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COMM∆ND SMEDI∆ Inc. TORONTO
COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting] -
Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante. -
Ratouweb Num\351Ro 9
Numéro été : juillet - août www.ratouweb.fr.st 2004 P A R T E N A I R E D E EDITO Après la débâcle pathétique http://perso.wanadoo.fr/darkprograms/ de l‘équipe de France dans l‘Euro 2004, il est temps TTTêteTête d’affiche ––– Jeu Vidéo PS2 pour tout le monde de prendre un peu de repos et de profiter de la saison DRIV3R : le retour du polar automobile estivale. C‘est un 9 ème numéro un peu spécial que nous vous Tanner, le flic infiltré dans la mafia proposons ce mois-ci, spécialiste du gymkhana automobile puisqu‘il s‘agit reprend enfin du service. Si le premier exceptionnellement d‘un numéro unique d‘été volet reçut un plébiscite général, « juillet - août 2004 ». Eh Driver 2 laissa échapper une traînée oui, la Rédac‘ prend aussi de vieille huile dans son sillage. Driv3r des vacances bien méritées après des mois de dur était donc attendu comme le nouveau labeur ininterrompu. souffle de la série. Au final, si les De plus, il faut bien avouer qualités divertissantes du soft ne sont que l‘actualité a fortement tendance à se tasser durant pas en cause, le manque cruel ces deux mois où tout le d’innovation et certaines monde court vers les approximations techniques viennent plages surpeuplées. On vous donne donc peser lourd dans la balance. rendez-vous pour la rentrée de septembre avec un Istanbul baigne dans une brume moite. Quelque part dans numéro qui, osons le dire, la ville, les voitures de la police locale encerclent un sera haut en couleurs et groupe d‘individus patibulaires qui ouvrent le feu. -
Oils Rock the Alice After Warming up at Secret Kintore Gig
FRIDAY OCTOBER 6 2017 NEWS 05 Entry policy confusion Andrea Johnston blankets by hand. “Anywhere Punters told not to bring chairs, big bags to Oils gig else you wouldn’t get away PUNTERS at Monday’s Mid- with it, but they were the kind night Oil concert in Alice attendees, but one Alice Ms Fitisemanu said she was “Briar was offered a front- advertise it well enough, but a of exceptions I was making,” Springs have been praised for Springs resident said she and disappointed with how she and row seatrow seat of the grand- major company organised it he said. their good behaviour and a her husband were “forced to her husband were treated. stand on the night but Briar and it goes without saying — The concert had positive ef- trouble free night, by the local leave”, due to seating arrange- “Firstly for not providing and her husband chose not to you don’t take chairs and bags fects on business in town, with security company hired to help ments which were unsuitable. adequate seating for the less take up this offer and departed and eskies to major events hotels reporting 100 per cent run proceedings. Briar Fitisemanu said she able bodied and secondly, for the venue,” a spokesman said. anymore.” occupancy for many nights. Tom Turnbull, the director was on crutches and in a not allowing us to use our own “As a gesture of good will Mr Turnbull said his com- Jeff Huyben from Mercure of Talice Security said it was “moon boot” following recent seating instead.” Briar was provided a refund.” pany tried to be as understand- Alice Springs Resort got into one of the “best events” the surgery. -
Civl1new Music Re 1Ort
CIVL1New Music Re 1 ort SEPTEMBER 28,1998 ISSUE 589 VOL. 56 NO. 2 WWW.CMJ.COM IVITJS"1" HEAR Island Plans U2 Greatest Hits Album Island Records plans to release Irish supergroup U2's first greatest hits album November 3. The two-disc limited edition set, titled U2: The Best Of 1980-1990, will include one CD containing 13 hits from those years, plus a new re-recording of Joshua Tree outtake "Sweetest Thing," and asecond CD of 15 B-sides and rarities. On November 10, Island will release the hits CD separately. Both releases will be preceded by the release of "Sweetest Thing" to radio on September 29. The band's albums released during those years, all on Island, are 1980's Boy, 1981's October, 1983's War and the live album Under A Blood Red Sky, 1984's The Unforgettable Fire, the 1985 live EP Wide Awake In America, 1987's The Joshua Tree and 1988's Rattle And Hum. Island hasn't confirmed the tracks for the B-sides album, but the final listing for the hits album is: "Pride (In The Name Of Love)," "New Year's Day," "With Or Without You," "I Still Haven't Found What I' m (continued on page 11) ▪ HARVEY Former NIN Drummer Chris Madonna Wins Big Vrenna Signs With Almo Sounds At MTV Awards Chris Vrenna, former drummer and programmer for Nine Madonna was the big winner at Inch Nails, has signed a recording contract with Almo the 1998 MTV Video Music Sounds. Vrenna is currently writing and recording his Awards, bringing home six label debut under the name Tweaker, and he described awards. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Southern Land, Hardened Heart: the Possibility of Australian Neon Noir
