Chloe Armstrong

Total Page:16

File Type:pdf, Size:1020Kb

Chloe Armstrong SHANAHAN SIMON BURKE | Actor TELEVISION Year Production/Character Director Company 2017 DEAD LUCKY David Caeser Subtext Pictures/SBS TV Tony Hodge 2016 DEEP WATER Shawn Seet Blackfella Films Simon Mawbrey 2015 RAKE: SERIES 4 Various Essential Media & Entertainment Det. Warwick Dormann 2013 DEVIL’S PLAYGROUND Rachel Ward & Tony Matchbox Pictures Tom Allen Krawitz 2013 MISS FISHER’S MURDER Various Phryne Fisher Series 2 P/L MYSTERIES (SERIES 2) Nicholas 2011-12 I SHOULDN’T BE ALIVE Various Darlow Smithson Productions Mike Dillon 2010 RESCUE SPECIAL OPS Various Southern Star Productions Warren 2009 HUSTLE Martin Hutchins BBC Nick 2008 CHRISTMAS AT THE HOUSE Opera Enterprises Host 2007 ALL SAINTS Various Seven Network Operations Brad Douglas Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2006 STUDIO A WITH SIMON BURKE Various Foxtel Host 2006 THANK GOD YOU’RE HERE Various Working Dog Productions Guest 1989- PLAYSCHOOL Various ABC TV 2006 Presenter 2005 SMALL CLAIMS 3: THE REUNION Tony Tilse RB Films John 2004 THE ALICE Kate Dennis Southern Star Productions Patrick 2003 POSTCARD BANDIT Tony Tilse Nine Network Sid Thomas 2003 GRASS ROOTS Various ABC Tony Ludovic 2002 YOUNG LIONS Various Southern Star Productions Rob Watson 2002 HEROES’ MOUNTAIN Peter Andrikidis Southern Star Productions Euan Diver 2002 AFTER THE DELUGE Brendan Maher Cox – Knight Productions Michael 2001 BLUE HEELERS Various Souther Star Productions Mick Boyce 2001 SOUTH PACIFIC Richard Pearce Samson Productions Bill Harbison 1998 MURDER CALL Various Sountern Star Entertainment Guy Searle 1997 WATER RATS Various Southern Star Entertainment Detective Sergeant ‘Mac’ Phillips 1996 THE RING Armand Mastroianni The Cramer Company/NBC Johan 1996 THE ONE THAT GOT AWAY Paul Greengrass London Weekend Television Stan 1991 HEROES II: THE RETURN Donald Crombie TVS Films Captain Ellis 1991 BRIDES OF CHRIST Various ABC Jack Delahunty Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 1988 ALWAYS AFTERNOON David Stevens Afternoon Pictures Tom 1988 GREAT PERFORMANCES Various Image Entertainment John McCormack 1987 THE FLYING DOCTORS Various Crawford Productions Daryl Stokes 1986 IVANHOE Various Burbank Films Australia 1983 KINGS Various Nine Network Australia 1983 SCALES OF JUSTICE Michael Jenkins ABC Const. Webber 1982 A COUNTRY PRACTICE Various JNP Productions Roger Morrison 1981 A HARD GOD William Fitzwater ABC 1980 SLIPPERY SLIDE Donald Crombie Nine Network Australia Steve 1977 THE RESTLESS YEARS Various Grundy Productions Stephen Moran 1976 THE SULLIVANS Various Crawford Productions Peter Robinson 1973 MATLOCK POLICE Various Crawford Productions Davey Evans FILM Year Production / Character Director Company 2015 SUPER AWESOME! Guy Edmonds & Matt Fat Budgie Films Jack Simpson Zeremes 2002 TRAVELLING LIGHT Kathryn Millard Toi Toi Productions Ray Sugars 1999 PITCH BLACK David Touhy Intrepid Films Owens 1998 PASSION Peter Duncan Matt Carroll Films Herman A|Sandby 1987 SLATE, WYN & ME Don McLennan FGH Wyn Jackson 1982 THE CLINIC David Stevens Generation Films Paul Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 1978 THE IRISHMAN Donald Crombie Forest Home Films Michael