An Inquiry Into Worker Skill in Wood Printing Type Manufacture

Total Page:16

File Type:pdf, Size:1020Kb

An Inquiry Into Worker Skill in Wood Printing Type Manufacture Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2015 WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE Daniel Schneider Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the History of Art, Architecture, and Archaeology Commons Copyright 2015 Daniel Schneider Recommended Citation Schneider, Daniel, "WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE", Master's Thesis, Michigan Technological University, 2015. https://doi.org/10.37099/mtu.dc.etds/1007 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the History of Art, Architecture, and Archaeology Commons WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE By Daniel Schneider A THESIS Submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE In Industrial Archaeology MICHIGAN TECHNOLOGICAL UNIVERSITY 2015 © 2015 Daniel Schneider This thesis has been approved in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE in Industrial Archaeology. Department of Social Sciences Thesis Advisor: Dr. Steven A. Walton Committee Member: Dr. Carl Blair Committee Member: Dr. Scott Marratto Department Chair: Dr. Hugh Gorman Table of Contents Index of Figures ....................................................................................... vii Index of Tables .......................................................................................viii Acknowledgements ................................................................................... ix Abstract.................................................................................................... xi 1: Introduction ......................................................................................... 1 Wood Printing Type, Worker Skill, and Machines ......................................... 1 Past Study of Industrial Skill ........................................................................ 6 Methodology and Study Overview ................................................................. 8 Scope and Importance ................................................................................ 10 2: Industrial Skill & Its Components ....................................................... 12 Industrial Skill Defined .............................................................................. 13 The Factory as Social Environment ............................................................ 16 Workmanship and Industry ....................................................................... 19 Tacit Knowledge in Industrial Work ............................................................ 21 Phenomenology in the Factory .................................................................... 24 Embodiment Relations ............................................................................ 25 Hermeneutic Relations ............................................................................ 27 3: Wood Type History ............................................................................. 31 Type Cutting by Hand, Type Cutting by Machine ....................................... 34 Wood Type on the “Frontier” ....................................................................... 39 Diversification & Hamilton’s Later Years .................................................... 50 4: Type, Wood, and Machinery ................................................................ 57 Letterpress Printing Technology and Wood Type ......................................... 57 Type-High Wood ......................................................................................... 61 Wood Type Measurements .......................................................................... 67 Type Wood, Cut to Line .............................................................................. 69 The Pantograph Router .............................................................................. 73 The Die-Stamping Machine ........................................................................ 81 5: Type Cutting & the Pantograph Router ................................................ 91 Type Cutting .............................................................................................. 91 Type Patterns ............................................................................................. 95 Phenomenology and the Pantograph .......................................................... 99 The Cut-Off Saw & Type Trimming ........................................................... 102 Evidence of Workmanship in Wood Type Letters ...................................... 105 v 6: Die Stamping Decorative Borders ..................................................... 111 Die Stamping ........................................................................................... 111 Tacit Dimensions and the Die-Stamping Machine .................................... 117 Phenomenology and the Die-Stamping Machine ...................................... 119 Social Relations in Wood Type Border Manufacture ................................. 121 Evidence of Complexity in Wood Type Border Specimens ......................... 122 7: Conclusion ........................................................................................ 128 Industrial Skill, Revisited ......................................................................... 129 Industrial Skill as Manual Engagement ................................................... 137 Industrial Skill, Industrial Heritage ......................................................... 142 A Role for Industrial Archaeology ............................................................. 147 Appendix A ............................................................................................ 151 Experimental Archaeology ....................................................................... 151 Experiment Design .................................................................................. 153 Practical Matters ..................................................................................... 157 Notes on Experimental Data Tables ......................................................... 163 Selected Field Notes ................................................................................. 166 Appendix B ............................................................................................ 173 Stamping Dies Recordation Sheets .......................................................... 173 Appendix C ............................................................................................ 181 Border Piece Dimensions ......................................................................... 181 References ............................................................................................ 183 Bibliography ............................................................................................ 183 Oral Histories .......................................................................................... 188 Permissions ........................................................................................... 189 vi Index of Figures 1.1: Wood Printing Type .................................................................................... 2 1.2: Wood Type Border ...................................................................................... 3 1.3: The Pantograph Router ............................................................................... 4 1.4: The Die-Stamping Machine ........................................................................ 5 2.1: The California Job Case ............................................................................ 17 3.1: A Composing Stick ................................................................................... 32 3.2: Printing Form ........................................................................................... 33 3.3: Hamilton & Katz Works, 1885 .................................................................. 43 3.4: The Polhemus Cabinet .............................................................................. 44 3.5: Hamilton Manufacturing Company Works, 1891 ...................................... 46 3.6: 1891 Map of Hamilton Works ................................................................... 48 3.7: Detail of 1891 Map ................................................................................... 49 3.8: The Hamilton Works Expands .................................................................. 52 3.9: Further Expansion ................................................................................... 53 4.1: The Platen Press ....................................................................................... 58 4.2: “Type-High” .............................................................................................. 60 4.3: Circular Saw ............................................................................................ 62 4.4: Shelved Wood ........................................................................................... 63 4.5: The Sanding Machine ............................................................................... 65 4.6: The Height Machine .................................................................................
