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June 30, 2019
Thirteenth Sunday in Ordinary Time June 30, 2019 Bronx, New York I AM THE WAY AND THE TRUTH AND THE LIFE. HOLY MASS SCHEDULE RECTORY: 718-882-0710 Fax: 718-882-8876 833 Mace Avenue Bronx, NY 10467 Saturday: 9:00 a.m. (English) Monday - Friday - 9:00 a.m. to 5:00 p.m. 5:30 p.m. (Albanian), 7:00 p.m. (English) Saturday 10-2 p.m. - Closed Sundays and Holidays Sunday: 8:00 a.m. (Italian), 9:00 a.m. (Spanish - Auditorium) 9:15 a.m., 10:30 a.m., 12 noon (English), Eucharistic Adoration: Monday-Friday 9:30-12 noon, 12:00 p.m. (Creole - Chapel in Center), Thursday 6:00-7:00 p.m., Saturday 9:30 a.m.-12 noon & First Friday of the Month - All Night Adoration 8 p.m. 1:15 p.m. (Spanish) to 7 a.m. (Chapel in Center) Weekdays: 9:00 a.m. (English), Confession: Saturdays 3:00- 4:00 p.m. & 6:30-7:00 p.m. Thursdays: 7:00 p.m. (Spanish) Prayer for Independence Day Our Daily Eucharistic Adoration From the Opening Prayer of the Holy Mass of 4th of July Father of all nations and ages, we recall the day when our country claimed its place among the family of nations; for what has been achieved we give you thanks, for the work that still remains we ask your help, will be dedicated to the and as you have called us from many peoples to Fortnight for Freedom from be one nation, June 21st thru July 4th. -
The Body, the Liturgy and the City Shaping and Transforming Public Urban Spaces in Medieval Christianity (Eighth-Fourteenth Centuries)
THE BODY, THE LITURGY AND THE CITY AND THE LITURGY THE BODY, e-ISSN 2610-9107 Studi di storia 11 ISSN 2610-9883 — The Body, the Liturgy and the City Shaping and Transforming Public Urban Spaces in Medieval Christianity Renata Salvarani Edizioni Ca’Foscari The Body, the Liturgy and the City Studi di storia Serie coordinata da Laura Cerasi Mario Infelise Anna Rapetti 11 Studi di storia Coordinatori Laura Cerasi (Università Ca’ Foscari Venezia, Italia) Mario Infelise (Università Ca’ Foscari Venezia, Italia) Anna Rapetti (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Claus Arnold (Johannes Gutenberg-Universität in Mainz, Deutschland) Marina Caffiero (Sapienza Università di Roma, Italia) Giovanni Filoramo (Università degli Studi di Torino, Italia) Marco Fincardi (Università Ca’ Foscari Venezia, Italia) Stefano Gasparri (Università Ca’ Foscari Venezia, Italia) Mario Infelise (Università Ca’ Foscari Venezia, Italia) Vincenzo Lavenia (Università di Bologna, Italia) Simon Levis Sullam (Università Ca’ Foscari Venezia, Italia) Adelisa Malena (Università Ca’ Foscari Venezia, Italia) Alberto Masoero (Università degli Studi di Torino, Italia) Rolf Petri (Università Ca’ Foscari Venezia, Italia) Giorgio Politi (Università Ca’ Foscari Venezia, Italia) Silvio Pons (Università degli Studi di Roma «Tor Vergata», Italia) Antonella Salomoni (Università della Calabria, Cosenza, Italia) Enzo Traverso (Cornell University, Ithaca, USA) Giovanni Vian (Università Ca’ Foscari Venezia, Italia) Chris Wickham (University of Oxford, UK) Direzione e redazione Università Ca’ Foscari Venezia Dipartimento di Studi Umanistici Palazzo Malcanton Marcorà, Dorsoduro 3484/D 30123 Venezia [email protected] e-ISSN 2610-9107 ISSN 2610-9883 URL http://edizionicafoscari.unive.it/it/edizioni/collane/studi-di-storia/ The Body, the Liturgy and the City Shaping and Transforming Public Urban Spaces in Medieval Christianity (Eighth-Fourteenth Centuries) Renata Salvarani Venezia Edizioni Ca’ Foscari - Digital Publishing 2019 The Body, the Liturgy and the City. -
Via Appia Antica, 110 - Ph
Before arriving at Porta San Sebastiano - the ancient Porta Appia in the city concrete, on which a small house has been built. One hundred metres beyond the crossroads with the Via Appia Pignatelli (re- out. In the centre of the area is the "peg" around which the chariots turned remains of two tower sepulchres. After passing Casale Torlona (on a level Still on the right side are a succession of well preserved ruins in the poste- walls built in the second half of the third century A.D. by the Emperor Arriving at the crossroads with the Via Ardeatina we find the small church of organised at the end of the XVII century by Pope Innocent XII), on a level with and on the curved side a triumphal arch. The steps accommodated 10,000 with no. 240), the road finally runs freely flanked by pine and cypress trees rior part of a temple-shaped sepulchre (31), rectangular, with a high podi- Aurelian - there existed (and still exists under the names of Via delle Terme Quo Vadis (5) or Santa Maria in Palmis. no. 119a, is the entrance to the Jewish Catacombs of Vigna Randanini (9). spectators. Beyond the Circus rose the Villa (12), which was directly con- with numerous remains of tombs now more easily accessible. Beyond the um and steps; the Tomb reconstructed by the Rabiri (32), dating from the I di Caracalla and Via di Porta San Sebastiano) the initial stretch of the road, A seventeenth-century reconstruction of a chapel erected in the IX century After the subsequent cross-roads with Via delle Sette Chiese we come to an nected to the imperial tribune in the Circus. -
Before Arriving at Porta San Sebastiano
Before arriving at Porta San Sebastiano - the ancient Porta Appia in the city walls built Arriving at the crossroads with the Via Ardeatina we find the small church of Quo After the subsequent cross-roads with Via delle Sette Chiese we come to an open Circus. Underneath it and incorporated in it, we find an earlier villa dating from trees with numerous remains of tombs now more easily accessible. Beyond the Still on the right side are a succession of well preserved ruins in the posterior part in the second half of the third century A.D. by the Emperor Aurelian - there existed (and Vadis (5) or Santa Maria in Palmis . space on the left containing the column erected in 1852 in memory of the work the II century, built in turn over one dating from late republican times. gates of the former Forte Appio, we find one after the other, on the right, the of a temple-shaped sepulchre (31) , rectangular, with a high podium and steps; still exists under the names of Via delle Terme di Caracalla and Via di Porta San A seventeenth-century reconstruction of a chapel erected in the IX century on the of reinstatement of the Appian Way carried out by Luigi Canina at the order of On the top of the rise followed by the road immediately thereafter, stands the epigraph of one Gneo Bebio Tampilo and the inscription of the family Turania , the Tomb reconstructed by the Rabiri (32) , dating from the I century A.D., with Sebastiano) the initial stretch of the road, almost a mile long that, starting off from place where, according to tradition, Saint Peter escaping from Rome to avoid the Pope Pius IX; on the right is the basilica of Saint Sebastian (10) built at the Tomb of Cecilia Metella (14) , erected shortly after 50 B.C. -
Gennadeion Monographs III O
GENNADEION MONOGRAPHS 111 CHAPTERS ON MEDIAEVAL AND RENAISSANCE VISITORS TO GREEK LANDS BY JAMES MORTON PATON EDITED BY L.A.P. THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1951 Copyright 1951 By the Trustees of the American School of Classical Studies at Athens Published 1951 All Rights Reserved PRINTED IN TBE UNITED STATES OF AMERICA PREFACE FEW words in regard to the contents of this little book are necessary. Its A author, at the time of his death on November 23, 1944, had in preparation an extensive work on the mediaeval history and monuments of Athens, in the manifold sources for which, even after the invaluable studies of Laborde and more recent scholars, he still found a fresh harvest. His researches, carried on principally in the libraries and archives of Paris, Venice, Florence and Rome, were interrupted in 1939 by the European war, and their continuation at the Harvard College Library was somewhat later terminated by his gradually failing health. His work, in spite of its long duration, can scarcely be said to have passed beyond the stage of collecting sources; their synthesis and discussion he had of course postponed until they should have been adequately assembled. He had, however, although Athens remained the center of his interest, almost completed a few sections, forming to a certain extent byways leading from the main path, and he had also prepared the texts of various sources in a form suitable for publi- cation. This material is collected here in the hope that, as he would have desired, it mzy prove of service to future investigators in the same field. -
"Belonging of Right to Our English Nation" the Oratory of Domine Quo Vadis, Reginald Pole, and the English Hospice in Rome
RIHA Journal 0238 | 30 March 2020 "Belonging of right to our English nation" The Oratory of Domine Quo Vadis, Reginald Pole, and the English Hospice in Rome Andrea Bacciolo Abstract Located in Rome, at the Appian Way, the oratory of Domine Quo Vadis is a circular domed building that has heretofore been dated to Julius III's pontificate (1550–1555) and associated with Cardinal Reginald Pole's patronage. In addition to confirming the role of Reginald Pole, new documentary evidence proves both an earlier date of construction and the involvement in the works of the English Hospice as financial contributor. Considering the cultural and political climate, the Anglo-Roman relations, and the institutional background, this article deals with the oratory as a materialization of the emerging identity of English Catholics in Rome. Contents The Oratory of Domine Quo Vadis New lights on the building The site as a crucial stage in the route of Charles V's triumphal entry in 1536 Reginald Pole, Henry VIII, and the English in Rome A materialization of the emerging identity of English Catholics The Oratory of Domine Quo Vadis [1] Standing outside the Aurelian Walls, the oratory of Domine Quo Vadis is a small, circular domed building situated in the carefully preserved environment of the Appian Way Regional Park a few kilometres from the city centre of Rome.1 Located next to the church of Santa Maria in Palmis, it faces 1 The present essay is based on a paper entitled "Il sacello del Domine Quo Vadis. Un’architettura a pianta circolare, la comunità inglese e il culto petrino nel primo Cinquecento", delivered at the conference "Grand Tour del Terzo Millennio" at the Università di Roma Tor Vergata in 2014. -
Elizabeth G. Dickenson Dissertation Manuscript
Copyright by Elizabeth Gayle Dickenson 2011 The Dissertation Committee for Elizabeth Gayle Dickenson Certifies that this is the approved version of the following dissertation: MARRIAGE, GENDER, AND THE POLITICS OF “UNITY” IN VISIGOTHIC SPAIN Committee: Denise A. Spellberg, Supervisor Ernest N. Kaulbach, Co-Supervisor Jorge Cañizares-Esguerra Neil D. Kamil L. J. Andrew Villalon MARRIAGE, GENDER, AND THE POLITICS OF “UNITY” IN VISIGOTHIC SPAIN by Elizabeth Gayle Dickenson, B.Humanities; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2011 Dedication This dissertation is dedicated to the memory of Dr. Janet A. Meisel. Acknowledgements I have received generous assistance in researching and writing this dissertation and in completing my education at The University of Texas at Austin. Dr. Denise A. Spellberg took over the supervision of this dissertation in the fall of 2009. Her skills as a scholar and mentor gave new impetus to the project and brought it to completion. Dr. Ernest N. Kaulbach read the Latin sources with me for six years, co-supervised the dissertation, and provided advice and mentoring as he has done for so many students during his fifty years of teaching. Drs. Jorge Cañizares-Esguerra, Neil D. Kamil, and L. J. Andrew Villalon served as readers on my dissertation committee and made helpful suggestions on a wide range of topics. I owe thanks for financial support to the University’s History Department and Charles A. -
The Via Appia, from Porta San Sebastiano to Domine Quo Vadis
