DOCSLIB.ORG

The Significance of the Author's Response To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Significance of the Author's Response To THE SIGNIFICANCE OF THE AUTHOR’S RESPONSE TO ATHEISM AS SEEN IN GRAHAM GREENE’S THE END OF THE AFFAIR AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By ANDIKA PRIADIPUTRA Student Number: 024214005 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2010 i A Sarjana Sastra Undergraduate Thesis THE SIGNIFICANCE OF THE AUTHOR’S RESPONSE TO ATHEISM AS SEEN IN GRAHAM GREENE’S THE END OF THE AFFAIR By ANDIKA PRIADIPUTRA Student Number: 024214005 Approved by Ni Luh Putu Rosiandani, S.S., M.Hum. July 17, 2010 Advisor Drs. Hirmawan Wijanarka, M.Hum. July 17, 2010 Co-Advisor ii A Sarjana Sastra Undergraduate Thesis THE SIGNIFICANCE OF THE AUTHOR’S RESPONSE TO ATHEISM AS SEEN IN GRAHAM GREENE’S THE END OF THE AFFAIR By ANDIKA PRIADIPUTRA Student Number: 024214005 Defended before the Board of Examiners on July, 28, 2010 and Declared Acceptable BOARD OF EXAMINERS Name Signature Chairman : Dr. Francis Borgias Alip, M.Pd., M.A. ________________ Secretary : Drs. Hirmawan Wijanarka, M.Hum. ________________ Member : Elisa Dwi Wardani, S.S., M.Hum ________________ Member : Ni Luh Putu Rosiandani, S.S., M.Hum ________________ Member : Drs. Hirmawan Wijanarka, M.Hum ________________ Yogyakarta, July 31, 2010 Faculty of Letters Sanata Dharma University Dean Dr. Isodarus Praptomo Baryadi, M.Hum iii …Life is short... …But not too short to live… iv …For those… …who always pray for my graduation… …let their prayers be granted… v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma : Nama : Andika Priadiputra Nomor Mahasiswa : 024214005 Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul : THE SIGNIFICANCE OF THE AUTHOR’S RESPONSE TO ATHEISM AS SEEN IN GRAHAM GREENE’S THE END OF THE AFFAIR beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, me- ngalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalti kepada saya selama tetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal: 20 Agustus 2010 Yang menyatakan, (Andika Priadiputra) vi ACKNOWLEDGEMENTS This undergraduate thesis is actually the result of other people’s energy transferred to my body and soul. It is a great bless having those people around me in my life. However, there are some special people who I should mention because of their big role in my process of finishing this undergraduate thesis. I am happy to express my sincere gratitude to Ni Luh Putu Rosiandani, S.S., M.Hum as my advisor who always has unlimited patience for me. And talking about patience, I would also thank to my parents, Dwi Sulistyo Apriyadi and Quirina Pinta Yudhiari, who have trusted me and given me freedom to do this thesis Huge thanks are also addressed to all my 2002 friends, especially Galang, Jati, Sunu, Vera, Sandra, and Nuke for the great friendship since the first time I entered this lovely faculty. Despite of the power of friendship, I realize that my soul, mind, and thought have been changed during my education in this faculty. That is why I should like to thank Elizabeth Nita who gave me more than only love relationship which made me stronger and changed me in many ways by the love, hate, pain, joy, and comfort during our relationship. Special thanks to Niken who has voluntarily given me a big support which helped me completing all the requirements that I need to finish my education in this university. The Bunguls (Garry, Cindy, Parjo, Kristin), thank you for the encouragement which gave me lots of energy to do this thesis. And of course I vii have to say great thanks to Translexi (Ginting, Muji, and Jati) and Sexen/Siesen Insadha as places to learn, work, and talk. I would also say my gratitude to my best friends (Ntik and Agatha Septyayu) who never stop supporting me and also my eternal brotherhood: Van Lith Sembilan; especially Adi, Irin, Blek, Herpang, Tupang, Didit, Cmoet, Puspa, Toree, Ayu, Shinta, Adesti, thank you for the distractions and supports, and I love you all, as always. Andika Priadiputra viii TABLE OF CONTENTS TITLE PAGE ……………………………………………………………….... i APPROVAL PAGE ………………………………………………………….. ii ACCEPTANCE PAGE ……………………………………………………… iii MOTTO PAGE ……………………………………………………………… iv DEDICATION PAGE ……………………………………………………….. v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS ……………………………………… vi ACKNOWLEDGEMENTS ………………………………………………….. vii TABLE OF CONTENTS …………………………………………………….. ix ABSTRACT …………………………………………………………………… x ABSTRAK …………………………………………………………………….. xi CHAPTER I: INTRODUCTION …………………………………………...... 