DOCSLIB.ORG

Developmental Contracts 004-040 to Be Deleted

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Developmental Contracts 004-040 to Be Deleted COMMODITY / CONTRACTUAL SERVICES CATALOG THIS MICROSOFT WORD DOCUMENT HAS BEEN PROVIDED AS A TOOL TO ALLOW USERS TO MORE EASILY SEARCH FOR COMMODITY CODES. TO SEARCH, USE THE “EDIT” MENU AND CLICK “FIND…” WHEN THE FIND DIALOG BOX APPEARS, TYPE IN THE WORD OR WORDS YOU ARE LOOKING FOR AND CLICK “FIND NEXT”. IF THIS SEARCH RETURNS TO MANY RESULTS, CLICK ON THE “MORE” BUTTON AND THEN PLACE A CHECK IN THE BOX NEXT TO “FIND WHOLE WORDS ONLY”. DEVELOPMENTAL CONTRACTS 004-040 TO BE DELETED. ACOUSTICAL TILE, INSULATION, INSULATING MATERIALS, AND SUPPLIES, NEW 010-010 ADHESIVES AND CEMENTS, FOR ACOUSTICAL TILE, 010-020 ADHESIVES AND CEMENTS, FOR INSULATION, 010-030 INSULATION, ALUMINUM FOIL "BACKED" (ROLLS AND SHEETS), 010-200 INSULATION, CORK OR CORK COMPOSITION (BLOCK, BOARD, SHEET, ETC.), 010-210 INSULATION, COTTON (BLANKET/BATT TYPE), 010-280 INSULATION, DUCT APPLICATION (FIBERBOARD, FIBERGLASS, FOAM GLASS, ETC.), 010-330 INSULATION, FELT (BATTING, BLANKET, ROLL, ETC.), 010-340 INSULATION, FIBERBOARD, CANE (PLAIN AND IMPREGNATED), 010-350 INSULATION, FIBERGLASS (BATTING, BLANKET, ETC.), 010-360 INSULATION, FOAM GLASS (BLOCK, BOARD, SHEET, ETC.), 010-370 INSULATION, FOAM PLASTIC (BLOCK, BOARD, SHEET, ETC.), 010-420 INSULATION, HARDWARE, MISCELLANEOUS COMPONENTS (ANCHORS, BANDS, CLIPS, ETC.), 010-430 INSULATION, PROTECTIVE COVERING (PAINT, PRIMER, SEALER, ETC.), 010-440 INSULATION, FOR PIPE AND TUBING (ALL TYPES), 010-450 INSULATION, PREFORMED FITTING (ELLS, TEES, VALVES, ETC., ALL TYPES), 010-460 INSULATION, JACKETING (CANVAS, OSNABURG, ETC.), 010-530 INSULATION, MAGNESIUM OR MAGNESIUM COMPOSITION (BLOCK, SHEET, ETC.), 010-730 INSULATION, ROCK WOOL (ALL TYPES), 010-870 TAPES, DUCT (ADHESIVE TYPE), 010-880 TAPES, INSULATING THERMAL (ALL TYPES, NON-ELECTRICAL), 010-890 TILE ACCESSORY, ACOUSTICAL MOUNTING HARDWARE (BRACKETS, CHANNELS, CLIPS), 010-900 TILE, ACOUSTICAL (MINERAL FIBER AND ALL OTHER CLASS A TYPES), 010-910 TILE AND CEILING PANELS, WOOD FIBER, 010-930 INSULATION, VERMICULITE, ZONNOLITE (FOAM POURABLE BEADS OR EQUIVALENT), 010-990 ACOUSTICAL TILE & INSULATION, LABOR & MATERIALS TO INSTALL.; COPYING, DUPLICATING AND ADDRESSING MACHINE CHEMICALS & SUPPLIES 015-020 ADDRESSING MACHINE SUPPLIES, METAL AND PLASTIC PLATE TYPE 015-160 CHEMICALS, INKS, STENCILS AND SUPPLIES FOR MIMEOGRAPH TYPE DUPLICATOR MACHINES 015-610 CHEMICALS AND SUPPLIES FOR AMMONIA DEVELOPING OR DIAZO PROCESS COPYING MACHINES (ENGINEERING TYPE OR MICROFILM REPRODUCTION) 015-620 DIFFUSION PROCESS COPIER SUPPLIES 015-630 CHEMICALS AND SUPPLIES, FOR DIRECT IMAGE ELECTROSTATIC TRANSFER TYPE COPYING MACHINES 015-650 CHEMICALS AND SUPPLIES, FOR DRY TONER THERMAL TRANSFER, XEROGRAPHIC TYPE COPYING MACHINES 015-660 