News and Notes

Total Page:16

File Type:pdf, Size:1020Kb

News and Notes Rapa Nui Journal: Journal of the Easter Island Foundation Volume 18 Article 24 Issue 1 May 2004 News and Notes Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation (2004) "News and Notes," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 18 : Iss. 1 , Article 24. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol18/iss1/24 This Commentary or Dialogue is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. et al.: News and Notes MOAl ~lGtt\"lNGt~ IN OUR VOLUME 17(1) ISSUE of Rapa Nui Journal (May 2003), we noted that tissue cases in the shape of a moai head were on sale from Ebay; one pulls a tissue from its nose. Since then, these 'Tiki Head Tissue Box Covers" have ap­ peared in catalogs all over the country, advertised as a "delightfully heady presence". We now have received dozens of the e advertisements (please, folks, no more....). MEANWHll..E, RAPANUIPHILE, Bob Chisnell wrote a letter of This "moai sighting" was sent in by Avonne Bradshaw of Phoenix, protest to a magazine that was advertising them: Sirs: I have and rather leaves us speechJe s. In that Light, we ask our readers to supply an appropriate caption. A prize goes to the best one! Send to ju t received the latest issue (New Year 2004) of ACORN [email protected] magazine, and I am writing to prote t the listing of an ob­ scene and offensive article among the goods your establish­ ment hawks. On page 19, item F offers what is called a STONE STATUE TISSUE BOX COVER. The item is a grossly portrayed image, and so identified, of what purports to be an Easter I land statue, or Moai, with a tissue protruding from its nose. Who is the halfwit who conceived such an in­ sulting piece of trash? Has he been to that magnificently hi ­ toric island to see the wonders, to experience the awe, to sense the culture, to come to know and love the Rapa Nui people, to move about on the most remote piece of inhabited land on Earth? You and your publication should feel a deep shame and offer an abject apology to the world and especially to everything connected with Rapa Nui for your money­ THIs DOUBLE-HEADER MOAI SIGHTING was sent to us by Mark Bright grubbing stupidity for the sake of a few pieces of silver. of Santa Barbara. He spotted the two-moai logo at a bu iness in Robert E. Chisnell (Associate Professor, Ret.) California, called Epik Masonry and Concrete. Their logo con ists of Wow, go get 'em, Bob. double moai heads and their motto is "Our Reputation i Set in Stone!" Thanks, Mark! A SET OF SIX STAMPS issued by the Royal Mail of Britain ha made news. The stamps feature objects from the Brit­ ish Museum, which recently noted its 250th year anniver­ sary. Chosen for one of the images on the stamps is the moai, Hoa Hakananai 'a, which was taken from the island in 1868. PERFUME NOW COMES in moai-shaped bottles. H. de Briassar, Paris, is marketing "O'PSIE" eau de parfum (two scents: one for women, one for men; both expensive). The bottle cap serves for a rather nar­ row pukao. www.briaar.com! WHllE WE THOUGHT the tissue box covers were the worst, th along comes "Easter Island Bobble Head". The adverti ement ON JANUARY 16 , A MOAl WAS UNVEILED in front of the hotel San in a catalog, sent to us by both Betsy Hamel and Marcia Opal, Francisco, right next to the San Francisco church on the Alameda, describes the 7 Y2 inch head a , "A single tap sends this Santiago de Chile. The statue is the brainchild ofEdgard Hereveri, spring-loaded scale model of a 10 ton moai bopping up and the owner of the Vai Moana cabins on Easter Island. The statue dedi­ down. No scholar's de k hould be without one." cation was accompanied by an exhibition of Rapanui art inside the hotel. The marble moai was carved by Bene Tuki Pate. New and Photo by Riet Del ing. Rapa Nui Journal 71 Vol. 18 (I) May 2004 Published by Kahualike, 2004 1 Rapa Nui Journal: Journal of the Easter Island Foundation, Vol. 18 [2004], Iss. 1, Art. 24 Wl'\AT'~ N£W IN Tl'\£ l'A(.IFI{.. received a ceremonial tabau, or whale' tooth, and a de cen­ dant, Baker's great-great-grandson, Australian Geoff Lester, speaking for the family, told the chiefs: "I look forward to this MICRONESIA event being of use to the Fiji people and the people of this vil­ Ou- SLICKS FROM