The Problem of Motivation in Graham Greene's the Heart of the Matter
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Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
The Destructors Graham Greene
The Destructors Graham Greene Online Information For the online version of BookRags' The Destructors Premium Study Guide, including complete copyright information, please visit: http://www.bookrags.com/studyguide-destructors/ Copyright Information ©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. -
THE HEART of the MATTER by Graham Greene
THE HEART OF THE MATTER by Graham Greene THE AUTHOR Graham Greene (1904-1991) was born in Berkhamsted, England. He had a very troubled childhood, was bullied in school, on several occasions attempted suicide by playing Russian roulette, and eventually was referred for psychiatric help. Writing became an important outlet for his painful inner life. He took a degree in History at Oxford, then began work as a journalist. His conversion to Catholicism at the age of 22 was due largely to the influence of his wife-to-be, though he later became a devout follower of his chosen faith. His writing career included novels, short stories, and plays. Some of his novels dealt openly with Catholic themes, including The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951), though the Vatican strongly disapproved of his portrayal of the dark side of man and the corruption in the Church and in the world. Others were based on his travel experiences, often to troubled parts of the world, including Mexico during a time of religious persecution, which produced The Lawless Roads (1939) as well as The Power and the Glory, The Quiet American (1955) about Vietnam, Our Man in Havana (1958) about Cuba, The Comedians (1966) about Haiti, The Honorary Consul (1973) about Paraguay, and The Human Factor (1978) about South Africa. Many of his novels were later made into films. Greene was also considered one of the finest film critics of his day, though one particularly sharp review attracted a libel suit from the studio producing Shirley Temple films when he suggested that the sexualization of children was likely to appeal to pedophiles. -
The Power and the Glory to Monsignor Quixote
Davis: Figures In Greene’s Carpet Graham Greene Studies Volume 1 24 remain unaware of them. Otherwise I think Figures In my imagination would dry up.” He did not reread his novels because “I know I would Greene’s Carpet: come across all too many repetitions due The Power and quite simply to forgetting what I had written before. I’ve not the slightest wish to have my The Glory to nose rubbed onto ‘the pattern in the carpet’.”3 Since Greene can no longer be bothered Monsignor by critical meddling, which in any case he regarded as legitimate, I’ll discuss the pat- Quixote tern I have found, one drawn from Francis Thompson’s “The Hound of Heaven.” I’m Robert Murray Davis thinking not of “the labyrinthian ways,” which furnished the American-imposed title The 2007 Graham Greene of The Power and the Glory that Greene International Festival disliked. It is not inapt, but more apropos are these lines, from which I have tried In the patently autobiographical novel unsuccessfully to remove the theological The Ordeal of Gilbert Pinfold, Evelyn implications: Waugh has Mr. Pinfold maintain that “most men harbour the germs of one or two Now of that long pursuit books; all else is professional trickery of Comes on at hand the bruit; which the most daemonic of the masters— That Voice is round me like a bursting Dickens and Balzac even—were flagrantly sea: “And is thy earth so marred, guilty;” indeed, he envies “painters who are Shattered in shard on shard?”4 allowed to return to the same theme time and time again, clarifying and enriching Many if not most of his novels and until they have done all they can with it.”1 entertainments—if Greene’s old and inter- Graham Greene did not cite Waugh, but mittently discarded distinction is worth he did concede that he might be “a two or preserving—deal with the theme of pursuit three book man.” 2 through a marred world, from The Man The figure in Waugh’s carpet—to use the Within through A Gun for Sale, Brighton phrase of Henry James, whom both men Rock, The Power and the Glory and its admired—is obvious even to the casual reader. -
Graham Greene
GRAHAM GREENE Like many writers, Greene resisted the appellation of Catholic novelist, since he did not want readers to be seeking catechetical exactitude in his stories. In what is arguably his first Catholic novel, The Power and the Glory, Graham Greene contrasts a weak, alcoholic fugitive priest with his austere pursuer. There are others contrasts in the book as well between the hunted man who cannot escape the demands of his ministry and his soft, comfortable self before the revolution; between the second nocturne tale of martyrdom read by pious children and the real life flawed candidate for the firing squad with whiskey on his breath but the basic contrast is between the political and the religious. All efforts to see the significance of human life in thisworld terms are inadequate to the way it really is. Other Catholic novels are The Heart of the Matter, The End of the Affair and A BurntOut Case. The series comes to an end in 1973 with The Honorary Consul. Greene still had years to live and many books to write, but his imagination had switched from a religious into a political gear. The Heart of the Matter takes its motto from Charles Peguy. "At the very heart of Christianity is the sinner. No one is more competent on the matter of Christianity than the sinner unless it be the saint." Major Scobie damns himself out of pity for a waiflike war widow in colonial Africa. Greene is at his best presenting Catholicism through the medium of © Ralph McInerny, 2005. -
