DOCSLIB.ORG

Wood. Thomas W. AM-FM-TV Wrtex-Tv Partment, West Coast, Assigned Responsi- Mr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wood. Thomas W. AM-FM-TV Wrtex-Tv Partment, West Coast, Assigned Responsi- Mr eral manager and station manager, re- tract with network. Terms call for Mr. leans, as AP broadcast news editor for spectively, of Capital Cities' WPAT -AM- Martin's QM Productions to produce Louisiana and Mississippi. FM Paterson, N. J. at least one series per year for ABC - Warren Olney, correspondent for San William Pipher, general sales man- TV. Francisco and Sacramento, Calif., news ager, WDHO -TV Toledo, Ohio, named Donald E. Adams, controller of Gen- bureaus of xxxT(TV) Los Angeles, ap- general manager. eral Switch Co., Brooklyn, N. Y., named pointed bureau manager -correspondent controller Association Films Inc., Donald W. Meyers, sales manager of of of CBS Owned Television Stations WAKY Louisville, Ky., appointed general New York. Washington news bureau, succeeding manager, replacing Joel Thrope, who Seymour Horowitz, program director George Reading, who moves to news staff of WBBM -TV Chicago. KNXT becomes senior VP in charge of all for KGO -TV San Francisco, appointed di- and broadcast properties of parent LIN rector of program services for ABC WBBM -TV are CBS-owned stations. Broadcasting Corp. (group owner). Owned Television Stations. Sidney Lazard, for- merly with ABC News Red Jones, formerly with WQXI and Jesse R. (Buddy) Ragan, program di- in Paris WPLO, both Atlanta, appointed general rector of KTAL -TV Texarkana, Tex. - Rome, and manager of WSNE Cumming, Ga. Shreveport, La., joins Maxwell Elec- New York, appointed tronics Corp. (which has CP for KMEC- NBC News corre- K. James Yager, VP TV Dallas) as program director. spondent in New and director of Cos- York. mos Broadcasting Bill Wardlaw, operations director for Corp., Columbia, S.C., Knox Dallas, appointed program direc- Irwin Krakowsky, assistant director named general man- tor for KBBQ Burbank, Calif. of Mr. Lazard news and public af- ager of Cosmos Cable - Ken MacClelland, formerly art di- vision Corp., that city. fairs for wcss New York, named ex- rector for CBS and NBC, appointed ecutive news editor for CBS News, ra- Larry Wakefield, scenic art director for KTTV(TV) Los dio. He succeeds Marvin Friedman, production manager Angeles. who moves to WCBS as executive news and sports director of Shelley Andrews, formerly with Alan director. Peter Wells, writer -producer KATI Casper, Wyo., named station di- Burke and Barry Gray shows, both for special reports and documentaries rector of xewY(FM), that city. from New York, joins Westinghouse for CBS Radio, New York, appointed Karl Sippel, with WKBW -AM -Tv Buf- Broadcasting Co. in Philadelphia as executive producer for CBS News, ra- falo, N.Y., named business manager talent coordinator for The Mike Doug- dio, succeeding Dick Reeves, who be- for WPRI -TV Providence, R. I. las Show. comes director of special broadcasts for WCBS. PROGRAMING Robert Norvet, gen- eral manager of film Lee McNew, with WXYZ -TV Detroit, Ruth Elliott, executive secretary for operations for CBS -TV appointed director of news and special both program development and current Hollywood, named events for WJBK- AM -FM, that city. programing departments, ABC -TV West VP. He will continue Bud Carter, news director of KWHHK Coast, named to newly created post of to be responsible for Hutchinson, Kan., appointed news di- administrative assistant to VP in charge operation of CBS rector of wxs Kansas City, Mo. of programs, ABC -TV West Coast. Don Studio Center, Holly- Charles Cremer, formerly with wTHI- Kraatz, with ABC -TV programing de- wood. Thomas W. AM-FM-TV wrtEx-Tv partment, West Coast, assigned responsi- Mr. Norvet Terre Haute, Ind., Downer, Jr., with Rockford, Ill., and noncommercial bility for all phases of ABC -TV pro- Campbell -Ewald, Los Angeles, appoint- gram administration, both daytime and WILL- AM -FM -TV Urbana, Ill., appointed ed director of program practices, CBS - news director