Doolan 1976 THE DEVIL’S PLAYGROUND Fred Schepisi The Film House Tom Allen THEATRE Year Production/Character Director Company 2021 PIPPIN Diane Paulus Gordon Grost Oranisation Charles 2019 CATCH ME IF YOU CAN Cameron Mitchell Hayes Theatre Co. Frank Abignale 2019 MARY STUART Lee Lewis Sydney Theatre Company Paulet 2018 THE MISANTHROPE Lee Lewis Bell Shakespeare Arsenio 2018 STRANGERS IN BETWEEN Daniel Lammin fortyfivedownstairs / Peter Seymour Centre 2017 NOSIES OFF Sam Strong QTC / MTC Lloyd Dallas 2017 THE HOMOSEXUALS OR Lee Lewis Griffin Theatre / Malthouse THE ‘FAGGOTS’ Warren 2016 CLINTON THE MUSICAL Adam Mitchell Black Swan State Theatre Company Clinton 2016 HAIRSPRAY Callum Mansfield Harvest Rain Theatre Company Edna Turnblad 2014 LA CAGE AUX FOLLES Dean Bryant The Production Company George 2013 THE WHARF REVUE Sydney Theatre Company Various 2013 MRS WARREN’S PROFESSION Sarah Giles Sydney Theatre Company Praed 2011 MARY POPPINS Richard Eyre Disney/Cameron Mackintosh Mr Banks Brisbane, Perth. 2010 HOLDING THE MAN David Berthold Trafalgar Studios, West End Various (London) 2009 LA CAGE AUX FOLLES Terry Johnson The Playhouse, West End Georges (London) Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2008 WHEN THE RAIN STOPS FALLING Michael Attenborough Almeida (London) Joe Ryan 2007 THE SOUND OF MUSIC Jeremy Sams London Palladium Captain Von Trapp 2007 COMPANY Gale Edwards Kookaburra Theatre Company Harry 2007 OCTOBER Julian Meyrick Griffin Theatre Company Dick 2007 SNUGGLEPOT & CUDDLEPIE Neil Armfield Company B Belvoir Lizard 2006 THEY’RE PLAYING OUR SONG Sandra Bates Ensemble Theatre Vernon Gersch 2001-06 HELPMANN AWARDS Denis Watkins AEIA Host 2005-06 THREE FURIES Jim Sharman 2005 – 2006 Sydney Perth Adelaide Francis Bacon Festivals – Performing Lines 2005 LOVE LETTERS John Clark/Les Currie Parade Theatre NIDA Andrew Make-Peace Ladd III 2004 SATANGO Wayne Harrison Griffin Theatre Company Luciano Santani 2004 TAKE ME OUT Kate Cherry Melbourne Theatre Company Mason Marzac 2002 MR KOLPERT Benedict Andrews Sydney Theatre Company Bastian 2001 UP FOR GRABS Gayle Edwards Sydney Theatre Company Gerry 1999 CHICAGO Walter Bobbie IMG Billy Flynn 1999 SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company Young Marlow 1996 A LITTLE NIGHT MUSIC Sean Mathias Royal National Theatre Carl – Magnus SHORT FILM Year Production / Character Director Company 2018 THE OBSCURE Tel Benjamin Jemma Douglas/Lucy Rennick Lee 2017 DIRT TIN James Fraser Holly Fraser/Sharath Ravishankar Burko Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2006 SHUFFLE Maia Horniak Edgar 2003 PRESERVATION Sofya Gollan Chilling Pictures Mr Crewe AWARDS & NOMINATIONS Year Award/Nomination Production 2015 Queen’s Birthday Honours, Officer of the Order of Australia (AO) "For distinguished service to the performing arts as an actor, singer and producer” 2015 AACTA Award for Best Telefeature or Mini Series DEVIL’S PLAYGROUND Executive Producer 2015 LOGIE Award for Best Telefeature or Mini Series DEVIL’S PLAYGROUND Executive Producer 2005 Sydney Theatre Award Nomination for Best Actor in a Lead THREE FURIES Role 1976 AFI Award for Best Actor in a Feature Film THE DEVIL’S PLAYGROUND Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] .
