DOCSLIB.ORG

Nicole Valeria Companiytsev

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nicole Valeria Companiytsev Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”. Through film analysis and in creating a virtual ethnography, I suggest that Star Trek uses visual and textual symbolic choices to show a galactic and ever-changing society which tolerates a wide array of different cultures, but is still influenced heavily by Western ideals and stereotypes of “the other”. I focus on the interaction between human and alien characters, as well as looking into how they have changed throughout the serial. I discuss both the visual choices (made in the form of costume, props, and body language) and the dialogue (in the form of tropes, metaphors, and other symbolic language) in order to extract broader patterns in the subtext that suggest American and Western cultural rules and attitudes. I delve into historical patterns of colonialism within ethnographic and fictional writing in order to suggest influence on modern science fiction. Finally, I suggest that the way these fictional alien societies are portrayed shows how the (so-called) real-world society sees itself, and what it considers to be an innately “human” way to behave. Through this project, I hope to show how an anthropological analysis of science fiction gives us valuable information about the stories our Western society tells about itself and others, and the hopes and fears it projects toward the future. iii Acknowledgements I would like to thank my supervisor, Dr. Marko Živković, for his mentorship and enthusiasm toward my research. Thank you also to my committee members, Professor André Costopoulos, and Dr. Kisha Supernant. I also deeply appreciate the encouragement, support, and advice from my parents and friends. Thank you for listening to me rant about aliens. iv Table of Contents List of Tables ............................................................................................................................................... v Abbreviations ............................................................................................................................................. vi Glossary of Terms ..................................................................................................................................... vii Introduction: Seeking New Worlds ........................................................................................................... 1 Chapter One: Visual Choices and the Galactic Hierarchy ................................................................... 12 The Structure of Metaphor .................................................................................................................. 13 (Mis)representing the Other in Academia .......................................................................................... 22 Visual Cues in Star Trek ...................................................................................................................... 26 Analysis of the Galactic Stage .............................................................................................................. 43 Chapter Two: The Essence of the Alien .................................................................................................. 46 Metaphorical Conceptions of Distance ............................................................................................... 48 The Romanticized Orient ..................................................................................................................... 51 The Klingon Way .................................................................................................................................. 54 Romulans, Vulcans, and the Mystery of Japan .................................................................................. 64 Ferengi as Humans and Fey ................................................................................................................. 71 Hybrids as Interpreters ........................................................................................................................ 75 Concluding Thoughts on the Orient .................................................................................................... 76 Chapter Three: Storytellers and the Future of Humanity .................................................................... 78 Klingons as Storytellers ........................................................................................................................ 80 The Tamarian Puzzle ............................................................................................................................ 86 Human Exceptionalism ........................................................................................................................ 93 Alien Commentary ................................................................................................................................ 96 The Federation and Western Hopes .................................................................................................. 104 Conclusion ............................................................................................................................................... 109 Bibliography ............................................................................................................................................ 118 v List of Tables Table 1. Conceptual Domains in Star Trek: p.112 vi Abbreviations TOS: Star Trek: The Original Series (1966-69) TNG: Star Trek: The Next Generation (1987-94) DS9: Star Trek: Deep Space Nine (1993-99) VOY: Star Trek: Voyager (1995-2001) ENT: Star Trek: Enterprise (2001-05) DIS: Star Trek: Discovery (2017-present) SF: Science Fiction vii Glossary of Terms Star Trek: The entirety of the serial, 1966-present Canon: The aspects of the fictional universe that are accepted by the creators, and not based on fan conjecture. Note on episode citations: Episode citations use the following format: (Series name season.episode “episode name,” timestamp) (e.g., TOS 2.5 “Amok Time,” 3:00) As some episodes are shown in a different order over the fifty years of the serial, there may occasionally be some inconsistency regarding an episode’s number. Where there is disagreement, I favour the online encyclopedia Memory Alpha (memory-alpha.fandom.com), which features the original airing dates. If one episode is referenced several times in a row, I omit the episode name. 1 Introduction: Seeking New Worlds It barely feels as if I am moving against this backdrop of stars. The starship’s artificial gravity works smoothly, and the machine is large enough that I forget I am not simply walking inside of a large, efficiently-run apartment complex. It is only when I find a port and look out into the vast expanse beyond – the void, the final frontier, the ultimate journey – that I remember the immensity of my voyage. I am a lone anthropologist in the field, travelling between the stars amidst a giant crew of explorers. We orbit planets and negotiate with strange, alien societies; sometimes we find other explorers out here. I have been here for a couple of months now; I realize now that my next step is to leave the safety of the starship: to leave this safe, clean, bubble of a verandah, and step into the unknown on an alien world. After all, is that not why we are all here? - From the ethnography The Final Frontier: A Year Aboard a Starfleet Vessel. Ellen Burnham, 2431. San Francisco: Starfleet Academy Press. Anthropology has deep conceptual ties with speculative fiction (the term that encompasses the genres of fantasy and science fiction). This concern is not a new concept: anthropologists have noted similarities between SF and anthropology; moreover, many seem to be fans of the genre. This interest has been noted on the side of the fiction writers as well: SF author Ursula LeGuin, daughter of anthropologist Alfred Kroeber, sees overlap between her writing and the work
Load more