of noncommercial wsur weekend program schedules, Holly- TV, Hollywood. He replaces Charles wood. Iowa City. C. Pettijohn, named to new position of David Victor, VP for Filmways TV executive editor, program practices, Miguel Bomar, former director of Productions Inc., named producer of Hollywood. Latin American affairs at Radio New new CBS -TV series, Dundee and the York Worldwide, and TV producer at of Cuihane. He replaces Sam Rolfe, cre- Bill Jenkins, producer of "Books United Nations, both New York, named iGES Los An- ator- producer of series, who leaves to the Bible," records, joins newsman and commentator in Wash- write screenplay for Filmways. geles as production manager. ington for three TV stations in Argen- Don Meinert, with xcHA Charles City, tina, Uruguay and Paraguay (channels Frank Konigsburg, director of talent 9, 4 and 9, respectively). and program administration for NBC, Iowa, joins KGLO -AM -TV Mason City, New York, joins Artists Agency Corp., Iowa, as farm director. John M. Day, VP and director of news and public affairs, wtmx Boston, Los Angeles, as VP in charge of busi- Vinnie Bell, animator, joins art de- ness affairs. elected board member of AP Radio and partment of Coastal Film Service, New Television Association, representing ra- Jim veteran York. Jordan, TV director, dio outlets of 5 kw and over, eastern named director of new 90-minute district. Other board members elected: Woody Woodbury Show, starting NEWS this Eddie Barker, news director, KRLD-TV fall in syndication. Lemmy Pinna rejoins UPI and will Dallas, (at large) representing stations Hardie Frieberg named president of take over UPI bureau in Karachi, Pak- in southern district; Thad Sandstrom, Spectrum Ltd., newly formed subsidiary istan, in late August, replacing Max VP and general manager, winw -Tv of Spectrum Productions Inc., New Vanzi, who joins Tokyo staff. Max Jen- Topeka, Kan., representing TV stations, York. Spectrum Ltd. is to begin pro- nings, bureau manager in Cheyenne, central district; Gene Shumate, VP and duction of Joe Franklin Show, TV in- Wyo., takes over as manager in Caracas, news director, xOxx Rexburg, Idaho, terview program for syndication. Venezuela, in late August, replacing representing radio outlets under 5 kw, Fawcett, resigned. Quinn Martin, who currently pro- Dennis western district. duces The FBI and The Invaders on John W. Hall, with AP bureau in D'Etta Barnhardt, with wGHP -TV ABC -TV, signed to new five -year con - Jackson, Miss., transfers to New Or- High Point- Greensboro-Winston-Salem, 74 (FATES & FORTUNES) BROADCASTING, August 7; 1987 .
Load more

Recommended publications
  • The Naked Spur: Classic Western Scores from M-G-M
    FSMCD Vol. 11, No. 7 The Naked Spur: Classic Western Scores From M-G-M Supplemental Liner Notes Contents The Naked Spur 1 The Wild North 5 The Last Hunt 9 Devil’s Doorway 14 Escape From Fort Bravo 18 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Naked Spur ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Wild North ©1952 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Last Hunt ©1956 Turner Entertainment Co., A Warner Bros. Entertainment Company. Devil’s Doorway ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. Escape From Fort Bravo ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 11, No. 7 • Classic Western Scores From M-G-M • Supplemental Liner Notes The Naked Spur Anthony Mann (1906–1967) directed films in a screenplay” and The Hollywood Reporter calling it wide variety of genres, from film noir to musical to “finely acted,” although Variety felt that it was “proba- biopic to historical epic, but today he is most often ac- bly too raw and brutal for some theatergoers.” William claimed for the “psychological” westerns he made with Mellor’s Technicolor cinematography of the scenic Col- star James Stewart, including Winchester ’73 (1950), orado locations received particular praise, although Bend of the River (1952), The Far Country (1954) and The several critics commented on the anachronistic appear- Man From Laramie (1955).