The Via Appia, from Porta San Sebastiano to Domine Quo Vadis Via Appia Antica This itinerary runs between the end of the 1st mile of the Appian Way and the beginning of the 2nd, a rather short stretch lined with the tall enclosure walls of private properties, with a number of ancient and more recent buildings, where the past and the present live side by side, along the Via Appia, setting off its centuries old history. To Roman times belong the Porta San Sebastiano, a monumental gate opening in the Aurelian Walls, which marks the more recent starting point of the Via Appia Antica, and the so-called Tomb of Geta, a tower POI Distance tomb given a new lease of life as a farmhouse; while in the 17th century a small church was 8 0.82 Km built not far from the gateway called Santa Maria in Palmis, on the spot where, as tradition has it, Jesus appeared to the apostle Peter and therefore known as the church of Domine Quo Vadis. Poi More recent additions are a copy of the milestone marking the first mile of the road from Porta Capena, and the former Cartiera Latina, a paper mill built on the banks of the Almone river, recently restored and converted into a multipurpose facility, also housing the headquarters of 1 Porta San Sebastiano the Regional Park of the Appia Antica. 2 The First Milestone From the arrival point you can choose other itineraries in the Park from the map. 3 Archaeological area of Via Cilicia 4 The Cartiera Latina paper factory and river Almone 5 Tomb of Geta 6 Appia Antica Visitor Information Centre 7 The tomb of Priscilla Scan the QrCode to access the navigable 8 Church of Domine Quo mobile version of the Vadis itinerary Poi 1 Porta San Sebastiano Roma / Place to visit - Gates When the Aurelian Walls were built in the 3rd century AD, a gate was opened here to allow the passage of the Via Appia, about one Roman mile south of the demolished Porta Capena. -
5 Devotional Pathways and Urban Space Shaping Martyrial Memories, Relics and Icons in Rome in the Middle Ages
The Body, the Liturgy and the City Shaping and Transforming Public Urban Spaces in Medieval Christianity (Eighth-Fourteenth Centuries) Renata Salvarani 5 Devotional Pathways and Urban Space Shaping Martyrial Memories, Relics and Icons in Rome in the Middle Ages Summary 5.1 Itineraries and Narratives Per Loca. – 5.2 Spatial Definition of Roman Lit- urgies. – 5.3 Use of the Images. – 5.4 Conclusions. The history of Rome between the Late Antiquity and the Middle Ag- es provides a broad and extremely varied range of devotional and li- turgical situations, partly fixed and codified, partly opened to be re- enacted and modified by worshippers. Some case studies especially point out that the building of devo- tional pathways, consolidated by use and become consuetudo, has been crucial in the context of general process of Christianization of the urban space. The same happened to the social and cultural ac- tions legitimating élites and religious institutions. The holy bodies, the remains of Peter and Paul in primis, but al- so the relics of the martyrs, have polarized a rich and complex litur- gical creativity. That is not all: we have to consider the bodies of the Popes, alive and active in leading celebrations. Made solemn and depersonalized by more and more magnificent sacred vestments and holy garments, they appear as key elements of the hierophanic moments that mark rites and processions. Liturgies took their multi-layered character also thanks to pro- cesses of symbolization and semantic shifting that moved some ritu- Studi di storia 11 DOI 10.30687/978-88-6969-364-9/005 73 Salvarani 5 • Devotional Pathways and Urban Space Shaping al actions onto objects and mobile elements. -
Art and Reform in Tenth-Century Rome – the Paintings of S. Maria in Pallara
ART AND REFORM IN TENTH-CENTURY ROME – THE PAINTINGS OF S. MARIA IN PALLARA by Maria Laura Marchiori A thesis submitted to the Department of Art In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (November, 2007) Copyright © Maria Laura Marchiori, 2007 Abstract The medieval wall paintings of the church of S. Maria in Pallara, situated on the Palatine Hill, Rome, provide insight into the intellectual use of images in the Middle Ages. The fragmentary apse programme survives, supplemented by antiquarian drawings that include copies of lost nave cycles and a lost donor portrait of their patron, Petrus Medicus. The patron, along with his monastic foundation, is documented in tenth-century charters, on which documents the paintings’ dating currently depends. Questions about this dating have surfaced in the art-historical literature, as have concerns about gender and historical veracity, matters of historiography which are introduced in Chapter 1. Thus, the