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The Declining Use of Mixtec Among Oaxacan Migrants and Stay-At
UC San Diego Working Papers Title The Declining Use of the Mixtec Language Among Oaxacan Migrants and Stay-at-Homes: The Persistence of Memory, Discrimination, and Social Hierarchies of PowerThe Declining Use of the Mixtec Language Among Oaxacan Migrants and Stay-at-Homes: The Persis... Permalink https://escholarship.org/uc/item/64p447tc Author Perry, Elizabeth Publication Date 2017-10-18 License https://creativecommons.org/licenses/by/4.0/ 4.0 eScholarship.org Powered by the California Digital Library University of California Perry The Declining Use of the Mixtec Language 1 The Center for Comparative Immigration Studies CCIS University of California, San Diego The Declining Use of the Mixtec Language Among Oaxacan Migrants and Stay-at-Homes: The Persistence of Memory, Discrimination, and Social Hierarchies of Power Elizabeth Perry University of California, San Diego Working Paper 180 July 2009 Perry The Declining Use of the Mixtec Language 2 Abstract Drawing on binational ethnographic research regarding Mixtec “social memory” of language discrimination and Mixtec perspectives on recent efforts to preserve and revitalize indigenous language use, this study suggests that language discrimination, in both its overt and increasingly concealed forms, has significantly curtailed the use of the Mixtec language. For centuries, the Spanish and Spanish-speaking mestizo (mixed blood) elite oppressed the Mixtec People and their linguistic and cultural practices. These oppressive practices were experienced in Mixtec communities and surrounding urban areas, as well as in domestic and international migrant destinations. In the 1980s, a significant transition occurred in Mexico from indigenismo to a neoliberal multicultural framework. In this transition, discriminatory practices have become increasingly “symbolic,” referring to their assertion in everyday social practices rather than through overt force, obscuring both the perpetrator and the illegitimacy of resulting social hierarchies (Bourdieu, 1991). -
News and Notes
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 18 Article 24 Issue 1 May 2004 News and Notes Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation (2004) "News and Notes," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 18 : Iss. 1 , Article 24. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol18/iss1/24 This Commentary or Dialogue is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. et al.: News and Notes MOAl ~lGtt\"lNGt~ IN OUR VOLUME 17(1) ISSUE of Rapa Nui Journal (May 2003), we noted that tissue cases in the shape of a moai head were on sale from Ebay; one pulls a tissue from its nose. Since then, these 'Tiki Head Tissue Box Covers" have ap peared in catalogs all over the country, advertised as a "delightfully heady presence". We now have received dozens of the e advertisements (please, folks, no more....). MEANWHll..E, RAPANUIPHILE, Bob Chisnell wrote a letter of This "moai sighting" was sent in by Avonne Bradshaw of Phoenix, protest to a magazine that was advertising them: Sirs: I have and rather leaves us speechJe s. In that Light, we ask our readers to supply an appropriate caption. -
Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction
Studies in 20th Century Literature Volume 23 Issue 2 Article 2 6-1-1999 An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction Idelber Avelar Tulane University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Latin American Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Avelar, Idelber (1999) "An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction," Studies in 20th Century Literature: Vol. 23: Iss. 2, Article 2. https://doi.org/10.4148/2334-4415.1464 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction Abstract The article analyzes two novels by Chilean writer Diamela Eltit from the standpoint of the post-dictatorial imperative to mourn the dead and reactivate collective memory. After framing Eltit's fiction in the context of the avant-garde resurgence of plastic and performance arts in the second half of Pinochet's regime, I move on to discuss Lumpérica (1983) and Los vigilantes (1994) as two different manifestations of the temporality of mourning. The article addresses how Lumpérica's portrayal of an oneiric, orgiastic communion in marginality (shared by the protagonist and a mass of beggars at a Santiago square) composed an allegory in the strict Benjaminian sense; it further notes how such allegory, as an anti- dictatorial, oppositional gesture, could only find a home in a temporality modeled after the eternal return. -
Frepa Competences and Resources – Further Information
