Midnight Oil Blue Sky Mine Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Midnight Oil Blue Sky Mine Mp3, Flac, Wma Midnight Oil Blue Sky Mine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blue Sky Mine Country: UK Released: 1990 Style: Alternative Rock MP3 version RAR size: 1608 mb FLAC version RAR size: 1835 mb WMA version RAR size: 1530 mb Rating: 4.3 Votes: 726 Other Formats: MOD WMA MMF TTA MPC AU MP3 Tracklist Hide Credits Blue Sky Mine A1 4:18 Written-By – Midnight Oil Wedding Cake Island A2 3:15 Producer – Leszek Karski*Written-By – Moginie*, Rotsey* Beds Are Burning B1 4:14 Written-By – Moginie*, Garrett*, Hirst* The Dead Heart B2 5:10 Written-By – Moginie*, Garrett*, Hirst* Credits Bass, Vocals [Singing] – Bones Hillman Drums – Rob Hirst Guitar, Keyboards, Vocals [Singing] – Jim Moginie Guitar, Vocals [Singing] – Martin Rotsey Management [Business], Other [Tuning] – Gary Morris Producer – Midnight Oil (tracks: A1, B1, B2), Warne Livesey (tracks: A1, B1, B2) Vocals [Singer] – Peter Garrett Notes Trifold Sleeve. A1 taken from the forthcoming LP/MC/CD 'Blue Sky Mining' - CBS 465653. B1 & B2 taken from the LP/MC/CD 'Diesel & Dust' - CBS 460005. Warner Chappell Music Ltd. Original sound recording made by Midnight Oil. The copyright in this sound recording is owned by Midnight Oil. Side A: ℗ 1990 Midnight Oil. Side B: ℗ 1987 Midnight Oil. Distribution: CBS Records/CBS Disques S.A. Made in England. Barcode and Other Identifiers Barcode: 5 099765 560695 Label Code: LC 0149 Rights Society: MCPS/BIEM Other: CB 111 Other: GA Other versions Category Artist Title (Format) Label Category Country Year 655606 2, CD Blue Sky Mine (CD, 655606 2, CD Midnight Oil CBS, CBS UK & Europe 1990 OIL 5 Single, Car) OIL 5 CBS, Blue Sky Mine (CD, 655671 9 Midnight Oil Sprint 655671 9 Australia 1990 Single) Music Blue Sky Mine (7", OIL 5 Midnight Oil CBS OIL 5 UK 1990 Single) OIL T5 Midnight Oil Blue Sky Mine (12") CBS OIL T5 UK 1990 Blue Sky Mine (12", CBS 655606 6 Midnight Oil CBS CBS 655606 6 Netherlands 1990 Maxi) Related Music albums to Blue Sky Mine by Midnight Oil Midnight Oil - Midnight Oil Midnight Oil - Redneck Wonderland Midnight Oil - Place Without A Postcard Midnight Oil - Head Injuries Midnight Oil - Les Indispensables De Midnight Oil Midnight Oil - Bird Noises Various - The Power & The Passion - ...A Tribute To Midnight Oil Midnight Oil - 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 Midnight Oil - Earth And Sun And Moon Midnight Oil - Sometimes.
Recommended publications
  • The Ithacan, 1990-10-04
    Ithaca College Digital Commons @ IC The thI acan, 1990-91 The thI acan: 1990/91 to 1999/2000 10-4-1990 The thI acan, 1990-10-04 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1990-91 Recommended Citation Ithaca College, "The thI acan, 1990-10-04" (1990). The Ithacan, 1990-91. 6. http://digitalcommons.ithaca.edu/ithacan_1990-91/6 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1990-91 by an authorized administrator of Digital Commons @ IC. • ~ I :ii Ithaca. wetlands' construction Fairyland shattered by adminis­ Midnight Oil gives held Up tration indecisiveness anticlimactic performance .•• page 6 ... page 7 ... page 9 ,, ... ,,1,'-•y•'• ,,1. :CJ<,·')• ..... The ITHACAN The Newspaper For The Ithaca College Community Vol. 58, No. 6 October 4, 1990 24 pages Free Arrests. conti:n-ue despite warning lcm." 'crackdown' on parties on South neighborhoods. 75 student arrests over--past three weeks Dave Maley, Manager of Public Hill. McEwen said that he needs at "I expect students to think of this By Joe Porletto Holt, head of the IC office of cam­ Information for IC, said that when least one additional officer, but there area as their home," McEwen said. The weekend of Sept. 28 resulted pus"' safety, addressed the party students are off-campus they must isn't room in the city budget for it McEwen said that studcn ts wouldn't in 26 arrests of college students on proolem.