Recommended publications
  • Relief Printing Letterpress Machines
    DRAFT SYLLABUS FOR PRESS WORK - I Name of the Course: Diploma in Printing Technology Course Code: Semester: Third Duration: 16 Weeks Maximum Marks: 100 Teaching Scheme Examination Scheme Theory: 3 hrs/week Internal Examination: 20 Tutorial: 1 hr/week Assignment & Attendance: 10 Practical: 6 hrs/week End Semester Exam:70 Credit: 3 Aim: Getting the output through a printing machine is the most important operation for completing the print production. This subject known as Presswork - I is one of the key subject to make a clear and sound knowledge in some of the major print production systems and supplies. This will enable the students to make judgement about the aspect of printing, particularly the selection of a particular process to choose for a specific print production. Objective: The students will be able to (i) understand the basic and clear classification of all kinds of printing processes; (ii) understand the details divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines; (iii) understand the principal mechanism of various letterpress and sheet-fed machines, their constructional differences in the printing unit and operational features; (iv) understanding the various feeding and delivery mechanism in printing machines; (v) appreciate the relational aspects of various materials used in presswork. Pre -Requisite: Elementary knowledge of Basic Printing & Production Contents: Group-A Hrs/unit Marks Unit 1 Relief Printing 10 10 1.1 Classifications of various relief printing machines, their applications and uses, characteristics of the products. 1.2 Details of divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines General unit wise division of a printing machine.
    [Show full text]
  • Chamfer Plane
    Chamfer Plane Christopher Swingley Introduction These plans are for a wooden chamfer plane modelled after the chamfer plane shown in Making Traditional Wooden Planes by John M. Whelan. My plans differ slightly because I used a two piece laminated plane body instead of the single block used by Whelan. My plane iron is a bit wider than his, so my plane body is also slightly larger. Detailed instructions on plane making appear in Whelan’s book and should be consulted as a supplement to these plans. Plans The first set of plans show the body of the plane. Two pegs through the body will strengthen the connection between the halves of the body. Constructing the plane this way is much easier because we can saw and chisel the mortise. 6 3/4" 2 1/2" 2" 1 7/8" 2 7/8" 1 1/4" Left half Left half Right half Interior side Heel Mortise 2 3/4" 2 3/4" 7/8" Heel Toe 1 3/4" 3 7/8" 1 7/8" 1" 3/8" Left half 7/8" Bottom side 1 1/4" 3/8" The following diagrams show the dimensions of the stop that forms the throat in front of the iron. It rests at the front of the mortise in the body, in front of the wedge, and iron. (Insert figure here) Construction Notes *Construction begins by sawing the two halves of the plane body to size. Next, the interior surfaces need * Some images appear at http://www.frontier.iarc.uaf.edu/∼cswingle/woodworking/jigs.phtml 1 Cut List Qty Description T W L Notes 2 Plane body halves 1 1/4 2 3/4 6 3/4 Mortise cut 7/8 inches deep, bottom in- ner edge planed to 45◦.