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Cinema Comparat/Ive Cinema
    CINEMA COMPARAT/IVE CINEMA VOLUME IV · No.8 · 2016 Editors: Gonzalo de Lucas (Universitat Pompeu Fabra) and Albert Elduque (University of Reading). Associate Editors: Ana Aitana Fernández (Universitat Pompeu Fabra), Núria Bou (Universitat Pompeu Fabra), Xavier Pérez (Universitat Pompeu Fabra). Advisory Board: Dudley Andrew (Yale University, United States), Jordi Balló (Universitat Pompeu Fabra, Spain), Raymond Bellour (Université Sorbonne-Paris III, France), Francisco Javier Benavente (Universitat Pompeu Fabra), Nicole Brenez (Université Paris 1-Panthéon-Sorbonne, France), Maeve Connolly (Dun Laoghaire Institut of Art, Design and Technology, Irleland), Thomas Elsaesser (University of Amsterdam, Netherlands), Gino Frezza (Università de Salerno, Italy), Chris Fujiwara (Edinburgh International Film Festival, United Kingdom), Jane Gaines (Columbia University, United States), Haden Guest (Harvard University, United States), Tom Gunning (University of Chicago, United States), John MacKay (Yale University, United States), Adrian Martin (Monash University, Australia), Cezar Migliorin (Universidade Federal Fluminense, Brasil), Alejandro Montiel (Universitat de València), Meaghan Morris (University of Sidney, Australia and Lignan University, Hong Kong), Raffaelle Pinto (Universitat de Barcelona), Ivan Pintor (Universitat Pompeu Fabra), Àngel Quintana (Universitat de Girona, Spain), Joan Ramon Resina (Stanford University, United States), Eduardo A.Russo (Universidad Nacional de La Plata, Argentina), Glòria Salvadó (Universitat Pompeu Fabra), Yuri
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • OPUNTIA 361 a Special on Chicken Noodle Soup, Themed with Snowflake Noodles and the Winter Solstice 2016 Disney Movie FROZEN
    I had to plug in my car for the first time in two years. The temperatures finally turned after a couple of weeks and rose to 0ooC to -10 C, much more palatable. Speaking of palatable, I did my grocery shopping in the cold, and came across OPUNTIA 361 a special on chicken noodle soup, themed with snowflake noodles and the Winter Solstice 2016 Disney movie FROZEN. I have not seen this or any other Disney animated movie, but the label seemed like a good idea scanned for a zine cover. The soup Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and was standard Campbell’s fare, reasonable quality for the price. I just upgraded www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of to a new smartphone, a comment, please include your name and town in the message. Samsung Galaxy S7, so I decided to test the camera. It had trouble focusing on FOUR STRONG WINDS the soup because of the by Dale Speirs difference between the reflective surface of the Last winter was one of the warmest that Calgary has ever experienced. We did soup and the noodles not have a single daytime high below -20oC. November 2016 was warm, with beneath, so this was the temperatures seldom below -10oC, but our luck ran out in the first two weeks of best photo I could get. December. We had -25ooC daytime highs and -30 C overnight lows. DECK US ALL IN 2016 photos by Dale Speirs Once the weather warmed up, I went out at night with my camera.
    [Show full text]
  • Irvin Paik Papers 3035
    http://oac.cdlib.org/findaid/ark:/13030/c8474bwg No online items Finding aid for the Irvin Paik papers 3035 Finding aid prepared by Ken Klein USC Libraries East Asian Library Doheny Memorial Library 3550 Trousdale Parkway Los Angeles, California, 90089-1825 (213)740-1772 2013 April Finding aid for the Irvin Paik 3035 1 papers 3035 Title: Irvin Paik papers Collection number: 3035 Contributing Institution: USC Libraries East Asian Library Language of Material: English Physical Description: 3.0 Linear feet3 bankers boxes Date (inclusive): 1971-1975 Abstract: The Irvin Paik papers include correspondence, article typescripts, subject files, scripts, photographs, news clippings, slides, and audiotapes created by television and film editor Irvin Paik during a period (early 1970s) when he was actively involved in several organizations (East-West Players, Brotherhood of Artists, Japanese American Citizens League, Asian Americans for Fair Media) centered around the effort to more fairly and accurately represent Asians in the media, to expand the opportunities open to them in the movie and television industries. Paik also conducted research for several related projects. creator: Paik, Irvin, 1940- Conditions Governing Access Check USC Digital Archive for online availability. Advance notice required for access to original items. Scope and Content This collection documents a period of Irvin Paik's life, roughly 1970-1974, during which he was active in the campaign to improve opportunities for Asian Americans in the movie, television and theater business, on the one hand, and to push for more accurate and rounded characterizations of Asians in the media. Contents include correspondence, article typescripts, subject files, scripts, photographs, news clippings, slides, and audiotapes.