FREPA A Framework of Reference for Pluralistic Approaches to Languages and Cultures Competences and resources Michel Candelier (coordinator), Antoinette Camilleri-Grima, Véronique Castellotti, Jean-François de Pietro, Ildikó Lőrincz, Franz-Joseph Meißner, Artur Noguerol, Anna Schröder-Sura With the participation of Muriel Molinié A Framework of Reference for Pluralistic Approaches to Languages and Cultures Competences and resources 1 French edition: Le CARAP Un Cadre de Référence pour les Approches Plurielles des Langues et des Cultures Compétences et resources ISBN: 978-92-871-7172-6 Preparation of this revised version: Michel Candelier (coordinator), Jean-François de Pietro, Raymond Facciol, Ildikó Lőrincz, Xavier Pascual and Anna Schröder-Sura. With the assistance of Karen Gonzalez Orellana and Karine Witvitzky (ECML trainees – Université du Maine, Le Mans), Chantal Bousquet (trainee Université du Maine, Le Mans) and Anke Englisch (student, Justus-Liebig Universität, Gießen). The opinions expressed in this work are the sole responsibility of the authors and do not necessarily reflect the official policy of the Council of Europe. All rights reserved. No part of this publication may be translated, reproduced or transmitted in any form or by any means, electronic (CD-Rom, Internet, etc.) or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the Public Infor- mation Division, Directorate of Communication (FR-67075 Strasbourg Cedex or [email protected]). Cover: Georg Gross Layout: Christian Friedrich Cover photo: © Andresr | shutterstock.com Council of Europe Publishing FR-67075 Strasbourg Cedex http://book.coe.int European Centre for Modern Languages / Council of Europe Nikolaiplatz 4 A-8020 Graz www.ecml.at ISBN: 978-92-871-7173-3 © Council of Europe, August 2012 Printed in Austria FREPA 2 A Framework of Reference for Pluralistic Approaches to Languages and Cultures 3 TABLE OF CONTENTS 1. -
The Post-Dictatorial Thriller Form
THE POST-DICTATORIAL THRILLER FORM A Dissertation by AUDREY BRYANT POWELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2012 Major Subject: Hispanic Studies The Post-Dictatorial Thriller Form Copyright 2012 Audrey Bryant Powell THE POST-DICTATORIAL THRILLER FORM A Dissertation by AUDREY BRYANT POWELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Alberto Moreiras Committee Members, Juan Carlos Galdo Teresa Vilarós Andrew Kirkendall Head of Department, Alberto Moreiras May 2012 Major Subject: Hispanic Studies iii ABSTRACT The Post-Dictatorial Thriller Form. (May 2012) Audrey Bryant Powell, B.A., Baylor University; M.A., Baylor University Chair of Advisory Committee: Dr. Alberto Moreiras This dissertation proposes a theoretical examination of the Latin American thriller through the framework of post-dictatorial Chile, with a concluding look at the post civil war Central American context. I define the thriller as a loose narrative structure reminiscent of the basic detective story, but that fuses the conventional investigation formula with more sensational elements such as political violence, institutional corruption and State terrorism. Unlike the classic form, in which crime traditionally occurs in the past, the thriller form engages violence as an event ongoing in the present or always lurking on the narrative horizon. The Chilean post-dictatorial and Central American postwar histories contain these precise thriller elements. Throughout the Chilean military dictatorship (1973-1990), the Central American civil wars (1960s-1990s) and the triumph of global capitalism, political violence emerges in diversified and oftentimes subtle ways, demanding new interpretational paradigms for explaining its manifestation in contemporary society. -
Eastern-Island.Pdf
1 http://chileprecolombino.cl/pueblos-originarios/rapa-nui/ambiente-y-localizacion/ RAPA NUI Location and geography Rapa Nui, as Easter Island is known to local inhabitants, is one of the most remote populated places on the planet. Set in the midst of the Pacific Ocean, the island is on the southeastern axis of the great Polynesian archipelago, more than 3500 kilometers west of mainland Chile. Volcanic in origin, it originally had a dozen tree species very similar to those found in Polynesia, and is now populated by migratory birds, marine mammals, fish, insects and small terrestrial snails. Economy In ancient times, the people of Rapa Nui subsisted by growing several varieties of plantain, squash, tubers and sugar cane, and complemented their diet with fishing, hunting and gatheringfood from the sea. They also used the native trees on the island to make textiles and obtain pigments and high quality timber, and they introduced the Polynesian mouse and domestic chickens to the island. Art The Rapa Nui people developed an advanced and sophisticated megalithic art tradition that emerged from their intense devotion to ancestor worship and is unparalleled in Polynesia. Over a period of five hundred years, they erected close to three hundred altars, called ahus, and carved more than six hundred stone moaistatues. These monumental pieces expressed the competition for power among different lineages on the island and a clear desire for ostentation through the construction of ever-larger and more elaborate works. The ahuswere the product of an architectural tradition that emerged gradually, free from external influences. The oldest of these platforms feature large walls composed of enormous blocks of lava fitted together with incredible precision. -
