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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
C.I.M. Aalders Netherlands Riikka Aaltonen Finland Riina Aarnio
C.I.M. Aalders Netherlands Riikka Aaltonen Finland Riina Aarnio Sweden Hamid Abboudi United Kingdom Mohamed Abdel-fattah United Kingdom Tamer Abdelrazik United Kingdom Zeelha Abdool South Africa Mohamed AboAly Egypt Yoram Abramov Israel Bob Achila Kenya ALEX ACUÑA Chile Sébastien Adamski Switzerland Amos Adelowo United States Albert Adriaanse Netherlands Nirmala Agarwal India Vera Agterberg Netherlands CARLOS AGUAYO Chile VIVIAN Aguilar United States Oscar Aguirre United States Wael Agur United Kingdom Ali Ahmad United Kingdom Gamal Ahmed Saudi Arabia Thomas Aigmüller Austria ESAT MURAT AKCAYOZ Turkey Riouallon Alain France Seija Ala-Nissilä Finland May Alarab Canada Alexandriah Alas United States AHMED ALBADR Saudi Arabia Lateefa Aldakhyel Saudi Arabia Akeel Alhafidh Netherlands Jassim Al-Hijji Kuwait Selwan Al-Kozai Denmark Annika Allik Estonia Hazem Al-Mandeel Saudi Arabia Sania Almousa Greece Marianna Alperin United States Salwan Al-Salihi Australia Ghadeer Al-Shaikh Saudi Arabia Efstathios Altanis United Kingdom Abdulah Hussein Al-Tayyem Saudi Arabia Sebastian Altuna Argentina Julio Alvarez U. Chile LLUIS AMAT TARDIU Spain Alicia Rita Amato Argentina Segaert An Belgium Lea Laird Andersen Denmark Vasanth Andrews United Kingdom MIHAELA CRISTINA ANTON Romania Beata Antosiak Poland Vanessa Apfel Brazil Catherine Appleby United Kingdom Rogério Araujo Brazil CARLOS ALFONSO ARAUJO ZEMBORAIN Argentina Rajka Argirovic Serbia Edwin Arnold New Zealand Christina Arocker Austria Juan Carlos Arone Chile Makiya Ashraf United Kingdom Kari Askestad -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Alumni @ Large
Colby Magazine Volume 99 Issue 1 Spring 2010 Article 10 April 2010 Alumni @ Large Follow this and additional works at: https://digitalcommons.colby.edu/colbymagazine Recommended Citation (2010) "Alumni @ Large," Colby Magazine: Vol. 99 : Iss. 1 , Article 10. Available at: https://digitalcommons.colby.edu/colbymagazine/vol99/iss1/10 This Contents is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Magazine by an authorized editor of Digital Commons @ Colby. ALUMNI AT LARGE 1920s-30s 1943 Meg Bernier Boyd Meg Bernier Boyd Colby College [email protected] Office of Alumni Relations Colby’s Oldest Living Alum: Waterville, ME 04901 1944 Leonette Wishard ’23 Josephine Pitts McAlary 1940 [email protected] Ernest C. Marriner Jr. Christmas did bring some communiqués [email protected] from classmates. Nathan Johnson wrote that his mother, Louise Callahan Johnson, 1941 moved to South San Francisco to an assisted Meg Bernier Boyd living community, where she gets out to the [email protected] senior center frequently and spends the John Hawes Sr., 92, lives near his son’s weekends with him. Her son’s e-mail address family in Sacramento, Calif. He enjoys eating is [email protected]. He is happy to be meals with a fellow World War II veterans her secretary. Y Betty Wood Reed lives and going to happy hour on Fridays. He has in Montpelier, Vt., in assisted living. She encountered some health problems but is is in her fourth year of dialysis and doing plugging along and looking forward to 2010! quite well. -
Tilburg University a Pastoral Psychology of Lament Blaine