THE QUIET AMERICAN by Graham Greene
THE QUIET AMERICAN by Graham Greene THE AUTHOR Graham Greene (1904-1991) was born in Berkhamsted, England. He had a very troubled childhood, was bullied in school, on several occasions attempted suicide by playing Russian roulette, and eventually was referred for psychiatric help. Writing became an important outlet for his painful inner life. He took a degree in History at Oxford, then began work as a journalist. His conversion to Catholicism at the age of 22 was due largely to the influence of his wife-to-be, though he later became a devout follower of his chosen faith. His writing career included novels, short stories, and plays. Some of his novels dealt openly with Catholic themes, including The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951), though the Vatican strongly disapproved of his portrayal of the dark side of man and the corruption in the Church and in the world. Others were based on his travel experiences, often to troubled parts of the world, including Mexico during a time of religious persecution, which produced The Lawless Roads (1939) as well as The Power and the Glory, The Quiet American (1955) about Vietnam, Our Man in Havana (1958) about Cuba, The Comedian (1966) about Haiti, The Honorary Consul (1973) about Paraguay, and The Human Factor (1978) about South Africa. His work with British Intelligence in Africa during World War II is reflected in The Heart of the Matter. Many of his novels were later made into films. Greene was also considered one of the finest film critics of his day, though one particularly sharp review attracted a libel suit from the studio producing Shirley Temple films when he suggested that the sexualization of children was likely to appeal to pedophiles. -
Greene's Burnt-Out Case
D. J. Dooley THE SUSPENSION OF DISBELIEF: GREENE'S BURNT-OUT CASE IF IN THE PAST, the Times Literary Supplement said recently/ the Western writer could construct upon a basic framework of accepted values, "today in a society of ideological flux he can assume hardly anything about his readers' ideals except per haps a vague liberal humanism." Consequently it is fairly easy for the writer to attack snobbery, prejudice, the bomb, and so on, but "to support, to praise, is out of the question; it smacks of propaganda, fanaticism; and the least suspicion that the writer is emotionally involved in positive ideals can arouse the irony and smirks of the cynic." The contemporary reader tends to think that the fewer the restraints upon the writer the better it is for him; once a writer has been given a label as the possessor of a type of belief, he is open to suspicion. But there is a danger of our oversimplifying the nature of his commitment and taking too narrow a view of the aspects of the human scene with which he deals. There is always the possibility that, while we are deploring the fact that a writer is strait-jacketed by his beliefs, he is a subtle and shifty fellow who in secret is enjoying himself hugely over our attempts to impose upon him strait jackets of our own devising. In his article "Kierkegaard's Stages and 'A Burnt-Out Case' ", in the Review of English Literature for January, 1962, James Noxon makes an interesting compari son between Kierkegaard and Graham Greene. -
Some Reflections on Links and Contrasts Between Graham Greene
Sinyard: Links and Contrasts Between Graham Greene and George Orwell Graham Greene Studies Volume 1 122 totally untrue. Everyone has the material “All Writers Are in his memories for many books, but that is not the same thing at all.” Secondly, at Equal but Some the end of “Fielding and Sterne,” Greene Writers Are quotes T.S. Eliot: “At the moment when one writes . one is what one is, and the More Equal Than damage of a lifetime . cannot be repaired at the moment of composition.” Others:” Some In Speaking to Each Other, Volume Two (1970), Richard Hoggart said of Orwell that Reflections On “he was one of those writers who are what they write,” and I think Greene was the Links and same. He and Orwell did not just write for a Contrasts Between living; they lived to write. I think one of the reasons that both of them were resistant for Graham Greene a long time to the idea of a biography—and it is curious that they should share one biog- and George Orwell rapher, Michael Shelden—was that both felt that their books told more about them Neil Sinyard than an account of their lives would. And what made them “more equal” than most The 2011 Graham Greene other writers of the last century was their International Festival ability to cross the cultural divide: to write in a manner that commanded the attention The title of this paper is somewhat friv- and study of the academic community—for olous and of course indebted to, and a I would guess that collectively, the number variation on, one of Orwell’s immortal slo- of books written about Greene and Orwell gans in Animal Farm. -
THE CATHOLIC TREATMENT OP SIN and REDEMPTION in the NOVELS of GRAHAM GREENE by Thomas M„ Sheehan
UNIVERSITY D'OTTAWA » ECOLE PES GRADUE5 .. / THE CATHOLIC TREATMENT OP SIN AND REDEMPTION IN THE NOVELS OF GRAHAM GREENE by Thomas M„ Sheehan Thesis presented to the English Department of the Graduate School of the faculty of Arts of the University of Ottawa as partial fulfillment of the requirements for the degree of Doctor of Philosophy *****$*# *$> Ottawa, Canada and Louisville, Kentucky I960 UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: DC53535 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53535 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D'OTTAWA - ECOLE DES GRADUES ACKNOWLEDGMENTS This thesis was prepared under the supervision of Dr. Emmett 0'Grady, Head of the English Department of the University of Ottawa. The writer is indebted t© Mr. P. B. Lysaght of London, England for invaluable material on Graham Greene that was not readily available either in the United States or in Canada. The writer is also indebted to the librar ians of Nazareth College, and Sellarmine College, Louisville, Kentucky for the use of their facilities. -
