OLD MASTER PAINTINGS Wednesday 4 July 2018

Total Page:16

File Type:pdf, Size:1020Kb

OLD MASTER PAINTINGS Wednesday 4 July 2018 OLD MASTER PAINTINGS Wednesday 4 July 2018 BONHAMS OLD MASTERS DEPARTMENT Andrew McKenzie Caroline Oliphant Lisa Greaves Director, Head of Department, Group Head of Pictures Department Director London London and Head of Sale London – – – Poppy Harvey-Jones Brian Koetser Bun Boisseau Junior Specialist Consultant Junior Cataloguer, London London London – – – Mark Fisher Madalina Lazen Director, European Paintings, Senior Specialist, European Paintings Los Angeles New York Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors – – Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant MacDougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. OLD MASTER PAINTINGS Wednesday 4 July 2018, at 2pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Saturday 30 June, 11am - 5pm +44 (0) 20 7447 7447 Specialists Monday to Friday Sunday 1 July, 11am - 5pm +44 (0) 20 7447 7401 fax Andrew McKenzie 8.30am to 6pm Monday 2 July, 9am - 4.30pm To bid via the internet please visit +44 (0) 20 7468 8261 +44 (0) 20 7447 7447 Tuesday 3 July, 9am - 4.30pm www.bonhams.com [email protected] Wednesday 4 July, 9am - 12pm Please see back of catalogue Bidding by telephone will only Caroline Oliphant for important notice to bidders SALE NUMBER be accepted on lots with a lower +44 (0) 20 7468 8271 estimate in excess of £1,000. [email protected] ILLUSTRATIONS 24650 Front cover: Lot 111 Please note that bids should be Lisa Greaves CATALOGUE Back cover: Lot 62 submitted no later than 4pm on +44 (0) 20 7468 8325 Inside front cover: Lot 100 (detail) £25.00 the day prior to the sale. New [email protected] Inside back cover: Lot 37 bidders must also provide proof of identity when submitting bids. Poppy Harvey-Jones Failure to do this may result in +44 (0) 20 7468 8308 IMPORTANT INFORMATION your bid not being processed. [email protected] The United States Government has banned Bun Boisseau the import of ivory into the Live online bidding is USA. Lots containing ivory are available for this sale +44 (0) 20 7468 8307 [email protected] indicated by the symbol Ф Please email [email protected] printed beside the lot number with ‘live bidding’ in the subject Consultants in this catalogue. line 48 hours before the auction Brian Koetser to register for this service. Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant MacDougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. SALE Central Middlesex Acton Ln Hospital Park Royal INFORMATION Acton Ln Cadogan Tate Coronation Road W e d s P a te a o r r n R k A v e R e s A o 40 a y h a Park l C Royal iWestern Ave A40 R o Station a 0 d 0 Acton 0 North 4 Cemetery A Acton d Station a o R a i r o t c i V West Acton Horn Lane Station BIDS BUYERS COLLECTION & STORAGE AND HANDLING VAT +44 (0) 20 7447 7447 STORAGE AFTER SALE CHARGES ON SOLD LOTS Will be applied at the current +44 (0) 20 7447 7401 fax LOTS MARKED TP RETURNED TO CADOGAN TATE rate on all above charges To bid via the internet please visit www.bonhams.com All sold lots marked TP will be Storage The following symbol is removed to Cadogan Tate, 241 Storage will be free of charge for used to denote that VAT PAYMENTS Acton Lane, London, NW10 7NP the first 14 calendar days from & is due on the hammer price Buyers from 9am Thursday 5 July 2018 including the sale date Wednesday and buyer’s premium +44 (0) 20 7447 7447 and will be available from 12pm 4 July 2018. +44 (0) 20 7447 7401 fax Friday 6 July 2018 and then every † VAT 20% on hammer price working day between 9am and Charges will apply from and buyer’s premium Sellers 4.30pm by appointment only. Thursday 19 July 2018. Payment of sale proceeds * VAT on imported items at +44 (0) 20 7447 7447 A booking email or phone call are Large Paintings: a preferential rate of 5% on +44 (0) 20 7447 7401 fax required in advance to ensure lots £5.70 per day + VAT hammer price and the are ready at time of collection. All other Paintings: prevailing rate on buyer’s premium VALUATIONS, Photographic ID will be required £2.85 per day + VAT TAXATION & HERITAGE at time of collection. If a third (Note: Charges apply every day Y These lots are subject to +44 (0) 20 7468 8340 party is collecting for you written including weekends and Public CITES regulations, please +44 (0) 20 7468 5860 fax authorisation is required in advance Holidays) read the information in the [email protected] from you and photographic ID of back of the catalogue. the third party is requested at the Handling CATALOGUE SUBSCRIPTIONS time of collection. After the first 14 calendar days Payment To obtain any Bonhams following the sale, the following All charges due to Cadogan catalogue or to take out To arrange a collection time handling charges apply per Lot: Tate may be paid to them in advance an annual subscription: please send a booking email to Large Paintings £42.00+ VAT or at the time of collection from their Subscriptions Department [email protected] or All other Paintings £21.00+ VAT warehouse. Payment may be made +44 (0) 1666 502200 telephone call to +44 (0)800 9886 by cash, cheque with banker’s card, +44 (0) 1666 505107 fax 100 to unsure lots are ready at Loss and Damage credit, or debit card (Please note: [email protected] time of collection. Extended Liability cover to the value Amex is not accepted). of the Hammer price will be charged SHIPPING All other sold lots will remain in the at 0.6% but capped at the total Information on charges For information and estimates collections room at New Bond value of all other charges due is available by email at on domestic and international Street without charge until 5.30pm [email protected] shipping as well as export Wednesday 18 July 2018. Lots or telephone on licenses please contact Alban not collected by this time will be +44 (0) 800 988 6100 Shipping on +44 (0) 1582 493 099 removed to Cadogan Tate, 241 [email protected] Acton Lane, London, NW10 7NP Payment in Advance & will be available from 9am Friday (Telephone to ascertain amount due) 20 July 2018 handling and storage by: cash, cheque with banker’s charges will apply. card, credit or debit card. Payment at time of collection by: cash, cheque with banker’s card, credit or debit card. 1 * WILLEM VERELST (LONDON 1704-1752) Provenance Portrait of Elizabeth Horton, full-length, in a silver and red riding habit, The Collection of Paul Mellon standing in a landscape with her horse, dogs and a groom His sale, Sotheby’s, London, 18 November 1981, lot 95 oil on canvas With Richard Green Fine Paintings, London, where purchased by the 76.4 x 63.8cm (30 1/16 x 25 1/8in). present owner in January 1984 Exhibited £8,000 - 12,000 London, Royal Academy, Painting in England 1700-1850, from the €9,100 - 14,000 Collection of Mr and Mrs Paul Mellon, Virginia, 1964-5, cat. no. 25 US$11,000 - 16,000 The sitter (d. 1740) was the daughter of Christopher Horton of Catton, Derbyshire. She married Bowyer Adderely of Hams Hall, Warwickshire, in 1726. They had three children. The identity of the sitter comes from an early inscription on a label attached to the reverse. For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 5 2 FOLLOWER OF HUGO VAN DER GOES The present composition is related to a drawing attributed to the (GHENT CIRCA 1440-1482 OUDERGEM) Workshop of Rogier van der Weyden in the Museum Boijmans van The Virgin and Child in a landscape Beuningen in Rotterdam (inv.
Recommended publications
  • National Survey of Native Woodlands 2003-2008 Volume I - BEC Consultants Ltd
    NationalNational SurveySurvey ofof NativeNative WoodlandsWoodlands 20032003 --20082008 Volume I: Main report Philip Perrin, James Martin, Simon Barron, Fionnuala O’Neill, Kate McNutt & Aoife Delaney Botanical, Environmental & Conservation Consultants Ltd. 2008 A report submitted to the National Parks & Wildlife Service Executive Summary The National Survey of Native Woodlands in Ireland included the survey of 1,217 woodland sites across all 26 counties of the Republic of Ireland during 2003-2007. Site selection was carried out using the Forest Inventory Planning System 1998 (FIPS) and local knowledge. Surveys comprised the recording of site species lists and information at the site level on topography, management, grazing, natural regeneration, geographical situation, adjacent habitat types, invasive species, dead wood and boundaries. Relevés were recorded in each of the main stand types identified at each site. For each relevé, data were recorded on vascular plant and bryophyte cover abundance, soil type and soil chemistry, notable lichens, stand structure, and natural regeneration. Data were also incorporated from a number of external sources. This resulted in a database with data from 1,320 sites and 1,667 relevés. The relevé dataset was analysed using hierarchical clustering and indicator species analysis. Four major woodland groups were defined: Quercus petraea – Luzula sylvatica (260 relevés), Fraxinus excelsior – Hedera helix (740 relevés), Alnus glutinosa – Filipendula ulmaria (296 relevés) and Betula pubescens – Molinia caerulea (371 relevés). Further analysis of the dataset divided these four groups into twenty-two vegetation types. For each vegetation type a synoptic table of the floristic data was produced, together with a list of key indicator species, a list of example sites, summary environmental and stand structure data and a distribution map.
    [Show full text]
  • Shakespeare First Folio Sells for $8.4M – the Oldest Undergraduate by Alex Capon College for Women in the Western US, Founded in 1852
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2464 | antiquestradegazette.com | 24 October 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Shakespeare first folio sells for $8.4m – the oldest undergraduate by Alex Capon college for women in the western US, founded in 1852. The First An ‘original and complete’ Folio had come to the US in 1961 copy of William Shakespeare’s when it was sold by London First Folio of plays set an dealership Bernard Quaritch to auction record in the the real estate investor Allan Exceptional sale at Christie’s Bluestein. New York. Estimated at $4m-6m, the Fifth copy for US dealer copy drew competition on Loewentheil, whose 19th October 14 from three phone Century Rare Book and bidders. After six minutes it was Photograph Shop in Brooklyn, knocked down to US book New York, bid £1.5m for another dealer Stephan Loewentheil at First Folio at Sotheby’s in 2010, $8.4m (£6.46m), a sum that surpassed the previous auction Continued on page 4 high of $6.16m/£3.73m (including premium) for a First Right: the copy of Folio sold in the same saleroom Shakespeare’s First Folio in October 2001. that sold for a record $8.4m It was consigned by Mills (£6.46m) at Christie’s New College in Oakland, California York on October 14.
    [Show full text]
  • Kingston Lacy Illustrated List of Pictures K Introduction the Restoration
    Kingston Lacy Illustrated list of pictures Introduction ingston Lacy has the distinction of being the however, is a set of portraits by Lely, painted at K gentry collection with the earliest recorded still the apogee of his ability, that is without surviving surviving nucleus – something that few collections rival anywhere outside the Royal Collection. Chiefly of any kind in the United Kingdom can boast. When of members of his own family, but also including Ralph – later Sir Ralph – Bankes (?1631–1677) first relations (No.16; Charles Brune of Athelhampton jotted down in his commonplace book, between (1630/1–?1703)), friends (No.2, Edmund Stafford May 1656 and the end of 1658, a note of ‘Pictures in of Buckinghamshire), and beauties of equivocal my Chamber att Grayes Inne’, consisting of a mere reputation (No.4, Elizabeth Trentham, Viscountess 15 of them, he can have had little idea that they Cullen (1640–1713)), they induced Sir Joshua would swell to the roughly 200 paintings that are Reynolds to declare, when he visited Kingston Hall at Kingston Lacy today. in 1762, that: ‘I never had fully appreciated Sir Peter That they have done so is due, above all, to two Lely till I had seen these portraits’. later collectors, Henry Bankes II, MP (1757–1834), Although Sir Ralph evidently collected other – and his son William John Bankes, MP (1786–1855), but largely minor pictures – as did his successors, and to the piety of successive members of the it was not until Henry Bankes II (1757–1834), who Bankes family in preserving these collections made the Grand Tour in 1778–80, and paid a further virtually intact, and ultimately leaving them, in the visit to Rome in 1782, that the family produced astonishingly munificent bequest by (Henry John) another true collector.
    [Show full text]
  • Download 2014 Exhibition Catalog
    201BIENNIAL4 department of art faculty exhibition martin museum of art • baylor university January 21–March 7, 2014 Reception for the Faculty thursday, january 23 5:30-7:00 pm Forward & Acknowledgements The 2014 Baylor Art Faculty Exhibition begins a new tradition in the Department of Art. It is the first biennial exhibition and is accompanied by this beautiful, inaugural catalog. The Baylor art faculty are practicing professionals active in their respective fields of specialization. The research activity of the art historians involves worldwide travel and results in published scholarly articles and books. They will be participating in this display of talents by presenting twenty-minute lectures on topics of their choosing on Tuesday, February 25, beginning at 2:00 pm in lecture hall 149. The studio faculty exhibit internationally, nationally, regionally, and locally. They belong to professional societies and organizations. Their works regularly appear in peer-reviewed juried exhibitions, solo exhibitions at museums, galleries, and art centers, as well as in national and international publications. Collectively, this active professional activity adds vitality to the educational mission of the Department and the University. Known for their excellence in the undergraduate classroom and studio, their individual creative and scholarly pursuits are evoked and recorded in this exhibition, catalog, and lecture series. I wish to extend thanks to Virginia Green, Associate Professor of Art, for the design of this catalog, Dr. Karen Pope, Senior Lecturer in Art History, for the editing, Karin Gilliam, Director, Martin Museum of Art and her staff, Adair McGregor, Jennifer Spry, Margaret Hallinan, and Daniel Kleypas. Thanks also for the support from the Virginia Webb Estate Endowment, the Ted and Sue Getterman Endowed Fund, and to the Martin Museum Art Angels.
    [Show full text]
  • European Art and Culture 1750-1850 Icy Perfection: Antonio Canova And
    Diploma Lecture Series 2013 Revolution to Romanticism: European Art and Culture 1750-1850 Icy Perfection: Antonio Canova and Neoclassical Sculpture Brian Ladd 24 / 25 April 2013 Lecture summary: The Italian sculptor Antonio Canova worked for patrons as eminent as the Pope, Napoleon, the Austrian Habsburgs and the Most Serene Republic of Venice. It is surprising then that this once celebrated artist is largely ignored today. Is it simply a case of an individual artist being out of fashion? Or was an entire art movement discredited for most of the twentieth century, with neoclassical art falling victim to the changing avant-garde? This lecture will explore the development of neoclassical sculpture in Europe during the late 18th century and early 19th century. It will examine how this art came to be associated with political power and authority. A focus will be on the outstanding oeuvre of Antonio Canova (1757-1822), undoubtedly the leading exponent of this movement. Other sculptors will also be discussed, including Jean-Antoine Houdon (French 1741- 1828); Bertel Thorvaldsen (Danish 1770-1844); Johann Gottfried Schadow (Prussian 1764-1850), and John Flaxman (English 1755-1826). Slide list: N.B. Sculptures are made of marble unless otherwise stated. 1. Hugh Douglas Hamilton, Antonio Canova in his studio with artist Henry Tresham 2. and a plaster model of ‘Psyche revived by Cupid’s kiss’. 1788-91, pastel on paper, V & A Museum 3. Antonio Canova, Self-portrait, 1790, oil on canvas, Uffizi Museum, Florence 4. Giuseppe Bernardi, St. Matthew, St. Mark, St. Luke and St. John, c. 1750s, terracotta, Birmingham Museum of Art, Alabama 5.
    [Show full text]
  • HNA April 11 Cover-Final.Indd
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 28, No. 1 April 2011 Jacob Cats (1741-1799), Summer Landscape, pen and brown ink and wash, 270-359 mm. Hamburger Kunsthalle. Photo: Christoph Irrgang Exhibited in “Bruegel, Rembrandt & Co. Niederländische Zeichnungen 1450-1850”, June 17 – September 11, 2011, on the occasion of the publication of Annemarie Stefes, Niederländische Zeichnungen 1450-1850, Kupferstichkabinett der Hamburger Kunsthalle (see under New Titles) HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Contents Dagmar Eichberger (2008–2012) HNA News ............................................................................1 Wayne Franits (2009–2013) Matt Kavaler (2008–2012) Personalia ............................................................................... 2 Henry Luttikhuizen (2009 and 2010–2014) Exhibitions
    [Show full text]
  • Darnley Portraits
    DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat
    [Show full text]
  • Interior Decorating and Finishes.Pdf
    Conservation Guidelines Interior Decoration & Finishes Forew ord Summary of Conservation This series of booklets has been produced by Principles the Department of the Environment to • Research prior to planning work increase awareness of the value of our • Minimum intervention - repair rather architectural heritage and to provide than replace information on the basic principles and • Respect the setting. methods of conservation and restoration. The titles in the series are listed on the back Summary of Conservation of each booklet. Procedur e • Research and analyse history of building These texts are not intended to be • Survey building and identify original comprehensive technical or legal guides. The material main aim is to assist architects, builders, • Plan work according to conservation owners and others,in understanding the principles guiding principles of conservation and • Use experts where necessary restoration. They will facilitate the • Record all work identification of the most common problems • Install maintenance procedures. encountered in heritage buildings,and indicate the best solutions. It should be appreciated that specialised aspects of conservation and restoration will require professional expertise and more detailed information. The Department acknowledges,with appreciation,the efforts of the authors of the individual booklets,the Irish Georgian Society who coordinated their production,the Conservation Advisory Panel established under the Operational Programme for Local Urban and Rural Development and all others involved. 1 Conservation Guidelines Interior Decoration & Finishes Introduction subservient to the overall scheme and This booklet deals with the interior complemented the architecture of the room. decoration,normally found in rooms from 1700 - 1900,both in public and domestic Whereas relatively few rooms from this er a buildings,in Ireland.
    [Show full text]
  • Oog in Oog Met Jan Van Mieris 24 Jaar Geduld Museum De Lakenhal Beloond
    VERZAMELGEBIED GESTEUND SCHILDERKUNST 16DE EN 17DE EEUW Oog in oog met Jan van Mieris 24 jaar geduld Museum De Lakenhal beloond Het zelfportret van de Leidse fijnschilder Jan van Mieris stond al heel lang op het verlanglijstje van Museum De Lakenhal. Al in 1990 had conservator Christiaan Vogelaar een zoektocht gestart naar dit werk, waarvan de verblijfplaats niet bekend was. Uiteindelijk kwam hij bij de toenmalige eigenaren terecht: de in 2006 overleden schrijver Gerard Reve en zijn partner. Die waren echter niet van plan het schilderij te verkopen. Maar nu, na 24 jaar, is het alsnog gelukt om het begeerde werk te verwerven. Zelfportret useum De Lakenhal heeft literatuur bekend was. Na een tip gebrek aan talent heeft dat beslist niet Willem van Mieris in de loop van de jaren een kwam het uiteindelijk de eigenaren gelegen. De voortijdige dood van de ca. 1705. Olieverf op mooie verzameling aangelegd op het spoor. Dat bleken de schrijver kunstenaar, op 30-jarige leeftijd, was doek, 91,5 x 72 cm Mvan schilderijen met zelfportretten Gerard Reve en zijn partner Joop debet aan zijn geringe bekendheid. MUSEUM DE LAKENHAL, LEIDEN van Leidse kunstenaars – van de 16de- Schafthuizen te zijn. Die waren graag Jan van Mieris’ oeuvre omvat door (Aangekocht in 1990 eeuwse schilder Isaac van Swanenburg bereid de conservator te ontvangen en zijn korte leven niet meer dan een met steun van de tot Rembrandt en Jan Steen – maar de het schilderij te laten zien, maar het was dertigtal schilderijen en een enkele Vereniging Rembrandt) Leidse fijnschilders waren tot dusverre niet te koop – de missie leek mislukt.