CHEMICALS AND SUPPLIES, FOR LIQUID TONER TRANSFER, XEROGRAPHIC TYPE COPYING MACHINES 015-670 CHEMICALS AND SUPPLIES, FOR AEROSOL IMAGE INJECTION TRANSFER, XEROGRAPHIC TYPE COPYING MACHINES 015-680 CHEMICALS AND SUPPLIES FOR TRANSFER ELECTROSTATIC PROCESS COPYING AGRICULTURAL IMPLEMENTS, AND PARTS 020-005 AGRICULTURE EQUIPMENT 020-010 BACKHOE FOR FARM TRACTOR 020-030 BLADES, DOZER, FOR FARM TRACTORS 020-040 BROADCAST PLANTING EQUIPMENT 020-070 COMBINES, GRAIN HARVESTING 020-080 COTTON PICKERS AND SUPPLIES 020-090 CULTIVATING EQUIPMENT, FARM 020-120 CUTTERS, BRUSH, MOTOR DRIVEN 020-130 CUTTERS, ENSILAGE 020-150 DIGGERS, POST HOLE, TRACTOR MOUNTED 020-160 DRILL PLANTING EQUIPMENT, AGRICULTURAL 020-200 EXTENSION CONTOUR MOWER (HYDRAULIC, SIDE-MOUNTED) 020-230 FERTILIZER DISTRUBTORS, DRY, COMMERCIAL 020-290 GRASS SPRIGGERS 020-320 HAYING EQUIPMENT 020-340 HYDROSEEDING EQUIPMENT 020-350 LEVELERS, LAND 020-360 LOADERS, TRACTOR MOUNTED, FARM 020-560 RENOVATORS, PASTURE 020-600 ROW CROP PLANTING EQUIPMENT 020-640 SICKLE MOWER (HYDRAULIC SIDE-MOUNTED) 020-660 SOIL IMPLEMENTS, PULVERIZERS AND ROTARY TILLERS 020-670 SPREADERS, MANURE 020-710 THRASHERS, GRAIN HARVESTING 020-720 TILLAGE EQUIPMENT, HEAVY DUTY, FARM, BLADE PLOWS, DISC HARROWS, LISTERS, ETC. 020-750 PLOWS AND CULTIVATORS, MOTOR DRIVEN 020-830WAGONS, FEED COMPRESSORS AND ACCESSORIES 025-020 AIR COMPRESSORS, OVER 125 CFM 025-030 AIR COMPRESSORS, UNDER 125 CFM 025-570 COMPRESSOR AND COMPONENTS OF COMPRESSED NATURAL GAS FILLING STATION. 025-720 TANKS, AIR COMPRESSOR, ALL TYPES, 025-770 AIR LINE COMPONENTS, AIR COMPRESSOR, AIR CONDITIONING EQUIPMENT AND ACCESSORIES, 030-020 AIR CONDITIONERS AND HEATERS, COMMERCIAL, PACKAGE & CENTRAL UNIT, 030-030 AIR CONDITIONING ACCESSORIES AND PARTS, 030-040 AIR CONDITIONERS, WINDOW AND WALL MOUNT, SELF-CONTAINED, 030-050 AIR CLEANING DEVICES. PURIFIERS, DEODORIZERS, REGENERATORS AND ACCESSORIES, 030-060 AIR CURTAINS, 030-190 CONTROL SYSTEMS, COMPLETE, A/C. 030-200 EVAPORATIVE COOLING SYSTEM 030-350 FANS RESIDENTIAL AND SHOP TYPE, 030-360 FILTERS/FILTER MEDIA: AIR CONDITIONER, HEATER, VENTILATING SYSTEMS. 030-430 HUMIDIFIERS AND DEHUMIDIFIERS, A/C, 030-540 AIR CONDITIONING HARDWARE AND SUPPLIES (REFRIGERANTS, TUBING, FITTINGS, VALVES, DRIERS, SOLVENTS, CLEANING MATERIALS, ETC.). 030-870 AIR CONDITIONING, TESTING AND RECORDING INSTRUMENTS AND SHOP EQUIPMENT, AIRCRAFT, PARTS, AND EQUIPMENT 035-110 PLACARDS, AVIATION 035-210 AIR CONDITIONING EQUIPMENT, PARTS, AND ACCESSORIES, AIRCRAFT 035-220 AUTOPILOT SYSTEMS, COMPONENTS, & PARTS, AIRCRAFT 035-230 COMMUNICATIONS SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-240 ELECTRIC POWER SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-250 GENERAL EQUIPMENT, FURNISHINGS, ACCESSORIES, PARTS, AND SUPPLIES, AIRCRAFT 035-260 FIRE PROTECTION SYSTEMS, COMPONENTS, PARTS, AND SUPPLIES, AIRCRAFT 035-270 FLIGHT