The Rocky Horror Picture Show Movie Script Prepared And
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Campfire Songs
Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. -
Contemporary Films Related to Content in a Course on Death And
Contemporary Films Related to Content in a Course on Death and Grief Barbara Head, PhD, CHPN, ACSW, FPCN University of Louisville, Kent School of Social Work [email protected] Title Year Leading Actor(s) Brief Synopsis Related Course Content Amour 2012 Jean-Louis Trintignant An elderly, loving couPle struggles to Grief and loss in later life (French) Emmanuelle Riva maintain their indePendence after the Euthanasia wife suffers a Paralyzing stroke. Caregiver stress Anticipatory grief A Single Man 2009 Colin Firth A gay university Professor struggles Disenfranchised grief Julianne Moore with his grief after the sudden death of Suicide risk in bereavement his partner. Story is set in the early Historical/cultural imPacts on grief and 1960’s. loss Beyond Belief 2007 Susan Retik Two women (both Pregnant at the time) Meaning reconstruction (Documentary) Patti Quigley who lost their husbands on 911 find Resiliency meaning in their loss. Sudden, traumatic loss The Descendants 2011 George Clooney A family struggles with the imPending Children and grief Beau Bridges death and infidelity of the mother/wife Disenfranchised grief who is rendered brain dead after a Families and grief boating accident. Discontinuation of life suPPort 50/50 2011 JosePh Gordon-Levitt A young radio journalist faces treatment Counseling the seriously ill Patient Seth Rogan for a serious malignancy with a 50/50 Professional boundaries chance of survival. Grief and loss related to serious illness in a young person Social suPPort during illness Grace is Gone 2007 John Cusack The father of two young daughters Families and grief reacts to the news of the death of his Sudden, traumatic loss wife who was killed during a tour of duty Stages and tasks of grieving in Iraq. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks As Source Identifiers for Expressive Works*
YAQUINTO.TOPRINTER (DO NOT DELETE) 2/8/2017 11:25 AM The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks as Source Identifiers for * Expressive Works Dieuson Octave is a nineteen-year-old rapper from Florida that recently signed a deal with Atlantic Records. His YouTube videos have millions of views. He releases his music under the name Kodak Black. Some graffiti writers use stickers in addition to spray paint. In San Francisco, a writer named Ther had stickers appropriating the The North Face logo. Instead of reading The North Face in stacked type, Ther’s stickers read “Ther Norco Face.” Norco is a brand of prescription painkiller. Vaporwave is an obscure genre of music. Largely sample-based, it is characterized by an obsession with retro aesthetics, new technology, and consumerism. Songs range from upbeat to hypnogogic. They sometimes incorporate sound marks. Vaporwave musicians have monikers like Saint Pepsi and Macintosh Plus. Gucci Mane is a rap star and actor from Atlanta. All nine of his studio albums have placed on the Billboard Top 200. In 2013, he starred alongside James Franco and Selena Gomez in Spring Breakers, which competed for the Golden Lion award at the sixty-ninth Venice International Film Festival. Stuart Helm is an artist who formerly used the moniker King VelVeeda. Until the early 2000s, he operated cheeseygraphics.com, a website that sold his bawdy-themed art and advertised commercial art services. Horst Simco is a recording artist from Houston who goes by Riff Raff. His collection of tattoos includes the NBA logo, the MTV logo, and the BET logo. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
The Rocky Horror Picture Show Movie Script Prepared and Edited By
