history begins with Language Analysis: “The Bombe” Breaking the code of the German Enigma Machine ENIGMA MACHINE THE BOMBE Enigma Machine image: Photographer: Timothy A. Clary/AFP The Bombe image: from movie set for The Imitation Game, The Weinstein Company 1948 – Alan Turing comes up with the concept of Turing Machine Image CC-BY-SA: Wikipedia, wvbailey 1948 – Alan Turing comes up with the concept of Turing Machine youtube.com/watch?v=dNRDvLACg5Q 1950 Imitation Game Image credit: Archivio GBB/Contrasto/Redux Zork 1980 Zork 1980 Text parsing Loebner Prize: Turing Test Competition bit.ly/loebnerP Conversational Chatbots you can try with your students bit.ly/MITsuku bit.ly/CLVbot What modern chatbots do •Convert speech to text •Categorise user input into categories they know •Analyse the emotion emotion in user input •Select from a range of available responses •Synthesize human language responses Image sources: Biglytics -
TASTES to WATCH Plots and Recipes on the Big Screen! PARFUMS a VOIR Trame Et Formulations Sur Grand Ecran
en | fr 2016 TASTES TO WATCH plots and recipes on the big screen! PARFUMS A VOIR Trame et formulations sur grand ecran ITALFO D ® CAPTAIN AMERICA ALICE IN WONDERLAND THE LAST EMPEROR taste first part CHOCOLAT 1er TEMPS : CAPTAIN AMERICA ALICE AUX PAYS DES MERVEILLES collections LE DERNIER EMPEREUR CHOCOLAT MOVIES AND YOGURTS? Yes, because in the sections proposed by VITALFOOD the sense of sight combines A WALK IN THE CLOUDS with the one of taste and together they create a perfect BREAKFAST AT TIFFANY’S 2016 harmony of movie plots and recipes of unforgettable THE QUEEN tastes. The three sections - First part, Intermission and intermission THE INTOUCHABLES Second part – are inspired by very famous movies that have left a sign in the history of cinema, thus giving INTERVALLE LES VENDANGES DE FEU DIAMANTS SUR CANAPÉ peculiarity to the recipes and a sense of spectacle and THE QUEEN glamour which are typical of the big screen. INTOUCHABLES CINEMA ET YAOURT? Oui, parce que dans les propo- sitions de Vitalfood, la vue s’unit au gout et ensemble, créent une parfaite harmonie de trame cinématogra- phique et de formulations aux saveurs inoubliables. Les SLUMDOG MILLIONAIRE 3 sections proposées sont: - Premier temps - Intervalle MY BIG FAT GREEK WEDDING COCOON - Deuxième temps - L’inspiration vient de grands films second part THE EMPEROR’S NEW GROOVE qui ont laissé une trace dans l’histoire du cinéma et ont ieme donné aux formulations proposées non seulement une 2 TEMPS SLUMDOG MILLIONAIRE caractérisation particulière mais aussi un sens du spec- MARIAGE À LA GRECQUE tacle sur grand écran. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
BBS Recommended Viewing List
BBS Recommended Viewing List We have ranked the films in order of their BBFC certificate. This is to help you and your parents make a selection that is appropriate in terms of content. We trust every parent to make the right decision for their child regarding what they watch. If you would like further information we recommend going to the BBFC website and using their ‘Insight’ text to explore the reasons for the certificate given. For example, if you search for ‘Amadeus BBFC insight’ you will see details under ‘ratings info’ that will give you an idea for the reasons for its PG rating. This can include spoilers but the information may be useful if you are unsure as to whether a film may be suitable for your child or not. They are ranked in no particular order and it is not meant to be an exhaustive list. Films, like books, are personal and everyone has their preferences and reasons for loving the ones they do. This is just our take on all the possibilities out there so please accept our unreserved apologies if one you love is missing. If you are especially passionate about it and really feel it should be on our list please don’t hesitate to get in touch. U Certificate 1. Wall-E 2. 2001 – A Space Odyssey 3. The Wizard of Oz 4. Mary Poppins 5. Paddington 6. Ladri di biciclette (Bicycle Thieves) 7. A Matter of Life and Death 8. 12 Angry Men 9. Zootropolis 10. E.T. 11. Casablanca 12. Sense and Sensibility 13. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Inequality in 900 Popular Films: Gender, Race/Ethnicity, LGBT, & Disability from 2007‐2016
July 2017 INEQUALITY IN POPULAR FILMS MEDIA, DIVERSITY, & SOCIAL CHANGE INITIATIVE USC ANNENBERG MDSCInitiative Facebook.com/MDSCInitiative THE NEEDLE IS NOT MOVING ON SCREEN FOR FEMALES IN FILM Prevalence of female speaking characters across 900 films, in percentages Percentage of 900 films with 32.8 32.8 Balanced Casts 12% 29.9 30.3 31.4 31.4 28.4 29.2 28.1 Ratio of males to females 2.3 : 1 Total number of ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ speaking characters 39,788 LEADING LADIES RARELY DRIVE THE ACTION IN FILM Of the 100 top films in 2016... And of those Leads and Co Leads*... Female actors were from underrepresented racial / ethnic groups Depicted a 3 Female Lead or (identical to 2015) Co Lead 34 Female actors were at least 45 years of age or older 8 (compared to 5 in 2015) 32 films depicted a female lead or co lead in 2015. *Excludes films w/ensemble casts GENDER & FILM GENRE: FUN AND FAST ARE NOT FEMALE ACTION ANDOR ANIMATION COMEDY ADVENTURE 40.8 36 36 30.7 30.8 23.3 23.4 20 20.9 ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ % OF FEMALE SPEAKING % OF FEMALE SPEAKING % OF FEMALE SPEAKING CHARACTERS CHARACTERS CHARACTERS © DR. STACY L. SMITH GRAPHICS: PATRICIA LAPADULA PAGE THE SEXY STEREOTYPE PLAGUES SOME FEMALES IN FILM Top Films of 2016 13-20 yr old 25.9% 25.6% females are just as likely as 21-39 yr old females to be shown in sexy attire 10.7% 9.2% with some nudity, and 5.7% 3.2% MALES referenced as attractive. FEMALES SEXY ATTIRE SOME NUDITY ATTRACTIVE HOLLYWOOD IS STILL SO WHITE WHITE .% percentage of under- represented characters: 29.2% BLACK .% films have NO Black or African American speaking characters HISPANIC .% 25 OTHER % films have NO Latino speaking characters ASIAN .% 54 films have NO Asian speaking *The percentages of Black, Hispanic, Asian, and Other characters characters have not changed since 2007.