A Rare Torah in the Library of Congress Gary A
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Some Observations on the Nature of Papyrus Bonding
]. Ethnobiol. 11(2):193-202 Winter 1991 SOME OBSERVATIONS ON THE NATURE OF PAPYRUS BONDING PETER E. SCORA Moreno Valley, CA 92360 and RAINER W. SCORA Department of Botany and Plant Sciences University of California Riverside, CA 92521 ABSTRACT.-Papyrus (Cyperus papyrus, Cyperaceae) was a multi-use plant in ancient Egypt. Its main use, however, was for the production of laminated leaves which served as writing material in the Mediterranean world for almost 5000 years. Being a royal monopoly, the manufacturing process was kept secret. PI~us Secundus, who first described this process, is unclear as to the adhesive forces bonding the individual papyrus strips together. Various authors of the past century advanced their own interpretation on bonding. The present authors believe that the natural juices of the papyrus strip are sufficient to bond the individual strips into a sheet, and that any additional paste used was for the sole purpose of pasting the individual dried papyrus sheets into a scroll. RESUMEN.-EI papiro (Cyperus papyrus, Cyperaceae) fue una planta de uso multiple en el antiguo Egipto. Su uso principal era la produccion de hojas lami nadas que sirvieron como material de escritura en el mundo meditarraneo durante casi 5000 anos. Siendo un monopolio real, el proceso de manufactura se mantema en secreto. Plinius Secundus, quien describio este proceso por primera vez, no deja claro que fuerzas adhesivas mantenlan unidas las tiras individuales de papiro. Diversos autores del siglo pasado propusieron sus propias interpretaciones respecto a la adhesion. Consideramos que los jugos naturales de las tiras de papiro son suficientes para adherir las tiras individuales y formar una hoja, y que cual quier pegamento adicional se usa unicamente para unir las hojas secas individuales para formar un rollo. -
How We Got Our Bible Part Three: the Text of the New Testament
How We Got Our Bible Part Three: The Text of the New Testament I. The Nature of New Testament Manuscripts A. Early biblical manuscripts were written on papyrus. B. By the 3d century parchment (leather) became the standard paper for biblical manuscripts. C. Writing was done with pen and ink. The ink was usually brown or black. D. Initially New Testament books were written on Scrolls. E. Around the beginning of the 2d century the codex (modern book) became the main book format. II. The Styles of Writing in New Testament Manuscripts A. Cursive (minuscule) Handwriting B. All-Capitals (uncial) C. Because of the cost of parchment many documents were scraped and washed to be reused for other literature. These are called Palimpsests. They are biblical manuscripts that are written on reused parchment. Of the 263 uncial manuscripts of the New Testament 63 are palimpsests. D. In the early centuries of Christianity the gospels were divided into regular readings for services. Scribes marked the beginning and end of these readings so the lector (reader) knew where to begin and end. These manuscripts of the gospels are called lectionaries (Lindisfarne Gospels). E. The advent of monasteries created a class of monks who became scribes. They worked standing at a writing desk in a room called a scriptorium. This was difficult and tedious work. Some monks even added little sentences at the end of manuscripts such as, “The end of the book; thanks be to God.” F. The monks also added footnotes called colophons which include the name of the scribe and sometimes the date and place of writing. -
XIII. the Song of the Sea 27-Aug-06 Exodus 15:1-21 Theme: in Response to God’S Great Salvation, the People of God Worship and Praise Him
Exodus I – Notes XIII. The Song of the Sea 27-Aug-06 Exodus 15:1-21 Theme: In response to God’s great salvation, the people of God worship and praise Him. Key Verses: Exodus 15:1-2 1Then Moses and the children of Israel sang this song to the LORD, and spoke, saying: “I will sing to the LORD, for He has triumphed gloriously! The horse and its rider He has thrown into the sea! 2The LORD is my strength and song, and He has become my salvation; He is my God, and I will praise Him; my father’s God, and I will exalt Him.” Review Last week we studied the actual exodus from Egypt, the initial stages of the journey, and God’s great salvation in the crossing of the Red Sea. The exodus event almost seems anticlimactic, wedged in between the ten plagues and the Red Sea crossing. But everything that happens in the exodus – the death of the firstborn of Egypt, the Passover, the plundering of Egypt, the departure of Israel – occurred exactly in accordance with God’s plan. God leads His triumphant army out of Egypt by a visible display of His Shekinah glory – the pillar of cloud and fire. God’s visible presence reassures His people, guides His people, shelters His people, and protects His people. God’s guidance leads Israel away from the quick road along the sea and instead traces a path into the wilderness. God knew that Israel was not ready for the confrontations that awaited them on the direct route to Canaan. -
How Is a Torah Made?
How is a Torah made? By Rabbi Amy R. Scheineman The scribe prepares parchment sheets While printed editions of the Torah abound, in both Hebrew and English translation, and with many different commentaries, when the Torah is read in the synagogue on Shabbat and holidays, it is read from a hand-written scroll, called a Sefer Torah, in keeping with age-old tradition. It takes several months, and often as a long as a year to complete one Sefer Torah. The Sefer Torah is written by a scribe, special trained for this holy task, on sheets of parchment. The parchment must derive from a kosher animal, usually a cow, and is meticulously prepared by the scribe, who first soaks the skin in lime water to remove hairs, and then stretches the skin over a wooden frame to dry. The scribe scrapes the skin while it is stretched over the wooden frame to remove more hair and smooths the surface of the skin in preparation for writing on it with the use of a sanding machine. When the skin is dry, the scribe cuts it into a rectangle. The scribe must prepare many such skins because a Sefer Torah usually contains 248 columns, and one rectangle of parchment yields space for three or four columns. Thus a Sefer Torah may require at more than 80 skins in all. When the parchment sheets are ready, the scribe marks out lines and columns using a stylus, which makes a mark in the skin that has no color, much as if you ran your fingernail across a sheet of paper. -
YUTORAH in PRINT Beshalach 5781
The Marcos and Adina Katz YUTORAH IN PRINT Beshalach 5781 The Meaning of Faith Rabbi Dr. Norman Lamm z”l (Originally delivered January 31, 1953) aith” as a subject for a sermon by a Rabbi seems so and in His servant Moses.” After this profession of Faith in appropriate and so to-be-expected, that it is almost an G-d, Az Yashir Moshe Uv’nei Yisroel, Moses and the children invitation to the congregation to doze off into a gentle of Israel began to sing their famous shirah, their famous FSabbath map. And yet it is a topic which is rarely discussed song of freedom and liberty and gratitude and redemption. from a Traditional Jewish pulpit. It is rarely mentioned Our Rabbis saw some connection between the Faith in G-d because it is taken for granted that those who do come to and the singing of the Song. lo zachu Yisroel lomar shirah al synagogue already have faith. It is an assumption which is, I ha’yam ela bi’zchus emunah, Israel was given the privilege of believe, most correct. But the fact remains that Faith is a very shirah, of song, only because of emunah, their faith and belief hazy concept, and that its causes and effects are not always in G-d. Faith, our Rabbis want to say, is that which makes understood. I believe this sufficient reason, therefore, to invite all of life a song, that which gives it cheer and happiness and you with me in an exploration of the Jewish meaning of Faith. -
Shakespeare First Folio Sells for $8.4M – the Oldest Undergraduate by Alex Capon College for Women in the Western US, Founded in 1852
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2464 | antiquestradegazette.com | 24 October 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Shakespeare first folio sells for $8.4m – the oldest undergraduate by Alex Capon college for women in the western US, founded in 1852. The First An ‘original and complete’ Folio had come to the US in 1961 copy of William Shakespeare’s when it was sold by London First Folio of plays set an dealership Bernard Quaritch to auction record in the the real estate investor Allan Exceptional sale at Christie’s Bluestein. New York. Estimated at $4m-6m, the Fifth copy for US dealer copy drew competition on Loewentheil, whose 19th October 14 from three phone Century Rare Book and bidders. After six minutes it was Photograph Shop in Brooklyn, knocked down to US book New York, bid £1.5m for another dealer Stephan Loewentheil at First Folio at Sotheby’s in 2010, $8.4m (£6.46m), a sum that surpassed the previous auction Continued on page 4 high of $6.16m/£3.73m (including premium) for a First Right: the copy of Folio sold in the same saleroom Shakespeare’s First Folio in October 2001. that sold for a record $8.4m It was consigned by Mills (£6.46m) at Christie’s New College in Oakland, California York on October 14. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
The Current State of Masoretic Studies*
SEFARAD, vol. 73:2, julio-diciembre 2013, págs. 423-458 ISSN: 0037-0894, doi: 10.3989/sefarad.013.015 ESTADO DE LA CUESTIÓN The Current State of Masoretic Studies* Elvira Martín Contreras** ILC-CCHS, CSIC, Madrid The foundation of the International Organization of Masoretic Studies (IOMS) in 1972 was a turning point in the studies on Masorah. Since then, Masoretic studies have undergone a true renaissance. The publications on Masoretic issues have proliferated, and the importance of the Masorah for the study of the text of the Hebrew Bible has been stressed in numerous reviews. This brief survey presents the evolution of Masoretic stu- dies, the main research lines and achievements, and some of the most relevant works in the last forty years. KEYWORDS: Masorah; Ketib-Qere; Grammar; Hebrew Bible Text. ESTADO DE LA CUESTIÓN DE LOS ESTUDIOS MASORÉTICOS.— La creación de la International Organization of Masoretic Studies (IOMS) en 1972 supuso un punto de inflexión en los estudios sobre Masora. Desde entonces, los estudios masoréticos han experimentado un auténtico renacer. Las publicaciones sobre temas masoréticos han proliferado y la impor- tancia de la Masora para el estudio del texto de la Biblia Hebrea ha sido resaltada en nu- merosas reseñas. Esta breve panorámica ofrece la evolución de los estudios masoréticos, sus principales líneas de investigación y logros, así como los trabajos más significativos de los últimos cuarenta años. PALABRAS CLAVE: Masora; ketib-qere; gramática; texto de la Biblia hebrea. Last year marked the 40th anniversary of the creation of the International Organization of Masoretic Studies (IOMS) by Prof. Harry Orlinsky brin- ging together all the modern “Masoretes” and enabling work in this field. -
Freeing the Dead Sea Scrolls: a Question of Access
690 American Archivist / Vol. 56 / Fall 1993 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/56/4/690/2748590/aarc_56_4_w213201818211541.pdf by guest on 30 September 2021 Freeing the Dead Sea Scrolls: A Question of Access SARA S. HODSON Abstract: The announcement by the Huntington Library in September 1991 of its decision to open for unrestricted research its photographs of the Dead Sea Scrolls touched off a battle of wills between the library and the official team of scrolls editors, as well as a blitz of media publicity. The action was based on a commitment to the principle of intellectual freedom, but it must also be considered in light of the ethics of donor agreements and of access restrictions. The author relates the story of the events leading to the Huntington's move and its aftermath, and she analyzes the issues involved. About the author: Sara S. Hodson is curator of literary manuscripts at the Huntington Library. Her articles have appeared in Rare Books & Manuscripts Librarianship, Dictionary of Literary Biography Yearbook, and the Huntington Library Quarterly. This article is revised from a paper delivered before the Manuscripts Repositories Section meeting of the 1992 Society of American Archivists conference in Montreal. The author wishes to thank William A. Moffett for his encour- agement and his thoughtful and invaluable review of this article in its several revisions. Freeing the Dead Sea Scrolls 691 ON 22 SEPTEMBER 1991, THE HUNTINGTON scrolls for historical scholarship lies in their LIBRARY set off a media bomb of cata- status as sources contemporary with the time clysmic proportions when it announced that they illuminate. -
Tanakh Versus Old Testament
Tanakh versus Old Testament What is the Tanakh? The Tanakh (also known as the Hebrew Bible) was originally written in Hebrew with a few passages in Aramaic. The Tanakh is divided into three sections – Torah (Five Books of Moshe), Nevi’im (Prophets), and Ketuvim (Writings). The Torah is made up of five books that were given to Moshe directly from God after the Exodus from Mitzrayim. The Torah was handed down through the successive generations from the time of Moshe. The Torah includes the creation of the earth and the first humans, the Great Flood and the covenant with the gentiles, the Hebrew enslavement and Exodus of the Hebrews from Mitzrayim, giving of the Torah, renewal of Covenant given to Avraham, establishment of the festivals, wandering through the desert, the Mishkan, Ark, and Priestly duties, and the death of Moshe. The Nevi’im covers