WW2 WRECKS are polluting ensitive la­ lage". While he did not believe in curses, Le ter said "it's a goons and reefs from the Solomons to Micronesia. More than concept of this village, so it's important to them so I'm happy 3,852 Japanese and US warships, including 23 aircraft carri­ to help with this". He said his great-great grandfather "came ers, 213 destroyers, 22 battleships and some 50 oil tankers here knowing what the risks were and fully aware of what have been mapped by Pacific nations. The wrecks are corrod­ might happen". Baker' children all moved from Fiji to Au ­ ing and causing major oil leaks. Few island nations have tralia after hi death, and the male line of the family has died equipment to clean up marine oil spills and requests to the US out. and Japan to take responsibility for them have gone unan­ In a message to the village, Prime Mini ter Qara e, said swered. Reefs in the Solomons are dying from oil pollution. "asking forgiveness from the relative of Thomas Baker and Both the US and Japan also left great quantities of bomb, fuel members of his party i a very beautiful act". However, no and weapon dumps on land; neither is willing to remove them. mention was made of any government funding for the impov­ John Vidal,jrom the Guardian Weekly, Feb 12-18,2004 eri hed village. Since the killing, some locals ay they have been cursed more by fellow Fijians than by any other-worldly Fm power. The village elder said that every request for govern­ Two LEADING SCIENTISTS FROM the Univer ity of the South ment help was rebuffed. The government subsequently re­ Pacific attended a meeting in Brussels in August to restore the leased a national budget in which there wa no additional reputation of kava products. A ban on kava imports from Pa­ money targeted for this area. cific I land countries into Asia and Europe has everely af­ Michael Field, theage.com.au fected many i land communities. It seems that excessive or­ ganic resinous compound were found in kava sold in Europe VARIETIES OF ASIAN TARO ARE stored at a gene bank at the and this may be the source for reported liver problems. University of the South Pacific's Regional Crops Gene Bank US? Beat, Vol. 3(12) 2003. at its School of Agriculture, Alafua Campus, Samoa. The crop gene bank is a safeguard for future use; should a plant pecies A NEW DEGREE PROGRAM, Bachelor of Arts in Tourism and become extinct, the plants in the gene bank could be multi­ Hospitality, will be offered from 2004 at the University's Lau­ plied and distributed to farmer , thereby rever ing the nega­ cala Campu in Suva. The European Union awarded the Uni­ tive impact of their disappearance. The Regional Crops Gene ver ity a grant of FJ$2.37 million last year to create the new Bank is an extension of the school's Tissue Culture Labora­ degree program. The first stage was to establish a lecturer po­ tory. sition, with the appointment of David Short. The grant al 0 USP Beat, Vol. 3 (l8.) 2003. provides further support to Touri m and Hospitality through funding for postgraduate scholarships and money for enrich­ SAMOA th ing the department's research resources. SAMOA WAS HIT BY CYCLONE Heta on the 4 of January. US? Beat, Vol. 3(17) 2003 Gusting winds to 105 mph tore roofs from hou e , uprooted trees and downed power lines. Five-meter high wave NABUTAUTAU, FIn. The relatives of English missionary Tho­ pounded the coastlines. Samoa's international airport closed ma Baker, who was murdered and eaten in thi remote vil­ and all travel between islands was cancelled. River flooded lage 137 years ago, joined 600 people for a Christian cere­ and giant waves surged across coa tal roads. After impacting mony that locals hope will lift a curse that has lingered since Samoa, cyclone Heta intensified and headed off for tiny Niue, the killing. Ten de cendants of Baker were joined by Fijian leaving it devastated.. The cyclone was described as the wor t Prime Minister Laisenia Qarase, all of whom made the diffi­ in living memory by local residents, with winds of 150 mile cult trek to attend the ervice. Villagers believe that a tradi­ per hour and gusts up to 184 mph. Cyclone Heta was fa t, tional Fijian apology will absolve them of the crime of their furious and ruthless, and coastal areas of the island were ancestors.
