The Via Appia, from Porta San Sebastiano to Domine Quo Vadis
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C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
The Parish Magazine Copy Date
Directory Church Office The Old School, Church Street, 456461 Cuckfield, West Sussex RH17 5JZ Normally open Monday – Friday mornings Church Website www.holytrinitycuckfield.org Church Email [email protected] Vicar Rev’d Michael Maine 454007 Church Wardens Kate Berry 455986 Brian Cutler 412790 Reader Clive Simmonds 07544852415 Honorary Secretary David Thunder 417103 Honorary Treasurer Orlando Milford 453457 Planned Giving Secretary Gerry Larner 412716 Electoral Roll Officer David Thunder 417103 Safeguarding Coordinator Rod Montague 410453 Sunday’s Cool Hilary Turner-King 400087 Organist & Choir Director Richard Jenkinson 882398 Choir Secretary Eileen Macdougall 451815 Music Group Secretary Michele Branscombe 415802 Bellringers Secretary Vacancy Pastoral Care Kate Berry 455986 Chichester Cathedral Link David Thunder 417103 Mothers’ Union Ros Thunder 417103 Church Inspecting Architect Jonathan Cerowski 01342410242 The Friends of Holy Trinity Paul Goldfinch 882649 Church Office Secretary Gill Squires 456461 The Old School Manager Peter Groves 456900 Parish Magazine Editor [email protected] Magazine Advertising Paul Goldfinch 882649 Website Administrator Brian Cutler 412790 SEPTEMBER 2020 VICar’s LetTER My dear friends, When we commissioned Helen McIdowie-Jenkins to ‘write’ the icon for our prayer tree of light, I asked if she could use an image dear to my heart – the figure of Christ from the Deeis mosaic in the great church of Hagia Sophia – Holy Wisdom – in Istanbul. The Deesis represents the figure of Jesus as Pantocrator – Lord of all - with Mary and John the Baptist on either side raising their hands in prayerful intercession for humanity. This mosaic dates from the 1200s - a masterpiece of late Byzantine art. Helen pointed out to me that she had created an impressed background on the gold of the icon to replicate the shell-like pattern of the tesserae on the original mosaic. -
L'antica Porta Appia Delle Mura Costruite Nella Seconda Metà Del III
Prima di arrivare a Porta S. Sebastiano – l’antica Porta Appia delle è ora ridotta al nucleo di calcestruzzo, sul quale è stata costruita una Cento metri oltre il bivio con la via Appia Pignatelli (sistemata alla trionfale. Sulle gradinate potevano trovare posto oltre 10.000 spet- Torlonia (n. civico 240), la via corre finalmente libera e fiancheggia- Sempre sul lato destro seguono i ruderi ben conservati nella parte mura costruite nella seconda metà del III sec. d.C. dall’imperatore casetta. Presso il bivio con la via Ardeatina è la piccola chiesa del fine del secolo XVII da Papa Innocenzo XII), al numero civico 119a, tatori. Al di là del Circo sorgeva la Villa (12), che era direttamente ta da pini e cipressi con numerosi resti di tombe ora più facilmente posteriore di un sepolcro a tempietto (31), rettangolare, con alto Aureliano – esisteva (ed esiste tuttora coi nomi di via delle Terme di Quo Vadis (5) o Santa Maria in palmis rifacimento seicentesco di una è l’ingresso delle Catacombe Ebraiche di Vigna Randanini (9). collegata al palco imperiale del Circo. Sotto di essa e da quella inglo- accessibili. Oltre il cancello dell’ex Forte Appio, si susseguono, sulla podio e scalinata; la Tomba, ricostruita, dei Rabiri (32), del I seco- Caracalla e via di Porta S. Sebastiano) il tratto iniziale della strada, cappella eretta nel IX secolo sul luogo dove, secondo la tradizione, Dopo il successivo bivio con la via delle Sette Chiese s’apre uno spiaz- bata, si trova una precedente villa del II secolo, sorta a sua volta destra, l’epigrafe di un Gneo Bebio Tampilo e l’iscrizione della fami- lo d.C., con la copia del rilievo originale raffigurante i busti con le lungo quasi un miglio, che, partendo dalla Porta Capena delle mura S. -
In Presentia Mei Notarii. Piante E Disegni
FERNANDO BILANCIA Il palazzo della famiglia Aquilani di Roma a piazza di Ara Coeli Il palazzo che fu degli Aquilani, sinora mai studiato benché centralis- simo, sorge a Roma a piazza d’Ara Coeli 61. Gli Aquilani di Roma appartenevano ad una nobile famiglia pisana che ebbe fra i suoi componenti diversi cavalieri dell’ordine di S. Stefano2; alcuni suoi membri si trasferirono nella capitale dello Stato Pontificio nel secolo XVI, ove ricoprirono importanti cariche pubbliche. La testimonianza più antica della presenza a Roma di un componente della famiglia si fa risalire al 1539 ed è fornita dall’iscrizione posta su una lapide incisa nel 1736 nel pavimento della chiesa di S. Maria in Vallicella: in essa, al di sotto dello stemma di famiglia quasi completamente abraso (tav. XXVII), Ludovico Aquilani3 riferisce che nel 1539 il suo antenato Ludo- vico senior, quando era ancora in vita, eresse nella chiesa un monumento funebre a sè ed ai suoi discendenti4. Ma il confronto con tutte le altre noti- zie reperite, riguardanti la vita di Ludovico senior Aquilani (in particolare la data della sua morte avvenuta nel 1594) rende piuttosto improbabile che 1 C. PIETRANGELI (Guide rionali di Roma. Rione X–Campitelli, I, Roma, Palombi editori, 1975, p. 18) si limita a definirlo correttamente “palazzetto del ’700”. 2 Sulla famiglia Aquilani cfr.: T. AMAYDEN, La storia delle famiglie romane, con note ed aggiunte di C.A. Bertini, Roma, Collegio Araldico, s. d. (rist. anast., Roma, Edizioni Romane Colosseum, 1987), I, pp. 70-72; R. MAZZEI, Pisa medicea, Firenze, Leo Olschki editore, 1991. L’Ordine militare dei Cavalieri di S. -
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations Through 1895
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations through 1895 Jessica Dello Russo “Il cimitero di Vigna Randanini e’ il punto di partenza per tutto lo studio della civilta’ ebraica.” Felice Barnabei (1896) At the meeting of the Papal Commission for Sacred Archae- single most valuable source for epitaphs and small finds from ology (CDAS) on July 21,1859, Giovanni Battista de Rossi the site.6 But the catacomb itself contained nothing that was of strong opinion that a newly discovered catacomb in required clerical oversight instead of that routinely performed Rome not be placed under the Commission’s care.1 Equally by de Rossi’s antiquarian colleagues at the Papal Court. surprising was the reason. The “Founder of Christian Archae- On de Rossi’s recommendation, the CDAS did not assume ology” was, in fact, quite sure that the catacomb had control over the “Jewish” site.7 Its declaration, “la cata- belonged to Rome’s ancient Jews. His conclusions were comba non e’ di nostra pertinenza,” became CDAS policy drawn from the very earliest stages of the excavation, within for the next fifty years, even as three other Jewish cata- sight of the catacombs he himself was researching on the combs came to light in various parts of Rome’s suburbium.8 Appian Way southeast of Rome. They would nonetheless In each case, the discovery was accidental and the excava- determine much of the final outcome of the dig. tion privately conducted: the sites themselves were all even- The CDAS had been established just a few years before in tually abandoned or destroyed. -
Complete Ancient Rome
Rome & Lazio D E TAIL S COMPLETE Duration: 5 Hr / Private Tour Availability: Monday-Friday ANCIENT ROME Price: € Additional guests: € Additional time: € Transfer: € CONTACT ME Agent Name Ph: Mob: Email: Garner a unique perspective on ancient Rome through this utterly unique experience. Tailor-made by a specialist historian, this itinerary takes your clients off the beaten path, bringing them inside the imperial city through the ancient city walls and following in the footsteps of the Caesars visiting Rome’s most iconic attractions. Private tour 5 hours English first Family friendly, Kids REASONS TO BOOK THIS What we are going to see EXPERIENCE Porta San Sebastiano View of the Circus Maximus Exploring Ancient Rome, from Baths of Caracalla its icons to lesser-known Arch of Constantine Roman Forumks monuments Colosseum Palatine Hill View of the Capitoline Hill Entering the famed Colosseum with priority What’s Included entrance Vehicle at disposal during the tour Private licensed guide Enjoying views of the Eternal Skip-the-line tickets to the Colosseum Vatican skip-the-line ticket City from it's ancient and Roman Forum landmarks ITALY IS BEAUTIFUL LIKE NEVER BEFORE We cannot wait to welcome you to the most beautiful country in the world. In compliance with our Covid-free policy, we will provide full assistance and flexibility. We will also accept reservations and allow cancellations even if given at short notice. OUR RESERVATION AND CANCELLATION POLICY We accept reservations and allows cancellations with a 100% refund up to 48h. Please note this might not include entrance tickets booked in advance. Furthermore, you can reschedule for any time without any additional costs. -
June 30, 2019