Southern Land, Hardened Heart: the possibility of Australian neon noir Christopher Przewloka Bachelor of Fine Arts (Creative Writing) Creative Writing and Literary Studies (Hons) Creative Industries Faculty Creative Writing and Literary Studies Discipline Queensland University of Technology Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2016 Keywords Neon noir, hard-boiled, crime writing, genre, craft, Australian fiction, creative writing, practice-led research. ii Abstract Much can be learnt from dwelling in the dark underbelly of society, and it is for such reasons neon noir crime fiction has become one of the most enduring ways of analysing our culture at large. Evolving from the hard-boiled private detective stories found in early pulp fiction magazines, neon noir offers violent narratives that vivisect the social, historical, and political landscape, often blurring the line between fact and fiction. Thus neon noir eschews the romanticism of the classic hard-boiled model, and embraces something far more subversive: populist novels driven by contemporary cultural analysis. Despite both literary and commercial success in North America, Australian authors have often shied away from wholly embracing the neon noir style. This is somewhat perplexing, as Australia has had a long and enduring relationship with all forms of crime writing, especially hard-boiled—the progenitor of neon noir. So why do we shy away from the neon noir style in Australia? What are the difficulties, considerations, and possibilities of localising the form? Do the conventions of the sub-genre shift when placed in an Australian setting? This practice-led thesis consists of an Australian neon noir novel entitled Coffin’s Reach, and a 50,000 word exegesis that accompanies the creative work. -
Music-Week-1998-08-0
ANALYSIS: An A&R:14 years after A&R: Having ruled 41>04 ee. extra £5m has been he produced his first the world, Essex duo pledged by MATTHEW record JERMAINE ALISHA'S ATTIC BANNISTER to boost DUPRI has finally return with their BBC radio's coverage made his debut album second album 414> BBC RADIO 6 Talent 8 Talent 8 FOR EVERYONE IN THE BUSINESS OF MUSIC 1 AUGUST 1994 ,457// musicweek Indie sector turns thecorner by Robert Ashton share was as high as 22.7%. bigger cake," he says. According estimate they can lose as much SHARE OF ALBUM SALES Parallel imports have helped halt The improvement, reported in to the BPI Handbook the sector as 25% of sales to imports on key the misery years for indie retailers theBPIStatistical Handbook BY TYPE OF RETAILER sold 20.1% of singles last year releases. with new industry figures showing 1998 published last week, comes compared with 26.0% in 1996. With small indies suffering the the sector's share of total UK at the expense of specialist and specialist general indies super multiplesmultiples markets* Manybelieve theindies' greatest number of shop closures album sales increased last year general multiples, which lost 0.8 '9237.7%39.6%22.7% n/a improved albums performance in - 98 compared with only 11 large for the first time in at least five and 9.6 percentage points '9649.3%36.5%14.2% n/a a year when their total number of independents - within the sector, years. respectively. Bard chairman outlets actually fell from 1,207 in '9748.5%26.9%14.9%9.6% Barnes also attributes a large The grey market, the popularity Richard Wootton hails it as a sig- 1996 to 1,085 came through par- measure of the overall upturn to of indie-friendly genres such as nificant success. -
'I Don't Like It'
(A version of this article appeared in Perfect Beat: The Pacific Journal for Research into Contemporary Music and Popular Culture, vol 4, no 4, 2000, pp 3-28). ‘I DON’T LIKE IT’: PAULINE PANTSDOWN AND THE POLITICS OF THE INAUTHENTIC At the end of August 1997, four months after the launch of her One Nation party, Pauline Hanson, the right-wing populist politician, who at that time was still the federal member for the Queensland seat of Oxley, had Brisbane solicitors Watkins Stokes Templeton take out an injunction against the ABC to prevent Triple J, the youth-oriented radio station, playing the song ‘(I’m a) Back Door Man.’ This song, by drag artist Pauline Pantsdown was not for sale and, indeed, was only ever played on Triple J to which it had been made available on cassette. Triple J had been playing it for ten days, increasingly often as feedback from its audience suggested the song’s growing popularity. In spite of this brief and limited exposure, the song came in at number five in Triple J’s audience-voted hottest one hundred songs of 1997.1 Exactly a year later, at the end of August 1998, Pauline Pantsdown released ‘I Don’t Like It,’ this time commercially available as a single, through TWA Records. Judged on sales for the week of 28th September-4th October, ‘I Don’t Like It’ was number four in the Australian Music Report chart, and number one in the Alternative chart. Like ‘Back Door Man,’ ‘I Don’t Like It’ was a dance track which used digitally reconstructed cut-ups of Hanson’s speech. -
Midnight Oil Blue Sky Mining Mp3, Flac, Wma