1 A. Background of the Study …………………………………………..... 1 B. Problem Formulation …………………………………………........... 4 C. Objectives of the Study …………………………………………....... 5 D. Definition of Terms …………………………………………............. 5 CHAPTER II: THEORETICAL REVIEW …………………………………. 7 A. Review of Related Studies ………………………………………….. 7 B. Review of Related Theories …………………………………………12 C. Review on the Biographical Background of Graham Greene ……… 22 D. Theoretical Framework …………………………………………...... 26 CHAPTER III: METHODOLOGY ………………………………………… 28 A. Object of the Study …………………………………………............ 28 B. Approach of the Study …………………………………………...... 29 C. Method of the Study ………………………………………….......... 30 CHAPTER IV: ANALYSIS…………………………………………............... 32 A. The Characterization of the Major Characters in the Novel ……….. 33 B. The Type of Atheism Described in the Characterization of the Major Characters …………………………………………..... 44 C. The Significance of Author’s Response to Atheism in the Novel …. 51 CHAPTER V: CONCLUSION …………………………………………........ 58 BIBLIOGRAPHY …………………………………………………………….. 62 ix ABSTRACT ANDIKA PRIADIPUTRA (2010) The Significance of Author’s Response to Atheism as seen in Graham Greene’s The End of The Affair. Yogyakarta: Department of English Letters, Faculty of Letters, Sanata Dharma University. The End of the Affair contains a story of an affair between a writer, Maurice Bendrix and a wife of Minister Worker, Sarah Miles. The end of their affair is the beginning of another story. A story which involves God; something they do not believe the existence. Many critics mention that this novel is one of Greene’s Catholic novels since he put many religious dogmas and philosophy of belief in this novel. This study will examine more about the atheism that exists in the novel and find the significance of the author’s response to atheism. In this research, there are three main objectives that have to be explained based on the object of the study and relative theories which are used in the analysis. There are (1) to find the characterization of the major characters depicted in the novel, (2) to categorize the type of atheism of each of major characters, (3) to understand the responses of the author to atheism and also the significance of the responses. In doing the research and analysis of the study, the library research method was taken. The main resource is the novel itself, The End of The Affair, and the secondary resources are the theories and criticism books. The online resources, such as journal, critical reviews, and other criticism also become the additional resources in doing the research. There are two approaches which are used to do the analysis. The close relation of the story in the novel to philosophy of belief becomes the main reason to choose philosophical approach. To understand the significance of author’s response to atheism, biographical approach is used to know the author’s background and to link it to author’s responses to atheism in the novel. The atheism shown by the atheist characters can be seen after the characterization analysis. Maurice Bendrix and Henry Miles are absolute atheists but they do not have the same intellectual position of atheism, Maurice has positive atheism while Henry embraces negative atheism. Other major characters, Sarah Miles and Richard Smythe, share the same atheism as way of their life as pseudo-atheists. However, the occurrence of God in the story, which is started by Sarah who starts to talk and think about it, and following miracles that happens, affects the atheism of the major characters. Sarah Miles and Richard Smythe start to believe God and pray to Him. Maurice Bendrix is affected on the way he express his jealousy and hatred to God, whereas hating also means that he believe God’s existence. The response of the author can be retrieved from the events that happen to agitate atheism in the novel. Relating to Greene’s biography, which tells that Greene was once an atheist, his responses toward atheism can be a representation of his attempt to press his own atheism which still exists even though he had converted to Catholic a year before his marriage in 1927 another possible significance is that he wrote this novel as a criticism toward theism. x ABSTRAK ANDIKA PRIADIPUTRA (2010) The Significance of Author’s Response to Atheism as seen in Graham Greene’s The End of The Affair. Yogyakarta: Jurusan Sastra Inggris, Fakultas Sastra, Universitas Sanata Dharma. The End of
Load more

Recommended publications
  • Africa: La Herencia De Livingstone En a Burnt-Out Case, De Graham Greene Y El Sueño Del Celta, De Mario Vargas Llosa
    ISSN: 0213-1854 'Civilizar' Africa: La herencia de Livingstone en A Burnt-Out Case, de Graham Greene y El sueño del celta, de Mario Vargas Llosa (‘Civilizing’ Africa: Livingstone’s Inheritance in A Burnt-Out Case, by Graham Greene and El sueño del celta, by Mario Vargas Llosa) BEATRIZ VALVERDE JIMÉNEZ [email protected] Universidad Loyola Andalucía Fecha de recepción: 8 de mayo de 2015 Fecha de aceptación: 1 de julio de 2015 Resumen: En este artículo usamos el concepto de „semiosfera‟ desarrollado por el estudioso ruso-estonio Juri Lotman para examinar las relaciones entre las comunidades nativas y las europeas en el Congo belga creadas por Graham Greene en A Burnt-Out Case y por Mario Vargas Llosa en El sueño del celta. Con este análisis tratamos de probar que aunque ambos autores denuncian con sus obras las terribles consecuencias de la colonización europea para los africanos, las comunidades nativas son descritas desde un punto de vista occidental y paternalista. Palabras clave: Congo. Colonización. Lotman. Semiosfera. Europeos. Africanos. Greene. Vargas Llosa. Abstract: In this article the concept of „semiosphere‟, developed by the Russian-Estonian scholar Juri Lotman, is used to examine the relationship between the African and the European communities in the Congo portrayed by Graham Greene in A Burnt-Out Case and by Mario Vargas Llosa in El sueño del celta. With this analysis I will prove that even though both authors denounce the terrible consequences of the European colonization had for the African people, the native communities in the novels are still depicted from a western paternalistic perspective.
    [Show full text]
  • The Third Man"
    "THE THIRD MAN" by Graham Greene HIGH ANGLE - FULL SHOT - CITY OF VIENNA The title VIENNA SUPERIMPOSED FADES OUT - commentary commences. COMMENTATOR I never knew the old Vienna before the war, with its - MED. SHOT - STATUE OF A VIOLINIST There is snow on it. COMMENTATOR Strauss music, its glamour and easy charm... MED. SHOT - ROW OF STONE STATUES ornamenting the top of a building. In the b.g. the top of a stone archway. They are snow-sprinkled. COMMENTATOR Constantinople suited... MED. SHOT - SNOW-COVERED STATUE Trees in b.g. COMMENTATOR me better. I really got to know it in the... CLOSE SHOT - TWO MEN talking in the street. COMMENTATOR - classic period of the black... CLOSEUP - SUITCASE opens toward camera, revealing contents consisting of tins of food, shoes, etc. The hands of a man come in from f.g. to take something out. COMMENTATOR - market. We'd run anything... CLOSEUP - HANDS OF TWO PEOPLE standing side by side in the street. The person CL running hands through a pair of silk stockings. COMMENTATOR - if people wanted it enough. CLOSEUP - HANDS OF TWO PEOPLE A woman's hands CL wearing a wedding ring - a man's hands CR holding in RH two small cartons - hands them over to her in exchange for some notes which she hands him. COMMENTATOR - and had the money to pay. CLOSE SHOT - FIVE WRIST WATCHES on a man's wrist from which the coat sleeve is turned back. COMMENTATOR Of course a situation like that - LONG SHOT - CAPSIZED SHIP in shallow water with a drowned body floating on the water CR of it.