Recommended publications
  • Eastern-Island.Pdf
    1 http://chileprecolombino.cl/pueblos-originarios/rapa-nui/ambiente-y-localizacion/ RAPA NUI Location and geography Rapa Nui, as Easter Island is known to local inhabitants, is one of the most remote populated places on the planet. Set in the midst of the Pacific Ocean, the island is on the southeastern axis of the great Polynesian archipelago, more than 3500 kilometers west of mainland Chile. Volcanic in origin, it originally had a dozen tree species very similar to those found in Polynesia, and is now populated by migratory birds, marine mammals, fish, insects and small terrestrial snails. Economy In ancient times, the people of Rapa Nui subsisted by growing several varieties of plantain, squash, tubers and sugar cane, and complemented their diet with fishing, hunting and gatheringfood from the sea. They also used the native trees on the island to make textiles and obtain pigments and high quality timber, and they introduced the Polynesian mouse and domestic chickens to the island. Art The Rapa Nui people developed an advanced and sophisticated megalithic art tradition that emerged from their intense devotion to ancestor worship and is unparalleled in Polynesia. Over a period of five hundred years, they erected close to three hundred altars, called ahus, and carved more than six hundred stone moaistatues. These monumental pieces expressed the competition for power among different lineages on the island and a clear desire for ostentation through the construction of ever-larger and more elaborate works. The ahuswere the product of an architectural tradition that emerged gradually, free from external influences. The oldest of these platforms feature large walls composed of enormous blocks of lava fitted together with incredible precision.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Ono Tupuna, the richness of the ancestors. Multiples Landscapes Relationalities in Contemporary Indigenous Rapa Nui Permalink https://escholarship.org/uc/item/4kk483h5 Author Rivas, Antonia Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Ono Tupuna, the richness of the ancestors. Multiples Landscapes Relationalities in Contemporary Indigenous Rapa Nui By Antonia Rivas A dissertation submitted in partial satisfaction of degree requirements for Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Charles L Briggs, Co-Chair Professor Nancy Scheper-Hughes, Co-Chair Professor Laura Nader Professor Leti P Volpp Summer 2017 Abstract Ono Tupuna, the richness of the ancestors. Multiples Landscapes Relationalities in Contemporary Indigenous Rapa Nu By Antonia Rivas Doctor of Philosophy in Anthropology University of California, Berkeley Professor Charles Briggs, Co-Chair Professor Nancy Scheper-Hughes, Co-Chair Contemporary Rapa Nui is formed by a multiple and complex set of interactions, encounters, and circumstances that comprise the core of their indigenous identity, like many other indigenous people's realities. In this dissertation, I argue that there is not a simple or straightforward way of thinking about indigenous identities without falling into the trap of essentialism and stereotyping. Indigenous people are not what remained of ancestral civilizations, nor are they either invented nor folklorized commodities produced by ―neo-shamanism‖ discourses. Recent theoretical contributions to the understanding of the relationship of native peoples with their territories have been fundamental to rethinking the meanings of indigeneity, but I argue that they continue to essentialize indigenous people relations with their past and the ways in which they are understood in the present.
    [Show full text]
  • Rock Art of the Sacred Precinct at Mata Ngarau, 'Orongo
    Rapa Nui Journal: Journal of the Easter Island Foundation Volume 22 Issue 2 October Article 6 2008 ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter Island Foundation Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific Islands Commons, and the Pacific Islands Languages and Societies Commons Recommended Citation Horley, Paul and Lee, Georgia (2008) "ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 22 : Iss. 2 , Article 6. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol22/iss2/6 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Horley and Lee: ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter island Foundation INTRODUCTION rock surfaces are covered with numerous petroglyphs, creating the highest concentration ofrock art on Easter Island (Lee he ceremonial village of 'Orongo is one of the most 1992: 137). Due to intensive activity over a significant fascinating and important sites on Easter Island. historical period, the rocks of Mata Ngarau present evidence TLocated at the top ofRano Kau's precipitous cliffs, ofre-use and re-carving, allowing us to trace the evolution of 'Orongo offers awe-inspiring views toward the three off-shore petroglyph motifs from simple, incised fom1s to elaborate, islets of Motu Kao Kao, Motu Iti, and Motu Nui.
    [Show full text]
  • Michel PÉRINET
    COLLECTION Michel PÉRINET Paris, 23 juin 2021 COLLECTION Michel PÉRINET COLLECTION Michel PÉRINET VENTE EN ASSOCIATION AVEC BERNARD DULON LANCE ENTWISTLE assisté de Marie Duarte-Gogat [email protected] Expert près la Cour d’Appel de Paris Tel: +44 20 7499 6969 Membre de la CNE [email protected] Tel: + 33 (0)1 43 25 25 00 ALAIN DE MONBRISON FRANÇOIS DE RICQLÈS assisté de Pierre Amrouche Commissaire-Priseur et Emilie Salmon [email protected] Expert honoraire près la Cour Tel: +33 (0)1 73 54 53 53 d’Appel de Paris [email protected] Tel: +33 (0)1 46 34 05 20 COLLECTION MICHEL PÉRINET 7 COLLECTION Michel PÉRINET Mercredi 23 juin 2021 - 16h 9, avenue Matignon 75008 Paris EXPOSITION PUBLIQUE Samedi 19 juin 10h-18h Dimanche 20 juin 14h-18h Lundi 21 juin 10h-18h Mardi 22 juin 10h-18h Mercredi 23 juin 10h-16h COMMISSAIRE-PRISEUR François de Ricqlès CODE ET NUMÉRO DE VENTE Pour tous renseignements ou ordres d’achats, veuillez rappeler la référence 19534 - PÉRINET RETRAIT DES LOTS CONDITIONS DE VENTE Pour tout renseignement, veuillez contacter La vente est soumise aux conditions générales imprimées en fin de catalogue. le département au +33 1 40 76 84 48. Il est vivement conseillé aux acquéreurs potentiels de prendre connaissance des informations importantes, avis et lexique figurant également en fin de catalogue. For any query, please contact the department at +33 1 40 76 84 48. The sale is subject to the Conditions of Sale printed at the end of the catalogue. Prospective buyers are kindly advised to read as well the important information, notices and explanation of cataloguing practice also printed at the end of the catalogue.
    [Show full text]
  • UCI3450 01.Pdf
    Indice Propuesta de trabajo……………………………………………….1 - 7 - Rapa nui desde el diseño - Exhibición y conservación - Museo natural y de interior - Arte y artesanía Primera etapa de proyecto…………………………………………8 - 25 - Empresa del moai (moai camina) - Aparición y erguido del moai - Tamaños y traslado del moai (teorías de traslado). Segunda etapa……………………………………………………..25 - 50 - Turismo y artesanía - Exhibir y proteger de la artesanía - Primeros prototipos - Exhibir, proteger e informar - Seguridad y transporte - Integración grafica y transparencia - Exponer figurativo Ultima etapa………………………………………………………...50 - 60 - Ultimas propuestas - Prototipos finales, del exponer proteger e informar - grafica y planos - costo de producción Otros diseños…………………………………………...................60 - 65 - exponer iluminado (luz de rapa nui) - prototipos lámparas denui Prologo En el privilegio de pertenecer a una tierra nativa llamada rapa nui, y el hecho de obtener las herramientas necesarias por parte del diseño, me lleva a crear un vínculo entre estos dos mundos. El siguiente proyecto esta enfocado en la difusión cultural de rapa nui, como etnia viva perteneciente a la polinesia y a nuestro país. De su legado imponente se toma la iniciativa de intervenir rapa nui desde el diseño, con el propósito de expandir y conservar las raíces culturales. Rapa nui ubicada a 3800 kilómetros del continente, se da a conocer a través de su cultura, la cual se fortalece principalmente con sus grandes estatuas llamadas moai, con su escritura kohou rongo-rongo, sus leyendas y hasta sus mínimos utensilios y objetos. Estos poseen una riqueza ancestral que esta directamente relacionada con la perfección de forma, la cual trasciende durante el tiempo, luego, este trabajo comienza a desarrollarse en este trascender de rapa nui.
    [Show full text]
  • Rapa Nui Journal 2#3 Fall 1988
    Rapa Nui Journal: Journal of the Easter Island Foundation Volume 2 Article 1 Issue 3 Rapa Nui Journal, Fall 2988 1988 Rapa Nui Journal 2#3 Fall 1988 Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation (1988) "Rapa Nui Journal 2#3 Fall 1988," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 2 : Iss. 3 , Article 1. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol2/iss3/1 This Research Report is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. et al.: Rapa Nui Journal 2#3 Fall 1988 the premier source for current Easter Island events and scientific studies... Special Conservation and Preservation Issue ................................................................................................................................................... .•• ••·••••• g~6ig~~e~;~~~p .•••·.·.: On Other Islands... THE DESTRUCTION .. ··r;iihti~heflC&er.a[FditOr . .•.•• Hxliritiiv~~tlf~k~{· TROUBLE IN PARADISE WROUGHT .... ··············)(EdiiM>·..······ .. PROBLEMS IN POLYNESIAN ROCK ART BY TOURISM ka~·jJJij~J~~;i·~.~·i~~~~~ CONSERVATION ...••••··•••••• •••• A Preliminary Field Report J. Douglas Porteous • tulti~naliie~s1(ift.;.pUbiish~f •four 9mesaYear£6dheJ)eri~ from the 1988 Lana'i Rock Art Project In my bookThe Modernization o/EasterIsland fifoE those interestediliEaster This year's August-September project to rec­ · Island ari~rolYri~~Ul. ........•............ (porteous 1981), I note that academic interest in ord the rock art of Lana'i, Hawai'i specifically Rapanui has overwhelmingly concentrated upon ti~1~j;JJf6~~~~~7~:~4:n;::· .
    [Show full text]
  • Hakarongo Mai! Rapanui Women and Decolonisation for Development
    Hakarongo Mai! Rapanui women and decolonisation for development Karly Gempp Christ 2012 A thesis submitted to Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master in Development Studies School of Geography, Environment and Earth Sciences Victoria University of Wellington Supervisors: Teresia Teaiwa and Warwick Murray This thesis is dedicated to women in the world who struggle against oppression in their lives and work towards a more just and equitable future for their families and their communities And to my mother, Annie Barnes, who is still the strongest woman that I know Acknowledgements My sincere thanks to the women in Makenu for sharing your time, stories and lives with me. The passion, dedication and commitment you have to your families, your community and your island is motivating and inspiring, and I am forever humbled by this experience. To other members of the Rapa Nui community who also participated in this project, helping me to understand and appreciate life on the island and the struggles of the Rapanui people. To Teresia Teaiwa for keeping me sharp, thoughtful and reflective throughout this process, and for the many chats that went beyond this work. To Warwick Murray for providing support throughout my three years of this degree, and always having faith in my ability and my potential to succeed. To John Overton, Warwick Murray and the Marsden project, White Poppy Peace Scholarship, Katherine Stewart Postgraduate Scholarship, DF McKenzie Award, Lady Stout Bursary, and Katherine Pattison Memorial Award, for the financial support that made this project possible. To Riet for so many things, but especially for taking me in, sharing your knowledge, and becoming a special friend.
    [Show full text]
  • Face Petroglyphs in Easter Island Caves As a Possible Sign of Their Special Status
    48-49/2017-2018 ICDIGITAL Separata 48-49/9 MM1 ICDIGITAL Eine PDF-Serie des Institutum Canarium herausgegeben von Hans-Joachim Ulbrich Technische Hinweise für den Leser: Die vorliegende Datei ist die digitale Version eines im Jahrbuch "Almogaren" ge- druckten Aufsatzes. Aus technischen Gründen konnte – nur bei Aufsätzen vor 1990 – der originale Zeilenfall nicht beibehalten werden. Das bedeutet, dass Zeilen- nummern hier nicht unbedingt jenen im Original entsprechen. Nach wie vor un- verändert ist jedoch der Text pro Seite, so dass Zitate von Textstellen in der ge- druckten wie in der digitalen Version identisch sind, d.h. gleiche Seitenzahlen (Pa- ginierung) aufweisen. Der im Aufsatzkopf erwähnte Erscheinungsort kann vom Sitz der Gesellschaft abweichen, wenn die Publikation nicht im Selbstverlag er- schienen ist (z.B. Vereinssitz = Hallein, Verlagsort = Graz wie bei Almogaren III). Die deutsche Rechtschreibung wurde – mit Ausnahme von Literaturzitaten – den aktuellen Regeln angepasst. Englischsprachige Keywords wurden zum Teil nach- träglich ergänzt. PDF-Dokumente des IC lassen sich mit dem kostenlosen Adobe Acrobat Reader (Version 7.0 oder höher) lesen. Für den Inhalt der Aufsätze sind allein die Autoren verantwortlich. Dunkelrot gefärbter Text kennzeichnet spätere Einfügungen der Redaktion. Alle Vervielfältigungs- und Medien-Rechte dieses Beitrags liegen beim Institutum Canarium Hauslabgasse 31/6 A-1050 Wien IC-Separata werden für den privaten bzw. wissenschaftlichen Bereich kostenlos zur Verfügung gestellt. Digitale oder gedruckte Kopien von diesen PDFs herzu- stellen und gegen Gebühr zu verbreiten, ist jedoch strengstens untersagt und be- deutet eine schwerwiegende Verletzung der Urheberrechte. Weitere Informationen und Kontaktmöglichkeiten: institutum-canarium.org almogaren.org Abbildung Titelseite: Original-Umschlag des gedruckten Jahrbuches.
    [Show full text]
  • The Replicas of Rongorongo Objects in the Musée Du Quai Branly \(Paris\)
    Journal de la Société des Océanistes 140 | janvier-juin 2015 Intégration régionale des territoires français dans le Pacifique Sud The replicas of rongorongo objects in the musée du quai Branly (Paris) Les moulages de tablettes rongo-rongo au musée du quai Branly (Paris) Rafal Wieczorek and Paul Horley Electronic version URL: http://journals.openedition.org/jso/7298 DOI: 10.4000/jso.7298 ISSN: 1760-7256 Publisher Société des océanistes Printed version Date of publication: 15 June 2015 Number of pages: 123-142 ISBN: 9782854301250 ISSN: 0300-953x Electronic reference Rafal Wieczorek and Paul Horley, « The replicas of rongorongo objects in the musée du quai Branly (Paris) », Journal de la Société des Océanistes [Online], 140 | janvier-juin 2015, Online since 06 July 2015, connection on 01 May 2019. URL : http://journals.openedition.org/jso/7298 ; DOI : 10.4000/jso.7298 © Tous droits réservés he replicas of rongorongo objects in the musée du quai Branly (Paris) by Rafal WIECZOREK* and Paul HORLEY** ABSTRACT RÉSUMÉ his paper presents a detailed analysis of 29 casts of Cet article présente une analyse détaillée de 29 moulages inscribed tablets from Easter Island in the collections of en plâtre des tablettes de l’île de Pâques provenant des musée du quai Branly. he major number of the casts collections du musée du quai Branly. La grande majorité covers the tablets from the Congregations of the Sacred des moulages couvrent les tablettes des pères et religieuses Hearts of Jesus and Mary (Rome). Two sets of casts des Sacrés-Cœurs (Rome). Deux ensembles documentent document Saint Petersburg tablets. he remaining casts les tablettes de St-Pétersbourg.
    [Show full text]
  • Rapa Nui Journal 3#3 Fall 1989
    Rapa Nui Journal: Journal of the Easter Island Foundation Volume 3 Article 1 Issue 3 Rapa Nui Journal, Fall 1989 1989 Rapa Nui Journal 3#3 Fall 1989 Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation (1989) "Rapa Nui Journal 3#3 Fall 1989," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 3 : Iss. 3 , Article 1. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol3/iss3/1 This Research Report is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. the premier source for current Easter Island events andet scientifical.: Rapa Nuistudies Journal... 3#3 Fall 1989 .......:.:.: . Vol 3, No 3 Fall 1989 I Frankfort Eastvr Island Thv uitvimiro·· of Barcvlona Exhibition Is Spvctacolar and Its Inscriptions The undersigned had the good fortune to travel to Germany in Beautifully Carved Artifact from Easter Island Mayand twice visited theSenckenberg Museum ofNatural History Previously Unknown in Frankfurt to see the the exhibit "1500 Jahre Kultur der Osterin­ sel" (1500 Years of CulLure in Easter Island). Some while ago the Francesc Amor6s i Gonell museum, the largest natural history museum in Germany, and the Deutsch-Ibero-Amerikanischen Gesellschaft had awarded Dr. Homage to Sr. Albert Folch iRusinol (1922-1988), Heide-MargaretEsen-Baurfacil ities and financial support to mount maecenas and art collectorfrom Catalonia.