Recommended publications
  • Particpant Bios
    CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’.
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • The Rocky Horror Picture Show Movie Script Prepared and Edited By
    The Rocky Horror Picture Show Movie Script Prepared and Edited by: George Burgyan ([email protected]) July 5 1993 The Rocky Horror Picture Show Movie Script HTTP://COPIONI.CORRIERESPETTACOLO.IT Cast: Dr. Frank-n-Furter (a scientist) Tim Curry Janet Weiss (a heroine) Susan Sarandon Brad Majors (a hero) Barry Bostwick Riff Raff (a handyman) Richard O'Brien Magenta (a domestic) Patricia Quinn Columbia (a groupie) Little Nell (Laura Campbell) Dr. Everett V. Scott (a rival scientist) Jonathan Adams Rocky Horror (a creation) Peter Hinwood Eddie (ex-delivery boy) Meat Loaf The Criminologist (Narrator) (an expert) Charles Gray The Transylvanians: Perry Bedden Fran Fullenwider Christopher Biggins Lindsay Ingram Gayle Brown Penny Ledger Ishaq Bux Annabelle Leventon Stephen Calcutt Anthony Milner Hugh Cecil Pamela Obermeyer Imogen Claire Tony Then Rufus Collins Kimi Wong Sadie Corre Henry Woolf Props: Rice Bouquet Rings Newspaper (preferred: Plain Dealer) Water (squirt gun, or whatever) Matches (failing which, another source of light) Doughnut / Bagel Rubber Gloves Noisemaker Confetti (torn newspapers work well) Toilet Paper (preferred: Scott brand) Paper Airplanes Toast Party Hat Bell Cards Credits (other than actors) Original Musical Play and Lyrics by Richard O'Brien { "Dick number one!" } Screenplay Jim Sharman Richard O'Brien { "Dick number two!" } Musical Direction and Arrangements Richard Hartley { "Dick number three!" } Director of Photography Peter Suschitzley { "What did they do?" } Film and Music Editor Graeme Clifford{"They creamed Clifford!"}
    [Show full text]
  • Stir Music Credits
    Music Cameron Allan music conductor Chris Nichols Cameron Allan is an under-rated composer who began working during the Australian revival (and often working with Chris Nichols as conductor, though Nichols is credited as Nicolls on Jim Sharman's adaptation of Patrick White's The Night the Prowler). Allan was inclined to the "less is more" style of screen music, in contrast to say Brian May's notion of "more can never be enough, more please" style. Allan was also inclined to exotic instrumentation suggesting Asian influences. Both tendencies can be seen in his work for Stir, and it has a moderating influence on any tendency to drift towards melodrama. Ben Goldsmith made these astute comments on use of music in the film: The use of music … throughout the film is … noteworthy. Music is rare in the film, but it is used extremely effectively. It is heard for the first time at the end of this scene (the opening stylised sequence shot with a blue filter) providing a bridge to the title sequence that follows. Cameron Allan's score is minimalist in style, consisting solely of short repeated phrases, often only one or two notes, on pizzicato strings or piano, often accompanied by a variety of percussion instruments - chimes, wooden blocks, rattles - suggesting the characteristic soundscape of the institution: the ominous, oppressive rhythm of officers' footsteps along cell block corridors, bolts clanging, keys jangling, doors slamming, sirens wailing. It is not until the end credit sequence that the music comes anywhere near a pleasant melody, but even here the piano is hesitant, with notes allowed to reverberate as we contemplate the rioters' fate.