CONTROL SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-280 FUELS SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-290 HYDRAULIC POWER SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-300 ICE AND RAIN PROTECTION EQUIPMENT, COMPONENTS, AND PARTS, AIRCRAFT 035-310 INSTRUMENTS, AIRCRAFT 035-320 LANDING GEAR, COMPONENTS, AND PARTS, AIRCRAFT 035-330 LIGHT SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-340 NAVIGATION EQUIPMENT, COMPONENTS, AND PARTS, AIRCRAFT 035-350 OXYGEN SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-360 PNEUMATIC SYSTEMS, COMPONENTS, & PARTS, AIRCRAFT 035-365 AIRPORT GROUND EQUIPMENT (EXCEPT MOTOR VEHICLES) 035-370 VACUUM SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-375 AIRPORT PILOT SUPPORT EQUIPMENT (VASI, WINDSOCK, SIGNAL LIGHTS, ETC.) 035-380 WATER/WASTE SYSTEM, COMPONENTS, AND PARTS, AIRCRAFT 035-490 AIRBORNE AUXILIARY POWER SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-510 STRUCTURES, COMPONENTS, AND PARTS, AIRCRAFT 035-520 DOORS AND PARTS, AIRCRAFT 035-530 FUSELAGE, COMPONENTS, AND PARTS, AIRCRAFT 035-540 NACELLES, PYLONS, AND PARTS, AIRCRAFT 035-550 STABILIZERS AND PARTS, AIRCRAFT 035-560 WINDOWS AND PARTS, AIRCRAFT 035-570 WINGS, COMPONENTS, AND PARTS, AIRCRAFT 035-610 PROPELLERS AND PARTS, AIRCRAFT 035-710 POWER PLANT, GENERAL; COMPONENTS, ACCESSORIES, AND PARTS, AIRCRAFT 035-720 ENGINE COMPONENTS AND PARTS, AIRCRAFT 035-730 FUEL AND CONTROL; SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-740 IGNITION SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-750 ENGINE AIR SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-760 ENGINE CONTROLS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-770 ENGINE INDICATING SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-780 ENGINE EXHAUST SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT 035-790 ENGINE OIL SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-800 ENGINE STARTING: COMPONENTS AND PARTS, AIRCRAFT ENGINE 035-810 TURBINES, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-820 ENGINE WATER INJECTION SYSTEMS, COMPONENTS, AND PARTS, AIRCRAFT ENGINE 035-830 ACCESSORY GEAR BOX AND PARTS, AIRCRAFT 035-910 CHARTS, AVIATION 035-990 LABOR AND MATERIALS TO ACQUIRE AND INSTALL AIRCRAFT MATERIALS AND EQUIPMENT ANIMALS AND LIVESTOCK 040-080 INSECT: HONEYBEE, BUMBLEBEE, ETC 040-260 DOGS. BLOODHOUND, GUARD, AND OTHER 040-340 FISH, BROOD, FINGERLING, ETC. 040-500 LIVESTOCK. BEEF CATTLE, DAIRY CATTLE, GOATS, HOGS, HORSES, MULES, SHEEP, RABBITS, AND OTHERS 040-600 REPTILE, ALL TYPES APPLIANCES AND EQUIPMENT, HOUSEHOLD 045-040 APPLIANCES, HOUSEHOLD, ELECTRIC AND SMALL COMMERCIAL. 