goals of this study were to verify the paintings’ dating, to examine their use of text and image and to illuminate the context in which they were created. Chapter 2 describes and analyses the S. Maria in Pallara paintings within Roman artistic traditions of the Romanesque period. Since no contemporary parallel can be found for the iconography of the Apostles on the shoulders of Prophets decorating the church’s apse arch, a composition more common to Gothic art, Chapter 3 examines the iconography’s diffusion and sources. Textual evidence suggests that a church dedicated to Saint Sebastian preceded the tenth- century foundation of S. -
Ex Oriente Scacci. L'origine Indienne
Journal of ancient History Volume 3 Centro de História de Além-Mar Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas Universidade dos Açores Res Antiquitatis. Journal of Ancient History Volume 3 / 2012 Published by Centro de História de Além-Mar Faculdade de Ciências Sociais e Humanas Universidade Nova de Lisboa / Universidade dos Açores O Centro de História de Além-Mar da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa e da Universidade dos Açores é financiado pela Fundação para a Ciência e a Tecnologia. ISSN 1647-5852 Copies: 250 Printed in Portugal by PUBLITO – Estúdio de Artes Gráficas, Lda. Parque Industrial de Pitancinhos BRAGA – Portugal Editor Advisory Board Francisco Caramelo José Augusto Ramos Universidade Nova de Lisboa Universidade de Lisboa Maria Helena Trindade Lopes Universidade Nova de Lisboa Assistant Editors Jean-Claude Margueron École Pratique des Hautes Études Marcel L. Paiva Monte Luís Filipe Thomaz Universidade Nova de Lisboa Universidade Católica Portuguesa Diogo Paiva José Ribeiro Ferreira Universidade Nova de Lisboa Universidade de Coimbra Francolino Gonçalves École Biblique et Archéologique Française de Jérusalem Editorial Board Jack Sasson Vanderbilt University António Ramos dos Santos Michel Hulin Universidade de Lisboa Université Paris Sorbonne – Paris IV José das Candeias Sales Stanislava Vavroušková Universidade Aberta Univerzita Karlova v Praze Zoltán Biedermann Sylvie Blétry University of London Université Paul Valéry Montpellier III Juan Luis Montero Fenollós Michel -
The Via Appia, from Porta San Sebastiano to Domine Quo Vadis
The Via Appia, from Porta San Sebastiano to Domine Quo Vadis Via Appia Antica This itinerary runs between the end of the 1st mile of the Appian Way and the beginning of the 2nd, a rather short stretch lined with the tall enclosure walls of private properties, with a number of ancient and more recent buildings, where the past and the present live side by side, along the Via Appia, setting off its centuries old history. To Roman times belong the Porta San Sebastiano, a monumental gate opening in the Aurelian Walls, which marks the more recent starting point of the Via Appia Antica, and the so-called Tomb of Geta, a tower tomb given a new lease of life as a farmhouse; while in the 17th century a small church was built not far from the gateway called Santa Maria in Palmis, on the spot where, as tradition has it, Jesus appeared to the apostle Peter and therefore known as the church of Domine Quo Vadis. More recent additions are a copy of the milestone marking the first mile of the road from Porta Capena, and the former Cartiera Latina, a paper mill built on the banks of the Almone river, recently restored and converted into a multipurpose facility, also housing the headquarters of the Regional Park of the Appia Antica. From the arrival point you can choose other itineraries in the Park from the map. Poi 1 Porta San Sebastiano 5 Tomb of Geta 2 The First Milestone 6 Appia Antica Visitor Information Centre 3 Archaeological area of Via Cilicia 7 The tomb of Priscilla 4 The Cartiera Latina paper factory and river Almone 8 Church of Domine Quo Vadis Info POI Distance Scan the QrCode to access the navigable mobile 8 0.82 Km version of the itinerary Poi 1 Porta San Sebastiano Roma / Place to visit - Gates When the Aurelian Walls were built in the 3rd century AD, a gate was opened here to allow the passage of the Via Appia, about one Roman mile south of the demolished Porta Capena.