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Atari Teenage Riot Sick to Death EP Mp3, Flac
Atari Teenage Riot Sick To Death E.P. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Sick To Death E.P. Country: UK & Europe Released: 1997 Style: Hardcore, Downtempo, Breakcore MP3 version RAR size: 1753 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1290 mb Rating: 4.9 Votes: 431 Other Formats: MOD ASF VOC MP2 AC3 AU VQF Tracklist 1 Sick To Death 3:44 2 We've Got The Fucking Power 4:44 3 Sick To Death (Remix) 6:00 4 Waves Of Disaster 5:11 Companies, etc. Marketed By – Intercord Record Service Distributed By – Intercord Record Service Licensed To – Intercord Record Service Phonographic Copyright (p) – Digital Hardcore Recordings Ltd. Copyright (c) – Digital Hardcore Recordings Ltd. Published By – Digital Hardcore Music Credits Artwork [Video Pix] – Phillip Virus* Cover [From] – Hell* Engineer [Assistant] – Janek S.* (tracks: 1, 2) MC – Carl Crack Producer, Programmed By, Vocals [Shouts] – Alec Empire Vocals – Hanin Elias Written-By – Alec Empire, Carl Crack (tracks: 2) Notes All tracks produced at Empire Studios, Berlin 1996. Vocal recordings on track 1 and 2 at MK Audio, Berlin. ©+℗ 1997 DHR Ltd. All tracks published by Digital Hardcore Music. Marketed and distributed by Intercord Record Service, Licensee. Barcode and Other Identifiers Barcode (Scanned): 724388359320 Barcode (Printed): 7 24388 35932 0 Label Code: LC 4396 Rights Society: bel BIEM Other versions Category Artist Title (Format) Label Category Country Year Atari Sick To Death Digital Hardcore DHR 12 DHR 12 Germany 1997 Teenage Riot E.P. (12", EP) Recordings (DHR) Atari Sick To Death Digital Hardcore none none 1997 Teenage Riot E.P. -
Cycle2 Playlist
Cycle_2 213 songs, 13.5 hours, 1.14 GB Name Time Album Artist Against The Wind 5:31 Harley-Davidson Cycles: Road Songs (Di... Bob Seger & The Silver Bullet Band All Or Nothin' At All 3:24 One Step Up/Two Steps Back: The Song... Marshall Crenshaw Another One Bites The Dust 3:37 Greatest Hits Queen Aragon Mill 4:02 A Water Over Stone Bok, Muir and Trickett Baby Driver 3:18 Bridge Over Troubled Water Simon & Garfunkel Bad Whiskey 3:29 Radio Chuck Brodsky The Ballad Of Eddie Klepp 3:39 Letters In The Dirt Chuck Brodsky The Band - The Weight 4:35 Original Soundtrack (Expanded Easy Rider Band From Tv - You Can't Alway 4:25 Original TV Soundtrack House, M.D. Barbie Doll 2:47 Peace, Love & Anarchy Todd Snider Beer Can Hill 3:18 1996 Merle Haggard Best For The Best 3:58 The Animal Years Josh Ritter Bill & Annie 3:40 Letters In The Dirt Chuck Brodsky Bits And Pieces 1:58 Greatest Hits Dave Clark Five Blow 'Em Away 3:44 Radio Chuck Brodsky Bonehead Merkle 4:35 Last Of The Old Time Chuck Brodsky The Boogie Man 3:52 Spend My Time Clint Black Boys In The Back Room 3:48 Last Of The Old Time Chuck Brodsky Broken Bed 4:57 Best Of The Sugar Hill Years James McMurtry Brown Sugar 3:50 Sticky Fingers The Rolling Stones Buffy's Quality Cafe 3:17 Going to the West Bill Staines Cheap Motels 2:04 Doublewide and Live Southern Culture On The Skids Choctaw Bingo 8:35 Best Of The Sugar Hill Years James McMurtry Circle 3:00 Radio Chuck Brodsky Claire & Johnny 6:16 Color Came One Day Chuck Brodsky Cocaine 2:50 Fahrenheit 9/11: Original Soundtrack J.J. -
Issue 189.Pmd