045-060 BASKETS, STORAGE, FOR FREEZERS 045-160 CLEANERS AND SWEEPERS, HOUSEHOLD, HAND OPERATED 045-240 DISHWASHERS AND DISPOSAL UNITS, HOUSEHOLD 045-300 APPLIANCES, PARTS ETC 045-310 RANGES AND COOKTOPS, HOUSEHOLD, ELECTRIC 045-380 RANGE, HOUSEHOLD, GAS. 045-390 RANGE, REFRIGERATOR AND SINK UNIT(COMBINATION), HOUSEHOLD, ELECTRIC 045-450 IRONING BOARDS, HOUSEHOLD 045-600 OVENS, HOUSEHOLD 045-720 REFRIGERATORS AND FREEZERS, HOUSEHOLD 045-920 VACUUM CLEANERS, HOUSEHOLD, ELECTRIC, PARTS AND SUPPLIES 045-930 VENT HOODS FOR RANGES, HOUSEHOLD 045-950 WASHERS AND DRYERS, HOUSEHOLD ARTS AND CRAFTS 050-030 ARTIST BLOCK PRINTING SUPPLIES 050-040 ARTIST SUPPLIES 050-060 BASKETRY MATERIALS 050-080 BEADCRAFT SUPPLIES 050-120 CARPET WARP AND ROVING 050-140 CERAMIC AND POTTERY, EQUIPMENT AND SUPPLIES 050--160 CLOTH FOR APPLICATION OF DESIGNS AND TRANSFERS. BURLAP, LINEN, ETC. 050-180 CREWEL KITS, ARTS AND CRAFTS 050-250 DISPLAYING POSTERS AND EXHIBITS, ARTS AND CRAFTS 050-300 EASELS. SCHOOL, STUDIO, SKETCHING, LECTURES, CARRYING CASES, AND SUPPLIES. 050-310 EMBROIDERY, CROCHET AND KNITTING. HOOKS, HOOPS, NEEDLES, ETC, 050-470 KILNS, CERAMIC AND ENAMELING, AND ACCESSORIES 050-500 LEATHERCRAFT EQUIPMENT AND SUPPLIES 050-520 MAGAZINE BASKETS, WHAT-NOT SHELVES, ETC. 050-540 METALCRAFT SUPPLIES 050-560 MODELING CLAY, ARTS AND CRAFTS 050-570 MODEL KITS. AIRPLANE, AUTOMOBILE, SHIP, ETC. 050-620 PICTURE FRAMES AND MOUNTS 050-740 RUBBING COMPOUND, ABRASIVE, ARTS AND
Load more

Recommended publications
  • Opening Song a Long, Long Time Ago, in a Galaxy Far, Far Away, God Said Let Ther Be Lips, and There Were Lips, and They Were
    Rocky Horror Picture Show 1 OPENING SONG A LONG, LONG TIME AGO, IN A GALAXY FAR, FAR AWAY, GOD SAID LET THER BE LIPS, AND THERE WERE LIPS, AND THEY WERE GOOD…Michael Rennie was ill, the Day the Earth Stood Still, but he told us where we stand. ON OUR HEAD! And Flash Gordon was there in EDIBLE underwear, Claude Rains was the Invisible Man. SHIT, I MISSED HIM. Then something went wrong FOR WHO? For Fay Wray and King Kong; WHAT HAPPENED? They got caught in a celluloid jam. YEA JAM! Then at a deadly pace it came ON JANET’S FACE! And this is how the message ran: FREEZE! CHORUS: Science fiction, OO-OO-OO double feature BOW-WOW-WOW, Doctor X FUCK N. FURTER will build a creature. See androids fighting AND FUCKING, AND SUCKING ON Brad and Janet. Anne Francis stars in WHERE Forbidden Planet OH OH OH OH OH At the late night, double feature, picture show. I knew Leo G. Carrol WAS FUCKING A BARREL, when tarantula took to the hills. LICK THOSE LIPS! And I really got hot WHEN I SAW JANET’S TWAT, fight a triffid that spits poison and kills. WHAT THE FUCK IS A TRIFFID? Dana Andrews said Prunes YEA PRUNES! gave him the runes GAVE HIM THE SHITS! YEA SHITS! And passing them used lots of skills. SEX KILLS! But When Worlds Collide, BOOM (Clap in unison) Said George Powell to his bride, "I’M GONNA GIVE YOU SOME JOINTS AND SOME PILLS” Like a...FUCK! CHORUS: Science fiction, OO-OO-OO double feature BOW-WOW-WOW, Doctor X SEX, SEX, SEX will build a creature.
    [Show full text]
