The Rocky Horror Picture Show Movie Script Prepared and Edited By
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Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
ZCH Audition Packet the Rocky Horror Picture Show by Richard O’Brien Directed by Alice Schroeder
ZCH Audition Packet The Rocky Horror Picture Show by Richard O’Brien Directed by Alice Schroeder We are the home to the Twin Ports premiere Rocky Horror Picture Show shadow cast. Officially registered with The Rocky Horror Fan Club, we have joined the network of shadow casts that are performing all throughout the world. This will be our tenth year performing The Rocky Horror Picture Show in the Twin Ports. Experience the tradition. This Halloween, venture out at night and join us for a lip syncing extravaganza you'll never forget. Audition Information AUDITIONS: September 11, 2021, 1:00PM This is a general audition, no appointment necessary. Please feel free to arrive a few minutes early to get settled before the auditions begin at 1pm. LOCATION: NorShor Theatre Rehearsal Studios, 211 East Superior Street, 3rd floor. Please enter through the "Lights on Duluth" door on Superior St next to the Box Office. Then take the stairs or elevator up to the third floor (N3). The rehearsal studios are down the hall to the right. PREPARATION: Watch the movie. Be prepared to learn the Time Warp. If auditioning for a specific role, please prepare the song selection listed next to character names below. Please bring a résumé, headshot, and audition form to your audition. Due to the nature and content of the show, participants must be 18 years of age by the time of auditions! MASKS: Masks are currently required to be worn by everyone inside the Norshor. Actors will be allowed to remove their mask when they are in the act of performing. -
MOVIES / TV by ARTIST ] [ No of Tunes = 284 ]
[ MOVIES / TV by ARTIST ] [ No of Tunes = 284 ] 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA ABBA >> WATERLOO {K} ADAM SANDLER >> I WANT TO GROW OLD WITH YOU ADELE >> SKYFALL {K} AJR >> I'M READY {K} ANDY GRAMMER >> DON'T GIVE UP ON ME {K} ARETHA FRANKLIN >> RESPECT ARETHA FRANKLIN (BLUES BROTHERS) >> THINK ARIANA GRANDE >> DON'T CALL ME ANGEL {K} BARBARA STREISAND >> EVERGREEN BARBARA STREISAND AND BRIAN ADAMS >> I FINALLY FOUND SOMEONE BEATLES >> MAGICAL MYSTERY TOUR {K} BEATLES >> SGT PEPPER'S LONELY HEARTS CLUB BAND {K} BEATLES >> WITH A LITTLE HELP FROM MY FRIENDS {K} BEE GEES >> MORE THAN A WOMAN BEE GEES >> NIGHT FEVER {K} BEE GEES >> YOU SHOULD BE DANCING {K} BERLIN >> TAKE MY BREATH AWAY {K} BILL MEDLEY AND JENNIFER WARNES >> THE TIME OF MY LIFE BILL MEDLEY AND JENNIFER WARNES >> TIME OF MY LIFE BILLY JOEL >> ALL SHOOK UP {K} BLUES BROTHERS >> STAND BY YOUR MAN BOB SEGER >> C'EST LA VIE {K} BOBBY MC FERRIN >> DON'T WORRY BE HAPPY {K} BON JOVI >> BED OF ROSES {K} BOOMKAT >> WASTING MY TIME BROTHERS3 >> THE LUCKY ONES {K} CELINE DION >> MY HEART WILL GO ON CHEF >> CHOCOLATE SALTY BALLS CHEF >> SIMULTAEOUS CHRIS ISAAK >> BABY DID A BAD BAD THING {K} CHRIS SEBASTIAN >> BED FOR 2 {K} CHRISTINA AGUILERA >> HAUNTED HEART CHRISTINA AGUILERA - LIL' KIM - PINK - MYA >> LADY MARMALADE {K} CHRISTINA PERRI >> A THOUSAND YEARS {K} CHRISTINE AGUILERA AND MISSY ELLIOTT >> CAR WASH {K} CHUCK BERRY >> YOU CAN NEVER TELL COUNTING CROWS >> ACCIDENTALLY IN LOVE {K} CYRUS VILLANUEVA >> STONE D12 >> RAP GAME DAMI IM >> ALIVE {K} DAMI IM >> SOUND OF SILENCE -
<I>The Rocky Horror Show</I> at out Loud: It's Astounding! It's Innovative!