    [Show full text]
  • T-Negative 14, March 1972, Comes' from Ruth Berman, 5620 Edgewater Boulevard Minneapolis Minnesota 55417
    3- T-Negative 14, March 1972, comes' from Ruth Berman, 5620 Edgewater Boulevard Minneapolis Minnesota 55417 CONTENTS: cover: illustrating "Picnic," by Lois Spooner and Anthony Tbllin "Notes on Leonard McCoy" by Ruth Berman.............. ......................... ..... ...4 "Picnic" by Anna Mary Hall....................................................................................13 Old time Reviews: Gene Roddenberry........................................... .40 T Waves: Letters .............................................. 52 Huckster Notes. ....................................................... .53 Illos: Rae Ladore, p. 5; Barbi Marczak, p. 8; C. Lee Healy, p. 12; Al Kuhfeld, pp. 16, 32, 38, 39; Rosalind Oberdieck, pp. 21, 25., 45; Gail Barton, p. 54. thanks to Shirley Meech, Carolyn Ager, and Amelia Rodgers for sending clippings. Your postman was burdened with this because: I felt like sending it to you. He was a verray parfit praktisour (^22) You contributed You paid money at the rate of 50^/one or $2/five -- ~~ an$ y°ur subscription just ran out. Back issues are available for 75^ for one or $2 for three; at present, #‘s 2, 3, 4, 10, 11, 12: & 13 are available, and I've begun running off #5. I will be reprinting others later. Belated Brag Dept.: The Portland Oregonian had a poem of mine, "Sea-going House," in the "Oregonian Verse" column, November 19, 1967. 4- ,3 OTES ON ^EONARD^OcCOY by Ruth Berman The three chief sources for McCoy's history are "The Man Trap/' by George Clayton Johnson, which was the first show broadcast, the
    [Show full text]
  • The Western, Media, and Masculinity by Norman M. Gendelman A
    Coming Home: The Western, Media, and Masculinity By Norman M. Gendelman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film & Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mary Ann Doane Associate Professor Abigail De Kosnik Professor Emeritus Scott Simmon Fall 2020 Copyright 2020 by Norman Matthew Gendelman 1 Abstract Coming Home: The Western, Media, and Masculinity by Norman Matthew Gendelman Doctor of Philosophy in Film & Media University of California, Berkeley Professor Kristin Whissel, Chair In its analysis of four postwar Westerns (the films The Last Sunset and Gunman’s Walk, and the television Westerns Have Gun—Will Travel and The Rifleman), this dissertation finds a contradictory ideological strain intrinsic to the genre’s frontier legacy, as well as a critical semiosis specific to its production era. By centralizing the postwar era’s domestic concerns over and against the genre’s typical emphasis on the frontier mythos associated with Theodore Roosevelt, these Westerns subvert the stereotypical frontier/civilization dyad. By reconceiving the genre in a way that privileges “civilization” over “frontier,” this dissertation shows that the crucible of “savage” Nature, which formerly determined the exceptionality of the Westerner’s masculine character (as a synecdoche for an exceptional national one), is a cultural production that turns against civilization itself. Denuded of their naturalizing origin, and depicted as social productions within the dramatic action, the gunmen protagonists of each of these four Westerns additionally appear as complex gender constructions. By juxtaposing allusions from each Western to the ideological and aesthetic history of the genre and the socio-political context of the postwar era, the dissertation approaches the Cold War era as similarly mythological, constructed, and contradictory.
    [Show full text]
  • Nicole Valeria Companiytsev
    Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”.
    [Show full text]
  • Rod Serling Papers, 1945-1969
    http://oac.cdlib.org/findaid/ark:/13030/kt5489n8zx No online items Finding Aid for the Rod Serling papers, 1945-1969 Finding aid prepared by Processed by Simone Fujita in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, 2010. Prior processing by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Rod Serling 1035 1 papers, 1945-1969 Descriptive Summary Title: Rod Serling papers Date (inclusive): 1945-1969 Collection number: 1035 Creator: Serling, Rod, 1924- Extent: 23 boxes (11.5 linear ft.) Abstract: Rodman Edward Serling (1924-1975) wrote teleplays, screenplays, and many of the scripts for The Twilight Zone (1959-65). He also won 6 Emmy awards. The collection consists of scripts for films and television, including scripts for Serling's television program, The Twilight Zone. Also includes correspondence and business records primarily from 1966-1968. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research.
    [Show full text]
  • Chapter 29: Audiovisual Materials
    Mount Shasta Annotated Bibliography Chapter 29 Audiovisual Materials Mt. Shasta has been the subject of a wide array of video recordings, motion pictures, slide presentations, and sound recordings. Several of the entries in this section contain interviews with prominent local personalities, or contain historical information not found anywhere else. Many of the entries are about the mystic reputation of the mountain. Other entries feature tourism, railroads, the forests, commerce, etc., all with Mt. Shasta featured at some point. Two of the more widely distributed productions were the 1986 The Californians advertising spots produced by the California Department of Commerce, and the 1992 Rescue 911-The Box Canyon Incident produced by CBS News. Not all of the entries have been located; for example, neither the 1935 Lemuria: The Lost Continent, nor the 1919 The Brute Breaker motion pictures have been seen. Entries which are on reserve at the College of the Siskiyous Library have a COS Media Center number following the entry, e.g., [COS Media Center #VC-67-007]. The [MS number] indicates the Mount Shasta Special Collection accession numbers used by the College of the Siskiyous Library. [MS990]. Mt. Shasta Volcano. videorecording. AME Inc. producer. 1987? 23 minutes One videocassette, VHS and U-MATIC formats. Original film transferred to video. [COS Media Center #VC-67-005] Silent film, with a slight airplane motor hum in the audio background. Consists of mostly random airplane shots, with fairly grainy resolution, of Mt. Shasta from a distance of several miles. 29. Audiovisual Materials. [MS990]. [MS976]. Mount Shasta: Cathedral of Wildness. videorecording. Berditschevsky, Michelle.
    [Show full text]