    [Show full text]
  • Graphic File Preparation for Letterpress Printing ©2016
    GRAPHIC FILE PREPARATION FOR LETTERPRESS PRINTING ©2016, Smart Set, Inc. COMMON GRAPHIC FILE FORMATS Vector Formats .ai (Adobe Illustrator) Native Illustrator file format. Best format for importing into Adobe InDesign. Illustrators’s native code is pdf, so saving files in .ai contains the portability of pdf files, but retaining all the editing capabilities of Illustrator. (AI files must be opened in the version of Illustrator that they were created in (or higher). .pdf (Adobe Portable Document Format) A vector format which embeds font and raster graphics within a self-con- tained document that can be viewed and printed (but not edited) in Adobe’s Reader freeware. All pre-press systems are in the process of transitioning from PostScript workflows to PDF workflows. Because of the ability to em- bed all associated fonts and graphics, pdf documents can be generated from most graphics software packages and can be utilized cross-platform and without having all versions of different software packages. Many large printers will now only accept pdf files for output. .eps (Encapsulated PostScript) Before Adobe created the pdf format, PostScript allowed files to be created in a device-independent format, eps files printed on a 300 dpi laser printer came out 300 dpi, the same file printed to an imagesetter would come out at 2540 dpi. PostScript files are straight code files, an Encapsulated PostScript includes a 72 dpi raster preview so that you can see what you’re working with in a layout program such as Quark XPress or InDesign. COMMON GRAPHIC FILE FORMATS Raster Formats .tiff (Tagged Image File Format) Tiffs are binary images best for raster graphics.
    [Show full text]
  • Letterform Anatomy
    Letterform Anatomy Guidelines: Baseline: a real or imaginary horizontal line upon which the base of each capital rests; Waistline (meanline): a real or imaginary line that marks the height of the body of a small lowercase letter (often is the same as the x-height); x; Capline (cap height): a real or imaginary horizontal line that runs along the tops of the capital letters; Ascender line: a real or imaginary line that marks the proper height for the tall lowercase letters of a typeface like b, d, f, h, k, and i; for some typefaces, this line is the same as the cap height; b, d, f, h, i, j, k, l, t Descender line: a real or imaginary line that marks the proper length for the lowercase g, j, p, q, and y of a typeface; g, j, p, q, y 2. Ascenders and Descenders Ascender: A stroke on a lowercase character that extends above the meanline; Descender: A stroke on a lowercase character that falls below the baseline; X-height: a real or imaginary line that shows how tall to make the lowercase letters of a typeface; the distance from the baseline to the meanline. It marks the proper optical height for the lowercase letter x. Typically, this is the height of lowercase letters and is most easily measured on the lowercase x; Although X-height is not a unit of measurement, it is significant because it conveys the visual impact of the type size. In other words, typefaces of the same point size may appear smaller or larger because of the difference in their x-heights.
    [Show full text]
  • Outlook for Technology and Manpower in Printing and Publishing
    L l . 3 ! Outlook n i f for Technology and Manpower in Printing and Publishing Bulletin 1774 U.S. DEPARTMENT OF LABOR Bureau of Labor Statistics 1973 Dayton & Montgomery Ce. Public Library S E P 5 1973 am AAHj Bk Del ame un Elk Tokyo rnt 80 wf o if 6^4 BM toi B k rntW Tr rntW un fla Glass ask Rob 1/4 18 fla Mng s«£r Ale ila Roo •,tpnk Br ass Fin! ;5( 7 - "M Steak $hk assetf f 28 ’2 m 2 ayls Mk 15 '■> 16 Itrl font ^ayiy Cp [ I j w i a m \ V 8 I in * 9 I0G Beacn Ph 6 ojm tJom o a C its Reehv M 8 / V ■Goffil Gr ' i la w San 16 m k Beeline F ijorest 0 m : ; g * N 3ektn Co ▼ rm iq h ?Js ch . Bently Lb Forum R y ra tv erk Bio Fost Grnt JHp.' f erklin Fotomat est Prd Frnkln El SmTeC etz Lab Franz Br Sunset rW Bev Car, £rasr Mt Sunsb Sir le v M q t rn red HeJ SupDIr St 's buper El Fup EquH Orm Mtge As inc m m ice Mtgl Wsn sppfrsih hia Kid risfhs R AAtg W wt l ® 5 . flPWrFfa Bn Id Sc roze F«H *T 14 MtaTr wt Synfwh " , 4 fstlntl Bk Son ullr 10 I 6 1/a 17 Vi Mostek Syr China £ MlstN Cinn Chip undg Sy 10 4»'? Motion In ? P a 22 Va Sys Cap 8 J/4 1st Mary! Evan 75 unk Sd 251 19i a Mot Club Szabo Fd IstNH Gd n Inc urrs Caf 37 14^4 Moxie In ?‘4 TDA Ind P4 1st OklaB Aire a inf h Nw AH a len id In $ Crf 191 a> 22 \r Rt? ks I Pd !Brks $< a Bro hd 13 1 Bwn * *■ * Bnwmr*; Brunos u% B uckb v Buckey* Bldg3idg ;>v* r Bldrsk r o o s s v wsir* k ,i Ricks3 u tn ?.»»»v.l ki*Ti-> to HuFet M f '/a 10V 72 177/ 001/ Swesl StaSt Ienn Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St.
    [Show full text]
  • Yule-Nielsen Based Recto-Verso Color Halftone Transmittance Prediction Model Mathieu Hébert, Roger D
    Yule-Nielsen based recto-verso color halftone transmittance prediction model Mathieu Hébert, Roger D. Hersch To cite this version: Mathieu Hébert, Roger D. Hersch. Yule-Nielsen based recto-verso color halftone transmittance pre- diction model. Applied optics, Optical Society of America, 2011, 50 (4), pp.519-525. hal-00559756 HAL Id: hal-00559756 https://hal.archives-ouvertes.fr/hal-00559756 Submitted on 26 Jan 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Yule–Nielsen based recto–verso color halftone transmittance prediction model Mathieu Hébert1,* and Roger D. Hersch2 1Université de Lyon, Université Jean Monnet de Saint-Etienne, CNRS UMR5516 Laboratoire Hubert Curien, F-42000 Saint-Etienne, France 2School of Computer and Communication Sciences, Ecole Polytechnique Fédérale de Lausanne (EPFL), CH-1015 Lausanne, Switzerland *Corresponding author: mathieu.hebert@univ‐st‐etienne.fr Received 20 September 2010; accepted 19 November 2010; posted 8 December 2010 (Doc. ID 135363); published 27 January 2011 The transmittance spectrum of halftone prints on paper is predicted thanks to a model inspired by the Yule–Nielsen modified spectral Neugebauer model used for reflectance predictions. This model is well adapted for strongly scattering printing supports and applicable to recto–verso prints.
    [Show full text]
  • Introduction to Letterpress Printing 2/18/10 1:33 AM
    Introduction to Letterpress Printing 2/18/10 1:33 AM Revision: October 1, 2005* INTRODUCTION TO LETTERPRESS PRINTING IN THE 21ST CENTURY by David S. Rose / Five Roses Press / New York, NY Welcome • Executive Summary • Letterpress Printing and Printers • Internet Mailing Lists • National and Local Printing Groups • Online Resources • Print Resources • Classes and Academic Programs • Printing Museums • Letterpress Printing Manuals • Design and Book Arts Manuals • Acquiring Books and Manuals • Letterpress Equipment • Choosing a Press • Letterpress Dealers • Accessories and Supplies • Letterpress Printing Suppliers • Paper and Papermaking • Bookbinding • Printing Type • Type Casting • Links • Copyright and Permissions Letterpress printing was featured earlier this year on ABC-TV's hit show Extreme Makeover: Home Edition. As part of the complete construction of a new home for a deserving family in only seven days, letterpress printers from across the country donated a complete letterpress studio to 12-year old Aariel Dore, and you can see clips from the show and read the whole story behind the show right here!. Welcome ...to the wonderful world of letterpress printing! To start you on your way in this exciting, challenging, rewarding and anachronistic avocation, what follows is an introduction, freshly prepared for the start of the new millennium and updated to 2005, to the people, places, and online resources that will save you a great deal of time as you embark upon your letterpress activities. At the end of the document are links to dozens of other sites, many of which themselves contain links to hundreds of additional sites related to letterpress printing. Executive Summary (for those who don't want to have to read this whole page) Read Crane's quick overview of letterpress printing.
