The Ukrainian Weekly 1983
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COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
WHOSE LANGUAGE DO WE SPEAK? Some Reflections on The
A. Portnov, T. Portnova, S. Savchenko, V. Serhiienko, Whose Language...? Ab Imperio, 4/2020 the objectivity myth and emphasized the relevance of any historical text’s literary form but also, as some critics have argued, “denied the possibility 3 Andrii PORTNOV of fruitful professional discourse except within communities of believers.” White’s influential theory provoked no discussion in either Soviet or dias- Tetiana PORTNOVA pora Ukrainian historiography. During late perestroika, historians usually Serhii SAVCHENKO debated the challenges of writing new history in terms of “filling the blank Viktoriia SERHIIENKO spots” and overcoming Soviet censorship.4 There were Ukrainian scholars who responded to some of their Moscow-based colleagues’ call to embrace the methodology of the French Annales school and study mentalities,5 or make history a “true science” and study historical sources with mathematical methods.6 In the 1980s and 1990s, neither the drift toward historical anthro- WHOSE LANGUAGE DO WE SPEAK? pology and microhistory nor the strengthening of the traditional positivist Some Reflections on the Master Narrative approach by means of the historical method’s “machinization” helped to address the challenges of Metahistory. of Ukrainian History Writing One of the very first Ukrainian surveys of American poststructuralist his- tories warned that these encouraged scholars to take a narcissist stance and allow arbitrary analysis.7 Later a prominent Ukrainian conservative historian, Yaroslav Dashkevych, denounced White’s “extreme relativism” -
Professor from Kharkiv University Selected As New Director of CIUS Dr
CIUS Newsletter 2012 Canadian Institute of Ukrainian Studies 430 Pembina Hall, University of Alberta, Edmonton, Alberta, Canada T6G 2H8 Professor from Kharkiv University Selected as New Director of CIUS Dr. Volodymyr Kravchenko, profes otechestvennoi istorii [D. I. Bahalii sor of history and chair of the Depart and His Contribution to the Study of ment of Ukrainian Studies at the National History], Kharkiv, 1990); a Vasyl Karazin National University of historiographic study of the Istoriia Kharkiv, has been chosen as the fourth Rusiv [History of the Rusʹ People] (“Po- director of the Canadian Institute of ema vol'noho narodu”: “Istoriia Rusiv” Ukrainian Studies. He succeeds Dr. Ze ta її mistse v ukraїns'kii istoriohrafiї non Kohut, who served as acting direc [“A Story of a Free People”: The His- tor of CIUS in 1993–94 and, beginning tory of the Rusʹ People and its Place in in 1994, as director. Dr. Kravchenko Ukrainian Historiography], Kharkiv, was appointed after an international 1996); a survey of Ukrainian histori search that began in the fall of 2011. ography from the mideighteenth to Interviews with the three finalists were the midnineteenth century (Narysy held in the spring of 2012, and the z ukraїns'koї istoriohrafiї epokhy selection took place shortly thereafter. natsional'noho Vidrodzhennia (druha In September 2012 Dr. Kravchenko polovyna XVIII‒seredyna XIX st. [Es arrived in Edmonton to assume his says on Ukrainian Historio graphy of position as CIUS director. the Period of National Revival: From Dr. Kravchenko is no stranger to Volodymyr Kravchenko, new CIUS director the Late Eighteenth to the MidNine CIUS. -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
SITUATION with STUDYING the HISTORY of the UKRAINIAN COSSACK STATE USING the TURK-OTTOMAN SOURCES Ferhad TURANLY