  • Rocky Horror Picture Show Soundtrack Download Free Rocky Horror Picture Show Soundtrack Download Free
    rocky horror picture show soundtrack download free Rocky horror picture show soundtrack download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66af2bdfda9ec424 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. The Rocky Horror Picture Show Genre Analysis. The Rocky Horror Picture Show is a 1975 film that was adapted from a musical play of the same name. It is a cult phenomenon that has been preserved in the library of congress due to its overwhelming success. The Rocky Horror Picture Show is both a horror movie and a musical. It also uses elements of comedy and sci-fi but we’ll focus on the main aspects: horror and musical. The Rocky Horror Picture Show tells the story of an engaged couple, Brad and Janet, who stumble upon a castle belonging to the eccentric Dr. Frank N. Furter who will give them a night they’ll never forget. The Rocky Horror Picture Show is one of the best-known musicals of all time thanks to the success of the film.
    [Show full text]
  • • • • Monday 11 July 2016, London. This Halloween BFI Southbank Will Host the Science Fiction Double Feature Picture Show
    Monday 11 July 2016, London. This Halloween BFI Southbank will host the Science Fiction Double Feature Picture Show, the ultimate celebration of all things Rocky Horror. The event on Saturday 29 October will include ‘shadow cast’ screenings of The Rocky Horror Picture Show (Jim Sharman, 1975) starring Tim Curry, Susan Sarandon and original creator Richard O’Brien, and the often over-looked sequel Shock Treatment (Jim Sharman, 1981), starring O’Brien and Patricia Quinn alongside famous faces like Ruby Wax, Rik Mayall and Barry Humphries. The screenings mark the 35th anniversary of the release of Shock Treatment. A unique experience for super-fans and the uninitiated alike, the ‘shadow cast’ will see an international cast of Rocky Horror performers from the UK, US and Europe take to the stage to perform numbers from both films live, while the films screen in the background. Following the screening of Shock Treatment cast and crew will reunite for a celebratory panel discussion to mark the anniversary. Audiences are then invited to join us in the Benugo Bar and Kitchen afterwards for the Time Warp Ball, complete with Transylvanian cocktails and spooky tunes. Ticketholders to the Science Fiction Double Feature Picture Show are also invited to dive into the world of these cult classics with a plethora of convention activity in the hours leading up to the screenings. The BFI Denton Convention will offer opportunities to meet the cast of the films, get a Transylvanian makeover and discover the magic behind these musical masterpieces. Take your pick from a range of fascinating panel discussions, Q&A, autograph opportunities and screenings.