    [Show full text]
  • · Arrett Hack
    · �ARRETT HACK Photographs by John.S. Sheldon The HANDPLANE Book The HANDPLANE Book GARRETT HACK Photographs by John S. Sheldon TheTauntonrn Press TauntonBOOKS & VIDEOS forfellow enthusiasts © 1999 by The Taunton Press, Inc. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 The Handplane Book was originally published in hardcover © 1997 by The Taunton Press, Inc. The Taunton Press, Inc., 63 South Main Street, PO Box 5506, Newtown, CT 06470-5506 e-mail: [email protected] Distributed by Publishers Group West. Library of Congress Cataloging-in-Publication Data Hack, Garrett. The handplane book / Garrett Hack. p. cm. "A Fine woodworking book" - T.p. verso. Includes bibliographical references and index. ISBN 1-56158-155-0 hardcover ISBN 1-56158-317-0 softcover 1. Planes (Hand tools). 2. Woodwork. I. Title. TT186.H33 1997 684'.082 - dc21 97-7943 CIP About Your Safety Working wood is inherently dangerous. Using hand or power tools improperly or ignoring standard safety practices can lead to permanent injury or even death. Don't try to perform operations you learn about here (or elsewhere) unless you're certain they are safe for you. If something about an operation doesn't feel right, don't do it. Look for another way. We want you to enjoy the craft, so please keep safety foremost in your mind whenever you're in the shop. To Helen and Vinny who saw the possibilities, Ned who encouraged me, and Hope who has kept me tuned and planing true ACKNOWLEDGMENTS No one can hope to bring together a book Helen Albert, for her insights and Noel Perrin, for his insights about all like this without help.
    [Show full text]
  • Tool Shed Number 117 June 2001
    HED NUMBER 117 ,.i1. ' JUNE 2001 -"''·· .... ♦ ♦ ♦ A Journal of Tool Collecting published by CRAFTS of New Jersey ♦ ♦ ♦ The Belt and Suspenders Plane by Herb Kean ou ask what a belt and suspenders have to do remained: John with a plane? Well, it's a philosophy. I'm sure Veit (who was Yeveryone has heard of the man who wanted to be known for making "completely" sure that his pants would stay up. With some pretty some people that's a way oflife. Now mind you I'm not specialized tools) criticizing. We all have our "ways". But it fits a puzzle experimented with that I'm now going to describe. The puzzle does have to a double escape­ do with tools, so hang in there. ment, for whatever reason. Maybe it THE PUZZLE: was a special order for a user who had As I was readying planes for the CRAFTS auction, trouble with shav­ I noticed that one ofthem had a "round-eye" escapement ing clearance. Photo 1. Chamfer plane. Round-eye escapement left-side opening. on one side and a "straight-edge" escapement on the other side! See Photos #1 and #2. We're talking about a I put the single-iron chamfer plane, 1 3/4" wide with an integral plane away fence and stop in the profile. My first reaction was to put for another it back in the "non-ready" box, as I felt it was owner­ day. Hope­ modified. Then I looked closer. It was a crisp, homo­ fully, I geneously patinated JOHN VEIT that was almost would get flawless, and without the slightest sign of modification.
    [Show full text]
  • THIS MONTH's MEETING AUG 22 at the TABLE TENNIS CLUB 1407 E HARRY Back to Basics, the Essentials of Furniture Making Part One
    THIS MONTH’S MEETING AUG 22 AT THE TABLE TENNIS CLUB 1407 E HARRY IN THIS ISSUE 1 NEXT MEETING 1 PRESIDENT’S CORNER 2 JULY MINUTES 5 WOODWORKER’S GUILD BYLAWS 9 CLASSIFIEDS a bent lamination, and at least one veneered panel. The rest of the design is at the discretion of the This Month’s Meeting - Galen Cassidy designer. Plan on attending this meeting, as it should provide August’s Program: insight into the design process that we are rarely exposed to. Back to Basics, the Essentials of NOTE: I will outline the series programs in full in Furniture Making the September newsletter. Also, at this month’s meeting, Rickey Powell has Part one: Design graciously agreed to give a short demonstration, Whether you are starting a project from scratch or between Phillip and Bernley’s presentations, of rust from a drawing, every project starts with an idea, a removal using electrolysis. concept, or a need. That is what this first program focuses on: the design of a project. Designers President’s Corner – David Fowler Bernley Asel and Phillip Baumer will host this program with both of them designing a piece of Guild Members, furniture with one of the pieces being chosen for the Back to Basics series. Both designers were given This month, kudos goes to Mike Hutton for his identical guidelines to follow, but were also given a “everything you ever wanted to know about fair amount of latitude in the actual design of the routers” program. Mike, the members and I want project. The guidelines were as follows: the piece you to know that all that effort that you put into this needed to include; at least one frame and panel program was very much appreciated.
    [Show full text]
  • Tool Shed Number 113 September 2000
    1 1 HED NUMBER 113 ,..I• SEPTEMBER 2000 ~ .,,.. ..... • • • A Journal of Tool Collecting published by CRAFTS of New Jersey • • • A Visit to the Shelburne Museum by Bill McDougall had never seen a covered bridge until my visit to Vermont in April where we drove across one in the small I town of Sunderland. It was a single lane structure with a prominent sign warning that anyone driving faster than a walk would be assessed a fine of one dollar' Whenever I see a picture of a horse drawn sleigh about to enter a covered bridge 1 want to yell, "Stop! There's no snow in there." 1 saw my second covered bridge, a sturdy two-lane structure with a side footpath, at the entrance to the Shelburne Museum grounds. Essentially a preservation, the museum began its work none too soon. Had its building program not been under way in 1949 when the state decided to replace its last double-lane, covered bridge with a concrete structure, it is certain that this kind of Vermont landmark would have i disappeared entirely. The 168 foot bridge was dismantled and Bill and curator Jean Burks reassembled timber by timber at the museum. Probably One of the first books on tools that I was able to buy because they were fairly dark inside, covered bridges were when I first began collecting is Woodworking Tools at the often referred to as "kissing bridges," but that's another story. Shelburne Museum by Frank H. Wildung, published in 1957, Hank Allen and I walked across the bridge accompanied which documents the collection at that time.
    [Show full text]
  • The Joiner and Cabinet Maker
    The Joiner and Cabinet Maker The Joiner and Cabinet Maker His Work And its Principles “Whatever thy hand findeth to do, do it with thy might.” Ecclesiastes ix. 10. ENLARGED EDITION WITH ILLUSTRATIONS by Anon, Christopher Schwarz & Joel Moskowitz First published by Lost Art Press LLC in 2009 26 Greenbriar Ave., Fort Mitchell, KY, 41017, USA Web: http://lostartpress.com Title: The Joiner and Cabinet Maker: His Work and its Principles Authors: Anon, Christopher Schwarz and Joel Moskowitz Editor: Christopher Schwarz Copy editors: Megan Fitzpatrick, Lucy May Cover: Timothy Corbett Special thanks to Jeffrey Peachey for his chapter: “Contextualizing ‘The Joiner and Cabinet Maker’” Copyright: Part 1, all notes in Part 2, and “Epilogue” chapter are Copyright © 2009 by Joel Moskowitz. Part 3 text is Copyright © 2009 by Christopher Schwarz. ISBN: 978-0-578-03926-8 Second printing. ALL RIGHTS RESERVED No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher; except by a reviewer, who may quote brief passages in a review. This book was printed and bound in the United States. Contents Part I: History Introduction • Page 7 • England in 1839 • Page 11 • Part II: The Original Text “The Joiner and Cabinet Maker” • Page 45• 1883 Supplement to “The Joiner and Cabinet Maker” • Page 144 • Part III: Construction Introduction • Page 155 • On the Trade • Page 159 • The Packing Box • Page 171 • The Schoolbox • Page 203 • The Chest of Drawers • Page 261 • Part IV: Further Reading Epilogue • Page 347 • Bibliography • Page 351 • Contextualizing “The Joiner and Cabinet Maker” • Page 357 • Appendix • Page 368 • Acknowledgements esearch, writing, and working in wood are never done well in a Rvacuum.
    [Show full text]