Rock Art of the Sacred Precinct at Mata Ngarau, 'Orongo
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 22 Issue 2 October Article 6 2008 ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter Island Foundation Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific Islands Commons, and the Pacific Islands Languages and Societies Commons Recommended Citation Horley, Paul and Lee, Georgia (2008) "ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 22 : Iss. 2 , Article 6. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol22/iss2/6 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Horley and Lee: ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter island Foundation INTRODUCTION rock surfaces are covered with numerous petroglyphs, creating the highest concentration ofrock art on Easter Island (Lee he ceremonial village of 'Orongo is one of the most 1992: 137). Due to intensive activity over a significant fascinating and important sites on Easter Island. historical period, the rocks of Mata Ngarau present evidence TLocated at the top ofRano Kau's precipitous cliffs, ofre-use and re-carving, allowing us to trace the evolution of 'Orongo offers awe-inspiring views toward the three off-shore petroglyph motifs from simple, incised fom1s to elaborate, islets of Motu Kao Kao, Motu Iti, and Motu Nui. -
A Complete List of the Definitions Found in the Dictionary of Race, Ethnicity and Culture
A complete list of the definitions found in The Dictionary of Race, Ethnicity and Culture A Aborigine \ Acculturation Group \ Adaptation \ Adjustment \ Affirmative \ Afrocentrism \ Aggression \ Alien \ Alienation \ Altruism \ Amnesty \ Anticipated \ Anti-Racism \ Anti-Semitism \ Apartheid \ Art \ Assimilation \ Asylum \ Ausländer B Bilingualism \ Bioethics \ Black \ Boat People \ Border C Caste \ Chauvinism \ Circumcision \ Citizenship \ Civilization \ Colonialism \ Colour Bar \ Colour- Blind Society \ Coloured \ Commission for Racial Equality \ Community \ Complementarism \ Concentration Camp or Death Camp \ Conformism \ Cosmopolitism \ Creole \ Cross-Cultural \ Cross-Cultural Medicine \ Cultural Areas \ Cultural Determinism \ Cultural Evolutionism \ Cultural Imperialism \ Cultural Relativism \ Culture \ Cybernazis D Dance \ Denizen \ Deportation \ Developing Countries \ Diaspora \ Differentialism \ Discrimination \ Diversity-Similarity \ Double Consciousness \ Dual Citizenship E Ebonics \ Eco-Racism \ Emancipation \ Emigration \ Empowerment - Disempowerment \ Enculturation \ Equality \ Ethnic \ Ethnic Cleansing \ Ethnic Enterprises \ Ethnic Minority \ Ethnic Politics \ Ethnicity \ Ethnicity and Race \ Ethnicization \ Ethnocentrism \ Ethnocide \ Ethno-Nationalism \ Ethnopsychiatry \ Evolution \ Exclusion \ Exile \ Exoticism \ Extracomunitario F Family \ Family Reunification \ Flows \ Folklore \ Foreigner \ Fortress \ Free Movement \ Frontier \ Fundamentalism G Gastarbeiter \ Genocide \ Genome \ Genotype \ Ghetto \ Globalization \ Gypsy -
New Constructions of House and Home in Contemporary Argentine and Chilean Cinema (2005-2015)
New Constructions of House and Home in Contemporary Argentine and Chilean Cinema (2005-2015) Paul Rumney Merchant St John’s College August 2017 This dissertation is submitted for the degree of Doctor of Philosophy. New Constructions of House and Home in Contemporary Argentine and Chilean Cinema (2005 – 2015) Paul Rumney Merchant This thesis explores the potential of domestic space to act as the ground for new forms of community and sociability in Argentine and Chilean films from the early twenty-first century. It thus tracks a shift in the political treatment of the home in Southern Cone cinema, away from allegorical affirmations of the family, and towards a reflection on film’s ability to both delineate and disrupt lived spaces. In the works examined, the displacement of attention from human subjects to the material environment defamiliarises the domestic sphere and complicates its relation to the nation. The house thus does not act as ‘a body of images that give mankind proofs or illusions of stability’ (Bachelard), but rather as a medium through which identities are challenged and reformed. This anxiety about domestic space demands, I argue, a renewal of the deconstructive frameworks often deployed in studies of Latin American culture (Moreiras, Williams). The thesis turns to new materialist theories, among others, as a supplement to deconstructive thinking, and argues that theorisations of cinema’s political agency must be informed by social, economic and urban histories. The prominence of suburban settings moreover encourages a nuancing of the ontological links often invoked between cinema, the house, and the city. The first section of the thesis rethinks two concepts closely linked to the home: memory and modernity. -
Redefining the State Plurinationalism and Indigenous Resistance in Ecuador
Redefining the State Plurinationalism and Indigenous Resistance in Ecuador By David Heath Cooper Submitted to the graduate degree program in Sociology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. Mehrangiz Najafizadeh ________________________________ Dr. Robert Antonio ________________________________ Dr. Ebenezer Obadare Date Defended: April 18th, 2014 The Thesis Committee for David Heath Cooper certifies that this is the approved version of the following thesis: Redefining the State Plurinationalism and Indigenous Resistance in Ecuador ________________________________ Chairperson Dr. Mehrangiz Najafizadeh Date approved: April 18th, 2014 ii ABSTRACT Since the 1990s, the Ecuadorian Indigenous movement has transformed the nation's political landscape. CONAIE, a nationwide pan-Indigenous organization, and its demands for plurinationalism have been at the forefront of this process. For CONAIE, the demand for a plurinational refounding of the state is meant as both as a critique of and an alternative to what the movement perceives to be an exclusionary and Eurocentric nation-state apparatus. In this paper, my focus is twofold. I first focus on the role of CONAIE as the central actor in organizing and mobilizing the groundswell of Indigenous activism in Ecuador. After an analysis of the historical roots of the movement, I trace the evolution of CONAIE from its rise in the 1990s, through a period of decline and fragmentation in the early 2000s, and toward possible signs of resurgence since 2006. In doing so, my hope is to provide a backdrop from which to better make sense both of CONAIE's plurinational project and of the implications of the 2008 constitutional recognition of Ecuador as a plurinational state. -
Michel PÉRINET
COLLECTION Michel PÉRINET Paris, 23 juin 2021 COLLECTION Michel PÉRINET COLLECTION Michel PÉRINET VENTE EN ASSOCIATION AVEC BERNARD DULON LANCE ENTWISTLE assisté de Marie Duarte-Gogat [email protected] Expert près la Cour d’Appel de Paris Tel: +44 20 7499 6969 Membre de la CNE [email protected] Tel: + 33 (0)1 43 25 25 00 ALAIN DE MONBRISON FRANÇOIS DE RICQLÈS assisté de Pierre Amrouche Commissaire-Priseur et Emilie Salmon [email protected] Expert honoraire près la Cour Tel: +33 (0)1 73 54 53 53 d’Appel de Paris [email protected] Tel: +33 (0)1 46 34 05 20 COLLECTION MICHEL PÉRINET 7 COLLECTION Michel PÉRINET Mercredi 23 juin 2021 - 16h 9, avenue Matignon 75008 Paris EXPOSITION PUBLIQUE Samedi 19 juin 10h-18h Dimanche 20 juin 14h-18h Lundi 21 juin 10h-18h Mardi 22 juin 10h-18h Mercredi 23 juin 10h-16h COMMISSAIRE-PRISEUR François de Ricqlès CODE ET NUMÉRO DE VENTE Pour tous renseignements ou ordres d’achats, veuillez rappeler la référence 19534 - PÉRINET RETRAIT DES LOTS CONDITIONS DE VENTE Pour tout renseignement, veuillez contacter La vente est soumise aux conditions générales imprimées en fin de catalogue. le département au +33 1 40 76 84 48. Il est vivement conseillé aux acquéreurs potentiels de prendre connaissance des informations importantes, avis et lexique figurant également en fin de catalogue. For any query, please contact the department at +33 1 40 76 84 48. The sale is subject to the Conditions of Sale printed at the end of the catalogue. Prospective buyers are kindly advised to read as well the important information, notices and explanation of cataloguing practice also printed at the end of the catalogue. -
Acknowledgements
ACKNOWLEDGEMENTS First and foremost, I would like to express my gratitude to my supervisors, Dr. Peter-Paul Verbeek and Dr. Tsjalling Swierstra. Dr. Verbeek, as principal supervisor of the thesis, has closely followed the development of this work right from the choice of the topic through the organization of the proposal to the write up of the chapters. This final product wouldn’t have been a reality without his relentless comments on each and every step of the analyses and interpretations I made. I am also very much grateful to Dr. Swierstra, my second advisor, for giving me very decisive comments on the proposal and the first draft of the paper. My gratitude also goes to all of the professors who introduced me to the various areas of philosophy of science, technology, and society. I cannot forget the warm reception and help I always get from Ms. Petra Bruulsema, Secretary of the Department of Philosophy. Ato Shiferaw Bekele, associate professor of history at Addis Ababa University, has generously assisted me in selecting archival materials for the case analysis as well as commenting on the third chapter of the thesis where I discussed historical narratives. Thanks Gash Shiferaw. My study was sponsored by Addis Ababa University. I would therefore like to acknowledge the support I received from the university. I would more specifically like to thank Dr. Bekele Gutema, then Dean of the College of Social Sciences, Professor Endeshaw Bekele, then Academic Associate President for Research, and Professor Andreas Eshete, President of the University, for facilitating the grant. I have also received a waiver for the program fee from the University of Twente.