    [Show full text]
  • 35 Jim Sharman's the Rocky Horror Picture Show (1975)
    ‘G IVE YOURSELVES OVER TO ABSOLUTE PLEASURE ’: THE ROCKY HORROR PICTURE SHOW ’S QUEERING OF COUNTERCULTURE FILM Monica MICHLIN Université Paris IV - Sorbonne Jim Sharman’s The Rocky Horror Picture Show (1975), the filmic adaptation of the Richard O’Brien musical, stands out among other musical films of the counter-culture. It is remarkable for its excess, its energy, its humor, its mocking of traditional gender codes and its pronounced taste for the “visually abysmal” both in the meaning of camp and its mise en abyme of icons of both high and low visual culture—from Michelangelo’s David to Charles Atlas ads, and from Frankenstein (James Whale, 1931) to King Kong (Cooper and Schoedsack, 1933) to The Wizard of Oz (Victor Fleming, 1939)—in a pastiche and parody of genre films. While it is, itself, a hodge-podge of musical 1 and horror story, a warped romantic comedy and a science fiction farce, it deploys its unique countercultural energy in its Dionysian celebration of its queer main character, Dr. Frank’n’Furter, a transvestite avatar of Dr. Frankenstein, played by Tim Curry. In highlighting how its queering of genres is meshed with the queering of gender, and the hedonistic celebration of “performance,” I will stress how the film’s deliberately provocative visual and narrative techniques, as well as its constant celebration of excess and chaos prompt the audience to warp it in turn and, in a mise en abyme of the carnivalesque, to break down the fourth wall in the way fan communities started to do one year after the film’s release, in midnight performances, arguably making it to this day the ultimate cult film of the mid-seventies.
    [Show full text]
  • Much Like a Pocket Phrase Book You Carry When
    Compiled by Pat S.P. Fitzgerald, Kelly Fitzgerald and Andy Clark Much like a pocket phrase book you carry when traveling abroad, one should never attend a Transylvanian Convention without their handy dandy Call Back Guide to get you through. Usually it is considered rude to speak during a movie, but a true RHPS fan knows it considered rude not to speak back to the screen. In addition, The Rocky Horror Picture Show is a universal underground success; and at all screenings you might find a visitor from the Transexual Galaxy sitting next to you. So do not be surprised at the cultural and generational differences evidenced by a cacophony of call backs. Some Call Backs are out-of-date; some are regional, national or even galactic specific. Do not be concerned or put off. Indeed, if yours are different from ours, and if we hear yours and like it, you might just find yours included it in our next guide! So call back proudly! SCENE/FILM MOMENT CALL BACK SCI-FI DOUBLE FEATURE (Titles) … told us where we stand On our heads! … in a celluloid jam Yay! Smuckers! … it came from Where? … outer space Thank you! … tarantula took to the hills Lick it! … used lots of skills Sex kills! … but when worlds collide Clap! (actually CLAP) … I‟m gonna give you Some joints and some pills! … like a X-ray! WEDDING … we really did it. Hit him! Hit him back! … gonna throw the bouquet Who‟s got the clap? … wasn‟t it wonderful? … No! … look radiantly beautiful? No! … she was plain ol‟ Betty … Dildo! … she‟s Mrs.
    [Show full text]
  • Strange Victory | I Am Another You | GI Jews | Understanding the Opioid Epidemic | the King Ent Tainment
    September-October 2018 VOL. 33 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 5 IN THIS ISSUE Won’t You Be My Neighbor? | RBG | Strange Victory | I Am Another You | GI Jews | Understanding the Opioid Epidemic | The King Ent tainment BAKER & TAYLOR’S SPECIALIZED ENTERTAINMENT TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Ent tainment team: ELITE Helpful personnel focused exclusively on Entertainment products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the most experienced in the Full-time staff of catalogers, backed business; selling by their MLS degree and more than 43 Entertainment years of media cataloging expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Won’t You Be My so upset over the proliferation of frenetic, HHHH violent children’s TV. Offscreen, Rogers was Neighbor? married to Joanne and the couple raised Universal, 95 min., PG- 13, DVD: $29.98, Blu-ray: two sons, John and James, who share their recollections here. Some may be surprised to Publisher/Editor: Randy Pitman $27.99, Sept. 4 Morgan Neville’s learn that Rogers was a lifelong Republican Associate Editor: Jazza Williams-Wood uplifting documentary who entered the political arena in 1969, tes- Editorial Assistant: Christopher Pitman about the man behind tifying before the Senate against the Nixon administration’s plan to cut funding for Graphic Designer: Carol Kaufman the scenes of Mister Rogers’ Neighborhood public television.
