The Destructors Graham Greene
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Africa: La Herencia De Livingstone En a Burnt-Out Case, De Graham Greene Y El Sueño Del Celta, De Mario Vargas Llosa
ISSN: 0213-1854 'Civilizar' Africa: La herencia de Livingstone en A Burnt-Out Case, de Graham Greene y El sueño del celta, de Mario Vargas Llosa (‘Civilizing’ Africa: Livingstone’s Inheritance in A Burnt-Out Case, by Graham Greene and El sueño del celta, by Mario Vargas Llosa) BEATRIZ VALVERDE JIMÉNEZ [email protected] Universidad Loyola Andalucía Fecha de recepción: 8 de mayo de 2015 Fecha de aceptación: 1 de julio de 2015 Resumen: En este artículo usamos el concepto de „semiosfera‟ desarrollado por el estudioso ruso-estonio Juri Lotman para examinar las relaciones entre las comunidades nativas y las europeas en el Congo belga creadas por Graham Greene en A Burnt-Out Case y por Mario Vargas Llosa en El sueño del celta. Con este análisis tratamos de probar que aunque ambos autores denuncian con sus obras las terribles consecuencias de la colonización europea para los africanos, las comunidades nativas son descritas desde un punto de vista occidental y paternalista. Palabras clave: Congo. Colonización. Lotman. Semiosfera. Europeos. Africanos. Greene. Vargas Llosa. Abstract: In this article the concept of „semiosphere‟, developed by the Russian-Estonian scholar Juri Lotman, is used to examine the relationship between the African and the European communities in the Congo portrayed by Graham Greene in A Burnt-Out Case and by Mario Vargas Llosa in El sueño del celta. With this analysis I will prove that even though both authors denounce the terrible consequences of the European colonization had for the African people, the native communities in the novels are still depicted from a western paternalistic perspective. -
'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p. -
The Third Man"
"THE THIRD MAN" by Graham Greene HIGH ANGLE - FULL SHOT - CITY OF VIENNA The title VIENNA SUPERIMPOSED FADES OUT - commentary commences. COMMENTATOR I never knew the old Vienna before the war, with its - MED. SHOT - STATUE OF A VIOLINIST There is snow on it. COMMENTATOR Strauss music, its glamour and easy charm... MED. SHOT - ROW OF STONE STATUES ornamenting the top of a building. In the b.g. the top of a stone archway. They are snow-sprinkled. COMMENTATOR Constantinople suited... MED. SHOT - SNOW-COVERED STATUE Trees in b.g. COMMENTATOR me better. I really got to know it in the... CLOSE SHOT - TWO MEN talking in the street. COMMENTATOR - classic period of the black... CLOSEUP - SUITCASE opens toward camera, revealing contents consisting of tins of food, shoes, etc. The hands of a man come in from f.g. to take something out. COMMENTATOR - market. We'd run anything... CLOSEUP - HANDS OF TWO PEOPLE standing side by side in the street. The person CL running hands through a pair of silk stockings. COMMENTATOR - if people wanted it enough. CLOSEUP - HANDS OF TWO PEOPLE A woman's hands CL wearing a wedding ring - a man's hands CR holding in RH two small cartons - hands them over to her in exchange for some notes which she hands him. COMMENTATOR - and had the money to pay. CLOSE SHOT - FIVE WRIST WATCHES on a man's wrist from which the coat sleeve is turned back. COMMENTATOR Of course a situation like that - LONG SHOT - CAPSIZED SHIP in shallow water with a drowned body floating on the water CR of it. -
The Power and the Glory by Graham Greene (2003) - Not Even Past
The Power and the Glory by Graham Greene (2003) - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 0 Like THE PUBLIC HISTORIAN The Power and the Glory by Graham Greene (2003) Making History: Houston’s “Spirit of the by Mathew J. Butler Confederacy” Graham Greene’s The Power and the Glory (1940), the story of a fugitive “whisky priest” in 1930s Mexico, is a short, pathos-laden novel about religious persecution after the Mexican Revolution. The Catholic Church at that time was under attack for its considerable wealth and social control. The unnamed priest at the center of the novel is a complicated man, by no means a conventional hero, but his refusal to abandon the priesthood eventually endows him with a magnetic aura of spirituality, despite his many vices. May 06, 2020 Not all professional historians admire the novel, More from The Public Historian however. Some find it overly polemical, others even anachronistic, given that the story of a persecuted priest, written after Greene’s visit in March-April 1938, BOOKS coincided with President Cárdenas’s decision to end the long revolutionary campaign against the Church. It America for Americans: A History of is also rather curious that the most celebrated novel Xenophobia in the United States by about Mexican Catholicism during the Revolution was Erika Lee (2019) written by an English neophyte who was new to Mexico. Greene’s English prejudices give rise to the novel’s flaws. -
Visual Theologies in Graham Greene's 'Dark and Magical Heart
Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ by Dorcas Wangui MA (Lancaster) BA (Lancaster) Submitted for the Degree of Doctor of Philosophy September 2017 Wangui 1 Abstract Visual Theologies in Graham Greene’s ‘Dark and Magical Heart of Faith’ This study explores the ways in which Catholic images, statues, and icons haunt the fictional, spiritual wasteland of Greene’s writing, nicknamed ‘Greeneland’. It is also prompted by a real space, discovered by Greene during his 1938 trip to Mexico, which was subsequently fictionalised in The Power and the Glory (1940), and which he described as ‘a short cut to the dark and magical heart of faith’. This is a space in which modern notions of disenchantment meets a primal need for magic – or the miraculous – and where the presentation of concepts like ‘salvation’ are defamiliarised as savage processes that test humanity. This brutal nature of faith is reflected in the pagan aesthetics of Greeneland which focus on the macabre and heretical images of Christianity and how for Greene, these images magically transform the darkness of doubt into desperate redemption. As an amateur spy, playwright and screen writer Greene’s visual imagination was a strength to his work and this study will focus on how the visuality of Greene’s faith remains in dialogue with debates concerning the ‘liquidation of religion’ in society, as presented by Graham Ward. The thesis places Greene’s work in dialogue with other Catholic novelists and filmmakers, particularly in relation to their own visual-religious aesthetics, such as Martin Scorsese and David Lodge. -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Graham Greene and the Idea of Childhood
GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap. -
Henry Graham Greene Was Born on October 2, 1904 in Berkhamsted, Hertfordshire
Henry Graham Greene was born on October 2, 1904 in Berkhamsted, Hertfordshire. His father Charles Henry was headmaster of the private school Graham attended. The fourth of six children, Greene was very shy and sensitive. He disliked sports and was often truant from school in order to read adventure stories by authors such as Rider Haggard and Ballantyne. These novels had a deep influence on him and helped to shape his writing style. Greene was educated at Berkhamstead School and Balliol College, Oxford. He had a natural talent for writing, worked for the Times of London and published lots of poems, stories, articles and reviews. In 1927 he married Vivien Dayrell-Browning. After the collapse of their marriage he had several relationships. During World War II Greene worked for the Foreign Office in London. Greene died in Vevey, Switzerland, on April 3, 1991. Graham Greene is an English novelist, short-story writer and journalist, whose novels treat moral issues in the context of political settings. Greene is one of the most read novelist of the 20th-century, an excellent storyteller. Adventure and suspense are constant elements in his novels and many of his books have been made into successful films. Greene was a candidate for the Nobel Prize for Literature several times, but he never received the award. The Quiet American is set in Vietnam 1952, during the end of the French occupation and start of the American involvement. Thomas Fowler, a foreign correspondent for a newspaper in London, who is living there starts feeling comfortable at his new location, although he has to report stories of the war between the French army and the Communists in Vietnam. -
Peter Hulme Graham Greene and Cuba
PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released. -
A Critical Analysis of the Priest in the Power and the Glory by Graham Greene
International Journal on Studies in English Language and Literature (IJSELL) Volume 5, Issue 4, April 2017, PP 1-11 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) http://dx.doi.org/10.20431/2347-3134.0504001 www.arcjournals.org A Critical Analysis of the Priest in the Power and the Glory by Graham Greene Mathias Adandé Mehounou, Marcellin Abadame, Gerard Adounsiba Benin Abstract: In this article, I have sought to analyse the character of the whiskey priest in his painful and desperate quest for repentance. This quest, at first unsatisfied, urges him on fleeing away because of his rejection of the story of his rejection of the moral values which govern the world in which he lives. The story of the whiskey priest in The Power and the Glory can also be seen as the one of a man who suffers like Jesus Christ on the Way of the Cross, from human beings and from Nature. The consequence in that he goes through a moral growth in the sense that, in the end, he proves himself to be modest, compassionate in disrupting the lieutenant‟s habitual way of looking at the Catholic clergy. Keywords: Martyr, Roman Catholic Church, whiskey priest, Judas, mestizo, damnation, sinful. 1. INTRODUCTION The Power and the Glory tells the story of a Roman Catholic priest in the state of Tabasco in Mixico during the 1930s a time when the Mexican government, still effectively controlled by Plutarco Elias Calles, strove to suppress the Catholic Church. The persecution was especially severe in the province of Tabasco, where the atheist governor Tomàs Garrido Canabal had founded and actively encouraged fascist paramilitary groupe called the” Red-Shirts” The main character in the story is a nameless “whiskey priest”, who combines a geat power for self- destruction with pitiful craveness, an almost painful penitence and a desperate quest for dignity. -
THE HEART of the MATTER by Graham Greene
THE HEART OF THE MATTER by Graham Greene THE AUTHOR Graham Greene (1904-1991) was born in Berkhamsted, England. He had a very troubled childhood, was bullied in school, on several occasions attempted suicide by playing Russian roulette, and eventually was referred for psychiatric help. Writing became an important outlet for his painful inner life. He took a degree in History at Oxford, then began work as a journalist. His conversion to Catholicism at the age of 22 was due largely to the influence of his wife-to-be, though he later became a devout follower of his chosen faith. His writing career included novels, short stories, and plays. Some of his novels dealt openly with Catholic themes, including The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951), though the Vatican strongly disapproved of his portrayal of the dark side of man and the corruption in the Church and in the world. Others were based on his travel experiences, often to troubled parts of the world, including Mexico during a time of religious persecution, which produced The Lawless Roads (1939) as well as The Power and the Glory, The Quiet American (1955) about Vietnam, Our Man in Havana (1958) about Cuba, The Comedians (1966) about Haiti, The Honorary Consul (1973) about Paraguay, and The Human Factor (1978) about South Africa. Many of his novels were later made into films. Greene was also considered one of the finest film critics of his day, though one particularly sharp review attracted a libel suit from the studio producing Shirley Temple films when he suggested that the sexualization of children was likely to appeal to pedophiles. -
Graham Greene's Books for Children
Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials.