Planning Applications Committee

Total Page:16

File Type:pdf, Size:1020Kb

Planning Applications Committee London Borough Of Hammersmith & Fulham --------------------------------------------------------------------------------------------------------------------- Planning Applications Committee Agenda for 10th December 2014 Index of Applications, Enforcement Actions, Advertisements etc. --------------------------------------------------------------------------------------------------------------------- WARD: SITE ADDRESS: PAGE: REG NO: Fulham Reach 327 Lillie Road London SW6 7NR 8 2014/01842/FUL Fulham Broadway Vacant Building Rear Of 18 Farm Lane London 36 2014/04222/FUL Askew 1 Askew Road London W12 9AA 59 2014/04908/FUL Hammersmith 77 Goldhawk Road London W12 8EG 72 Broadway 2014/03021/FUL Shepherd's Bush Green Former BBC Television Centre Wood Lane London 95 2014/02531/COMB W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 289 2014/02532/LBC W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 295 2014/04720/VAR W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 395 2014/04723/LBC W12 --------------------------------------------------------------------------------------------------------------------- Ward: Fulham Reach Site Address: 327 Lillie Road London SW6 7NR © Crown Copyright. All Rights Reserved. London Borough Hammersmith and Fulham LA100019223 (2013). For identification purposes only - do not scale. Reg. No: Case Officer: 2014/01842/FUL Roy Asagba-Power Date Valid: Conservation Area: 23.04.2014 Committee Date: 10.12.2014 Applicant: Mr Ashok Patel 35/37 Ludgate Hill London EC4M 7JN Description: Demolition of existing office buildings (Class B1) and the erection of 8 x two storey plus- basement single family dwelling houses (Class C3) with roof terraces at first floor level; formation of refuse and cycle storage; installation of two new access gates fronting Lillie Road elevation; replacement of existing power sub-station and formation of a new underground power sub-station in between properties 17-20 and 337 Lillie Road. Drg Nos: 151-200: 12A; 13F, 14F, 15F; 24F; 25F; 26F; 27F; 28E;Design & Access Statement; Structural Engineer Report; Flood Risk Assessment; Energy Report; Daylight _ Sunlight Report (Dec 2014) Application Type: Full Detailed Planning Application Officer Recommendation: That the Committee resolve that the Executive Director of Transport and Technical Services be authorised to determine the application and grant permission up on the completion of a satisfactory legal agreement and subject to the condition(s) set out below 1) The development hereby permitted shall not commence later than the expiration of 3 years beginning with the date of this planning permission. Condition required to be imposed by section 91(1) (a) of the Town and Country Planning Act 1990 (as amended by section 51 of the Planning and Compulsory Purchase Act 2004). 2) The development shall not be erected otherwise than in accordance with the following approved drawings: 151-200: 12A; 13F, 14F, 15F; 24F; 25F; 26F; 27F and 28E In order to ensure full compliance with the planning application hereby approved and to prevent harm arising through deviations from the approved plans, in accordance with Policy BE1 of the Core Strategy 2011 and Policy DM G1 of the Development Management Local Plan 2013. 3) Prior to commencement of the development hereby approved, a demolition method statement and construction management plan shall be submitted to and approved in writing by the Council. Details shall include length of time for the obstruction of the Lillie Road footway and control measures for pedestrian safety, including match days, control measures for dust, noise, vibration, lighting, delivery locations, restriction of hours of work and all associated activities audible beyond the site boundary to 0800-1800hrs Mondays to Fridays and 0800 -1300 hrs on Saturdays, advance notification to neighbours and other interested parties of proposed works and public display of contact details including accessible phone contact to persons responsible for the site works for the duration of the works and details of temporary site fencing/means of enclosure to be erected prior to any demolition works take place. Approved details shall be implemented throughout the project period. To ensure that the amenity of occupiers of surrounding premises is not adversely affected by noise, vibration, dust, lighting or other emissions from the building site, in accordance with Policies DM H9, H10 and H11 of the Development Management Local Plan 2013. 4) Other than any demolition works, ground and subterranean works (including construction of basement), site preparation or remediation, the development hereby permitted shall not commence prior to the submission and approval in writing by the Council of details and samples of all materials to be used on the external faces of the new building and all surface treatments, including boundary walls, railings, gates and fences and no part of the development shall be used or occupied prior to the completion of the development in accordance with the approved details. To ensure a satisfactory external appearance and to prevent harm to the streetscene, in accordance with Policy BE1 of the Core Strategy 2011 and Policy DM G1 and G7 of the Development Management Local Plan 2013. 