    [Show full text]
  • Visual Theologies in Graham Greene's 'Dark and Magical Heart
    Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ by Dorcas Wangui MA (Lancaster) BA (Lancaster) Submitted for the Degree of Doctor of Philosophy September 2017 Wangui 1 Abstract Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ This study explores the ways in which Catholic images, statues, and icons haunt the fictional, spiritual wasteland of Greene’s writing, nicknamed ‘Greeneland’. It is also prompted by a real space, discovered by Greene during his 1938 trip to Mexico, which was subsequently fictionalised in The Power and the Glory (1940), and which he described as ‘a short cut to the dark and magical heart of faith’. This is a space in which modern notions of disenchantment meets a primal need for magic – or the miraculous – and where the presentation of concepts like ‘salvation’ are defamiliarised as savage processes that test humanity. This brutal nature of faith is reflected in the pagan aesthetics of Greeneland which focus on the macabre and heretical images of Christianity and how for Greene, these images magically transform the darkness of doubt into desperate redemption. As an amateur spy, playwright and screen writer Greene’s visual imagination was a strength to his work and this study will focus on how the visuality of Greene’s faith remains in dialogue with debates concerning the ‘liquidation of religion’ in society, as presented by Graham Ward. The thesis places Greene’s work in dialogue with other Catholic novelists and filmmakers, particularly in relation to their own visual-religious aesthetics, such as Martin Scorsese and David Lodge.
    [Show full text]
  • The Destructors Graham Greene
    The Destructors Graham Greene Online Information For the online version of BookRags' The Destructors Premium Study Guide, including complete copyright information, please visit: http://www.bookrags.com/studyguide-destructors/ Copyright Information ©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.
    [Show full text]
  • Graham Greene and the Idea of Childhood
    GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap.
    [Show full text]
  • Henry Graham Greene Was Born on October 2, 1904 in Berkhamsted, Hertfordshire
    Henry Graham Greene was born on October 2, 1904 in Berkhamsted, Hertfordshire. His father Charles Henry was headmaster of the private school Graham attended. The fourth of six children, Greene was very shy and sensitive. He disliked sports and was often truant from school in order to read adventure stories by authors such as Rider Haggard and Ballantyne. These novels had a deep influence on him and helped to shape his writing style. Greene was educated at Berkhamstead School and Balliol College, Oxford. He had a natural talent for writing, worked for the Times of London and published lots of poems, stories, articles and reviews. In 1927 he married Vivien Dayrell-Browning. After the collapse of their marriage he had several relationships. During World War II Greene worked for the Foreign Office in London. Greene died in Vevey, Switzerland, on April 3, 1991. Graham Greene is an English novelist, short-story writer and journalist, whose novels treat moral issues in the context of political settings. Greene is one of the most read novelist of the 20th-century, an excellent storyteller. Adventure and suspense are constant elements in his novels and many of his books have been made into successful films. Greene was a candidate for the Nobel Prize for Literature several times, but he never received the award. The Quiet American is set in Vietnam 1952, during the end of the French occupation and start of the American involvement. Thomas Fowler, a foreign correspondent for a newspaper in London, who is living there starts feeling comfortable at his new location, although he has to report stories of the war between the French army and the Communists in Vietnam.
    [Show full text]
  • Peter Hulme Graham Greene and Cuba
    PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released.
    [Show full text]
  • Berkhamsted Audio Trail No 3 Graham Greene's Common Final 08.15
    Berkhamsted Audio Trail No 3 Graham Greene's Common Final 08.15 Audio point 1 Kitchener's Field • Those travelling by car should park in the car park opposite the Inns of Court memorial (on your left at the T-junction at the end of New Road) and go directly to Audio point 2 Greene's Commons. • Walkers should leave the railway station by way of the pedestrian subway at the Platform 4 exit, pausing to glance across at the building to your immediate left. Now the Marlin Montessori School, it was built as the private waiting room for Lord Brownlow and his guests. Greene mentions “the private entrance to the gritty old railway station reserved for the use of Lord Brownlow”. At the outbreak of war in 1914 Lord Brownlow placed the building at the disposal of the Inns of Court Officers Training Corps and it was used for the Quartermaster's office and stores throughout the war. • With Berkhamsted Castle to your right, walk along Brownlow Road and, where the road bends right, keep straight ahead and go through the right hand gate at the entrance to the playing fields, home to Berkhamsted School Sports Ground and Kitchener's Field Bowls Club (foot path 1). • Greene explains how the name came about. “...the old playing fields near the railway station, beyond Berkhamsted Castle, and when war came they were taken over by what was called Kitchener's Army and to this day they are known as Kitchener's Fields”. • Where the tarmac gives way to footpath, continue ahead through the fields with the hedge to your left.
    [Show full text]
  • Graham Greene's Books for Children
    Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials.