    [Show full text]
  • Lowell Libson Limited
    LOWELL LI BSON LTD 2 0 1 0 LOWELL LIBSON LIMITED BRITISH PAINTINGS WATERCOLOURS AND DRAWINGS 3 Clifford Street · Londonw1s 2lf +44 (0)20 7734 8686 · [email protected] www.lowell-libson.com LOWELL LI BSON LTD 2 0 1 0 Our 2010 catalogue includes a diverse group of works ranging from the fascinating and extremely rare drawings of mid seventeenth century London by the Dutch draughtsman Michel 3 Clifford Street · Londonw1s 2lf van Overbeek to the small and exquisitely executed painting of a young geisha by Menpes, an Australian, contained in the artist’s own version of a seventeenth century Dutch frame. Telephone: +44 (0)20 7734 8686 · Email: [email protected] Sandwiched between these two extremes of date and background, the filling comprises Website: www.lowell-libson.com · Fax: +44 (0)20 7734 9997 some quintessentially British works which serve to underline the often forgotten international- The gallery is open by appointment, Monday to Friday ism of ‘British’ art and patronage. Bellucci, born in the Veneto, studied in Dalmatia, and worked The entrance is in Old Burlington Street in Vienna and Düsseldorf before being tempted to England by the Duke of Chandos. Likewise, Boitard, French born and Parisian trained, settled in London where his fluency in the Rococo idiom as a designer and engraver extended to ceramics and enamels. Artists such as Boitard, in the closely knit artistic community of London, provided the grounding of Gainsborough’s early In 2010 Lowell Libson Ltd is exhibiting at: training through which he synthesised
    [Show full text]
  • Family and Political Correspondence from Calendar Compiled by A
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 179 Headfort Estate Papers (Additional) (Mss 42,068, 42,080, 48,541–49,110 & 49,136) (Accessions 3898, 5778, 6126, 6695, 6794, 6816, 6918) Estate records and personal and political papers of the Taylour family, Marquesses of Headfort, ca. 1600–1980. Compiled by: Brian Casey, B.A., Ph.D., holder of the Studentship in Irish History provided by the National Library of Ireland in association with the Irish Committee of Historical Sciences, 2010–2011, Avice-Claire McGovern, Department of Manuscripts, Eimear Walsh, Department of Manuscripts, with assistance from Nora Thornton, Department of Manuscripts 1 TABLE OF CONTENTS Introduction....................................................................................................................... 7 Overview of the Headfort estate collection................................................................... 10 Pedigree of Taylour family ............................................................................................. 14 I. Estate Accounts............................................................................................................ 16 I.i. Labour Accounts and Bills ....................................................................................... 16 I.i.1. Headfort Estate and Farm, County Meath............................................................ 16 I.i.1.a. 1795-1887...................................................................................................... 16
    [Show full text]
  • Youghal Celebrates History the FITZGERALDS of DESMOND
    A B O U T T H E E V E N T This will be the 13th Annual Conference organised by Youghal Celebrates History. The theme of this year's Youghal Celebrates History conference is the Fitzgerald dynasty. There will be a variety of activities, starting with a look at James Fitzgerald, a blacksmith who found himself in serious trouble in 1798 for making pikes for the rebels. There is a special focus on local Fitzgeralds, their castles, their history, their poetry and stories. On Sunday there is a guided coach trip up the majestic Blackwater river to Dromana House, celebrating THE FITZGERALDS OF DESMOND an 800 year link with the Fitzgerald family. The organisers gratefully acknowledge the support of the McCarthy family and Youghal Credit Union as well as the Community Tourism Diaspora Initiative. EARLS, POETS & REBELS - FROM GALLIC TO GAELIC C O N T A C T D E T A I L S (FOR BOOKING AND INFORMATION) Youghal Celebrates History, c/o St. Mary's College, Emmet Place, Youghal YOUGHAL CELEBRATES HISTORY - 13TH ANNUAL CONFERENCE Email: [email protected] Website: www.youghalcelebrateshistory.com Telephone Enquiries: 087 9666554 Mall Arts Centre, Town Hall, Youghal The programme may change, check Facebook or our website for latest news. 18th - 20th September 2015 Further details on our website: www.youghalcelebrateshistory.com Telephone Enquiries: 087 9666554 T H E F I T Z G E R A L D S O F D E S M O N D B O O K I N G F O R M (Please tick the sections you are interested in) Name(s): ....................................................................................................
    [Show full text]