5) Other than any demolition works, ground and subterranean works (including construction of basement), site preparation or remediation, The development hereby permitted shall not commence prior to the submission and approval in writing by the Council of details in plan, section and elevation (at a scale of not less than 1:20) of the following matters, and no part of the development shall be used or occupied prior to the completion of that part of the development in accordance with the approved details. a) Typical bay of each elevation To ensure a satisfactory external appearance and to prevent harm to the streetscene, in accordance with Policy BE1 of the Core Strategy 2011 and Policy DM G1 of the Development Management Local Plan 2013. 6) No plumbing, extract flues or pipes other than rainwater pipes shall be fixed on the front elevations of the building(s) hereby approved. To ensure a satisfactory external appearance and to prevent harm to the streetscene, in accordance with Policy BE1 of the Core Strategy 2011 and Policy DM G1 of the Development Management Local Plan 2013. 7) With exception to the private roof terrace areas shown on approved drawings, no part of the remainder of the flat roof areas provided by the development hereby approved shall be used as a terrace or other accessible amenity space. No walls, fences, railings or other means of enclosure other than those shown on the approved drawings shall be erected around the roofs, and no alterations shall be carried out to the approved building to form access onto these roofs. To ensure a satisfactory external appearance and so that the use of the buildings does not harm the amenities of the existing neighbouring residential properties and future residential occupiers of the development as a result of overlooking, loss of privacy and noise and disturbance, in accordance with Policy DM H9, DM A9 and DM G1 of the Development Management Local Plan 2013, and SPD Housing Policy 8 of the Planning Guidance Supplementary Planning Document 2013. 8) No part of the development shall be occupied prior to the submission and approval in writing by the Council of details of the privacy screens used in connection with the terraces as indicated on drawing 151-200-015F hereby approved The privacy screens shall be installed in accordance with the agreed details and thereafter be retained in accordance with the approved details. In order to ensure there is no loss of privacy or overlooking to the occupiers of neighbouring residential occupiers, in compliance with Policy DM A9 and DM G1 of the Development Management Local Plan 2013 and SPD Housing Policy 8 of the Planning Guidance Supplementary Planning Guidance 2013. 9) Other than any demolition works, ground and subterranean works (including construction of basement), site preparation or remediation, the development shall not commence prior to the submission and approval in writing by the Council of full details of the proposed landscaping of the site, including planting schedules and details of the species, height and maturity of existing and new trees and shrubs. The approved scheme shall be implemented in the next winter planting season following completion of the building works, or before the occupation and use of any part of the building, whichever is the earlier. To ensure a satisfactory external appearance and to prevent harm to the streetscene, in accordance with Policy BE1 of the Core Strategy 2011 and Policies DM G1 and DM E4 of the Development Management Local Plan 2013. 10) Any tree or shrub planted pursuant to condition 10 being removed or severely damaged, dying or becoming seriously diseased within 5 years of planting shall be replaced with a tree or shrub of similar size and species to that originally required to be planted. To ensure a satisfactory external appearance and to prevent harm to the streetscene, in accordance with Policy BE1 of the Core Strategy 2011 and Policies DM G1 and DM E4 of the Development Management Local Plan 2013. 11) No part of the development hereby approved shall be occupied prior to the provision of the refuse storage enclosures, as indicated on the approved drawing 151-200-14F, To ensure that the use does not give rise to smell nuisance and to prevent harm to the street scene arising from the appearance of accumulated rubbish, in accordance with Policy CC3 of the Core Strategy 2011 and Policy DM H5 of the Development Management Local Plan 2013. 12) A minimum of 10% of all dwellings hereby approved shall be capable of meeting the needs of wheelchair users and shall be designed and capable of adaptation, in accordance with the Council's Supplementary Planning Guidance (Access for All). To ensure a satisfactory provision for dwellings, meeting the needs of people with disabilities, in accordance with the Policy 3.8 and 4.5 of the London Plan 2011, Policy H4 of the Core Strategy 2011 and Policy DM G1 and DM A4 of the Development Management Local Plan 2013.