Karadeniz İncelemeleri Dergisi: Yıl 8, Sayı 15, Güz 2013 205 SITUATION WITH STUDYING THE HISTORY OF THE UKRAINIAN COSSACK STATE USING THE TURK-OTTOMAN SOURCES Ferhad TURANLY ABSTRACT Available studies of the Turk-Ottoman sources on the history of Ukraine in the period of Cossacks have been presented and considered. The problem concerning development of the Oriental Studies has been analysed. There has been used a methodology that is a new contribution to the academic study of the issues relating to the history of the development of relations between the Cossack Hetman Ukraine and the Ottoman State. Keywords: Ottoman, Ukrainan, a Cossack, a study, oriental studies. OSMANLI-TÜRK KAYNAKLARINA GÖRE UKRAYNA KOZAK DÖNEMİ TARİH ÇALIŞMALARI ÖZ Bu makalede, Ukrayna Kozak dönemi tarihi hakkında Osmanlı zamanında ortaya çıkmış araştırmalar değerlendirilmiştir. Söz konusu kaynakların Ukrayna tarihi açısından ele alındığı araştırmada Şarkiyat biliminin gelişmesiyle iligili sorunlardan da bahsolunmaktadır. Uygun usullerin kullanılmasıyla, bu kaynakla- rın, Kazak Hetman Ukraynası ve Osmanlı Devleti arasındaki ilişki- lerin tarihinin derinliğinin öğrenilmesini sağlayacağı, araştırmada varılan temel sonuçlardan biridir. Anahtar Sözcükler: Araştırma, Şarkiyat, Kozak, Osmanlı, Ukrayna. A reader at Kyiv National University “Kyiv Mohyla Academy”, [email protected] 206 Journal of Black Sea Studies: Year 8, Number 15, Autumn 2013 In the source base on Ukraine’s History and Culture, in particular, concerning its Cossack-Hetman period, an important place belongs to a complex of Arabic graphic texts, as an important part of which we consider a series of Turk sources – written and other kinds of historical commemorative books and documents, whose authors originated from the countries populated by the Turk ethnic groups. -
Harvard Historical Studies • 173
HARVARD HISTORICAL STUDIES • 173 Published under the auspices of the Department of History from the income of the Paul Revere Frothingham Bequest Robert Louis Stroock Fund Henry Warren Torrey Fund Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM WILLIAM JAY RISCH The Ukrainian West Culture and the Fate of Empire in Soviet Lviv HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, En gland 2011 Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Copyright © 2011 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Risch, William Jay. The Ukrainian West : culture and the fate of empire in Soviet Lviv / William Jay Risch. p. cm.—(Harvard historical studies ; 173) Includes bibliographical references and index. I S B N 9 7 8 - 0 - 6 7 4 - 0 5 0 0 1 - 3 ( a l k . p a p e r ) 1 . L ’ v i v ( U k r a i n e ) — H i s t o r y — 2 0 t h c e n t u r y . 2 . L ’ v i v ( U k r a i n e ) — P o l i t i c s a n d government— 20th century. 3. L’viv (Ukraine)— Social conditions— 20th century 4. Nationalism— Ukraine—L’viv—History—20th century. 5. Ethnicity— Ukraine—L’viv— History—20th century. -
The Ukrainian Weekly 1983, No.10
www.ukrweekly.com З r I Hr published by the Ukrainian National Association Inc., a fraternal non-profit association! s- - CO CD —X Д З> z я a-e. Ukrainian Weekl o-t o Vol. LI No. 10 THE UKRAINIAN WEEKLY SUNDAY. MARCH 6. 1983 25 і cents Catherine Yasinchuk, 86, dies; Historian's wife brutally beaten wrongly committed for 48 years by unknown assailants in Lviv PHILADELPHIA - Catherine Ya Russian, German, Austrian dialects, sinchuk, 86, who was wrongly institu Polish and Lithuanian. LVIV - The wife of Ukrainian at Lviv University, Mr. Dashkevych tionalized for 48 yeq`rs because she did Then Olga Mychajluk, an employee historian Yaroslav Dashkevych was was a reference specialist at the Aca not know English/died here at the in the state institution's personnel hospitalized after she was brutally demy of Sciences in Lviv before his Fairview Nursing Home in Erdenheim department, tried to talk to her in beaten by two men early in the year arrest in 1948. Imprisoned along with on Monday, February 14. Ukrainian. Miss