    [Show full text]
  • The Mystery of Evil in Five Works by Graham Greene
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Mystery of Evil in Five Works by Graham Greene Stephen D. Arata College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Arata, Stephen D., "The Mystery of Evil in Five Works by Graham Greene" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625259. https://dx.doi.org/doi:10.21220/s2-6j1s-0j28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Mystery of Evil // in Five Works by Graham Greene A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Stephen D. Arata 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree Master of Arts /;. WiaCe- Author Approved, September 1984 ABSTRACT Graham Greene's works in the 1930s reveal his obsession with the nature and source of evil in the world. The world for Greene is a sad and frightening place, where betrayal, injustice, and cruelty are the norm. His books of the 1930s, culminating in Brighton Rock (1938), are all, on some level, attempts to explain why this is so.
    [Show full text]
  • The Power and the Glory to Monsignor Quixote
    Davis: Figures In Greene’s Carpet Graham Greene Studies Volume 1 24 remain unaware of them. Otherwise I think Figures In my imagination would dry up.” He did not reread his novels because “I know I would Greene’s Carpet: come across all too many repetitions due The Power and quite simply to forgetting what I had written before. I’ve not the slightest wish to have my The Glory to nose rubbed onto ‘the pattern in the carpet’.”3 Since Greene can no longer be bothered Monsignor by critical meddling, which in any case he regarded as legitimate, I’ll discuss the pat- Quixote tern I have found, one drawn from Francis Thompson’s “The Hound of Heaven.” I’m Robert Murray Davis thinking not of “the labyrinthian ways,” which furnished the American-imposed title The 2007 Graham Greene of The Power and the Glory that Greene International Festival disliked. It is not inapt, but more apropos are these lines, from which I have tried In the patently autobiographical novel unsuccessfully to remove the theological The Ordeal of Gilbert Pinfold, Evelyn implications: Waugh has Mr. Pinfold maintain that “most men harbour the germs of one or two Now of that long pursuit books; all else is professional trickery of Comes on at hand the bruit; which the most daemonic of the masters— That Voice is round me like a bursting Dickens and Balzac even—were flagrantly sea: “And is thy earth so marred, guilty;” indeed, he envies “painters who are Shattered in shard on shard?”4 allowed to return to the same theme time and time again, clarifying and enriching Many if not most of his novels and until they have done all they can with it.”1 entertainments—if Greene’s old and inter- Graham Greene did not cite Waugh, but mittently discarded distinction is worth he did concede that he might be “a two or preserving—deal with the theme of pursuit three book man.” 2 through a marred world, from The Man The figure in Waugh’s carpet—to use the Within through A Gun for Sale, Brighton phrase of Henry James, whom both men Rock, The Power and the Glory and its admired—is obvious even to the casual reader.
    [Show full text]
  • 405 Bernard Diederich Former Latin America Correspondent Bernard
    book reviews 405 Bernard Diederich Seeds of Fiction: Graham Greene’s Adventures in Haiti and Central America, 1954–1983. London: Peter Owen, 2012. 315 pp. (Cloth us$29.95) Former Latin America correspondent Bernard Diederich’s account of his rela- tionship with Graham Greene and their journeys to Haiti and Central America from the 1950s to the 1980s is a most valuable memoir and resource for those interested in the peripatetic author and the troubled Cold War politics of the region. The renowned twentieth-century British writer gives the now retired journalist the perfect entrée to his specialist subject of Latin America in a book that is neatly divided into two equal parts, firstly dealing with Greene in Haiti and later in Central America. Diederich, a New Zealander by birth, details his first brief encounters with Greene from 1954 onward in Haiti, where the correspondent had set up an English-language weekly newspaper and lived with his Haitian wife. Like many writers and artists, Greene was attracted by the exotic black Caribbean repub- lic, independent since 1804. But Haiti’s relative peace was ruined from 1957 by the autocratic rule of country physician François “Papa Doc” Duvalier, who soon ruled the ex-French colony as a repressive dictator, many of his subjects mesmerized by his cultivation of Voodoo. The early part of Diederich’s book gives an overview of Haitian history and is interspersed with travelogue. His newspaper’s anti-Duvalierist stance courts the wrath of the country’s self-appointed president-for-life and his Tontons Macoutes, a murderous plain-clothes militia.
    [Show full text]