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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
Darrol Blake Transcript
Interview with Darrol Blake by Dave Welsh on Tuesday the 21st of September 2010 Dave Welsh: Okay, this is an interview with Darrol Blake on Tuesday the 21st of September 2010, for the Britain at Work Project, West London, West Middlesex. Darrol, I wonder if you'd mind starting by saying how you got into this whole business. Darrol Blake: Well, I'd always wanted to be the man who made the shows, be it for theatre or film or whatever, and this I decided about the age of eleven or twelve I suppose, and at that time I happened to win a scholarship to grammar school, in West London, in Hanwell, and formed my own company within the school, I was in school plays and all that sort of thing, so my life revolved around putting on shows. Nobody in my family had ever been to university, so I assumed that when I got to sixteen I was going out to work. I didn't even assume I would go into the sixth form or anything. So when I did get to sixteen I wrote around to all the various places that I thought might employ me. Ealing Studios were going strong at that time, Harrow Coliseum had a rep. The theatre at home in Hayes closed on me. I applied for a job at Windsor Rep, and quite by the way applied to the BBC, and the only people who replied were the BBC, and they said we have vacancies for postroom boys, office messengers, and Radio Times clerks. -
Bpsr N Nte Cei B Nary
5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 1 Spring 2013 No. 158 £2.00 Bulletin RPS bicentenary 5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 2 5689 FRMS pages:Layout 1 20/02/2013 17:11 Page 3 FRMS BULLETIN Spring 2013 No. 158 CONTENTS News and Comment Features Editorial 3 Cover story: RPS Bicentenary 14 Situation becoming vacant 4 A tale of two RPS Gold Medal recipients 21 Vice-President appointment 4 FRMS Presenters Panel 22 AGM report 5 Changing habits 25 A view from Yorkshire – Jim Bostwick 13 International Sibelius Festival 27 Chairman’s column 25 Anniversaries for 2014 28 Neil Heayes remembered 26 Roger’s notes, jottings and ramblings 29 Regional Groups Officers and Committee 30 Central Region Music Day 9 YRG Autumn Day 10 Index of Advertisers Societies Hyperion Records 2 News from Sheffield, Bath, Torbay, Horsham, 16 Arts in Residence 12 Street and Glastonbury, and West Wickham Amelia Marriette 26 Nimbus Records 31 CD Reviews Presto Classical Back cover Hyperion Dohnányi Solo Piano Music 20 Harmonia Mundi Britten and Finzi 20 Dutton Epoch British Music for Viola and orch. 20 For more information about the FRMS please go to www.thefrms.co.uk The editor acknowledges the assistance of Sue Parker (Barnsley Forthcoming Events and Huddersfield RMSs) in the production of this magazine. Scarborough Music Weekend, March 22nd - 25th (page 13) Scottish Group Spring Music Day, April 27th (page 13) th th Daventry Music Weekend, April 26 - 28 (pages 4 & 8) Front cover: 1870 Philharmonic Society poster, courtesy of th West Region Music Day, Bournemouth, June 4 RPS Archive/British Library th FRMS AGM, Hinckley, November 9 EDITORIAL Paul Astell NOTHER AGM HAS PASSED, as has another discussion about falling membership and A the inability to attract new members. -
“Talkin' 'Bout My Generation”: Radio Caroline and Cultural Hegemony
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation Article (Accepted Version) Miley, Frances M and Read, Andrew F (2017) Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation. Accounting History, 22 (3). pp. 301-319. ISSN 1032-3732 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/67723/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. -
Number 42 Michaelmas 2018
Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black. -
23 February 2018 Page 1 of 8 SATURDAY 17 FEBRUARY 2018 Episode Five Agatha Christie Novel in a Poll in September 2015
Radio 4 Extra Listings for 17 – 23 February 2018 Page 1 of 8 SATURDAY 17 FEBRUARY 2018 Episode Five Agatha Christie novel in a poll in September 2015. Mary Ann has an unwelcome encounter with a presence from Directed by Mary Peate. SAT 00:00 BD Chapman - Orbiter X (b0784dyd) her past. Shawna is upset by Michael's revelation. First broadcast on BBC Radio 4 in 2010. Inside the Moon StationDr Max Kramer has tricked the crew of Dramatised by Lin Coghlan SAT 07:30 Byzantium Unearthed (b00dxdcs) Orbiter 2, but what exactly is Unity up to on the Moon? Producer Susan Roberts Episode 1Historian Bettany Hughes begins a series that uses the BD Chapman's adventure in the conquest of space in 14 parts. Director Charlotte Riches latest archaeological evidence to learn more about the empire of Stars John Carson as Captain Bob Britton, Andrew Crawford as For more than three decades, Armistead Maupin's Tales of the Byzantium and the people who ruled it. Captain Douglas McClelland, Barrie Gosney as Flight Engineer City series has blazed a trail through popular culture-from Bettany learns how treasures found in the empire's capital, Hicks, Donald Bisset as Colonel Kent, Gerik Schelderup as Max ground-breaking newspaper serial to classic novel. Radio 4 are modern-day Istanbul, reveal much about the life and importance Kramer, and Leslie Perrins as Sir Charles Day. With Ian Sadler dramatising the full series of the Tales novels for the very first of a civilisation that, whilst being devoutly Christian and the and John Cazabon. -