Yasinchuk responded, while on her way home from work, his mother, he was released in 1956. No one had eVer heard of Miss and bit by bit she began to talk. reported the Harvard Ukrainian Re Soon after their release, his mother Yasinchuk until 1968, when, during a search Institute. died. It was learned that she had come to Liudmyla Dashkevych, whose hus Mr. Dashkevych has since become review ofthe status of patients at the United States alone at the age of IS. Philadelphia State Hospital, it was band is a noted Armenian specialist, one of the Soviet Union's most promi She met a young man, fell in love and was returning from her job as an editor nent experts in Armenian and Oriental learned that Miss Yasinchuk had been had a baby. -
The Ukrainian Weekly 1989, No.36
www.ukrweekly.com ubHshed by the Ukrainian National Association Inc.. a fraternal non-profit associition rainian Weekly Vol. LVII No. 36 THE UKRAINIAN WEEKLY SUNDAY, SEPTEMBER 3,1989 50 cents Draft law on language is approved Russian Orthodox parish in Lviv by Ukrainian Supreme Soviet Presidium chooses Ukrainian autocephaly MUNICH - The Presidium ol ihe I he Ukrainian SSR guarantees the JERSEY CITY, N.J. - During a cribing the U AOC's years of struggle for Supreme Soviet of the Ukrainian SSR comprehensive development and func parish meeting on Saturday, August 19, survival since it was forcibly incor on August 29 approved the draft ol a tioning of the Ukrainian language in all the clergy, church committee and pa porated into the ROC in 1930. The Rev. law on languages in the repuhlie. spheres of social life. rishioners of Ss. Peter and Paul Russian Yarema also read aloud the text of the reported Radio liberty. Ihe Ukrainian SSR guarantees the Orthodox Church in Lviv, Ukraine, initiative group's appeal and said that a publicly rejected the authority of the Radio Liberty quoted a Radio Kiev free use of the Russian language as the number of UAOC communities had Moscow Patriarchate, reported the report that said the dratt will be made language of inter-nationality communi formed in cities and villages around press service of the Ukrainian Helsinki publie in early September and will then cation between peoples of the USSR. Ukraine. Union. be subject to discussion. In the work of government, party and This declaration of Ukrainian auto Earlier, on August 5, the Ukrainian public organs, businesses, institutions In support of the appeal of the cephaly would apparently make Ss. -
The Stone Master”: on the Invisibility of Women’S Writing from the Soviet Ukrainian Periphery
“The Stone Master”: On the Invisibility of Women’s Writing from the Soviet Ukrainian Periphery Oleksandra Wallo University of Kansas Abstract: Until the last decade of the Soviet state’s existence, only very few Ukrainian women writers achieved literary fame. This study sheds new light on Soviet Ukrainian political, historical, and social contexts that contributed to the invisibility of Ukrainian women’s writing by examining the case of Lviv-based author Nina Bichuia (b. 1937). Bichuia’s career and the publication history of her works illustrate several characteristics and paradoxes of Soviet literary politics concerning the Soviet periphery—i.e., the non-Russian republics, such as Ukraine. In particular, this article analyzes the differences in permissible literary expression between Moscow the metropole, Kyiv, the centre of the Ukrainian periphery, and Lviv, the Western Ukrainian periphery. It considers gender politics and biases in the Soviet Ukrainian literary establishment and the strictures of the Soviet “Friendship of Peoples” discourse, which had a provincializing effect on Ukrainian literary production and the tastes of the reading public. The article offers a close reading of Bichuia’s last short story, “Kaminnyi hospodar” (“The Stone Master,” 1990), which reflects this author’s “final word” on the Soviet environment for writing literature in the Western Ukrainian periphery. By analyzing Bichuia’s use of important literary intertexts and employing recent theorizations about Soviet state discourse, I demonstrate how “The Stone Master” imaginatively represents and criticizes the regime of discursive monopoly established by the Soviet system. This regime is shown to force a Ukrainian female writer into silence, which can be strategic, but cannot result in greater literary visibility. -