The Rocky Horror Picture Show Movie Script Prepared and Edited by: George Burgyan ([email protected]) July 5 1993 The Rocky Horror Picture Show Movie Script HTTP://COPIONI.CORRIERESPETTACOLO.IT Cast: Dr. Frank-n-Furter (a scientist) Tim Curry Janet Weiss (a heroine) Susan Sarandon Brad Majors (a hero) Barry Bostwick Riff Raff (a handyman) Richard O'Brien Magenta (a domestic) Patricia Quinn Columbia (a groupie) Little Nell (Laura Campbell) Dr. Everett V. Scott (a rival scientist) Jonathan Adams Rocky Horror (a creation) Peter Hinwood Eddie (ex-delivery boy) Meat Loaf The Criminologist (Narrator) (an expert) Charles Gray The Transylvanians: Perry Bedden Fran Fullenwider Christopher Biggins Lindsay Ingram Gayle Brown Penny Ledger Ishaq Bux Annabelle Leventon Stephen Calcutt Anthony Milner Hugh Cecil Pamela Obermeyer Imogen Claire Tony Then Rufus Collins Kimi Wong Sadie Corre Henry Woolf Props: Rice Bouquet Rings Newspaper (preferred: Plain Dealer) Water (squirt gun, or whatever) Matches (failing which, another source of light) Doughnut / Bagel Rubber Gloves Noisemaker Confetti (torn newspapers work well) Toilet Paper (preferred: Scott brand) Paper Airplanes Toast Party Hat Bell Cards Credits (other than actors) Original Musical Play and Lyrics by Richard O'Brien { "Dick number one!" } Screenplay Jim Sharman Richard O'Brien { "Dick number two!" } Musical Direction and Arrangements Richard Hartley { "Dick number three!" } Director of Photography Peter Suschitzley { "What did they do?" } Film and Music Editor Graeme Clifford{"They creamed Clifford!"} -
Hello Goodmorning Remix Ti Lyrics
Hello goodmorning remix ti lyrics Featuring Rick Ross & Nicki Minaj. Hello Good, morning tell me what the lip read; Got that shimmy shimmy ya shimmy yay ayou! Lyrics to Hello Good Morning (Ross & T.I Remix) by Diddy-Dirty Money. Lyrics: [Rick Ross:]/Hello good morning tell me what the lip read;/Pretty face, th. Hello Good morning tell me what the lip read. Diddy - Dirty Money lyrics are property and copyright of their owners. "Hello Good Morning (Remix)" lyrics provided for educational purposes and personal use only. [Rick Ross:] Hello Good morning tell me what the lip read pretty face, thin waist with the sick weave first time. Hello good morning Dirty money Any requests of songs/lyrics rate comment subscribe. Dirty money Hello. T.I ft Dirty Money - Hello, good Morning Lyrics *Dirty* BEST QUALITY! . This and the remix with Eminem are. Nicki Minaj - Envy Lyrics Video - Duration: RoseMathers16 1,, views · Diddy - Dirty Money. Lyrics to 'Hello Good Morning Remix' by Diddy-Dirty Money. Hello Good, morning tell me what the lip read; / Pretty face, thin waist with the sick weave / First. Lyrics of HELLO GOOD MORNING by Puff Daddy feat. Dirty Money and T.I.: Diddy, Hello Good morning, lets go lets ride, Hello Good morning. Lyrics of HELLO GOOD MORNING by Nicki Minaj: Rick Ross Hello Good morning tell me what the lip read, pretty face thin waist with the sick. Dirt Money and Nicki Minaj - Hello Good Morning (Remix) 3. Play | Download. Dirty money Hello good morning Ft rick ross Ti 3. Listen to 'Hello Good Morning (Remix)' by Diddy-Dirty Money Feat. -
Why It Matters
A Matter Of Scale The Scale Of The Problem Contents Part One: The Scale Of The Problem Chapter 1: One Ten Millionth Of A Metre 4 Chapter 2: One Millionth Of A Metre 19 Chapter 3: One Thousandth Of A Metre 31 Chapter 4: One Hundredth Of A Metre 44 Chapter 5: One Metre 55 Chapter 6: One Hundred Metres 70 Chapter 7: Beneath And Beyond 82 Part Two: Why It Matters Chapter 8: What Are We? 89 Chapter 9: Who Are We? 102 Chapter 10: Why Does It Matter? 115 Part Three: Making The Connection Chapter 11: Why Connect? 135 Chapter 12: How To Connect 148 Chapter 13: Why Can’t We Connect? 157 Part Four: How To Survive Chapter 14: Getting Angry 188 Chapter 15: You Are The System 197 Chapter 16: Making The Change 210 Chapter 17: Being Ourselves 253 Notes and References 264 2 Part One The Scale Of The Problem “Oh, the world is so big, and we are so small, The world is so big, are we here at all?” (Big Dipper, Songs From The Blue House) “The only constant I am sure of, Is this accelerating rate of change.” (Peter Gabriel, Downside-Up) A Matter Of Scale The Scale Of The Problem Chapter 1 One Ten Millionth Of A Metre Breathe in, and your body starts a battle. Countless microorganisms hitch a lift on every stream of air being pulled into your lungs, seeking out a place where they can embed themselves and multiply. Once inside every potential form of nutrition is fair game: blood cells, fat cells, skin, bone marrow, lymphatic fluid – all hosts for the army of invaders that just want to find a way of increasing their numbers.