THE ALLIED EXPEDITIONARY FORCES PROGRAMME Gen
THE ALLIED EXPEDITIONARY FORCES PROGRAMME Gen. Dwight D. Eisenhower Prepared by: Dennis M. Spragg Updated March 2017 1 Cover: Maj. Glenn Miller and Dinah Shore, Abbey Road Studios, September 1944 “The real enjoyment comes from the moments inside our work. Once we heard the happy sound of a music hungry bunch of servicemen, yelling for more whatever we had to offer, we knew that we could never enjoy a more satisfying pay off in our lives”. - -- Major Glenn Miller, September 14, 1944 Establishing the American Forces Network (AFN) in Britain Until June 7, 1944, radio programming for the allied armed forces based in the United Kingdom was provided by distinct British and American services. The American radio operation was the American Forces Network (AFN). American personnel stationed in the United Kingdom did not enjoy or appreciate the programming of the BBC, which they found dull and stiff. The answer was to create a radio network specifically for the Americans; many thousands of whom, the BBC realized, would soon arrive in their nation. Before the Americans began to arrive during 1942, the BBC had created a separate radio service for its own forces, the General Forces Programme (GFP); realizing that service personnel serving at home and abroad would require different radio programs than the civilian population. British and Commonwealth forces also wanted to hear American popular music and variety programming. As Americans arrived, the BBC felt obliged to help establish an American radio presence. The BBC GFP had organized features aimed specifically at Commonwealth personnel, including recordings of American popular music and variety content. -
Planning Applications Committee
London Borough Of Hammersmith & Fulham --------------------------------------------------------------------------------------------------------------------- Planning Applications Committee Agenda for 10th December 2014 Index of Applications, Enforcement Actions, Advertisements etc. --------------------------------------------------------------------------------------------------------------------- WARD: SITE ADDRESS: PAGE: REG NO: Fulham Reach 327 Lillie Road London SW6 7NR 8 2014/01842/FUL Fulham Broadway Vacant Building Rear Of 18 Farm Lane London 36 2014/04222/FUL Askew 1 Askew Road London W12 9AA 59 2014/04908/FUL Hammersmith 77 Goldhawk Road London W12 8EG 72 Broadway 2014/03021/FUL Shepherd's Bush Green Former BBC Television Centre Wood Lane London 95 2014/02531/COMB W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 289 2014/02532/LBC W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 295 2014/04720/VAR W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 395 2014/04723/LBC W12 --------------------------------------------------------------------------------------------------------------------- Ward: Fulham Reach Site Address: 327 Lillie Road London SW6 7NR © Crown Copyright. All Rights Reserved. London Borough Hammersmith and Fulham LA100019223 (2013). For identification purposes only - do not scale. Reg. No: Case Officer: 2014/01842/FUL Roy Asagba-Power Date Valid: Conservation Area: 23.04.2014 Committee Date: 10.12.2014 Applicant: Mr Ashok Patel 35/37 Ludgate Hill London EC4M 7JN Description: Demolition of existing office buildings (Class B1) and the erection of 8 x two storey plus- basement single family dwelling houses (Class C3) with roof terraces at first floor level; formation of refuse and cycle storage; installation of two new access gates fronting Lillie Road elevation; replacement of existing power sub-station and formation of a new underground power sub-station in between properties 17-20 and 337 Lillie Road. -
The Story of the Shipping Forecast, from the Man Who Read It Page 10