Tilburg University A pastoral psychology of lament Blaine-Wallace, W. Publication date: 2009 Link to publication in Tilburg University Research Portal Citation for published version (APA): Blaine-Wallace, W. (2009). A pastoral psychology of lament. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. okt. 2021 A Pastoral Psychology of Lament A PASTORAL PSYCHOLOGY OF LAMENT Pastoral Method-Priestly Act-Prophetic Witness Proefschrift ter verkrijging van de graad van doctor aan de Universiteit van Tilburg, op gezag van de rector magnificus, prof.dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op maandag 15 juni 2009 om 14.15 uur door William Blaine-Wallace geboren op 22 mei 1951 te Salisbury, North Carolina, USA 2 A Pastoral Psychology of Lament Promotores Prof. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Visual Effects Society Names Acclaimed Filmmaker Martin Scorsese Recipient of the VES Lifetime Achievement Award
FOR IMMEDIATE RELEASE Contact: Naomi Goldman, NLG Communications T: 424-293-2113 [email protected] Visual Effects Society Names Acclaimed Filmmaker Martin Scorsese Recipient of the VES Lifetime Achievement Award Los Angeles (September 19, 2019) – Today, the Visual Effects Society (VES), the industry’s professional global honorary society, named Martin Scorsese, Academy, DGA and Emmy Award winning director- producer-screenwriter, as the forthcoming recipient of the VES Lifetime Achievement Award in recognition of his valuable contributions to filmed entertainment. The award will be presented at the 18th Annual VES Awards on January 29, 2020 at the Beverly Hilton Hotel. The VES Lifetime Achievement Award, bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Scorsese for his consummate artistry, expansive storytelling and profound gift for blending iconic imagery and unforgettable narrative on an epic scale. Scorsese’s steadfast ability to harness craft and technology to bring his unique visions to life has resulted in exceptional narratives that have transfixed audiences and captivated millions. And as a champion of film history, his work to preserve the rich legacy of motion pictures is unparalleled. “Martin Scorsese is one of the most influential filmmakers in modern history and has made an indelible mark on filmed entertainment,” said Mike Chambers, VES Board Chair. “His work is a master class in storytelling, which has brought us some of the most memorable films of all time. His intuitive vision and fiercely innovative direction has given rise to a new era of storytelling and has made a profound impact on future generations of filmmakers. -
List of Restored Films
Restored Films by The Film Foundation Since 1996, the Hollywood Foreign Press Association has contributed over $4.5 million to film preservation. The following is a complete list of the 89 films restored/preserved through The Film Foundation with funding from the HFPA. Abraham Lincoln (1930, d. D.W. Griffith) Age of Consent, The (1932, d. Gregory La Cava) Almost a Lady (1926, d. E. Mason Hopper) America, America (1963, d. Elia Kazan) American Aristocracy (1916, d. Lloyd Ingraham) Aparjito [The Unvanquished] (1956, d. Satyajit Ray) Apur Sansar [The World of APU] (1959, d. Satyajit Ray) Arms and the Gringo (1914, d. Christy Carbanne) Ben Hur (1925, d. Fred Niblo) Bigamist, The (1953, d. Ida Lupino) Blackmail (1929, d. Alfred Hitchcock) – BFI Bonjour Tristesse (1958, d. Otto Preminger) Born in Flames (1983, d. Lizzie Borden) – Anthology Film Archives Born to Be Bad (1950, d. Nicholas Ray) Boy with the Green Hair, The (1948, d. Joseph Losey) Brandy in the Wilderness (1969, d. Stanton Kaye) Breaking Point, The (1950, d. Michael Curtiz) Broken Hearts of Broadway (1923, d. Irving Cummings) Brutto sogno di una sartina, Il [Alice’s Awful Dream] (1911) Charulata [The Lonely Wife] (1964, d. Satyajit Ray) Cheat, The (1915, d. Cecil B. deMille) Civilization (1916, dirs. Thomas Harper Ince, Raymond B. West, Reginald Barker) Conca D’oro, La [The Golden Shell of Palermo] (1910) Come Back To The Five and Dime, Jimmy Dean, Jimmy Dean (1982, d. Robert Altman) Corriere Dell’Imperatore, Il [The Emperor’s Message] (1910, d. Luigi Maggi) Death of a Salesman (1951, d. Laslo Benedek) Devi [The Godess] (1960, d. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Katarzični Efekti Suvremene Auto/Biografske Američke Drame
SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU FILOZOFSKI FAKULTET Nadira Puškar Mustafić KATARZIČNI EFEKTI SUVREMENE AUTO/BIOGRAFSKE AMERIČKE DRAME DOKTORSKA DISERTACIJA Osijek, 2017. SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU FILOZOFSKI FAKULTET Nadira Puškar Mustafić KATARZIČNI EFEKTI SUVREMENE AUTO/BIOGRAFSKE AMERIČKE DRAME DOKTORSKA DISERTACIJA Osijek, 2017. J.J.STROSSMAYER UNIVERSITY OF OSIJEK FACULTY OF HUMANITIES AND SOCIAL SCIENCES Nadira Puškar Mustafić CATHARTIC EFFECTS OF CONTEMPORARY AUTO/BIOGRAPHICAL AMERICAN DRAMA DOCTORAL THESIS Osijek, 2017. SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU FILOZOFSKI FAKULTET Nadira Puškar Mustafić KATARZIČNI EFEKTI SUVREMENE AUTO/BIOGRAFSKE AMERIČKE DRAME DOKTORSKA DISERTACIJA Mentor: red.prof.dr.sc.Sanja Nikčević Komentor: red.prof.dr.sc.Josip Janković Osijek, 2017. J.J.STROSSMAYER UNIVERSITY OF OSIJEK FACULTY OF HUMANITIES AND SOCIAL SCIENCES Nadira Puškar Mustafić CATHARTIC EFFECTS OF CONTEMPORARY AUTO/BIOGRAPHICAL AMERICAN DRAMA DOCTORAL THESIS Supervisor: prof.Sanja Nikčević, Ph.D. Co-supervisor: prof. Josip Janković, Ph.D. Osijek, 2017. SANJA NIKČEVIĆ (Varaždin, 1960.) Redovni profesor u trajnom zvanju na UAOS, voditelj teorijskog programa i predavač kolegija povijesti drame i kazališta. Teatrolog i kazališni kritičar (objavljuje u tjednicima Hrvatsko slovo, Vijenac i portalima bitno net). Predsjednica Hrvatskog društva kazališnih kritičara i teatrologa (HDKKT) od 2008., članica Glavnog odbora Matice hrvatske od 2014., a pročelnica Odjela za kazalište i film Matice hrvatske od 2015. Dva puta bila Fulbrightov stipendist u SAD: CUNY - New York (mentor Marvin Carlson) 1995. i UCSB - Santa Barbara (mentor W. D. King) 2003., gdje je i predavala Modernu europsku dramu i kazalište 2002. U docenta je birana na zadarskom sveučilištu (2002) gdje je predavala povijest svjetske drame na doktorskom studiju iz književnosti. -
The Daily Egyptian, May 20, 1974
Southern Illinois University Carbondale OpenSIUC May 1974 5-20-1974 The aiD ly Egyptian, May 20, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_May1974 Volume 55, Issue 171 Recommended Citation , . "The aiD ly Egyptian, May 20, 1974." (May 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in May 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 'EgyptiWi Secrets of a mi niature universe . 'Magazine 80uthem Illinois University Solving the microworld's mysteries By Dan McClary Francesco Redi, who demonstrated Realizing the invisible nature of the cause, rather than a product of fermen· that worms in putrefying meat were possi bl e ''seeds of microscopic life," tatian, that the early proponents of the Some JOO years ago. a minor official derived from Oy eggs, not spon John Needham ( 1745 ) and others after microbial cause of fermentation were of the town of Delft. Holland discovered taneously from invisible seeds. The im him . used healed and stoppered vessels silenced. the world of microorganisms. AntONe portant aspect of Redi 's wo rk seems to , of organic soups-or infusionS-in Again. it was Pasteur in the 1860's van Leeuwenhoek had little formal be the introduction of the controlied which they were convinced spontaneous who propounded and ultimately proved education but an insatiable curiosity biological experiment-that is , one generation of microbes was a fact. to the world that microorganisms are concerning everything within his reach provides a situation in which one ex Shortly aft e.- Needham's experiments, Indeed the cause of t he natural and a craft for making and mounting pects to observe a particula r an Italian.