email: [email protected] NIGHTSHIFTwebsite: nightshift.oxfordmusic.net Free every Oxford’s Music Magazine month. Issue 189 April 2011 YYYYYYoungoungoungoung KnivesKnivesKnivesKnives Go Pop! Out on their own and back with a brilliant new album photo: Cat Stevens NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WILCO JOHNSON AND listings for the weekend, plus ticket DEACON BLUE are the latest details, are online at names added to this year’s www.oxfordjazzfestival.co.uk Cornbury Festival bill. The pair join already-announced headliners WITNEY MUSIC FESTIVAL returns James Blunt, The Faces and for its fifth annual run this month. Status Quo on a big-name bill that The festival runs from 24th April also includes Ray Davies, Cyndi through to 2nd May, featuring a Lauper, Bellowhead, Olly Murs, selection of mostly local acts across a GRUFF RHYS AND BELLOWHEAD have been announced as headliners The Like and Sophie Ellis-Bextor. dozen venues in the town. Amongst a at this year’s TRUCK FESTIVAL. Other new names on the bill are host of acts confirmed are Johnson For the first time Truck will run over three full days, over the weekend of prog-folksters Stackridge, Ben Smith and the Cadillac Blues Jam, 22nd-24th July at Hill Farm in Steventon. The festival will also enjoy an Montague & Pete Lawrie, Toy Phousa, Alice Messenger, Black Hats, increased capacity and the entire site has been redesigned to accommodate Hearts, Saint Jude and Jack Deer Chicago, Prohibition Smokers new stages. -
Unit Title: It's About Time – the Power of Folk Music
Colorado Teacher-Authored Instructional Unit Sample Music 7th Grade Unit Title: It’s About Time – The Power of Folk Music Non-Ensemble Based INSTRUCTIONAL UNIT AUTHORS Denver Public Schools Regina Dunda Metro State University of Denver Carla Aguilar, PhD BASED ON A CURRICULUM OVERVIEW SAMPLE AUTHORED BY Falcon School District Harriet G. Jarmon, PhD Center School District Kate Newmeyer Colorado’s District Sample Curriculum Project This unit was authored by a team of Colorado educators. The template provided one example of unit design that enabled teacher- authors to organize possible learning experiences, resources, differentiation, and assessments. The unit is intended to support teachers, schools, and districts as they make their own local decisions around the best instructional plans and practices for all students. DATE POSTED: MARCH 31, 2014 Colorado Teacher-Authored Sample Instructional Unit Content Area Music Grade Level 7th Grade Course Name/Course Code General Music (Non-Ensemble Based) Standard Grade Level Expectations (GLE) GLE Code 1. Expression of Music 1. Perform music in three or more parts accurately and expressively at a minimal level of level 1 to 2 on the MU09-GR.7-S.1-GLE.1 difficulty rating scale 2. Perform music accurately and expressively at the minimal difficulty level of 1 on the difficulty rating scale at MU09-GR.7-S.1-GLE.2 the first reading individually and as an ensemble member 3. Demonstrate understanding of modalities MU09-GR.7-S.1-GLE.3 2. Creation of Music 1. Sequence four to eight measures of music melodically and rhythmically MU09-GR.7-S.2-GLE.1 2. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
Microsoft Outlook
Dave M. Peck From: Squidco <[email protected]> Sent: Thursday, September 14, 2017 10:11 AM To: Dave M. Peck Subject: SQUIDCO Email Update September 14, 2017 UPDATE September 14, 2017 We wanted to make a new art— new expressions of art— in an art world that was, for us, traditional." —Herman Nitsch Essential Labels Alga Marghen KARLRECORDS Art Yard Matchless Clang Mikroton Recordings Confront Room40 Creative Sources Someone Good / Room40 Discus Taping Policies Evil Clown Trost Records Fragment Factory Wide Hive Holidays Records Creative Artists 1 • Abecassis, Eryck / Francisco Meirino • Derek Bailey / Mick Beck / Paul Hession • Borbetomagus • Tony Buck • Deep Tide Quartet (Archer / Macari / Cole / Shaw) • The Elks (Fagaschinski/Allbee/Roisz/Zapparoli) • Georg Graewe / Mark Sanders • Haco • Junk & The Beast (Petr Vrba / Veronika Mayer) • Alice Kemp • Leap of Faith • Kurt Liedwart • Roscoe Mitchell • Dafna Naphtali / Gordon Beeferman • Hermann Nitsch • Orfeo 5 (Blezard/Bourne/Jafrate w/ Prince/Oliver/Kane) • Charlemagne Palestine • Pat Patrick And The Baritone Saxophone Retinue • Massimo Pupillo / Alexandre Babel / Caspar Brotzmann • Ernesto Rodrigues / Ulrike Brand / Olaf Rupp • Sakata / Mota / Di Domenico / Calleja • Udo Schindler • String Theory [Boston, USA] • String Theory [PORTUGAL] • Eckard Vossas 4 (Vossas / Fields / Henkel / Nabatov) • Christian Wolfarth / Jason Kahn • Christian Wolff / Eddie Prevost • Nate Wooley / Daniele Martini / Joao Lobo • Zeitkratzer / Svetlana Spajic/Dragana Tomic/Obrad Milic • Zeitkratzer + Elliott Sharp Jazz & Improvisation Bailey, Derek / Mick Beck / Paul Hession: Meanwhile, Back In Sheffield... (Discus) Free improvising guitar legend Derek Bailey was invited to perform in his home town of Sheffield, England in 2004 with the trio of Mick Beck on tenor sax, bassoon, and whistles, and Paul Hession on drums, Bailey's first visit in many years, and a joyful occasion as the collective group explores a wide range of approaches to creating instant compositions. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ KEN 1984-02-22 P --------- 1984-02-22 / KEN CP022572 / CP022572 Ruin at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022572 / CP022572 (8-1/2 x 11) Performers: 1984-02-22: Kennel Club Ruin ------------------------------ KEN 1984-03-01 P --------- 1984-03-01 / KEN CP022615 / CP022615 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022615 / CP022615 (8-1/2 x 11) Performers: 1984-03-01: Kennel Club ------------------------------ KEN 1984-03-15 P --------- 1984-03-15 / KEN CP022614 / CP022614 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022614 / CP022614 (8-1/2 x 11) Performers: 1984-03-15 1984-03-18: Kennel Club ------------------------------ KEN 1984-05-17 P --------- 1984-05-17 / KEN CP022622 / CP022622 Igor and Melissa at Kennel Club - Philadelphia, PA Artist: Jim Meneses Venue: Kennel Club Items: Original poster KEN / CP022622 / CP022622 (8-1/2 x 11) Performers: 1984-05-17: Kennel Club Igor and Melissa ------------------------------ KEN 1984-06-21 -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
The Inner Vision Orchestra UK Tour Autumn 2014 the Tour Will Be Featured in a Full Length Documentary Being Made for National TV
BALUJI SHRIVASTAV PRESENTS The Inner Vision Orchestra UK Tour Autumn 2014 The tour will be featured in a full length documentary being made for National TV Photo by Simon Richardson INDIAN MAESTRO BALUJI SHRIVASTAV BRINGS MUSICIANS FROM AROUND THE WORLD WHO ARE BLIND OR PARTIALLY SIGHTED. “…An extraordinary musician.” – Charles Hazelwood, Songlines Magazine “Audience left the auditorium spellbound and humbled.” – Runi Khan, Songlines Magazine “Yes, Inner Vision have a sense of humour.” – Richard Brookes, Sunday Times ”The love I had for colour has been transferred to music.“ – Victoria Oruwari, The Guardian ABOUT THE INNER VISION ORCHESTRA Back by popular demand Inner Vision Orchestra celebrates the success of performing alongside Coldplay at the London 2012 Paralympic Closing Ceremony, and their sell-out UK tour of 2013. Indian maestro and Musical Director Baluji Shrivastav, has brought together incredible musicians from around the world who are blind or partially sighted. Their uplifting music moves between songs from Iran, Lebanon, Afghanistan, India, Nigeria, to soulful Gospel and Blues to sublime Indian Ragas and Western Classical compositions. Driven by the intensity of an inner vision they celebrate the power of music to transform lives. Baluji says: “Each member of the Inner Vision orchestra has a story to tell about the power of music. This is a story about music changing the lives of people. It is about amazing people using music to give their lives direction and purpose.” ABOUT BALUJI SHRIVASTAV Baluji Shrivastav has performed and taught all over the world and has recorded many albums with a wide variety of artists and bands such as Stevie Wonder, Massive Attack, Annie Lennox , Madness, Andy Sheppard, Guy Barker and Shakira. -