Thirteenth Sunday in Ordinary Time June 30, 2019 Bronx, New York I AM THE WAY AND THE TRUTH AND THE LIFE. HOLY MASS SCHEDULE RECTORY: 718-882-0710 Fax: 718-882-8876 833 Mace Avenue Bronx, NY 10467 Saturday: 9:00 a.m. (English) Monday - Friday - 9:00 a.m. to 5:00 p.m. 5:30 p.m. (Albanian), 7:00 p.m. (English) Saturday 10-2 p.m. - Closed Sundays and Holidays Sunday: 8:00 a.m. (Italian), 9:00 a.m. (Spanish - Auditorium) 9:15 a.m., 10:30 a.m., 12 noon (English), Eucharistic Adoration: Monday-Friday 9:30-12 noon, 12:00 p.m. (Creole - Chapel in Center), Thursday 6:00-7:00 p.m., Saturday 9:30 a.m.-12 noon & First Friday of the Month - All Night Adoration 8 p.m. 1:15 p.m. (Spanish) to 7 a.m. (Chapel in Center) Weekdays: 9:00 a.m. (English), Confession: Saturdays 3:00- 4:00 p.m. & 6:30-7:00 p.m. Thursdays: 7:00 p.m. (Spanish) Prayer for Independence Day Our Daily Eucharistic Adoration From the Opening Prayer of the Holy Mass of 4th of July Father of all nations and ages, we recall the day when our country claimed its place among the family of nations; for what has been achieved we give you thanks, for the work that still remains we ask your help, will be dedicated to the and as you have called us from many peoples to Fortnight for Freedom from be one nation, June 21st thru July 4th. -
Lourdes & Rome Tour 15
Lourdes & Rome Tour 15 8 Days www.206tours.com/tour15 Lourdes (St. Bernadette) · Rome (Papal Audience with Holy Father) YOUR TRIP INCLUDES OPTIONAL • Round-trip airfare from your desired Airport Travel Insurance Providing you coverage for both pre-existing *book without airfare (land only option) conditions and those that may arise during your trip, • All airport taxes & fuel surcharges including medical and dental emergencies, loss of • Centrally located hotels: (or similar) luggage, trip delay, and so much more. ~ 3 nights: Hotel Moderne or Chapelle et Parc, Lourdes Supplemental Cancellation Protection 3 nights: Le Meridien Visconti or Michelangelo, Rome ~ A Cancellation Waiver - allowing you to cancel your • Breakfast and Dinner daily trip and receive a refund anytime - up until 24 hours • Wine with dinners prior to departure. The “Waiver” expires once you are • Assistance of Christian guide throughout within 24 hours of departure. • Transfers as per itinerary About Lourdes: • Sightseeing and admissions fees as per itinerary She came for you and for every one of us! 6 million • Catholic Priest available for Spiritual Direction Pilgrims go to Lourdes each year and 10,000 visit this • Mass daily & Spiritual activities holy site daily. At the foot of the Pyrenees mountains in Southwestern France, nestled between the • Luggage handling (1 piece per person) spectacular mountain river, Gave de Pau, is Lourdes, • Flight bag & portfolio of all travel documents one of the most paramount pilgrimage sites in the World. Lourdes is the birthplace of St. Bernadette, to NOT INCLUDED whom Our Lady appeared to in 1858, near the Grotto Lunches, Tips to your guide & driver. -
The Appian Way 1 from Porta Capena to the Mausoleum of Caecilia Metella
The Appian Way 1 from Porta Capena to the Mausoleum of Caecilia Metella (Miles I-III) - Inside the Walls By bike On foot This section of the Appian Way, called “the urban section” because it was part of the city in antiquity, starts from the central archaeological area, in front of the Circus Maximus and near the Baths of Caracalla. This is where the ancient Porta Capena (Capua Gate), the original departure point of the Appian Way and the Latin Way dating back to the Republican period, was located. The urban section ends at the Porta S. Sebastiano (St. Sebastian Gate), part of the walls built in the reign of the emperor Aurelian in the 3rd century AD. The monuments described along this section are currently not included in the Appia Antica Regional Park, which begins at Porta S. Sebastiano. Nevertheless, the monumental complex of the Appian Way represents a coherent context which must be described holistically beginning in the monumental center of Rome. 1) Porta Capena The Capua Gate was part of the earliest wall of Rome, called the “Servian Wall” because its construction was traditionally attributed to the sixth king of Rome, Servius Tullius, in the middle of the 6th century BC. The most recent studies confirm the existence of a wall circuit in cappellaccio tuff that can be associated chronologically with Servius Tullius, which was later restored and enlarged in the first half of the 4th century BC. The Appian and Latin Ways both started from this gate, which was located in front of the curved end of the Circus Maximus, and then separated in the area of the large square currently dedicated to Numa Pompilius.