the time period from the death of Moshe through the Babylonian exile and contains 19 books. The Nevi’im includes the time of the Hebrews entering Eretz Yisrael, the conquest of Yericho, the conquest of Eretz Yisrael and its division among the tribes, the judicial system, Era of Shaul and David, Shlomo’s wisdom and the construction of the First Beit HaMikdash, kings of Yisrael and Yehuda, prophecy, messianic prophecies, and the Babylonian exile. The Ketuvim covers the period after the return from the Babylonian exile and contains 11 books. The Ketuvim is made up of various writings that do not have an overall theme. This section of the Tanakh includes poems and songs, the stories of Iyov, Rut, and Ester, the writings and prophecies of Dani’el, and the history of the kings of Yisrael and Yehuda. -
"Who Shall Ascend Into the Mountain of the Lord?": Three Biblical Temple Entrance Hymns
"Who Shall Ascend into the Mountain of the Lord?": Three Biblical Temple Entrance Hymns Donald W. Parry A number of the psalms in the biblical Psalter1 pertain directly to the temple2 and its worshipers. For instance, Psalms 29, 95, and 100 pertain to worshipers who praise the Lord as he sits enthroned in his temple; Psalm 30 is a hymn that was presumably sung at the dedication of Solomon’s temple; Psalms 47, 93, and 96 through 99 are kingship and enthronement psalms that celebrate God’s glory as king over all his creations; Psalms 48, 76, 87, and 122 are hymns that relate to Zion and her temple; Psalm 84 is a pilgrim’s song, which was perhaps sung by temple visitors as soon as they “came within sight of the Holy City”;3 Psalm 118 is a thanksgiving hymn with temple themes; Psalms 120 through 134 are ascension texts with themes pertaining to Zion and her temple, which may have been sung by pilgrims as they approached the temple; and Psalm 150, with its thirteen attestations of “praise,” lists the musical instruments used by temple musicians, including the trumpet, lute, harp, strings, pipe, and cymbals. In all, perhaps a total of one-third of the biblical psalms have temple themes. It is well known that during the days of the temple of Jerusalem temple priests were required to heed certain threshold laws, or gestures of approach, such as anointings, ablutions, vesting with sacred clothing, and sacrices.4 What is less known, however, is the requirement placed on temple visitors to subscribe to strict moral qualities. -
Ten Top Biblical Archaeology Discoveries
Ten Top Biblical Archaeology Discoveries Cover © 2011 Biblical Archaeology Society 1 Ten Top Biblical Archaeology Discoveries Ten Top Biblical Archaeology Discoveries Production and Design Staff: Joey Corbett – Editor Robert Bronder – Designer Susan Laden – Publisher © 2011 Biblical Archaeology Society 4710 41st Street, NW Washington, DC 20016 www.biblicalarchaeology.org © 2011 Biblical Archaeology Society i Ten Top Biblical Archaeology Discoveries About the Biblical Archaeology Society The excitement of archaeology and the latest in Bible scholarship since 1974 The Biblical Archaeology Society (BAS) was founded in 1974 as a nonprofit, nondenominational, educational organization dedicated to the dissemination of information about archaeology in the Bible lands. BAS educates the public about archaeology and the Bible through its bi-monthly magazine, Biblical Archaeology Review, an award-winning Web site (www.biblicalarchaeology.org), books and multimedia products (DVDs, CD-ROMs and videos), tours and seminars. Our readers rely on us to present the latest that scholarship has to offer in a fair and accessible manner. BAS serves as an important authority and as an invaluable source of reliable information. Publishing Excellence BAS’s flagship publication is Biblical Archaeology Review. BAR is the only magazine that connects the academic study of archaeology to a broad general audience eager to understand the world of the Bible. Covering both the Old and New Testaments, BAR presents the latest discoveries and controversies in archaeology with breathtaking photography and informative maps and diagrams. BAR’s writers are the top scholars, the leading researchers, the world- renowned experts. BAR is the only nonsectarian forum for the discussion of Biblical archaeology. BAS produced two other publications, Bible Review from 1985–2005, and Archaeology Odyssey from 1998–2006.