Matisyahu, Identity, and Authenticity by Sarah Imhoff on August
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks The Man in Black: Matisyahu, Identity, and Authenticity By Sarah Imhoff On August 6, 2006, thousands of fans at Chicago’s Lollapalooza music festival danced to reggae in the sweltering heat under the sun. The performer wore black pants and a gray long- sleeve collared shirt in spite of the heat. Instead of dreadlocks or a knit cap, he sported a full beard and a yarmulke. White fringes hung down in front of his pants, next to the badge identifying him as a performer. At one point, during a joyful frenzy of onstage dancing, his yarmulke came flying off. Without missing a beat, he took the nearby white towel—provided to performers for wiping away sweat—and held it atop his head with his left hand while his right hand held the microphone. He did not want to stop the show, but he also needed to ensure that his head would not be bare. The crowd had surprises, too: instead of a sea of red, green, and black Jamaican flags, as one might expect to see at a reggae show, this crowd had a smattering of white-and-blue Israeli flags. Some sang along with lyrics that called to “Hashem” and made allusions to the Torah. The crowd was a mixture of fans and others who might best be described as gawkers: Was he for real? Who was this observant Jew singing reggae and calling for “Moshiah now”? But one could also ask questions about most of the people watching: Why should a crowd of young, mostly secular pop-music listeners care about a Hasidic Jew? Was it just about the novelty? Critics and fans have already written much about the life, music, and performance of Matisyahu, the most prominent Hasidic reggae musician, and his visibility is still growing. -
The Lord Is My Song
The Lord is My Song Dr. Juanita McElwain 1 This book is a revision and compilation of the following Books: The Power of Music, 1992 Rhythm of the Gods, 1993 Effects of Music, 2000 Articles: Worship and Music, 2001 What’s Wrong with Rock Music?, 2001 Demon Possession and Music, 2001 Language of Music, 2001 Presentations: Counterfeit Music, 2002 Brain Control and Music, 2002 Power in Music, 2002 Juanita McElwain earned her PhD in Music Therapy from Florida State University. She has taught music on all levels from preschool to college graduate in public and private schools in Florida, California, Puerto Rico, New Mexico and Oklahoma. She was professor of music therapy at Eastern New Mexico University and Phillips University, Enid, Oklahoma. She has worked as a music therapy clinician with the mentally retarded. Her areas of expertise in research include the effects of music on brain waves and the effects of music on headache. She has given numerous seminars on the power of music which include good and bad effects of music, rock music, sensual music, music in worship and mind control through music throughout the United States and in Europe. She is listed in various biographical listings including the Who’s Who of American Women, the World Who’s Who of Women, and the International Who’s Who of Music. She is a member of the musical honorary society Pi Kappa Lambda. She and her husband are presently retired in West Virginia. 2 Table of Contents My Name is Music, 5 1. Power of Music, 19 2. The Language of Music, 35 3. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429