    [Show full text]
  • The Rocky Horror Show
    The Rocky Horror Show This article is about the musical. For its motion picture Rocky Horror Show to keep himself busy on winter adaptation, see The Rocky Horror Picture Show. evenings. Since his youth, O'Brien had developed a pas- sion for science fiction and B horror movies; he wanted to The Rocky Horror Show is a musical with music, lyrics combine elements of the unintentional humour of B hor- ror movies, portentous dialogue of schlock-horror, Steve and a book by Richard O'Brien. A humorous tribute to the science fiction and horror B movies of the late 1940s Reeves muscle flicks and fifties rock and roll into The .[2] A major theme running through- through to the early 1970s, the musical tells the story of a Rocky Horror Show newly engaged couple getting caught in a storm and com- out the musical is transvestitism, which according to ing to the home of a mad transvestite scientist unveiling O'Brien was not originally meant to be as prominent as his new creation, a muscle man named Rocky Horror. it would end up being. Produced and directed by Jim Sharman, the original Lon- O'Brien took a small amount of his unfinished Rocky don production of the musical premiered at the Royal Horror to Australian director Jim Sharman, who de- Court Theatre (Upstairs) on 19 June 1973 before mov- cided he wanted to direct it at the small experimental ing to several other locations in London and closing on space Upstairs at the Royal Court Theatre, Sloane Square, Chelsea, London, which was used as a project space for 13 September 1980, running for a total of 2,960 perfor- [3] mances and winning the 1973 Evening Standard Theatre new work.
    [Show full text]
  • • • • Monday 11 July 2016, London. This Halloween BFI Southbank Will Host the Science Fiction Double Feature Picture Show
    Monday 11 July 2016, London. This Halloween BFI Southbank will host the Science Fiction Double Feature Picture Show, the ultimate celebration of all things Rocky Horror. The event on Saturday 29 October will include ‘shadow cast’ screenings of The Rocky Horror Picture Show (Jim Sharman, 1975) starring Tim Curry, Susan Sarandon and original creator Richard O’Brien, and the often over-looked sequel Shock Treatment (Jim Sharman, 1981), starring O’Brien and Patricia Quinn alongside famous faces like Ruby Wax, Rik Mayall and Barry Humphries. The screenings mark the 35th anniversary of the release of Shock Treatment. A unique experience for super-fans and the uninitiated alike, the ‘shadow cast’ will see an international cast of Rocky Horror performers from the UK, US and Europe take to the stage to perform numbers from both films live, while the films screen in the background. Following the screening of Shock Treatment cast and crew will reunite for a celebratory panel discussion to mark the anniversary. Audiences are then invited to join us in the Benugo Bar and Kitchen afterwards for the Time Warp Ball, complete with Transylvanian cocktails and spooky tunes. Ticketholders to the Science Fiction Double Feature Picture Show are also invited to dive into the world of these cult classics with a plethora of convention activity in the hours leading up to the screenings. The BFI Denton Convention will offer opportunities to meet the cast of the films, get a Transylvanian makeover and discover the magic behind these musical masterpieces. Take your pick from a range of fascinating panel discussions, Q&A, autograph opportunities and screenings.
    [Show full text]
  • 35 Jim Sharman's the Rocky Horror Picture Show (1975)
    ‘G IVE YOURSELVES OVER TO ABSOLUTE PLEASURE ’: THE ROCKY HORROR PICTURE SHOW ’S QUEERING OF COUNTERCULTURE FILM Monica MICHLIN Université Paris IV - Sorbonne Jim Sharman’s The Rocky Horror Picture Show (1975), the filmic adaptation of the Richard O’Brien musical, stands out among other musical films of the counter-culture. It is remarkable for its excess, its energy, its humor, its mocking of traditional gender codes and its pronounced taste for the “visually abysmal” both in the meaning of camp and its mise en abyme of icons of both high and low visual culture—from Michelangelo’s David to Charles Atlas ads, and from Frankenstein (James Whale, 1931) to King Kong (Cooper and Schoedsack, 1933) to The Wizard of Oz (Victor Fleming, 1939)—in a pastiche and parody of genre films. While it is, itself, a hodge-podge of musical 1 and horror story, a warped romantic comedy and a science fiction farce, it deploys its unique countercultural energy in its Dionysian celebration of its queer main character, Dr. Frank’n’Furter, a transvestite avatar of Dr. Frankenstein, played by Tim Curry. In highlighting how its queering of genres is meshed with the queering of gender, and the hedonistic celebration of “performance,” I will stress how the film’s deliberately provocative visual and narrative techniques, as well as its constant celebration of excess and chaos prompt the audience to warp it in turn and, in a mise en abyme of the carnivalesque, to break down the fourth wall in the way fan communities started to do one year after the film’s release, in midnight performances, arguably making it to this day the ultimate cult film of the mid-seventies.
    [Show full text]
  • High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour High
    High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour MEDIA ENQUIRIES: ROGERS & COWAN Lorraine Osmundsen 212.878.5028 [email protected] | Lauren Wilsman 212.878.5007 [email protected] Jenny McGirl 212.878.5006 [email protected] High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour On the Heels of Smash Hit Run in Australia & New Zealand Tickets On Sale May 11, 2012 New York, NY– May 10, 2012 – This summer, audiences across North America will experience the magic of fire- breathing dragons that soar through arena skies in DREAMWORKS’ HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR. DreamWorks Animation SKG, Inc. (Nasdaq: DWA), Global Creatures and S2BN Entertainment today announced HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR will embark on a worldwide tour following its critically-acclaimed debut in Australia and New Zealand. The tour will be produced by RZO Dragon Productions to deliver 23 dragons, some with wingspans of up to 46 feet, Viking warriors and world-class circus artists and acrobats, to perform against a state-of-the-art, wall-to-floor immersive projection measuring more than 20,000 square feet. HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR was created by DreamWorks Animation, producers of the Academy Award®-nominated film,How to Train Your Dragon, which grossed approximately $500 million at the worldwide box office and opened as the #1 film in over 30 countries and Global Creatures, the masterminds behind the international phenomenon Walking with Dinosaurs, the #1 grossing world tour of 2010.HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR’s worldwide tour is exclusively promoted by S2BN Entertainment and delivers some of the most ambitious theatrical technology to ever tour the arena.
    [Show full text]
  • Download Newsletter 21 for July 2009
    FRIENDS OF THE NATIONAL FILM AND SOUND ARCHIVE INC NEWSLETTER ISSUE 21 July 2009 Founding Patrons: Gil Brealy, Bryan Brown, Anthony Buckley, Scott Hicks, Patricia Lovell, Chris Noonan, Michael Pate, Fred Schepisi, Albie Thoms Never doubt that a small group of thoughtful committed citizens can change the world. Indeed, it is the only thing that ever has. Margaret Mead DEAR FRIENDS, It is nearly a year since the NFSA achieved independent statutory status, on 1 July 2008. This was first recommended in the report of its initial Advisory Committee, Time in our hands, in 1985. You can read the Act at http://tinyurl.com/kj7wzq . With the implementation of the Act, the NFSA’s former association with the Australian Film Commission (merged into Screen Australia as from the same date) has come to an end. Under the Act the NFSA has a governing Board, which took office on the same date. It is chaired by Professor Chris Puplick AM and membership includes the founding president of the Friends of the NFSA, Andrew Pike OAM. In November Dr Darryl McIntyre took up the position of inaugural Chief Executive. For more information about Dr McIntyre, Professor Puplick and the new Board, you can go to the NFSA website: http://www.nfsa.gov.au/about_us/corporate/ceo_profile.html For more background, read on…… THE FRIENDS COMMITTEE At the AGM Friday 16 December 2008, the following committee members were elected: Ann Baylis (President), Sue Terry (Secretary), Chris Emery (Treasurer), Adrian Cunningham, Ray Edmondson, James Sandry, Chris Harrison. Outgoing committee members Shelley Clarke, Peter Hislop, Andrew Pike and Simon Weaving were thanked for their many years of service to the Friends.
    [Show full text]
  • THANK YOU BUTCH CALDERWOOD OAM ACS This Is the Last Issue of Australian Cinematographer That Will Have Butch at the Helm
    Focused on the Future Fujinon is a recognised technology leader worldwide and a highly respected provider of optics and lens assemblies to the broadcast, digital cinema and industrial markets. Our company’s line of television zoom lenses are used in virtually every segment of the broadcast industry, including electronic news gathering, studio and field production, and high definition television. For more information contact FUJIFILM (02) 9466 2600 or email [email protected] www.fujifilm.com.au Portrait of Don McAlpine by Jasin Boland Is RED Epic as good as they say? It’s already gone Mental. Red Epic is already in Australia. Supplied and supported by Panavision, it is debuting on the east and west coasts for the Australian features Mental and Drift. “I chose the Epic as it was the only camera that would achieve a high quality ‘Super 35’ 2.33–1 frame across the chip that could be squeezed and released as a 35mm anamorphic print.” said Don McAlpine ACS, ASC. And naturally, RED Epic comes with the backup of the trusted Panavision ground crew. Sydney +61 2 8437 5555 Gold Coast +61 7 5656 7333 Melbourne +61 3 8532 8800 Auckland +64 9 360 8770 www.panavision.asia of the Australian Cinematographers Society’s Articles BY DEFINITION of Association “a cinematographer is a person with technical expertise who manipulates light to transfer visual information by the use of a camera into aesthetic moving images on motion picture fi lm or electronic recording systems” magazine @austcine.org.au ............ Australian Cinematographer is published
    [Show full text]
  • A Scenic Design for Richard O'brien's the Rocky Horror Show
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 A Scenic Design For Richard O'Brien's The Rocky Horror Show Gary Alexander University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Alexander, Gary, "A Scenic Design For Richard O'Brien's The Rocky Horror Show" (2008). Electronic Theses and Dissertations, 2004-2019. 3810. https://stars.library.ucf.edu/etd/3810 A SCENIC DESIGN FOR RICHARD O’BRIEN’S THE ROCKY HORROR SHOW by GARY DAVID ALEXANDER B.F.A. University of North Carolina at Greensboro, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2008 ©2008 Gary D. Alexander ii ABSTRACT This thesis documents my process as Scenic Designer for Richard O’Brien’s musical, The Rocky Horror Show, presented by the University of Central Florida Conservatory Theatre. This production premiered on the University of Central Florida’s Mainstage Theatre 29 March 2007 and ran for fifteen performances, closing on 15 April 2007. This thesis includes my research and analysis of the published script and a production journal which documents my process for our specific production.
    [Show full text]
  • Bibliography General References Adams, Alice
    1 bibliography general references Adams, Alice. 'Maternal Bonds: Recent Literature on Mothering'. Signs: Journal of Women in Culture and Society, volume 20, number 2, Winter 1995, pp. 414-27. Adler, Dan L. 'Matriduxy in the Australian Family', in A.F. Davies & S. Encel, (eds). Australian Society: A Sociological Introduction. Pall Mall, London, 1965, pp. 149-55. Alexander, Sally. Becoming a Woman and Other Essays in 19th and 20th Century Feminist History. Virago, London, 1994. Allen, J. 'Octavius Beale re-considered: Infanticide, baby farming and abortion in NSW 1880-1939', in Sydney Labour History Group, What Rough Beast? The State and Social Order in Australian History. George Allen & Unwin, Sydney, 1982, pp. 111-29. Alysen, Barbara, 'Australian Women in Films', in A. Moran & T. O'Regan, (eds). An Australian Film Reader. Currency, Sydney, 1985, pp. 302-13. Ambert, Anne-Marie. The Effect of Children on Parents. Haworth Press, NY, 1992. Anderson, Robyn, & Sue Adler. 'Jim Sharman'. Cinema Papers 20, March/April 1979, pp. 268-71. Appignanesi, Lisa, & John Forrester. Freud's Women. Virago, London, 1993. Arcana, Judith. Our Mother's Daughters. The Women's Press, London, 1984, (1979). Aspin, L.J. The Family: An Australian Focus. Longman Cheshire, Melbourne, 1987, (1982). Attwood, Alan. 'Girls Just Wanna be Mums'. Sydney Morning Herald, 23 February 1998, p. 11. Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Harvard University Press, Cambridge, Massachusetts, 1982. Aveling, Marian, & Joy Damousi. Stepping Out of History: Documents of Women at Work in Australia. Allen & Unwin, Sydney, 1991. Backett, Kathryn C. Mother and Fathers: A Study of the Development and Negotiation of Parental Behaviour.
    [Show full text]