Rimsky-Korsakov and His World
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press. -
RIMSKY-KORSAKOV: Pan Voyevoda • Sadko 8.553858
NAXOS NAXOS Rimsky-Korsakov: Rimsky-Korsakov, a naval officer, became a member of the group of Russian nationalist composers known as The Mighty Handful. His mastery of orchestration led to a strong influence on succeeding generations of composers such as Glazunov and Ravel. Orchestral Works: Though best known abroad for his orchestral music, Rimsky-Korsakov made a significant contribution to Russian opera. In the opera Pan Voyevoda he paid tribute to Chopin, with a DDD plot set in Poland, while the orchestral Sadko deals with a Russian legend. May Night treats a comic tale by Gogol and the opera Boyarïnya Vera Sheloga with its lullaby Hush Now, Hushaby, serves as a curtain- 8.553858 RIMSKY-KORSAKOV raiser to The Maid of Pskov. The music throughout is colourful and compelling. RIMSKY-KORSAKOV Playing Time 69:19 Nikolay Andreyevich 7 RIMSKY-KORSAKOV 30099 (1844–1908) 48582 Pan Voyevoda (Suite) 24:32 7 Overture on Russian 1 : : Introduction 3:11 Themes, Op. 28 13:42 Pan Voyevoda • Sadko Voyevoda Pan 2 Krakowiak 3:49 • Sadko Voyevoda Pan 3 8 1 Nocturne: Clair de lune 4:23 May Night (Overture) 10:11 www.naxos.com Made in Germany Booklet notes in English ℗ 4 Mazurka 6:18 1999 & 5 Polonaise 6:53 Boyarïnya Vera Sheloga, Op. 54 9:09 © 6 Musical Picture – 9 Overture 5:26 2018 Naxos Rights US, Inc. Sadko, Op. 5 11:43 0 Lullaby: Bayu, bayushki, bayu* 3:43 Elena Okolysheva, Mezzo-soprano* Moscow Symphony Orchestra • Igor Golovschin 8.553858 8.553858 Recorded: March 1996 at the Mosfilm Studio, Moscow, Russia Producer: Betta Inc. -
November-December 1987
so ,. CANADA'S NEWSPAPER FOR UKRAINIAN STUDENTS mystery is because the V.P. Internal was not present to engage in any sort of debate after the report was read. In FOR THE LOVE fact, she was not there at all. The second, somewhat bizarre point made in her report was that there was a MICHELLE KOWALCHUK 'lack of communication' amongst the members of the executive. This has OF SUSK been a favorite adage, used by many in SUSK and other organizations to It seems to me that throughout SUSK focused on the alleged 'east' - 'west' describe a very intolerable situation. history there have been high and low conflict. However, in describing last year's SUSK points in terms of participation, Are SUSK members bored!?! Can we executive it is also highly interest and productivity. From the not find anything more constructive to inappropriate. There was a total of at level of all three of these at the past argue about!?! Apparently, we have least 20 packages sent to all clubs and SUSK Congress in Montreal, one might decided, in SUSK, that arguing amongst executive members jam-packed with 1 say that SUSK may be a a 'low point . ourselves is more exhi lira ting than information. I know, I received all of Historically speaking, however, SUSK lobbying on Parliament Hill. Oh, we them and even sent a couple. So, what has managed to deal with all crises and are a bunch of strange birds, aren't was meant by this alleged 'lack of survive, and even prosper. It is with we!?! communication'? Perhpas I'm not in this thought in mind that I engage in I shouldn't be surprised.