Recommended publications
  • Darrol Blake Transcript
    Interview with Darrol Blake by Dave Welsh on Tuesday the 21st of September 2010 Dave Welsh: Okay, this is an interview with Darrol Blake on Tuesday the 21st of September 2010, for the Britain at Work Project, West London, West Middlesex. Darrol, I wonder if you'd mind starting by saying how you got into this whole business. Darrol Blake: Well, I'd always wanted to be the man who made the shows, be it for theatre or film or whatever, and this I decided about the age of eleven or twelve I suppose, and at that time I happened to win a scholarship to grammar school, in West London, in Hanwell, and formed my own company within the school, I was in school plays and all that sort of thing, so my life revolved around putting on shows. Nobody in my family had ever been to university, so I assumed that when I got to sixteen I was going out to work. I didn't even assume I would go into the sixth form or anything. So when I did get to sixteen I wrote around to all the various places that I thought might employ me. Ealing Studios were going strong at that time, Harrow Coliseum had a rep. The theatre at home in Hayes closed on me. I applied for a job at Windsor Rep, and quite by the way applied to the BBC, and the only people who replied were the BBC, and they said we have vacancies for postroom boys, office messengers, and Radio Times clerks.
    [Show full text]
  • Number 42 Michaelmas 2018
    Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black.
    [Show full text]
  • Delivering Quality First – Page 2
    The newspaper for BBC pensioners – with highlights from Ariel A future plan Delivering Quality First – Page 2 Photo courtesy of Jeff Overs November 2011 • Issue 8 tales of Print edition of Musical televison ariel to close memories Centre Page 2 Page 6 Page 9 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC commissioning and scheduling will be • More landmark output for Radio 4 (which closely aligned. sees its overall budget hardly changed). Delivering Quality First • Job grading, redundancy terms and • More money for the Proms. unpredictability allowances will be • The further rollout of HD and DAB. Mark Thompson sets out ‘a plan for living within our means’ as ‘modernised’ and reformed. A consultation he reveals job losses, output changes, relocations, structured process on those proposals begins Union response immediately. The National Union of Journalists issued a re-investment in a digital public space, and new content and • Production will be streamlined into a swift response to the announcement, calling programmes on BBC services. single UK production economy. for the licence fee negotiations to be re- • Radio and TV commissioning for Science opened and ‘a proper public debate about Fewer staff, a flatter structure, more jobs • All new daytime programming will be and Music will be brought together. BBC funding’. shifting to Salford and more output from on BBC One. In a statement the NUJ said: ‘The BBC will outside London, these are the conclusions of • BBC Two’s daytime output will focus on Reinvestment not be the same organisation if these cuts go the Delivering Quality First process.
    [Show full text]
  • The Story of the Shipping Forecast, from the Man Who Read It Page 10
    The newspaper for BBC pensioners - with highlights from Ariel For those in peril on the sea The story of the Shipping Forecast, from the man who read it Page 10 July 2011 • Issue 5 original Harryhausen 40 years of models on 30 years of the local radio display Space Shuttle remembered Page 2 Page 5 Page 6 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 GENEraL NEWS Ray Harryhausen’s iconic animation models and artwork at the National Media Museum Phil Oates, Acting Senior Press Officer at the National Media Museum in Bradford, writes about an interesting new exhibition in Bradford. Ray Harryhausen, and have been on show in Bradford since May 19. They will be displayed alongside examples of Harryhausen’s artwork for the films. Further objects from the Ray Harryhausen Collection will be exhibited at later dates as part of an ongoing rolling programme. The display is one of the first steps following last year’s agreement with The Ray and Diana Harryhausen Foundation to deposit the animator’s complete collection with the National Media Museum, which was announced during Harryhausen’s 90th birthday celebrations. Ray Harryhausen commented, ‘Knowing that my Collection is going to be cared for by the Museum, and that my Foundation will continue to be directly involved, is a great comfort and an acknowledgement that my work and art will be preserved for new Jason fights the skeletons, key drawing, Jason and the Argonauts (1963), © Ray Harryhausen. Courtesy of the Ray and Diana Harryhausen Foundation film makers to study and hopefully continue to appreciate.’ Some of the most famous models from Michael Harvey, the Museum’s Curator Centre of Excellence It aims to be the best museum in the the history of fantasy cinema are on of Cinematography, said, ‘To have agreed ‘This is perhaps one of the most important world for inspiring people to learn about, display at the National Media Museum with Ray and the Foundation to bring this cinematic collections in the world, says Tony engage with and create media.