The Rocky Horror Show at Out Loud: It’s Astounding! It’s Innovative! The Rocky Horror Show at OutLoud: The cast in costume. (Credit: Piquant Photo) Out Loud usually does serious theater, but The Rocky Horror Show is not intended to be taken seriously. When it first hit the London stage in 1973, it was an obscure production in a small attic performance space, about as far off-off-off-Broadway as possible, but it became a surprise must-see hit for everyone who had been anyone in Swinging London. The original company had artistic roots in the King’s Road proto-punk scene that a few years later would bring first-wave punk to public attention, giving birth to bands such as the Sex Pistols. Hurling itself against every sacred cow it could find, dressing male characters in high heels and corsets, the show reveled in flouting ’70s-era sexual taboos. A film version was released in 1975 that, by 1980, was well on its way to becoming the ultimate midnight cult classic. The Rocky Horror Show at OutLoud: Maggie Papa as Riff-Raff. (Credit: Dave Cantelli) A parodistic homage to hokey science-fiction and movies from the 1930s through the 1960s, many of which (King Kong, Flash Gordon, The Invisible Man, When Worlds Collide, Forbidden Planet, The Day the Earth Stood Still) are explicitly referenced in the lyrics of the opening song “Science Fiction, Double Feature” sung by the Usherette (Maggie Papa), the plot concerns two newly engaged high school students, Janet Weiss (Beth Alianiello) and Brad Majors (Jeremy Chiang), going for a drive to thank the teacher of the science class, Dr. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Opening Song a Long, Long Time Ago, in a Galaxy Far, Far Away, God Said Let Ther Be Lips, and There Were Lips, and They Were
Rocky Horror Picture Show 1 OPENING SONG A LONG, LONG TIME AGO, IN A GALAXY FAR, FAR AWAY, GOD SAID LET THER BE LIPS, AND THERE WERE LIPS, AND THEY WERE GOOD…Michael Rennie was ill, the Day the Earth Stood Still, but he told us where we stand. ON OUR HEAD! And Flash Gordon was there in EDIBLE underwear, Claude Rains was the Invisible Man. SHIT, I MISSED HIM. Then something went wrong FOR WHO? For Fay Wray and King Kong; WHAT HAPPENED? They got caught in a celluloid jam. YEA JAM! Then at a deadly pace it came ON JANET’S FACE! And this is how the message ran: FREEZE! CHORUS: Science fiction, OO-OO-OO double feature BOW-WOW-WOW, Doctor X FUCK N. FURTER will build a creature. See androids fighting AND FUCKING, AND SUCKING ON Brad and Janet. Anne Francis stars in WHERE Forbidden Planet OH OH OH OH OH At the late night, double feature, picture show. I knew Leo G. Carrol WAS FUCKING A BARREL, when tarantula took to the hills. LICK THOSE LIPS! And I really got hot WHEN I SAW JANET’S TWAT, fight a triffid that spits poison and kills. WHAT THE FUCK IS A TRIFFID? Dana Andrews said Prunes YEA PRUNES! gave him the runes GAVE HIM THE SHITS! YEA SHITS! And passing them used lots of skills. SEX KILLS! But When Worlds Collide, BOOM (Clap in unison) Said George Powell to his bride, "I’M GONNA GIVE YOU SOME JOINTS AND SOME PILLS” Like a...FUCK! CHORUS: Science fiction, OO-OO-OO double feature BOW-WOW-WOW, Doctor X SEX, SEX, SEX will build a creature. -
Giving Yourself Over to Absolute Pleasure
Hugvísindasvið Giving Yourself Over to Absolute Pleasure - a study on the cult of The Rocky Horror Picture Show Ritgerð til B.A.-prófs Hildur Ásgeirsdóttir Maí 2010 Háskóli Íslands Hugvísindasvið Enska Giving Yourself Over to Absolute Pleasure - a study on the cult of The Rocky Horror Picture Show Ritgerð til B.A.-prófs Hildur Ásgeirsdóttir Kt.: 051287-2669 Leiðbeinandi: Úlfhildur Dagsdóttir Maí 2010 Summary: In this thesis I intend to discover what makes a movie acquire cult status and what that title means. I want to know if there is a certain standard a movie has to meet to become a cult movie and find out if the cult classic The Rocky Horror Picture Show meets that standard. This movie tells the story of two “ordinary” people who happen to knock on the door of Frank-N-Furter, an alien who wants to create the perfect man. This movie has become one of the best known cult movies of all time and can even be called “the ultimate cult movie.” It has one of the steadiest fan bases ever known and the fans have created their own mini-society based on the movie and a ritual has evolved around watching it at the cinema. By reviewing the behaviour of cult fans I will find out what sets them apart from “normal” fans and why they are often frowned upon by those outside of the cult society. I will look into the cult elements that can be found in this movie and find out if it is justifiable to call the movie one of the best known cult films today. -