    [Show full text]
  • Rongorongo Tablet from the Ethnological Museum, Berlin
    Journal de la Société des Océanistes 135 | 2012-2 Relations internationales et régionales en Océanie Rongorongo tablet from the Ethnological Museum, Berlin Paul Horley Electronic version URL: http://journals.openedition.org/jso/6695 DOI: 10.4000/jso.6695 ISSN: 1760-7256 Publisher Société des océanistes Printed version Date of publication: 31 December 2012 Number of pages: 243-256 ISBN: 978-2-85430-033-8 ISSN: 0300-953x Electronic reference Paul Horley, « Rongorongo tablet from the Ethnological Museum, Berlin », Journal de la Société des Océanistes [Online], 135 | 2012-2, Online since 18 February 2013, connection on 10 December 2020. URL : http://journals.openedition.org/jso/6695 ; DOI : https://doi.org/10.4000/jso.6695 Journal de la société des océanistes est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Rongorongo tablet from the Ethnological Museum, Berlin by Paul HORLEY* ABSTRACT RÉSUMÉ This paper aims to improve documentation of the Cet article vise à améliorer la documentation de la rongorongo tablet VI 4878 from the Berlin Ethnologi- tablette rongorongo VI 4878 du Musée ethnologique de cal Museum. For the first time (to the best of our Berlin. Pour la première fois (à notre connaissance), knowledge), we present the detailed digital photographs nousprésentonsdesphotographiesnumériquesdétaillées of the entire artifact almost at the original scale. The de l’artefact complet à l’échelle quasi-originale. L’amé- computer enhancement of these images helped to pro- lioration de la qualité de ces images sur ordinateur a duce improved tracings that surpass the tracings contribué à produire des tracés d’un plus grand nombre de published by Adolf Bastian (1883), Thomas Barthel glyphes que ceux publiés par Adolf Bastian (1883), (1958) and Steven Fischer (1997) by the number of Thomas Barthel (1958) et Steven Fischer (1997).
    [Show full text]
  • Why Indigenous Wisdom Matters: Finding Turtle Island - a Narrative
    WHY INDIGENOUS WISDOM MATTERS: FINDING TURTLE ISLAND - A NARRATIVE JAYME DANSEREAU B.Ed., University of Saskatchewan, 1997 A Project Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfillment of the Requirements for the Degree MASTER OF EDUCATION FACULTY OF EDUCATION LETHBRIDGE, ALBERTA December 2011 Indigenous wisdom enhances knowing and understanding of the earth and it is prudent to be guided by Indigenous wisdom in a time of ecological crisis. Through storytelling Indigenous wisdom offers messages of hope to the world in this struggle for harmony. There is an Ojibwa prophecy that states, "… look for a turtle-shaped island that is linked to the purification of the earth” (Benton-Banai, 1979). Easter Island (Rapa Nui), remotely located in the South Pacific, is a turtle-shaped island. This mysterious island’s stone monuments and wooden tablets are a seal about to be opened by a meek child. This project is a fictional narrative of one child’s journey of self-discovery. In Finding Turtle Island, this child, Hotu-iti, struggles to belong to a foreign island in 18th century Polynesia. The islanders are also struggling amidst a war to keep their ancient ways and protect their land. It takes the wisdom of a child hidden in a cave to lead the islanders to restoration. The story is filled with mysteries unraveled and epic adventures. This contextual narrative reflects transferable Indigenous values to help guide the renewal of the earth. Acknowledgments iii Thank you to my wife, Shawna, for her unwavering support and dedication. To my family who teach me that there is no greater institution on earth than the family, you give me life and joy.
    [Show full text]