    [Show full text]
  • Philip A. Crawley, Career Summary Statement I Have 28 Years Of
    Philip A. Crawley, career summary statement I have 28 years of television / IT / digital-film engineering and have worked in studios, post- production, outside broadcast, transmission and data-centres. I am BBC ETSI qualified in broadcast engineering with my first degree in maths and programming. I have seen firsthand the very best and worst examples of television workflows and probably have a better understanding of current TV technology and practise than any other engineer of my generation. History After graduation with an honours degree in maths and programming I spent five years at the BBC in the engineering department of Television News and Current Affairs, firstly at Lime Grove Studios and then at Television Centre and White City. Since 1994 I have been running engineering departments in large TV facilities and latterly a leading Systems Integrator. My team has varied between a couple of engineers and dozens of wiremen and engineers. Having run the technical sides of such productions as “Big Brother” and “Fame Academy” as well as PM’ing > £1m broadcast builds I feel my organisational record is second to none. Having to run pre-sales, project management and hand-over training has given me excellent communication skills with both colleagues and customers. Additionally I deliver all of root6’s training courses and present at trade shows, particularly in the area of IP networks and convergence. I have maintained my interest in software – I wrote the ingest automation system for the in-house developed MAM used on Big Brother and currently implement custom hardware using the Arduino platform (development in C).
    [Show full text]
  • Ashpan Number 114 Number 114 Summer 2017
    111144 Ickenham and District Society of Model Engineers Summer 2017 Ashpan Number 114 Number 114 Summer 2017 114 Contents: 2 Cover Story 3 Ashpan Notebook 4 Airlander 10 - Hybrid Air Vehicle 8 Chairman's Chat 9 The Rise and Fall of Television Centre Ickenham & District Society of Model Engineers was founded on 8th October 1948. Ickenham and District Society of Model Engineers, a company limited by guarantee, was incorporated on 10th September 1999. Registered in England No: 3839364. Website: WWW.IDSME.CO.UK IDSME Members Message Board: http://idsme001.proboards.com Hon. Secretary and Registered Office: David Sexton, 25 Copthall Road East, Ickenham, Uxbridge, Middlesex, UB10 8SD. Ashpan is produced for members of Ickenham and District Society of Model Engineers by Patrick Rollin, 84 Lawrence Drive, Ickenham, Uxbridge, Middlesex, UB10 8RW Email: [email protected] Summer 2017 1 Cover Story Happenings at IDSME By the time you read this the 2017 running season will be almost two- thirds done. The cover photograph shows one of many passenger trains that we have run during the year so far. Mike Werrell is seen at the controls of club locomotive Lady Patricia on the June running day. This locomotive has been a regular performer on running days this year, following a lot of hard work to get it into a serviceable condition, and this was one of the few occasions that somebody managed to prise Harry Wilcox away from the controls of this locomotive. On the same day Michael Proudfoot (inside front cover top) passes the junction signal while driving Mark Hamlin’s R1 single-handed, the other hand being engaged in the rather more important activity of carrying a cup of tea.
    [Show full text]
  • The Pension Deficit: a Roadmap to Recovery 6-7
    The pension deficit: a roadmap to recovery 6-7 August 2009 Number 6 SHARE DELIGHT Page 7 With highlights from Ariel Watching the waste-line: the BBC's green campaign page 9 Photograph Olivia Woodhouse News 20 candidates for Trust election Twenty names have come forward for the next few weeks election forms will be sent personal details and a brief manifesto from role of pensioner elected trustee on the out to all pensioners by Electoral Reform each candidate. BBC Pension Trust. The current term in Services. Accompanying the ballot papers Members will have until September 4 to office expires at the end of the year. In the will be an explanation of the process, plus submit their votes. BBCPA Your stories built tour into Memoryshare The BBC’s memories site for past and The idea, as Robert explained to members details present staff and contributors has been of the Pensioners’ Association recently, is to By David Allen merged into a BBC-wide memories project use memories to reinforce bonds with the Every autumn members of the BBC with a view to capturing the nation’s history. audience. Pensioners’ Association Committee hold The BBC’s head of history projects ‘We want to put history back in the PROSPERO three regional meetings to give retired staff Robert Seatter says the aim is to build a brand. We have this fantastic legacy and August 2009 who can’t reach London for the Association’s body of memories that is comprehensive we’re not making the most of it. With AGMs a chance to catch up.
    [Show full text]
  • Planning Applications Committee
    London Borough Of Hammersmith & Fulham --------------------------------------------------------------------------------------------------------------------- Planning Applications Committee Agenda for 19th December 2013 Index of Applications, Enforcement Actions, Advertisements etc. --------------------------------------------------------------------------------------------------------------------- WARD: SITE ADDRESS: PAGE: REG NO: Shepherd's Bush Green Former BBC Television Centre Wood Lane London 10 2013/02355/COMB W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 226 2013/02356/LBC W12 Shepherd's Bush Green Former BBC Television Centre Wood Lane London 232 2013/02244/CAC W12 Hammersmith Riverside Studios And Queens Wharf Crisp Road 235 Broadway London W6 2013/03799/FUL Hammersmith Riverside Studios And Queens Wharf Crisp Road 341 Broadway London W6 2013/03800/CAC --------------------------------------------------------------------------------------------------------------------- Ward : Shepherd's Bush Green Site Address : Former BBC Television Centre Wood Lane London W12 © Crown Copyright. All Rights Reserved. London Borough Hammersmith and Fulham LA100019223 (2013). For identification purposes only - do not scale. Reg. No : Case Officer : 2013/02355/COMB Neil Button Date Valid : Conservation Area : 20.06.2013 Wood Lane Conservation Area - Number 42 Committee Date : 19.12.2013 Applicant : BBC And Stanhope Plc C/O Agent Description : Demolition of parts of the former BBC Television Centre and associated buildings
    [Show full text]
  • THE TELEVISION ANNUAL for 196O the Most Eminent Actors and Actresseson the British Stage Nowadays Appear in Television
    THE TELEVISION ANNUAL FOR 196o The most eminent actors and actresseson the British stage nowadays appear in television. Vivien Leigh chose the unusual playThe Skin of Our Teeth,when she appeared for Granada. According to the "audience ratings", however,the play was not popular with viewers. THE TV REVOLUTION KENNETH BAILYSurveys the Non -Stop Development of British Television THE expansion of television, in numbers of viewers and in organization behind the programmes, has made a rapid spurt. In size and complexity, what is involved in television today was undreamed of only five years ago. Gone for ever are the days when every viewer knew where each programme was coming from, and knew that the BBC was responsible for all that he saw. Today many a viewer finds himself lost in a tangle of symbols like ATV, AR, ABC, TTT, TWW, and more; understanding of what goes on is fogged by varied "channel" numbers; by such slogans as "Granada from the North" when the programme comes from Chelsea; and by a mixture of ITV "boss" names always popping up in the press, like Parnell, Bernstein, Grade, Brownrigg and Adorian. Those old familiar names, Alexandra Palace and Lime Grove, which once meant the absolute source of all British television, are now lost among the mostly unnamed and little publicised studios of ITV in London and the provinces. And much that is seen comes out of film cans from Hollywood, New York, Elstree and Teddington, produced out of a vortex of film -cum -TV financiers, producers, distributors and others. The maze of operations which is television today contrasts sharply with the tiny beginning, and the slow start.