The Inventory of the Ernest Truex Collection #1852
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ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season
THE MUSEUM OF MODERN ART ANNOUNCES HOLIDAY HOURS AND SPECIAL PROGRAMMING FOR THE HOLIDAY SEASON MoMA Will Open One Hour Early December 26–December 31 Lantern Slide Shows on November 30 & December 1 Joan Blondell Film Retrospective, December 19–31 New York, November 27, 2007—The Museum of Modern Art announces special holiday hours and programming this holiday season, including longer hours during Christmas week and a new information desk specifically geared to families with younger visitors. The Museum presents a special showing of a Victorian-era entertainment with a lantern-slide shows for adults and children on November 30 and December 1, as well as daily screenings of classic Hollywood films featuring Joan Blondell from December 19 through 31. Special exhibitions featuring the rarely exhibited drawings of Georges Seurat and the contemporary sculpture of Martin Puryear are on view through the holiday season, and a major exhibition of the etchings of British artist Lucian Freud opens on December 16. MoMA is located in midtown Manhattan, just steps from Fifth Avenue, Rockefeller Center, and Radio City Music Hall. HOLIDAY HOURS AND ADMISSION To accommodate holiday visitors, The Museum of Modern Art will be open one hour earlier than usual—at 9:30 a.m.—from December 26 through January 1. In addition, the museum will be open on New Year’s Day, Tuesday, January 1. Holiday Hours: December 24, 10:30 a.m. - 3:00 p.m. Closed December 25. December 26 and 27: 9:30 a.m. - 5:30 p.m. December 28: 9:30 a.m. - 8:00 p.m. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
Women in Golf
WOMEN IN GOLF T HE P LAYERS, THE H ISTORY, AND THE F UTURE OF THE SPORT DAVID L. HUDSON,JR . Library of Congress Cataloging-in-Publication Data Hudson, David L., 1969– Women in golf : the players, the history, and the future of the sport / David L. Hudson, Jr. p. cm. Includes bibliographical references and index. ISBN 978–0–275–99784–7 (alk. paper) 1. Golf for women—United States. 2. Women golfers—United States—Biography 3. Sex discrimination in sports—United States. 4. Ladies Professional Golf Association. I. Title. GV966.H83 2008 796.3520922—dc22 2007030424 [B] British Library Cataloguing in Publication Data is available. Copyright © 2008 by David L. Hudson, Jr. All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007030424 ISBN: 978–0–275–99784–7 First published in 2008 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). 10987654321 To the memory of my beloved grandmother, Rose Kostadin Krusa, who loved the great game of golf with all of her beautiful soul and spirit. C ONTENTS Acknowledgments ix 1. Golf’s Origins 1 2. Early Greats of the Game 9 3. Joyce Wethered—The Greatest Female Golfer Ever 19 4. The Babe and the Berg...and Louise Suggs 29 5. -
Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��������������������������, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ����������������������������ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
Emergency! *Convenient Drive-Thru10 Available
T1 New Year’s RESOLUTION #1 January 6 - 12, 2018 Mowing, Edging, Pruning, Mulching AJW LANDSCAPING FREE ESTIMATES - Licensed, Bonded 910-277-3777 Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” MANAGER’S SPECIAL LARGE 3-TOPPING PIZZA 99 $ Limited Time Offer Emergency! *Convenient Drive-Thru10 Available Laurinburg, NC 28352 1227 South Main Street • 910-276-6565 Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com T2 Page 2 — Saturday, January 6, 2018 — Laurinburg Exchange Under pressure: First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer mer “Nashville” star Connie Brit- ogy series “American Horror Story.” TV Media ton co-stars as a 9-1-1 operator, “9-1-1” marks the pair’s third while supporting cast members in- straight-to-season order for Fox hen the heat is on, it helps to clude Aisha Hinds (“Under- network, and their combined suc- Wkeep a cool head. In an emer- ground”) and Rockmond Dunbar cesses in prime time have earned gency situation, first responders (“Prison Break”). them a lucrative development deal must keep it together and rely on Even with the talented ensem- with 20th Century Fox Studios. Ex- their training to help those in need. ble cast, Murphy and Falchuk have ecutive producer Tim Minear has However, that doesn’t mean first their work cut out for them if they written for various television se- responders don’t need help them- want to do justice to the subject ries, including “The X-Files,” “An- selves. -
Froebel's Gifts, by 1
Froebel's Gifts, by 1 Froebel's Gifts, by Kate Douglas Wiggin and Nora Archibald Smith This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Froebel's Gifts Froebel's Gifts, by 2 Author: Kate Douglas Wiggin Nora Archibald Smith Release Date: January 27, 2010 [EBook #31097] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FROEBEL'S GIFTS *** Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) The Republic of Childhood FROEBEL'S GIFTS BY KATE DOUGLAS WIGGIN AND NORA ARCHIBALD SMITH THE REPUBLIC OF CHILDHOOD BY KATE DOUGLAS WIGGIN AND NORA ARCHIBALD SMITH I FROEBEL'S GIFTS The Republic of Childhood The Kindergarten is the free republic of childhood.--FROEBEL FROEBEL'S GIFTS BY KATE DOUGLAS WIGGIN AND NORA ARCHIBALD SMITH Froebel's Gifts, by 3 The true teacher is a student of human nature, and the student of human nature is the pupil of God.--HORATIO STEBBINS BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1895 Copyright, 1895, BY KATE DOUGLAS RIGGS AND NORA ARCHIBALD SMITH. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton and Company. PREFACE The three little volumes on that Republic of Childhood, the kindergarten, of which this handbook, dealing with the gifts, forms the initial number, might well be called Chips from a Kindergarten Workshop. -
Cpc1.Chp:Corel VENTURA
The 2012 PGA Professional National Championship Players' Guide —1 q Bob Ackerman BOB ACKERMAN http://www.golfobserver.com/golfstats/golfstats.php?style=&tour=PGA&name=Bob+Ackerman&year=&tournament=PGA+Championship&in=SearPGA Championship Record ch Birth Date: March 27, 1953 Year Place To Par Score First Second Third Fourth Money 1985 CUT 7 149 77 72 0 0 $0.00 Birthplace: Benton Harbor, Mich. 1986 CUT 6 148 76 72 0 0 $0.00 Age: 59 1994 CUT 6 146 72 74 0 0 $0.00 Home: West Bloomfield, Mich. Ackerman’s Stats: College: Indiana ¢ PGA Championship’s Played In: .......... 3 ¢ Top 25 Finishes: ................................ 0 Turned Professional: 1975 ¢ Rounds Played In: .............................. 6 ¢ Rounds In 60s: .................................. 0 ¢ Cuts Made: ....................................... 0 ¢ Rounds Under Par: ............................ 0 PGA Membership: 1981 ¢ Scoring Average: .........................73.83 ¢ Rounds At Par: .................................. 0 ELIGIBILITY CODE: 5 ¢ Relation To Par: ............................... 19 ¢ Rounds Over Par: .............................. 6 ¢ Top 3 Finishes: .................................. 0 ¢ Lowest PGA Championship Score: ....72 PGA Classification: MP ¢ Top 5 Finishes: .................................. 0 ¢ Highest PGA Championship Score: ....77 PGA Section: Michigan ¢ Top 10 Finishes: ................................ 0 PGA Master Professional, golf clinician and owner of Bob Ack- erman Golf Academy in Commerce Township, Mich. … Winner, 1999 Chicago Open; 1989 Illinois