The newspaper for BBC pensioners - with highlights from Ariel For those in peril on the sea The story of the Shipping Forecast, from the man who read it Page 10 July 2011 • Issue 5 original Harryhausen 40 years of models on 30 years of the local radio display Space Shuttle remembered Page 2 Page 5 Page 6 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 GENEraL NEWS Ray Harryhausen’s iconic animation models and artwork at the National Media Museum Phil Oates, Acting Senior Press Officer at the National Media Museum in Bradford, writes about an interesting new exhibition in Bradford. Ray Harryhausen, and have been on show in Bradford since May 19. They will be displayed alongside examples of Harryhausen’s artwork for the films. Further objects from the Ray Harryhausen Collection will be exhibited at later dates as part of an ongoing rolling programme. The display is one of the first steps following last year’s agreement with The Ray and Diana Harryhausen Foundation to deposit the animator’s complete collection with the National Media Museum, which was announced during Harryhausen’s 90th birthday celebrations. Ray Harryhausen commented, ‘Knowing that my Collection is going to be cared for by the Museum, and that my Foundation will continue to be directly involved, is a great comfort and an acknowledgement that my work and art will be preserved for new Jason fights the skeletons, key drawing, Jason and the Argonauts (1963), © Ray Harryhausen. Courtesy of the Ray and Diana Harryhausen Foundation film makers to study and hopefully continue to appreciate.’ Some of the most famous models from Michael Harvey, the Museum’s Curator Centre of Excellence It aims to be the best museum in the the history of fantasy cinema are on of Cinematography, said, ‘To have agreed ‘This is perhaps one of the most important world for inspiring people to learn about, display at the National Media Museum with Ray and the Foundation to bring this cinematic collections in the world, says Tony engage with and create media. -
Philip A. Crawley, Career Summary Statement I Have 28 Years Of
Philip A. Crawley, career summary statement I have 28 years of television / IT / digital-film engineering and have worked in studios, post- production, outside broadcast, transmission and data-centres. I am BBC ETSI qualified in broadcast engineering with my first degree in maths and programming. I have seen firsthand the very best and worst examples of television workflows and probably have a better understanding of current TV technology and practise than any other engineer of my generation. History After graduation with an honours degree in maths and programming I spent five years at the BBC in the engineering department of Television News and Current Affairs, firstly at Lime Grove Studios and then at Television Centre and White City. Since 1994 I have been running engineering departments in large TV facilities and latterly a leading Systems Integrator. My team has varied between a couple of engineers and dozens of wiremen and engineers. Having run the technical sides of such productions as “Big Brother” and “Fame Academy” as well as PM’ing > £1m broadcast builds I feel my organisational record is second to none. Having to run pre-sales, project management and hand-over training has given me excellent communication skills with both colleagues and customers. Additionally I deliver all of root6’s training courses and present at trade shows, particularly in the area of IP networks and convergence. I have maintained my interest in software – I wrote the ingest automation system for the in-house developed MAM used on Big Brother and currently implement custom hardware using the Arduino platform (development in C). -
Lloyd, Justine. "Listening to the Listener: Constructing Woman's
Lloyd, Justine. "Listening to the Listener: Constructing Woman’s Hour at the BBC, 1946–1955." Gender and Media in the Broadcast Age: Women’s Radio Programming at the BBC, CBC, and ABC. New York,: Bloomsbury Academic, 2020. 97–136. Bloomsbury Collections. Web. 3 Oct. 2021. <http://dx.doi.org/10.5040/9781501318801.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 3 October 2021, 20:25 UTC. Copyright © Justine Lloyd 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 5 Listening to the Listener: Constructing Woman’s Hour at the BBC, 1946–1955 Here, with my hand on the latch, I am two persons. I am the woman with the basket, the passer-by in the street, Unnoticed, anonymous, an infinitesimal part Of a great multitude that, with purposeful feet Plodding the pavements, streams on perpetually Into the abyss of time past. One person: I have only to push the gate open, And, in a step, I shall be wholly that other; For here, where so small a plot contains a world, I have a face, a name; I am wife and mother, Blessedly beloved. The stored years wait in the house, And as I cross the threshold, their warm sweet breath Will welcome me again into that happy bondage Intangible as the hearth smoke, and stronger than death. With familiar incompetent click the gate half-closes behind me, I have all things, I am myself, I have come home. -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc.