Shakespeare First Folio Sells for $8.4M – the Oldest Undergraduate by Alex Capon College for Women in the Western US, Founded in 1852
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Download 2014 Exhibition Catalog
201BIENNIAL4 department of art faculty exhibition martin museum of art • baylor university January 21–March 7, 2014 Reception for the Faculty thursday, january 23 5:30-7:00 pm Forward & Acknowledgements The 2014 Baylor Art Faculty Exhibition begins a new tradition in the Department of Art. It is the first biennial exhibition and is accompanied by this beautiful, inaugural catalog. The Baylor art faculty are practicing professionals active in their respective fields of specialization. The research activity of the art historians involves worldwide travel and results in published scholarly articles and books. They will be participating in this display of talents by presenting twenty-minute lectures on topics of their choosing on Tuesday, February 25, beginning at 2:00 pm in lecture hall 149. The studio faculty exhibit internationally, nationally, regionally, and locally. They belong to professional societies and organizations. Their works regularly appear in peer-reviewed juried exhibitions, solo exhibitions at museums, galleries, and art centers, as well as in national and international publications. Collectively, this active professional activity adds vitality to the educational mission of the Department and the University. Known for their excellence in the undergraduate classroom and studio, their individual creative and scholarly pursuits are evoked and recorded in this exhibition, catalog, and lecture series. I wish to extend thanks to Virginia Green, Associate Professor of Art, for the design of this catalog, Dr. Karen Pope, Senior Lecturer in Art History, for the editing, Karin Gilliam, Director, Martin Museum of Art and her staff, Adair McGregor, Jennifer Spry, Margaret Hallinan, and Daniel Kleypas. Thanks also for the support from the Virginia Webb Estate Endowment, the Ted and Sue Getterman Endowed Fund, and to the Martin Museum Art Angels. -
N C C Newc Coun Counc Jo Castle Ncil a Cil St Oint C E-Und Nd S Tatem
Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council Statement of Community Involvement Joint Consultation Report July 2015 Table of Contents Introduction Page 3 Regulations Page 3 Consultation Page 3 How was the consultation on Page 3 the Draft Joint SCI undertaken and who was consulted Main issues raised in Page 7 consultation responses on Draft Joint SCI Main changes made to the Page 8 Draft Joint SCI Appendices Page 12 Appendix 1 Copy of Joint Page 12 Press Release Appendix 2 Summary list of Page 14 who was consulted on the Draft SCI Appendix 3 Draft SCI Page 31 Consultation Response Form Appendix 4 Table of Page 36 Representations, officer response and proposed changes 2 Introduction This Joint Consultation Report sets out how the consultation on the Draft Newcastle-under- Lyme Borough Council and Stoke-on-Trent City Council Statement of Community Involvement (SCI) was undertaken, who was consulted, a summary of main issues raised in the consultation responses and a summary of how these issues have been considered. The SCI was adopted by Newcastle-under-Lyme Borough Council on the 15th July 2015 and by Stoke-on-Trent City Council on the 9th July 2015. Prior to adoption, Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council respective committees and Cabinets have considered the documents. Newcastle-under- Lyme Borough Council’s Planning Committee considered a report on the consultation responses and suggested changes to the SCI on the 3RD June 2015 and recommended a grammatical change at paragraph 2.9 (replacing the word which with who) and this was reported to DMPG on the 9th June 2015. -
THE BERNARD and MARY BERENSON COLLECTION of EUROPEAN PAINTINGS at I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls
THE BERNARD AND MARY BERENSON COLLECTION OF EUROPEAN PAINTINGS AT I TATTI Carl Brandon Strehlke and Machtelt Brüggen Israëls GENERAL INDEX by Bonnie J. Blackburn Page numbers in italics indicate Albrighi, Luigi, 14, 34, 79, 143–44 Altichiero, 588 Amsterdam, Rijksmuseum catalogue entries. (Fig. 12.1) Alunno, Niccolò, 34, 59, 87–92, 618 Angelico (Fra), Virgin of Humility Alcanyiç, Miquel, and Starnina altarpiece for San Francesco, Cagli (no. SK-A-3011), 100 A Ascension (New York, (Milan, Brera, no. 504), 87, 91 Bellini, Giovanni, Virgin and Child Abbocatelli, Pentesilea di Guglielmo Metropolitan Museum altarpiece for San Nicolò, Foligno (nos. 3379 and A3287), 118 n. 4 degli, 574 of Art, no. 1876.10; New (Paris, Louvre, no. 53), 87 Bulgarini, Bartolomeo, Virgin of Abbott, Senda, 14, 43 nn. 17 and 41, 44 York, Hispanic Society of Annunciation for Confraternità Humility (no. A 4002), 193, 194 n. 60, 427, 674 n. 6 America, no. A2031), 527 dell’Annunziata, Perugia (Figs. 22.1, 22.2), 195–96 Abercorn, Duke of, 525 n. 3 Alessandro da Caravaggio, 203 (Perugia, Galleria Nazionale Cima da Conegliano (?), Virgin Aberdeen, Art Gallery Alesso di Benozzo and Gherardo dell’Umbria, no. 169), 92 and Child (no. SK–A 1219), Vecchietta, portable triptych del Fora Crucifixion (Claremont, Pomona 208 n. 14 (no. 4571), 607 Annunciation (App. 1), 536, 539 College Museum of Art, Giovanni di Paolo, Crucifixion Abraham, Bishop of Suzdal, 419 n. 2, 735 no. P 61.1.9), 92 n. 11 (no. SK-C-1596), 331 Accarigi family, 244 Alexander VI Borgia, Pope, 509, 576 Crucifixion (Foligno, Palazzo Gossaert, Jan, drawing of Hercules Acciaioli, Lorenzo, Bishop of Arezzo, Alexeivich, Alexei, Grand Duke of Arcivescovile), 90 Kills Eurythion (no. -
Celebrating the Arts in Stoke, with an Open Studios Event at ACAVA
Celebrating the arts in Stoke, with an Open Studios event at ACAVA Studios: Spode Works and at AirSpace Gallery, Hanley and events across two towns with two days of activities hosted by excellent venues. Stoke Town Saturday 7 October Hanley Saturday 14 October ACAVA Studios: Spode Works Open Studios The Spode Rose Garden AirSpace Gallery 12 – 6pm Sat 7 Oct and 12 – 4pm Sun 8 Oct (AirSpace Gallery & Friends of Spode Rose Garden) 14 Oct, 11 - 6pm Spode Works, Elenora Street, ST4 1QQ 7 Oct, 2 - 6pm 4 Broad Street, Hanley, ST1 4HL airspacegallery.org – access also via China Hall, Kingsway Spode Works, Kingsway, ST4 1JH acavaspodeworks.org/ Spode Rose Garden Harvest Bring & Swap AirSpace Gallery was started in 2006. Since then Artists and creative practitioners will open their 2pm - 3pm - Setting up and Browsing the gallery has worked with a number of nationally studios to the public over the weekend of 7/8 October. 3pm - 4pm - Fruit & Veg Swap and internationally acclaimed artists. See their There will be an exhibition of participating artists’ 3.50pm - Prizes for Best Produce latest exhibition, Fount (a response to public realm work. All welcome. 4pm - 6pm - Ceramic Pit Firing development). Open Studios Event. Access Radio Refreshments available throughout the day - AirSpace Gallery & New Art West Midlands 7 Oct, throughout the day and hopefully a bit of live music to soothe the 14 Oct, 1 - 6pm accessradio.biz afternoon away. 1.00pm—Guided tour of ACAVA Studios: Spode Works, Catch them recording vox pops and interviews Elenora Street, ST4 1QQ. around the town of Stoke. -
A Rare Torah in the Library of Congress Gary A
COURTESY OF THE HEBRAIC SECTION, AFRICAN AND MIDDLE EAST DIVISION, LIBRARY OF CONGRESS CONGRESS OF OF LIBRARY LIBRARY DIVISION, DIVISION, EAST EAST MIDDLE MIDDLE AND AND AFRICAN AFRICAN SECTION, SECTION, HEBRAIC HEBRAIC THE THE OF OF COURTESY COURTESY 46 NOVEMBER/DECEMBER 2019 A Rare Torah in the Library of Congress Gary A. Rendsburg In January 2018, the Library of Congress announced that it had obtained a c. 1,000-year-old Torah scroll sheet. What makes this Torah scroll sheet so important? Where is it from? And how did it reach the halls of the de facto national library of the United States? Here is the story, though fi rst some background. As readers of BAR know, in ancient Israel and during the Greco- Roman period, biblical books were written on scrolls, made either from papyrus (in the earlier period) or from parchment (in the later period). Our most important testimony, of course, stems from the more than 200 biblical manuscripts found amongst the Dead Sea Scrolls at Qumran, dated from the third through fi rst centuries B.C.E. In the scroll format, the text was written on only one side of the available writing surface, what we may call the inside surface. With the rise of Christianity, the written text took a new form, the codex, the forerunner of the modern book. In this format, the text was written on both sides of the parchment sheet, and then the sheets were piled one on top of the other and sewn together—again, consider the modern book. The most famous exemplar is probably Codex Sinaiticus,* a complete (or nearly so) manuscript of the Greek Bible (including both * See “Who Owns the Codex Sinaiticus?” BAR, November/December 2007. -
OLD MASTER PAINTINGS Wednesday 4 July 2018
OLD MASTER PAINTINGS Wednesday 4 July 2018 BONHAMS OLD MASTERS DEPARTMENT Andrew McKenzie Caroline Oliphant Lisa Greaves Director, Head of Department, Group Head of Pictures Department Director London London and Head of Sale London – – – Poppy Harvey-Jones Brian Koetser Bun Boisseau Junior Specialist Consultant Junior Cataloguer, London London London – – – Mark Fisher Madalina Lazen Director, European Paintings, Senior Specialist, European Paintings Los Angeles New York Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors – – Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant MacDougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. OLD MASTER -
Dorotheum Saw Many Great Private Collections Passing Through Decade
art from circulating through the marketplace, I hope that we rooms, Emperor Franz Joseph commissioned the rebuilding of a might be able to build on the very real foundations of the last Palais on the grounds of an old monastery, which was inaugurat- decade of experience under the Washington Principles, and set ed in 1901. Already in the first thirty years of the 20 th century, the new benchmarks in diligence and claims processing for the next Dorotheum saw many great private collections passing through decade. Christie’s looks forward to working with you over the its premises and held numerous specialist sales of books, man- coming years on developing workable auction house guidelines uscripts, medals, coins and other art objects. During the Nazi and on addressing such other suggestions that would facilitate era, important posts within the Dorotheum hierarchy were as- the just and fair resolution of claims as may be made during the signed to supporters of the regime. The institution’s infrastruc- course of this Conference. ture was used to auction off aryanised property, and although the Dorotheum itself was not actively involved in aryanisations, it benefited extensively as a trading agent from consignments by administrative bodies such as the Gestapo, customs and finan- ▶ Felicitas Thurn cial authorities, or the City of Vienna. DOROTHEUM, AUSTRIA When the Dorotheum was privatized in 2001, the management DOROTHEUM: PROVENANCE RESEARCH AND DUE made coming to terms with the Dorotheum’s history during the DILIGENCE IN THE ART TRADE IN CENTRAL EUROPE Nazi era one of its prime concerns. Upon the sale of the Dor- otheum, the ÖIAG — the Austrian Republic’s investment and History privatization agency — as former owner of the auction house, paid USD 32 million into the General Settlement Fund as a com- More than 300 years aMer its foundation by Emperor Jo- pensation payment for their Austrian holdings that cooperated seph I, the Dorotheum is one of the most important auction with the Nazi Regime. -
Division, Records of the Cultural Affairs Branch, 1946–1949 108 10.1.5.7
RECONSTRUCTING THE RECORD OF NAZI CULTURAL PLUNDER A GUIDE TO THE DISPERSED ARCHIVES OF THE EINSATZSTAB REICHSLEITER ROSENBERG (ERR) AND THE POSTWARD RETRIEVAL OF ERR LOOT Patricia Kennedy Grimsted Revised and Updated Edition Chapter 10: United States of America (March 2015) Published on-line with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), in association with the International Institute of Social History (IISH/IISG), Amsterdam, and the NIOD Institute for War, Holocaust, and Genocide Studies, Amsterdam, at http://www.errproject.org © Copyright 2015, Patricia Kennedy Grimsted The original volume was initially published as: Reconstructing the Record of Nazi Cultural Plunder: A Survey of the Dispersed Archives of the Einsatzstab Reichsleiter Rosenberg (ERR), IISH Research Paper 47, by the International Institute of Social History (IISH), in association with the NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam, and with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), Amsterdam, March 2011 © Patricia Kennedy Grimsted The entire original volume and individual sections are available in a PDF file for free download at: http://socialhistory.org/en/publications/reconstructing-record-nazi-cultural- plunder. Also now available is the updated Introduction: “Alfred Rosenberg and the ERR: The Records of Plunder and the Fate of Its Loot” (last revsied May 2015). Other updated country chapters and a new Israeli chapter will be posted as completed at: http://www.errproject.org. The Einsatzstab Reichsleiter Rosenberg (ERR), the special operational task force headed by Adolf Hitler’s leading ideologue Alfred Rosenberg, was the major NSDAP agency engaged in looting cultural valuables in Nazi-occupied countries during the Second World War. -
Reshape Our Future
Header here Reconnect With Your Past. Reshape Our Future. October 3-5, 2018 baltimorehomecoming.com #bmorehome#baltimorehome 1 Header here PHOTO BY ISAAC GUERRERO @S_ISAAC_GUERRERO #baltimorehome 2 #baltimorehome 3 WELCOME DEAR FRIENDS, Welcome home! We are so excited to have you back in Charm City for the first annual Baltimore Homecoming. We are grateful to the hundreds of leaders from across Baltimore – reverends and educators, artists and business executives, activists and philanthropists – who joined together to organize this event. We each have our own memories of Baltimore – a humid summer afternoon or spring ballgame, a favorite teacher or a first job. We hope that you take time while you’re home to reconnect with your past and savor the city – catch up with friends and family, drop by a favorite restaurant, or visit an old neighborhood. Reconnecting is the first step. But our deeper hope is that you begin to forge a new relationship to the city. Whether you left five years ago or fifty, Baltimore has evolved. The Baltimore of today has a dynamic real estate market and budding technology sector. Our artists are leading the national conversation on race and politics. Our nonprofit entrepreneurs are on the cutting-edge of social change. The Port of Baltimore is one of the fastest growing in the U.S. The city’s growth has emerged from and complemented our historic pillars of strength – a rich cultural heritage, world-class research institutions, strategic geographic location, and beautiful waterfront. Baltimore faces significant challenges that we cannot ignore: segregation, entrenched poverty, crime and violence. -
The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XXXV, No. 2 February 2014 RANDOM NOTES The January Art Fairs in Los Angeles By Jean Ferro and Councilman Tom LaBonge; royals including Princess Anita Theodora of Orange-Nassau and Gabrielle, Duchess of Schoeneberg. The five-day event with 140 galleries played host to an esti- mated 50,000 visitors in the 180,000-square-foot facility. Located in the sprawling Convention Center’s South Hall, the show provided a combination of historic, modern, and contemporary art forms, in- cluding sculpture, installation, painting, drawing and photography. The featured photography ex- hibition was created by Gil Garcetti, LA District Attorney from 1992 to 2000 and father of Los An- geles Mayor Eric Garcetti. Receiving considerable attention and space, about 50 images in both color and black-and-white were presented from Garcet- ti’s 2010 book, Paris: Women & Bicycles, a proj- ect he developed and applied as a platform to push for bike-share programs in Los Angeles County. For four years the now 72-year-old Garcetti travelled back and forth to France to shoot Parisian women pedaling about the city. Women of all ages road their bikes wearing high heels, boots, and all styles of shoes (no sneakers), sporting everything The LA Art Show, LA Convention Center from working attire to everyday casual dress. Cu- www.laartshow.com rator Isabel Rojas-Williams, executive director The LA Art Show, January 15–19, at the Los of the Mural Conservancy of Los Angeles col- Angeles Convention Center celebrated their Sister laborated on the installation to showcase a bicycle Cities of Los Angeles program and 50-year rela- shipped from Paris with an added bicycle basket, tionship with Bordeaux, France. -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A.