    [Show full text]
  • Midnight Oil in the Valley Mp3, Flac, Wma
    Midnight Oil In The Valley mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: In The Valley Country: France Released: 1993 Style: Alternative Rock MP3 version RAR size: 1770 mb FLAC version RAR size: 1593 mb WMA version RAR size: 1999 mb Rating: 4.6 Votes: 645 Other Formats: TTA WMA TTA MP4 MMF AUD VQF Tracklist 1 In The Valley 4:40 2 Ships Of Freedom 3:14 3 My Country (Live) 4:51 4 Blue Sky Mine (Live) 4:23 Credits Engineer, Mixed By – Mike Walter, Nick Launay Producer – Midnight Oil (tracks: 1, 2), Nick Launay (tracks: 1, 2) Written-By – Jim Moginie (tracks: 1), Midnight Oil (tracks: 4), Peter Garrett (tracks: 1), Rob Hirst (tracks: 1, 2, 3) Notes Taken from the album "Earth And Sun And Moon" Tracks 3 & 4 recorded live at Ronnie Scotts, London, June 23rd 1993. Tracks 1 & 4 used by kind permission of the BBC. ℗ & © Midnight Oil 1993 Barcode and Other Identifiers Barcode (Label Code): 5099765978025 Other (Label Code): LC 0162 Other versions Category Artist Title (Format) Label Category Country Year 659906 2 Midnight Oil In The Valley (CD, Maxi) Columbia 659906 2 Australia 1993 659849 6 Midnight Oil In The Valley (12") Columbia 659849 6 Europe 1993 XPCD 334 Midnight Oil In The Valley (CD, Single, Promo) Columbia XPCD 334 UK 1993 659849 7 Midnight Oil In The Valley (7", Single) Columbia 659849 7 Europe 1993 659849 2 Midnight Oil In The Valley (CD, Maxi) Columbia 659849 2 UK & Europe 1993 Related Music albums to In The Valley by Midnight Oil Midnight Oil - Blue Sky Mine Midnight Oil - Midnight Oil Midnight Oil - Tracks From The Forthcoming Album "Breathe" Midnight Oil - Place Without A Postcard Midnight Oil - Truganini Midnight Oil - Les Indispensables De Midnight Oil Midnight Oil - 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 Midnight Oil - Earth And Sun And Moon Midnight Oil - Sometimes London After Midnight - Selected Scenes After Midnight.
    [Show full text]
  • COMM∆ND SMEDI∆ Inc. TORONTO
    COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting]
    [Show full text]
  • [Download] Midnight 13
    [PDF-a03]Midnight 13 Midnight 13 Midnight Oil - Wikipedia Dexys Midnight Runners - Wikipedia The Midnight Website Sun, 28 Oct 2018 04:02:00 GMT Midnight Oil - Wikipedia Midnight Oil (known informally as "The Oils") are an Australian rock band composed of Peter Garrett (vocals, harmonica), Rob Hirst (drums), Jim Moginie (guitar, keyboard), Martin Rotsey (guitar) and Bones Hillman (bass guitar). The group was formed in Sydney in 1972 by Hirst, Moginie and original bassist Andrew James as Farm: they enlisted Garrett the following year, changed their name in 1976 ... Dexys Midnight Runners - Wikipedia Dexys Midnight Runners (currently officially Dexys, their former nickname, styled without an apostrophe) are an English pop band with soul influences, who achieved their major success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. [Download] Midnight 13 The Midnight Website Midnight were formed in 2003, inspired by the magical sound of Blackmore's Night.The choice to be called "Midnight" is not accidental: "midnight" is a metaphor not only of a past time, but also a "mysterious elsewhere" the magic hour of the night for excellence, where fairies and elves dance in the woods, the wizards prepare their spells and the witches gather under a large walnut tree. pdf Download Midnight Club 2 on Steam The world's most notorious drivers meet each night on the streets of LA, Paris, and Tokyo. Choose from a collection of performance-enhanced cars or bikes and compete head-to-head to make a name for yourself.
    [Show full text]
  • City of Wagga Wagga Annual Report 2015-16 2 City of Wagga Wagga Annual Report 2015-16 Statement of Commitment to Aboriginal Australians
    CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 2 CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 STATEMENT OF COMMITMENT TO ABORIGINAL AUSTRALIANS The City of Wagga Wagga acknowledges and respects Council is committed to developing programs to improve that Aboriginal people were the first people of this the wellbeing of all City of Wagga Wagga residents as land and the Wiradjuri people were the first regional well as facilitating reconciliation between Aboriginal and custodians of the Wagga Wagga Local Government Area. non-Aboriginal people. This recognition includes acceptance of the rights and Council recognises that social justice and reconciliation responsibilities of Aboriginal people to participate in are fundamental to achieving positive changes. Council decision making. will continue to actively encourage Aboriginal and non- Council acknowledges the shared responsibility of all Aboriginal people to work together for a just, harmonious Australians to respect and encourage the development of and progressive society. an awareness and appreciation of each other’s origin. In Council recognises that the richness of Aboriginal cultures so doing, Council recognises and respects the heritage, and values in promoting social diversity within the culture, sacred sites and special places of Aboriginal community. people. CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 3 Sustainable Future Framework Our approach to Integrated Planning and Reporting State and Regional Plans Community Strategic Plan Ruby & Oliver Long term plan that clearly defines what we want as a community. 1LEVEL Council Strategies Resourcing Providing directions Strategies LEVEL 2 Internal instruments (how) we deliver: social economic environmental civic leadership Long Term Financial Plan Asset Management Plan Business Planning Process Workforce Plan Divisional process informing resourcing Section 94 and delivery Developer contribution Community Engagement Delivery Program 4 years Identifies the elected Council’s Policies, operating priorities for their term of office.
    [Show full text]
  • Instrumental Newsletter
    EDITION #20 – September 2008 SPECIAL "SHADOZ" ISSUE!! "Shadoz 2008" marked our 6th anniversary, as well as the 50th anniversary of Cliff and The Shadows. Yet another new venue, and, from all reports the best yet. On a sad note, we recently lost one of our Shadoz friends, Don Hill. Don played drums for Harry's Webb and The Vikings last year, and was one of the 'stalwarts' of Shadoz in recent times. R.I.P. Don. TONY KIEK (Keyboards) and GEORGE LEWIS (Guitar) were fresh from a tour of the UK, where they appeared at a number of Shadows clubs. They were gracious enough to help out by filling the 'dreaded' opening spot. Their set was a wonderful introduction to the day, and they featured some great sounds with WONDERFUL LAND / FANDANGO (with WALTZING MATILDA intro) / DANCES WITH WOLVES / THING-ME-JIG / RODRIGO'S CONCERTO / GOING HOME (THEME FROM 'LOCAL HERO') / THE SAVAGE / SPRING IS NEARLY HERE Whilst Tony and George travelled down from Sydney, no less a feat were the next band, who have travelled from overseas – Phillip Island! - ROB WATSON (Bass) was formerly with Melbourne group "The Avengers", TONY MERCER (Lead Guitar) also played with various Melbourne groups before "retiring" to the island and forming "SHAZAM", MIKE McCABE (Rhythm) worked in England in the 60's with "Hardtack", MARTY SAUNDERS (Drums) played with the popular showband "Out To Lunch" amongst others, and JEFF CULLEN (Lead vocals and rhythm guitar) sang with The Aztecs in Sydney before Billy Thorpe, then with The Rat Finks. A nice mix of Shads and non-Shads numbers included ADVENTURES IN PARADISE / MAN OF MYSTERY / ATLANTIS / THE CRUEL SEA / THE RISE AND FALL OF FLINGEL BUNT / GENIE WITH THE LIGHT BROWN LAMP / IT'S A MAN'S WORLD / THE SAVAGE / CINCINNATTI FIREBALL (voc) / LOVE POTION NO.9 (voc) / THE WANDERER (voc) / THE STRANGER / WALK DON'T RUN One of the joys of "Shadoz" is the ability to welcome newcomers to our shindig.
    [Show full text]
  • Punk Aesthetics in Independent "New Folk", 1990-2008
    PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
    [Show full text]
  • 14 Good Weekend August 15, 2009 He Easy – and Dare I Say It Tempting – Story to Write Translating About Peter Garrett Starts Something Like This
    WOLVES 14 Good Weekend August 15, 2009 he easy – and dare i say it tempting – story to write Translating about Peter Garrett starts something like this. “Peter Garrett songs on the was once the bold and radical voice of two generations of Australians and at a crucial juncture in his life decided to pop stage into forsake his principles for political power. Or for political action on the irrelevance. Take your pick.” political stage We all know this story. It’s been doing the rounds for five years now, ever since Garrett agreed to throw in his lot with Labor and para- was never Tchute safely into the Sydney seat of Kingsford Smith. It’s the story, in effect, going to be of Faust, God’s favoured mortal in Goethe’s epic poem, who made his com- easy, but to his pact with the Devil – in this case the Australian Labor Party – so that he might gain ultimate influence on earth. The price, of course – his service to critics, Peter the Devil in the afterlife. Garrett has We’ve read and heard variations on this Faustian theme in newspapers, failed more across dinner tables, in online chat rooms, up-country, outback – everyone, it seems, has had a view on Australia’s federal Minister for the Environment, spectacularly Arts and Heritage, not to mention another song lyric to throw at him for than they ever his alleged hollow pretence. imagined. He’s all “power no passion”, he’s living “on his knees”, he’s “lost his voice”, he’s a “shadow” of the man he once was, he’s “seven feet of pure liability”, David Leser he’s a “galah”, “a warbling twit”, “a dead fish”, and this is his “year of living talks to the hypocritically”.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Afras Ifibrassgrattsvaaa-21R, Anus:4
    „ r anus:4 ...21tay, • afras ifibrassgrattsvaaA-21r, a. f-(45,70wrefow ;iSitirr xVskr,,:m EMPLOYMENT CENTRES Cross-cultural workshop PAINT ROSY PICTURE 'valuable experience' By Jon Jenkins S taff at the federal government's Student Job Centre on Main St. By Kei Ebata the workshop was a valuable perceptions I have, how correct are were also sounding a more positive ason Chaikosky is confident experience. they?" he said. "Critical thinking he's found a cure for the note than last year. anted: media that's "It made me realize that before I is something we have to cultivate." j summertime blues. The Centre, which opens the first sensitive to go into a situation where I know Martin would like to see The first year Business Monday each May and runs multiculturalism. I'll be dealing with another culture everyone getting some generic Administration student has already through August, attracts hundreds First year Creative I'll have to do some research," said cross-cultural training, especially lined up his summer job. of students. Communications students Julie Haywood. "I would like more instructors, as they nurture "It's part-time, but I'll get more "Traditionally, they start lining participated in a three-hour cross- training—specific to a culture I multicultural sensitivity in the hours when people go on holidays," up Sunday morning," said cultural training workshop led by know I'll be working with." classroom. he said. coordinator Doris Sackmann. Barbara Dixon on April 21. "There's a lot to think about—a "You bring in resource people "Next year's tuition won't be a "We see eigh t to ten peopleevery This type of generic cross- lot to take away from your for extra culture-specific training.
    [Show full text]
  • Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
    Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante.
    [Show full text]
  • Midnight Oil Diesel and Dust Mp3, Flac, Wma
    Midnight Oil Diesel And Dust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Diesel And Dust Country: Canada Released: 1988 Style: Alternative Rock, New Wave MP3 version RAR size: 1165 mb FLAC version RAR size: 1181 mb WMA version RAR size: 1516 mb Rating: 4.1 Votes: 938 Other Formats: MPC MP1 DXD AC3 AHX AU VOX Tracklist 1 Beds Are Burning 4:16 2 Put Down That Weapon 4:38 3 Dreamworld 3:37 4 Arctic World 4:22 5 Warakurna 4:38 6 The Dead Heart 5:11 7 Whoah 3:51 8 Bullroarer 4:59 9 Sell My Soul 3:37 10 Sometimes 3:51 Companies, etc. Phonographic Copyright (p) – Midnight Oil Copyright (c) – Midnight Oil Recorded At – Albert Studios Manufactured By – Columbia Records Manufactured By – CBS Records Inc. Glass Mastered At – DADC – DIDP 70774 Pressed By – DADC – DIDP 70774 Credits Arranged By [Strings] – Jim Moginie Arranged By [Strings], Keyboards [Additional] – Warne Livesey Bass, Vocals [Singing] – Peter Gifford Cello – John Ockwell (tracks: 4, 6) Drums, Vocals [Singing] – Rob Hirst Engineer – Greg Henderson (tracks: 4, 6), Guy Gray French Horn – Jeremy Smith (tracks: 4, 6) Guitar – Martin Rotsey Guitar, Keyboards, Vocals [Singing] – Jim Moginie Mixed By [Final Mix] – Nick Launay (tracks: 4, 6) Other [Facilitator] – Guy Morris Producer – Midnight Oil, Warne Livesey Trombone – Glad Reed (tracks: 4, 6) Vocals [Singing] – Peter Garrett Written-By – Midnight Oil Notes Printed in U.S.A. Different disc artwork than the other CK 40967 US releases: Midnight Oil - Diesel And Dust has different Columbia logo Midnight Oil - Diesel And Dust
    [Show full text]