Midnight Oil Blue Sky Mining mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blue Sky Mining Country: Mexico Released: 1990 Style: Alternative Rock MP3 version RAR size: 1647 mb FLAC version RAR size: 1647 mb WMA version RAR size: 1746 mb Rating: 4.1 Votes: 848 Other Formats: MIDI AHX WMA MP1 DXD FLAC APE Tracklist Hide Credits Blue Sky Mine = Mi Cielo Azul A1 4:18 Written-By – Midnight Oil Stars Of Warburton = Estrellas De Warburton A2 4:43 Written-By – Moginie*, Garrett* Bedlam Bridge = Puente Bedlam A3 4:25 Written-By – Hirst* Forgotten Years = Los Años Olvidados A4 4:21 Written-By – Moginie*, Hirst* Mountains Of Burma = Montañas De Burma A5 4:50 Written-By – Hirst* King Of The Mountain = Rey De La Montaña B1 3:58 Written-By – Moginie*, Hirst* Rivers Runs Red = El Rio Rojo B2 5:23 Written-By – Moginie*, Hirst* Shakes And Movers = Agitadores Y Alborotadores B3 4:32 Written-By – Moginie*, Garrett* One Country = Un Pais B4 5:56 Written-By – Moginie*, Garrett* Antarctica B5 4:22 Written-By – Moginie*, Rotsey*, Garrett*, Hirst* Companies, etc. Copyright (c) – Midnight Oil Phonographic Copyright (p) – CBS Records Australia Limited Made By – CBS/Columbia Internacional, S.A. De C.V. Credits Cover – Livingstone Clark Design [Logo] – Andrew Richardson Engineer – David Nicholas Engineer [Assistant] – Brendan Morley French Horn – Jeremy Smith Horns [Swells] – Garf , Glad* Leader [Strings] – Phillip Hartl Photography [Front Cover] – Gunther Deichmann Producer, Cover [Cover Concept] – Midnight Oil Producer, Keyboards [Additional] – Warne Livesey Remix – Felix Kendall (tracks: A2, A5, B3) Technician [Tuning], Other [Business] – Gary Morris Vocals – Peter Garrett Vocals, Bass – Bones Hillman Vocals, Drums – Rob Hirst Vocals, Guitar – Martin Rotsey Vocals, Guitar, Keyboards – Jim Moginie Notes D.R. -
Download Lawtalk Issue
ISSUE 913 · DECEMBER 2017 NZ Relationship GDPR Sexual harassment The fine Property compliance in in the NZ legal art of Survey four steps workplace billing Page 23 Page 28 Page 34 Page 37 Don’t miss out on John Earles webinar December Probate and Administration Law and Procedures Update 2017 | 2:30PM An in-depth look at the changes to probate and administration law and procedures that have 7 occurred over the past year with comment about the changes to rules and forms. Thursday Price: $160* *Webinar can be recognised as contributing 1 hours of cpd towards annual CPD requirements for lawyers under the Lawyers and Conveyancers Act Rules 2013. Visit https://store.lexisnexis.co.nz or call 0800 800 986 to place your order today! LexisNexis and the Knowledge Burst logo are registered trademarks of RELX Inc. © 2017 LexisNexis NZ Limited. All rights reserved. MP112017CC Find out what CONCERNED Thomson Reuters is doing to help ABOUT AML? Infi nitylaw users Talk to us. comply with the new anti-money laundering requirements. Please contact us at [email protected] You only need one tool to rebuild your house completely. Don’t miss out on John Earles webinar December Probate and Administration Law and Procedures Update 2017 | 2:30PM An in-depth look at the changes to probate and administration law and procedures that have We believe that accurately calculating the cost of rebuilding your house if it’s destroyed should be our risk not yours. occurred over the past year with comment about the changes to rules and forms. This means you can rest easy knowing that you can rebuild your house to the fl oor area you provide us with. -
2002. the Case of Midnight Oil
Coolabah, No.5, 2011, ISSN 1988-5946, Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona Beyond Rock. Social commitment and political conscience through Popular Music in Australia 1976 - 2002. The case of Midnight Oil Roger Bonastre Copyright©2011 Roger Bonastre. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: The work and career of Midnight Oil illustrate a case of interaction between culture and politics in Australia. Furthermore they represent an example of social commitment from the sphere of urban popular culture. For a quarter of a century Midnight Oil offered a critical and ideological interpretation of the Australian social and political evolution. Aware of and sensitive to changes and events happening around them, five Sydneysiders thought about Australian identity in terms of what they considered to be their national challenges from a universal perspective. Hence, they approached issues like pacifism, Indigenous rights and environmentalism and developed a social and political discourse based on the defence of human rights and a condemnation of capitalist excesses. Through more than a hundred songs and almost two thousand gigs the band urged politicians to reassess the institutions. At the same time they criticized people’s apathy asking them for a deeper engagement with the development of the country’s welfare. Finally, in December 2002, Peter Garrett quit his singer-activist journey to launch a political career by joining the Australian Labor Party, for which he is the current Minister for School Education, Early Childhood and Youth in the Julia Gillard Government.