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 NOV/DEC 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 NOV/DEC 2020 Virgin 445 You can call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, Hello everyone and welcome to all our new supporters who bought the fantastic TPTV 2021 calendar – welcome to the Talking Pictures TV & Renown Pictures monthly newsletter, the largest free club supporting film and TV history! Talking of calendars – we have just a few left, so please do get your orders in quick as ‘Every Home Should Have One’ and they really do help us, plus they make the perfect gift for film buffs! This month we bring you a very special limited edition DVD release of SCROOGE (1951), with the wonderful Alastair Sim CBE, (in our opinion the best Scrooge on film), with optional subtitles for the very first time! It’s a 2-DVD special edition for Dickens’ 150th anniversary. Included on the discs are the original 1951 theatrical trailer and Scrooge (1935) with Seymour Hicks. It’s limited stock with a special price of just £15 with free UK postage (more details over the page). Keeping the Scrooge theme in mind, I’ve made some delightful exclusive baubles, see page 8, perfect for those ‘Bah Humbugs’ (I’m sure we all know one!)… By popular request, I’ve also made some cufflinks this month, see pages 26-27 for the designs. We have a host of special offers to help you with gifting this year, so I do hope you find something of interest. Look out for the BFI 2-DVD box set Stop! Look! Listen! on page 14, featuring nostalgic films on road safety.
    [Show full text]
  • Coming to You Live Mention the Name Michael Bond and Images of a Small Bear in a Duffel Coat and Floppy Black Hat Immediately Spring to Mind
    Nor MANY PEOPLE REMEMBER THAT Huw WHELDON CUT HIS TEETH ON A CHILDREN'S PROGRAMME, "ALL YouR OwN" BELOW: MICHAEL BOND Coming To You Live Mention the name Michael Bond and images of a small bear in a duffel coat and floppy black hat immediately spring to mind. It's not well known, however, that Michael emerged, not fr om Darkest Peru, but fr om a career as a Te levision Cameraman. For over a decade, during the industry's fo rmative era, he worked in London fo r the BBC at Lime Grove and The Te levision Theatre. It wasn't until reaching the grade of Senior Cameraman at the new Te levision Centre that he decided to move fr om White City to Paddington. PHOTO BY ANTHONY BARWELL Alan Coren once remarked that When I joined, seven crews television is more interesting than were responsible for almost the entire people. If it were not, we should have studio output in the UK and, apart people standing in the corners of our from films, almost everything went rooms. He could have said that out live. In those days it was an elite working in it was often much more job, not so very diffe rent from what it fu n than watching it. must have fe lt like being a pilot in the I count myself as fortunate to early days of fiying, and I never lost enter the industry when I did. It was the fe eling of excitement that came 1956 and ITVwas about to start up.
    [Show full text]
  • A Brief History of the Rank Organisation
    A Brief History of The Rank Organisation Classic film buffs will fondly remember the thrilling sight of the famous “Gong Man” which preceded the opening credits of every movie produced by The Rank Organisation, England’s biggest and finest film production, distribution and exhibition company. The mere presence of this studio icon at the beginning of the film had the effect, much like the proverbial Pavlov’s dog, of wetting the theatre audience’s appetite, while assuring that they were about to share another brilliant movie experience. The Gong Man simply epitomized the best in filmmaking. J. Arthur Rank was born in 1888 in a decidedly Victorian England. He was the son of Joseph Rank, who owned a successful flour milling business. Young Rank eventually inherited his father’s business; however, it was never seriously his cup of tea. Rank was also a devout member of the Methodist Church and even became a Sunday school teacher, to which he often showed religious films. Disparaged by the lack of quality religious films, he began to produce his own, which he also then distributed to other churches and schools and eventually led to the formation of the Religious Film Society. In a momentous turn of events, the Methodist Times newspaper began to editorialize about the negative impact that British and American movies have on Britain’s families. The London Evening News countered with an editorial which suggested that instead of complaining, the Methodist Church should provide a solution for the problem. It was at that moment; J. Arthur Rank committed himself to take up the challenge.
    [Show full text]