Metro Cinema
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CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
'Tommy Wiseau's '
MEDIA ALERT – January 16, 2018 Due to Overwhelming Fan Demand, Encore of ‘Tommy Wiseau’s ‘The Room’’ Comes to Cinemas for One More Night on January 19 WHAT: Referred to as "the ‘Citizen Kane’ of bad movies," “The Room” has received a remarkable resurgence due to the popularity of James Franco’s “The Disaster Artist” and Tommy Wiseau’s recent appearance on The Golden Globes. On January 10, fans came out in droves as Wiseau’s opus hit more than 500 big screens across the nation with “Tommy Wiseau’s ‘The Room.’” Due to overwhelming demand, an encore screening has been set for Friday, January 19, 2018. In addition to the full-length feature, moviegoers will enjoy a special look at the new “Best F(r)iends” trailer, starring Wiseau and Greg Sestero. Starring Tommy Wiseau, directed by Tommy Wiseau, written by Tommy Wiseau, screenplay by Tommy Wiseau and produced by Tommy Wiseau, “The Room” follows the story of Johnny (Wiseau). Johnny is a bank employee who, seemingly, lives happily in a San Francisco townhouse with Lisa, his fiancée. One day she gets bored with Tommy and seduces his best friend, Mark (played by Wiseau’s best friend, Greg Sestero, author of the award-winning 2013 memoir “The Disaster Artist”). Johnny screams, “You’re tearing me apart, Lisa!”– and, with that, nothing, or no one, will ever be the same. WHO: Fathom Events WHEN: Friday, January 19, 2018; 7:00 p.m. local time WHERE: Tickets for “Tommy Wiseau’s ‘The Room’” encore will be available throughout the week online by visiting www.FathomEvents.com or at participating theater box offices. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Rocky Horror Picture Show Movie Script Prepared and Edited By
The Rocky Horror Picture Show Movie Script Prepared and Edited by: George Burgyan ([email protected]) July 5 1993 The Rocky Horror Picture Show Movie Script HTTP://COPIONI.CORRIERESPETTACOLO.IT Cast: Dr. Frank-n-Furter (a scientist) Tim Curry Janet Weiss (a heroine) Susan Sarandon Brad Majors (a hero) Barry Bostwick Riff Raff (a handyman) Richard O'Brien Magenta (a domestic) Patricia Quinn Columbia (a groupie) Little Nell (Laura Campbell) Dr. Everett V. Scott (a rival scientist) Jonathan Adams Rocky Horror (a creation) Peter Hinwood Eddie (ex-delivery boy) Meat Loaf The Criminologist (Narrator) (an expert) Charles Gray The Transylvanians: Perry Bedden Fran Fullenwider Christopher Biggins Lindsay Ingram Gayle Brown Penny Ledger Ishaq Bux Annabelle Leventon Stephen Calcutt Anthony Milner Hugh Cecil Pamela Obermeyer Imogen Claire Tony Then Rufus Collins Kimi Wong Sadie Corre Henry Woolf Props: Rice Bouquet Rings Newspaper (preferred: Plain Dealer) Water (squirt gun, or whatever) Matches (failing which, another source of light) Doughnut / Bagel Rubber Gloves Noisemaker Confetti (torn newspapers work well) Toilet Paper (preferred: Scott brand) Paper Airplanes Toast Party Hat Bell Cards Credits (other than actors) Original Musical Play and Lyrics by Richard O'Brien { "Dick number one!" } Screenplay Jim Sharman Richard O'Brien { "Dick number two!" } Musical Direction and Arrangements Richard Hartley { "Dick number three!" } Director of Photography Peter Suschitzley { "What did they do?" } Film and Music Editor Graeme Clifford{"They creamed Clifford!"} -
LSUG July 29Th 2012
Next Sunday Special Guest Monkee Micky Dolenz! PLAYLIST JULY 29th, 2012 HOUR 1 George Harrison – Bangla Desh George wrote the song in “ten minutes,” for his friend, Ravi Shankar’s war-torn homeland. While in LA working on the soundtrack for the Raga film, Ravi informed George of the atrocities occurring in his native India. Leon Russell, who played keyboards on the session, contributed the idea for the “story” introduction to the song. The song included George, Eric Clapton, Ringo, Bobby Keys, Billy Preston and Leon Russell. Although the lineup is disputed by Jim Horn, who recalls that himself, George, Leon Russell, Klaus Voorman and Jim Keltner were present. voice break The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded Feb. 25-26, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - I’m Happy Just To Dance With You - A Hard Day’s Night (Lennon-McCartney) Lead vocal: George Written by John and Paul specifically to give George a song in the movie “A Hard Day’s Night.” Completed in four takes on March 1, 1964, with filming slated to begin the next day. -
How's It Going Bros: Pewdiepie's Memeing in Tertiary Orality
HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN (Under the Direction of Shira Chess) ABSTRACT PewDiePie, the most subscribed YouTuber with 61 million subscribers, became a controversial figure in 2017 after cases of hate speech in his videos. While his hate speech has obvious room for exploration, it is impossible to examine his hate speech without first analyzing the creation of his memetic language within the broader digital culture in which he exists and how users within that digital culture adopt his language. This thesis explores the development of orality in digital culture, placing PewDiePie in the middle of the tertiary orality and meme culture. Upon analysis of PewDiePie’s videos and the language adopted by his audience, I conclude PewDiePie’s intent for his speech does not matter, as propagators of hate speech interpellated that they are the subject of his speech. INDEX WORDS: orality; tertiary orality; digital culture; participatory culture; memetics; internet memes; ambivalent internet; interpellation; YouTube; PewDiePie HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN A.B.J., The University of Georgia, 2016 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2018 © 2018 Travis Brown All Rights Reserved HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN Major Professor: Shira Chess Committee: Itai Himelboim Jay Hamilton Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2018 DEDICATION To Mom, for instilling in me my love for learning; And Elizabeth, for keeping me sane while I do so. -
Things Must Pass
Eindexamen Engels vwo 2006-I havovwo.nl Tekst 2 Remembering a Beatle … guitarist Eric Clapton at the Royal Albert Hall music specially composed by Ravi Shankar. All things must pass A tiny, frail figure, Shankar sits onstage, nodding as his daughter Anoushka plays a Pop sitar solo, and ELO’s Jeff Lynne joins her for a gorgeous version of The Inner Light. A Concert For George The second half features a band led by Lynne and Eric Clapton, bashing out his best- Alexis Petridis known songs with celebrity guests. The ensemble rampage through a A huge portrait of George Harrison stares out cacophonous Wah Wah, a bitter song, written over London’s Royal Albert Hall. He looks a after Harrison stormed out of a Beatles’ bit fed up. Never the sunniest Beatle, he rehearsal, accusing McCartney of patronising often looked like that in photographs, but it is him by telling him how to play a solo. But interesting to speculate what he would have now McCartney is pounding at a piano, stage made of this event. On one hand, he virtually right, a sideman on a Harrison masterpiece invented the superstar charity gig with the about how ghastly life in The Beatles was. 1971 Concert for Bangladesh. On the other, It’s hard to suppress the sort of sardonic he was intensely private, suggesting the chuckle that Harrison frequently used when public mark his passing by meditating. discussing his “nightmare” time as a Fab – Harrison would certainly have enjoyed the and conclude that’s what George would have wanted. Guardian Weekly www.havovwo.nl - 1 - Eindexamen Engels vwo 2006-I havovwo.nl Tekst 2 All things must pass 1p2 In what way did the concert do justice to George Harrison, according to Alexis Petridis? A It bordered on the chaotic, something he liked to achieve as well. -
Stir Music Credits
Music Cameron Allan music conductor Chris Nichols Cameron Allan is an under-rated composer who began working during the Australian revival (and often working with Chris Nichols as conductor, though Nichols is credited as Nicolls on Jim Sharman's adaptation of Patrick White's The Night the Prowler). Allan was inclined to the "less is more" style of screen music, in contrast to say Brian May's notion of "more can never be enough, more please" style. Allan was also inclined to exotic instrumentation suggesting Asian influences. Both tendencies can be seen in his work for Stir, and it has a moderating influence on any tendency to drift towards melodrama. Ben Goldsmith made these astute comments on use of music in the film: The use of music … throughout the film is … noteworthy. Music is rare in the film, but it is used extremely effectively. It is heard for the first time at the end of this scene (the opening stylised sequence shot with a blue filter) providing a bridge to the title sequence that follows. Cameron Allan's score is minimalist in style, consisting solely of short repeated phrases, often only one or two notes, on pizzicato strings or piano, often accompanied by a variety of percussion instruments - chimes, wooden blocks, rattles - suggesting the characteristic soundscape of the institution: the ominous, oppressive rhythm of officers' footsteps along cell block corridors, bolts clanging, keys jangling, doors slamming, sirens wailing. It is not until the end credit sequence that the music comes anywhere near a pleasant melody, but even here the piano is hesitant, with notes allowed to reverberate as we contemplate the rioters' fate. -
Jeff Lynne’S Elo Signs with Columbia...”
Jeff Lynne Jeffrey “Jeff” Lynne (born 30 December 1947) is an 1.2 1970–86: ELO English songwriter, composer, arranger, singer, multi- instrumentalist and record producer who gained fame in the 1970s as the leader and sole constant member of Main article: Electric Light Orchestra Electric Light Orchestra. In 1988, under the pseudonyms Otis Wilbury and Clayton Wilbury, he co-founded the Lynne contributed many songs to the Move's last two al- supergroup Traveling Wilburys with George Harrison, bums while formulating, with Roy Wood and Bev Be- Bob Dylan, Roy Orbison and Tom Petty. van, a band built around a fusion of rock and classi- After ELO’s original disbandment in 1986, Lynne re- cal music, with the original idea of both bands existing [5] leased two solo albums: Armchair Theatre (1990) and in tandem. This project would eventually become the Long Wave (2012). In addition, he began producing var- highly successful Electric Light Orchestra (ELO). Prob- ious artists, with his songwriting and production collab- lems led to Wood’s departure in 1972, after the band’s orations with ex-Beatles leading him to co-produce their eponymous first album, leaving Lynne as the band’s domi- [5] mid 1990s reunion singles "Free as a Bird" (1995) and nant creative force. Thereafter followed a succession of "Real Love" (1996). band personnel changes and increasingly popular albums: 1973’s ELO 2 and On the Third Day, 1974’s Eldorado and 1975’s Face the Music. By 1976’s A New World Record, Lynne had almost developed the roots of the group into 1 Musical career a more complex and unique pop-rock sound mixed with studio strings, layered vocals, and tight, catchy pop sin- gles. -
BEATLES MEMORABILIA AUCTION SATURDAY 24Th AUGUST 2019 At
BEATLES MEMORABILIA AUCTION SATURDAY 24th AUGUST 2019 at 10.30am at The UNITY THEATRE 1 Hope Place Liverpool L1 9BG Viewing day at venue Friday 23rd August 2019 11am-4pm 1 French 1st Edition of In His Own Write 1964 (1) £50-£60 2 1st Edition A Spaniard In The Works 1965 (1) £100-£120 3 Vintage Beatles Fan scarf with thirty-two badges (33) £30-£40 4 A collection of Linda McCartney postcards together with original Wings Fun Club invoice (qty) £20-£30 5 Four Paul McCartney Wembley Arena 1990 ticket stubs and folder (5) £30-£40 6 Paul McCartney Let It Be Liverpool tickets, folder and handbill plus Liverpool Oratorio ticket and leaflet (qty) £40-£50 7 Four London Docklands Paul McCartney tour rehearsals tickets (4) £40-£50 8 Eight ticket stubs for Paul McCartney MEN Arena 9th April 2003 (8) £60-£70 9 Promotional Beatles Heineken lager can and cassette c.1987 (2) £20-£30 10 Ticket for Julian Lennon concert at the Royal Court Theatre Liverpool 3rd July 1989 plus fourteen colour photographs (15) £30-£40 11 Beatles Chris Montez and Tommy Roe tour programme (1) £100-£120 12 Beatles Four Aces Mary Wells tour programme (1) £60-£70 13 Beatles John Smith's tour programme. Mint condition. c.1963 (1) £120-£150 14 Beatles Christmas Show programme for Finsbury Park Astoria (1) £60-£70 15 Beatles Christmas Show programme for Hammersmith Odeon (1) £60-£70 16 Beatles Ticket stub for Granada East Ham on November 9th 1963 (1) £100-£120 17 Beatles Ticket stub for Odeon Liverpool on December 7th 1963 (1) £100-£120 18 Beatles 1964 Fan Club Christmas flexi with mailing envelope (2) £60-£70 19 Beatles 1965 Fan Club Christmas flexi (1) £60-£70 20 Original First Edition A Cellarful of Noise by Brian Epstein (1) £20-£30 21 Postcards and Christmas cards from Ringo's relatives, Nancy and Tommy. -
Download Press Release As PDF File
For Immediate Release: JULIEN’S AUCTIONS IS PROUD TO ANNOUNCE THE MOST IMPORTANT AUCTION IN RECENT HISTORY PROPERTY FROM THE COLLECTION OF RINGO STARR AND BARBARA BACH Beverly Hills, California – (September 14, 2015) – Julien’s Auctions, the world’s premier entertainment auction house, is proud to announce the December 4th and 5th auction of Property from The Collection of Ringo Starr and Barbara Bach. The once-in-a-lifetime collection curated by Ringo and Barbara, features items from their London estate, Beverly Hills and Monaco residences. The couple, who met in 1980 on the movie set of Caveman, when Ringo first met the beautiful actress and former Bond girl Barbara, married in 1981 and have enjoyed an enduring love since. Comprised of musical instruments including drums and guitars, career memorabilia from the Beatles era and Ringo’s solo career including his All-Starr Band, fine antiques, custom-made eclectic furnishings, fine art and personal items, this auction will be a unique and historic event. The auction of The Property From The Collection of Ringo Starr and Barbara Bach includes the most important drum kit to ever hit the auction block. Among the seven of Starr’s personal drum kits in the auction is the iconic musician’s first 1963 Ludwig Oyster Black Pearl three-piece drum kit. The kit was used by Starr in more than 200 performances between May of 1963 and February of 1964 and used to record some of The Beatles biggest hits including: “Can’t Buy Me Love,” “She Loves You,” “All My Loving,” “I Want to Hold Your Hand,” “Money,” and “I Wanna Be Your Man,” and many others.