Journal of Religion & Film Volume 21 Article 35 Issue 1 April 2017 4-1-2017 "I Do Feel the Fire!": The rT ansformations of Prison-Based Black Male Converts to Islam in South Central, Malcolm X, and Oz Kameron J. Copeland
[email protected] Recommended Citation Copeland, Kameron J. (2017) ""I Do Feel the Fire!": The rT ansformations of Prison-Based Black Male Converts to Islam in South Central, Malcolm X, and Oz," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 35. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/35 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact
[email protected]. "I Do Feel the Fire!": The rT ansformations of Prison-Based Black Male Converts to Islam in South Central, Malcolm X, and Oz Abstract Historically, imprisoned Black male converts to Islam have been known for their narratives of redemption and struggles for religious freedom behind bars. While Islam possesses a strong visible presence throughout predominately Black areas of inner cities, it has become a natural feature of Black popular culture in mediums such as hip-hop, film, and literature. By the 1990s, the portrayal of Islamic conversions yielding Malcolm X- style transformations among young Black men, who formerly embodied self-destructiveness, were visible in films featuring Black male protagonists. The prison-based transformations typically involved highly influential Black Muslim leaders improving the social conditions of the inmate, the development of a linkage between religion and racial identity, and the observance of gradual Islamic self-restraint.