The Rocky Horror Show
Let’s Do The Time Warp Again! THE ROCKY HORROR SHOW .. / parksquaretheatre.org SEP –NOV sponsored by Executive Director Note Of course we have learned a lot since . The transgender people Saturday of color who kicked off the gay rights revolution years ago at riots in New York’s Stonewall Inn and San Cinema Francisco’s Compton’s Cafeteria are only just now—slowly and painfully— getting recognized as our brothers and sisters who deserve not just rights but our respect. Host Lynn Warfel plays Director Ilana Ransom Toeplitz, has the best scores and Let’s Do the Time Warp Again! rooted today’s show in our collective sounds from the movies love for this campy reminder that we Like Park Square, The Rocky Horror are all in this life together. We are Tune in every Show had its debut in . You can one rainbow family of humanity. Saturday at 10 a.m. still see the famous fi lm version with Tim Curry Saturdays at midnight in Thank you for being naughty with Minneapolis. us tonight and for joining our loving Rocky Horror Show family. My own introduction happened in the early s, dancing to “Sweet As the song says: “Don’t Dream It, Transvestite” at high school drama BE IT!” t UNDER parties. Rocky’s madcap mix of “Barbarella”-style science fi ction (And please help us clean up the aisles and glam rock band concert was an as you exit the theatre!) PRESSURE exhilarating soundtrack to a closeted presented by: gay teenager. This show gives us all Yours, Cuisine. -
Rocky Horror Picture Show Soundtrack Download Free Rocky Horror Picture Show Soundtrack Download Free
rocky horror picture show soundtrack download free Rocky horror picture show soundtrack download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66af2bdfda9ec424 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. The Rocky Horror Picture Show Genre Analysis. The Rocky Horror Picture Show is a 1975 film that was adapted from a musical play of the same name. It is a cult phenomenon that has been preserved in the library of congress due to its overwhelming success. The Rocky Horror Picture Show is both a horror movie and a musical. It also uses elements of comedy and sci-fi but we’ll focus on the main aspects: horror and musical. The Rocky Horror Picture Show tells the story of an engaged couple, Brad and Janet, who stumble upon a castle belonging to the eccentric Dr. Frank N. Furter who will give them a night they’ll never forget. The Rocky Horror Picture Show is one of the best-known musicals of all time thanks to the success of the film. -
Stir Music Credits
Music Cameron Allan music conductor Chris Nichols Cameron Allan is an under-rated composer who began working during the Australian revival (and often working with Chris Nichols as conductor, though Nichols is credited as Nicolls on Jim Sharman's adaptation of Patrick White's The Night the Prowler). Allan was inclined to the "less is more" style of screen music, in contrast to say Brian May's notion of "more can never be enough, more please" style. Allan was also inclined to exotic instrumentation suggesting Asian influences. Both tendencies can be seen in his work for Stir, and it has a moderating influence on any tendency to drift towards melodrama. Ben Goldsmith made these astute comments on use of music in the film: The use of music … throughout the film is … noteworthy. Music is rare in the film, but it is used extremely effectively. It is heard for the first time at the end of this scene (the opening stylised sequence shot with a blue filter) providing a bridge to the title sequence that follows. Cameron Allan's score is minimalist in style, consisting solely of short repeated phrases, often only one or two notes, on pizzicato strings or piano, often accompanied by a variety of percussion instruments - chimes, wooden blocks, rattles - suggesting the characteristic soundscape of the institution: the ominous, oppressive rhythm of officers' footsteps along cell block corridors, bolts clanging, keys jangling, doors slamming, sirens wailing. It is not until the end credit sequence that the music comes anywhere near a pleasant melody, but even here the piano is hesitant, with notes allowed to reverberate as we contemplate the rioters' fate.