    [Show full text]
  • Queer Temporalities and Musical Theater A
    UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. I employ the ! ii aesthetic principles of musical theater to consider the genre’s politics, which can cut against the grain of dominant ideology to establish identities and communities in difference. The musical, a bastion of mainstream theatrical culture, supports a fan culture of outsiders who dream themselves into being in the liminal timespaces of song and dance.
    [Show full text]
  • BECOMING the WIG: MIS/IDENTIFICATIONS and CITATIONALITY in QUEER ROCK MUSICALS Samantha Michele Riley a Thesis Submitted To
    BECOMING THE WIG: MIS/IDENTIFICATIONS AND CITATIONALITY IN QUEER ROCK MUSICALS Samantha Michele Riley A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2008 Approved by: Dr. Alice Kuzniar Dr. Diane Leonard Dr. Tyler Curtain ©2008 Samantha Michele Riley ALL RIGHTS RESERVED ii ABSTRACT SAMANTHA MICHELE RILEY: Becoming the Wig: Mis/Identifications and Citationality in Queer Rock Musicals (Under the direction of Dr. Alice Kuzniar) Performative citationality operates as a fetish in the queer musicals of The Rocky Horror Picture Show , Hedwig and the Angry Inch, and Stadt der verlorenen Seelen . One watches queer musicals, as well as performs alongside queer characters through audience participation, to satisfy a desire to overstep limits of the performance of gender and sexuality, and essentially, our identity, in a sublime way. This desire must be blocked or disavowed, however, in order for one to return to heteronormality, which is done here through the mechanism of citationality. Viewers latch onto citations to disavow the queering that is taking place. This queering is manifested out of the excess that is exhumed from the sublime encounter with the queer performance of the film through aid of the queered citations. At the same time the film queers those viewers watching it, if only momentarily. Still, viewers maintain that they love the
    [Show full text]
  • The Rocky Horror Picture Show Movie Script Prepared And
    The Rocky Horror Picture Show Movie Script Prepared and Edited by: Katzir Tal ([email protected]) Mar 17 1999 General Information (or "How to read The Script") : Audience instructions are in braces. Text in quotes is to be shouted. The instruction 'echo' means that the following line is to be shouted in unison with the film. Instructions for "screen person" (i.e. someone who is near the screen and can do those things - not all the audience) appear in braces as well. The word 'or' means alternative lines. The "/" character means alternative text within the same line. The "<...>" characters mean that it should be replaced by what's written in them. (since in this one script there are lines from many sources. There are times when more than one line could be used. In these cases, they all appear). Call-backs to call-backs appear directly after each other, up to long dialogues, and sometimes even alternative dialogues (with 'or' between them). I know this is confusing, but "It's something you'll get used to"... Whenever Brad appears, or introduced in some way, the line "Asshole!" is appropriate. Whenever Janet appears, use the line "Slut!". The longer line "Slut! Bitch! Whore!", or say "Rice" and pelt the virgins with rice. Whenever Rocky appears, shout "Beefcake! BEEFCAKE!". Whenever the Narrator (Charles Gray) appears, have "chin sex" (go up to the screen and jump up under it with a hand up) You can shout "Boring", and throw paper balls, or say "Charles Gray, he's OK!", or "He's got no fucking neck!".
    [Show full text]
  • Prometeo, Frankenstein, Mengele: El Monstruo Queer Y El Científico Malvado Nazi En the Rocky Horror Picture Show
    Prometeo, Frankenstein, Mengele: el monstruo queer y el científico malvado nazi en The Rocky Horror Picture Show. Atilio Raúl Rubino IdIHCS - UNLP [email protected] Resumen Este trabajo se propone realizar un análisis de la película The Rocky Horror Picture Show (1975), considerándola como una parodia camp del mito de Frankenstein y de las películas de horror de las décadas del treinta y del cincuenta. Mi intención no es realizar un estudio exhaustivo de las múltiples referencias culturales presentes en la película, sino centrarme en las figuras de Frankenstein, Prometeo y el científico malvado nazi. El mito de Frankenstein y de la creación de vida humana se relaciona no sólo con los peligros de jugar a ser Dios, sino también con el terror a la homosexualidad. The Rocky Horror Picture Show resignifica éstas y otras imágenes estereotipadas del cine de terror y fantástico (como el alien, el vampiro, el cyborg, King Kong, los superhéroes, etc.) desde una perspectiva queer que reivindica al monstruo como el lugar de la abyección sexual y, en este sentido, de una verdadera liberación. Palabras Clave The Rocky Horror Picture Show – Frankenstein – Nazismo – Científico malvado – Monstruo queer 1. Introducción. Science fiction/double feature. The Rocky Horror Picture Show es una película norteamericana dirigida por Jim Sharman y basada en la comedia musical inglesa The Rocky Horror Show del actor y compositor Richard O`Brien. Poco después de su estreno, en 1975, se convirtió en una película de culto al punto de seguir proyectándose en sesiones de medianoche hasta el día de hoy. Sus exhibiciones, sin embargo, no son como las de cualquier otra película, ya que mezclan lo cinematográfico con lo teatral y le otorgan al espectador un rol activo en la representación.
    [Show full text]
  • Reading Rocky Horror Previous Publications
    Reading Rocky Horror Previous Publications Approaches to Teaching Poe’s Prose and Poetry (with Anthony Magistrale) Nothing That Is: Millennial Cinema and the Blair Witch Controversies (with Sarah Higley) The Pedagogical Wallpaper: Teaching Charlotte Perkins Gilman’s “The Yellow Wall-paper” The Rocky Horror Picture Show Scare Tactics: Supernatural Fiction by American Women Spectral America: Phantoms and the National Imagination Taking South Park Seriously Reading Rocky Horror The Rocky Horror Picture Show and Popular Culture Edited by Jeffrey Andrew Weinstock reading rocky horror Copyright © Jeffrey Andrew Weinstock, 2008. Softcover reprint of the hardcover 1st edition 2008 978-0-230-61232-7 All rights reserved. First published in 2008 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-37713-8 ISBN 978-0-230-61682-0 (eBook) DOI 10.1057/9780230616820 Library of Congress Cataloging-in-Publication Data Reading Rocky Horror : The Rocky Horror Picture Show and popular culture / edited by Jeffrey Andrew Weinstock. p. cm. 1. Rocky Horror picture show (Motion picture) I. Weinstock, Jeffrey Andrew. PN1997.R57543R43 2009 791.43’72—dc22 2008019902 A catalogue record of the book is available from the British Library.
    [Show full text]
  • Rob Zombie, the Brand: Crafting the Convergence-Era Horror Auteur
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-22-2015 12:00 AM Rob Zombie, the Brand: Crafting the Convergence-Era Horror Auteur Ryan Stam The University of Western Ontario Supervisor Dr. Joe Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Ryan Stam 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Stam, Ryan, "Rob Zombie, the Brand: Crafting the Convergence-Era Horror Auteur" (2015). Electronic Thesis and Dissertation Repository. 2744. https://ir.lib.uwo.ca/etd/2744 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. ROB ZOMBIE, THE BRAND: CRAFTING THE CONVERGENCE-ERA HORROR AUTEUR MONOGRAPH by Ryan Stam Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ryan Stam 2015 ii Abstract This thesis adopts an industrial approach to auteur study, engaging in a detailed analysis of the extratextual crafting of metal-musician-turned-horror-filmmaker Rob Zombie’s auteur image from the year 2000 to the present day. It proposes the existence of a new authorial archetype in the twenty-first century American horror market, the convergence-era horror auteur, whose manufacturing and mobilization is tied explicitly to the niche-oriented marketing efforts of media industries.
    [Show full text]