Morality, Sin and Redemption in the Selected Works of Graham Greene Deepika Shekhawat Research Scholar, Department of English, University of Rajasthan, India
International Journal of Recent Research and Review, Vol. X, Issue 2, June 2017 ISSN 2277 – 8322 Morality, Sin and Redemption in the Selected Works of Graham Greene Deepika Shekhawat Research Scholar, Department of English, University of Rajasthan, India Abstract - Morality and innocence are prerequisite Hound of Heaven, in many of his most celebrated qualities for a pure spiritual human existence, in this works that are the “Catholic novels” such as, Brighton universe. If evil can find a home in a human body, a man Rock (1938),The Power and the Glory (1940), The has the power of redemption, by which he retains the Heart of the Matter (1948), and The End of the Affair aspects of innocence in him that he had, in original, once (1951).The elements of morality, sin in his works, are in the past. Graham Greene holds firmly the idea of complex and thought provoking subjects that underline religion and spirituality, and strongly believes that baptism and realization could fundamentally restore one the web of philosophy of life through art of literature. to a complete redemption, and then, evil and sin will Thus man’s sin, suffering and salvation in deep relation never be again. with religious dimension, have been the focus of this Keywords-Catholicism, Spirituality, Religion, study. Greene aptly remarks through his characters in Redemption, Salvation, Purification, Christianity his works that evil and sin can affect one’s life but there I. INTRODUCTION is grace of God and a state of purity of mind that is attainable to man. He suggests to hopefully looking at Graham Greene, is one of the most renowned British life with courage and faith in man and God. -
An Existentialist Reading of Graham Greene's
A WORLD OF ALIENATION AND PAIN: AN EXISTENTIALIST READING OF GRAHAM GREENE’S NOVELS AYO KEHINDE Obafemi Awolowo University,Ile-Ife.Nigeria Since literature often reflects the mood of its age and enabling context, it is the contention of this paper that Greene’s fiction dwells on the conflicts and pains of the modern world. How does he approach this artistic feat? What are the ideological thrusts of his art? These and many other critical issues constitute the research focus of this paper. The paper argues that Greene’s fiction takes on pervasive tones of irony and intensity, and expresses moods of sobriety and pathos that are intrinsic to the human condition in the modern world. Thus, in the world of Greene’s novels, man is dumped in a setting which is unfriendly and harsh to him. The society flows with tears and bile for the occupants. The prospect for the modern man is portrayed as very bleak, and his life is marked by spiritual sterility, boredom, pain and alienation. His bright hope is all too easily repealed by cynicism and consciousness of failure. Hence, in every corner of the Greenean world, despair is written in the face of the characters. In fact, not only the people, but also the whole society of Greene’s fiction stinks of degeneration. It is also the argument of this paper that the allegorical period of Greene’s fiction is the world-war years and after. Devastation, bloodshed, emotional and spiritual barrenness, the waste of modern civilization, etc signify this. Greene, in the two selected novels, depicts struggling men who end up being alienated and disillusioned. -
Emotions, Religion, and Morality in Graham Greene's the Heart of the Matter
Neohelicon DOI 10.1007/s11059-017-0385-x Emotions, religion, and morality in Graham Greene’s The Heart of the Matter Tsung Chi Chang1 Ó Akade´miai Kiado´, Budapest, Hungary 2017 Abstract Graham Greene (1904–1991) is critically-acclaimed as one of the best storytellers of the twentieth century. Part of Greene’s distinction lies in his depiction of the ever-conflicted emotions that plague human beings. This emotional com- plexity is intensified as the Catholic religion conflates with the sensual and sexual values sanctified in the mundane world. Thus, although Greene frequently expressed his irritation at being labeled a Catholic writer, many critics maintain that under- standing the close connection between religion, politics, and the theme of betrayal in Greene’s works is crucial. In The Heart of the Matter (1948), Greene presents Major Henry Scobie, an upright assistant police commissioner, who is involved in a triangular love relationship with his wife and a young widow in a West African coastal town. Torn between his sense of responsibility and his passion, Scobie is ensnared in love and guilt at the same time. Scobie’s emotional complexities, coupled with his troubled faith, paradoxically make him a heroic coward with tragic flaws as well as a sinner engulfed in a terrible conflict between passion and faith. This paper aims to discuss the emotional ambiguities of Scobie that arise from the conflations of love and marriage, pity and duty, humanity and divinity, evaluating the morality of Scobie and its implications. Keywords Emotions Á Religion Á Morality Á Graham Greene Á The Heart of the Matter & Tsung Chi Chang [email protected]; [email protected] 1 Department of Literature and Cultural Studies, The Education University of Hong Kong, 10 Lo Ping Road, Tai Po, New Territories, Hong Kong 123 T.