Recommended publications
  • The Changing Definition of Security by James Sperling and Emil Kirchner
    The Changing Definition of Security by James Sperling and Emil Kirchner Paper delievered at the ECSA Conference Charleston, South Carolina, 11-14 May 1995 The Changing Definition of Security A reconfiguration of Europe's strategic landscape and a redefinition of security have taken place in Europe. The security concerns of individual states and the NATO alliance have expanded and now embrace not only the preoccupation with territorial integrity and military security, but also include issues ranging from macroeconomic stability to environmental degradation. This broadened redefinition of security raises an important question: what connections are there between the military and these broader nonmilitary elements of security? For the greater part of the cold war era, security was conceived primarily, if not exclusively, in terms of military security, in terms of sustaining the nuclear balance of terror between the superpowers and the conventional balance of power on the Eurasian landmass. Despite the heavy emphasis upon the military element of national security, attention was paid to the economic underpinnings of military prowess. Nonetheless, economic issues were subordinated and treated as an adjunct to the more important and pressing issue of military security. Economic security was not a relevant analytical category until the late 1960s. Economic issues grew more salient in the late 1960s and were increasingly treated as important political and broader architectural elements of both national security and the larger security order. A few studies of the western alliance in the late 1960s and early 1970s emphasized the importance of economic relations between the members of the Atlantic alliance; they focused on the importance of those economic relationships as critical struts undergirding the Atlantic Alliance and the security of its member-states.1 The growing remoteness of a military threat to European security combined with an increased frequency of economic conflict within the Atlantic area during the 1970s and 1980s.
    [Show full text]
  • Star Trek: VOYAGER® on DVD
    Star Trek: VOYAGER® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11:59 217 5/1999 5/6 Elogium 118 2/1995 2/1 37's, The 120 2/1995 2/1 Emanations 109 1/1995 1/3 Alice 226 6/1999 6/2 Endgame, Part I 271 7/2001 828 7/7 Alliances 131 2/1996 2/4 Endgame, Part II 272 7/2001 Alter Ego 155 3/1997 3/4 Equinox, Part I 220 5/1999 5/7 Ashes to Ashes 238 6/2000 6/5 Equinox, Part II 221 6/1999 6/1 Author, Author 266 7/2001 7/5 Ex Post Facto 108 1/1995 1/2 Barge of the Dead 223 6/1999 6/1 Extreme Risk 197 5/1998 5/1 Basics, Part I 142 2/1996 2/7 Eye of the Needle 107 1/1995 1/2 Basics, Part II 146 3/1996 3/1 Faces 114 1/1995 1/4 Before and After 163 3/1997 3/6 Fair Haven 231 6/2000 6/3 Blink of an Eye 233 6/2000 6/3 Fair Trade 156 3/1997 3/4 Bliss 209 5/1999 5/4 False Profits 144 3/1996 3/2 Blood Fever 157 3/1997 3/4 Favorite Son 162 3/1997 3/5 Body and Soul 255 7/2000 7/2 Fight, The 208 5/1999 5/5 Bride of Chaotica! 207 5/1999 5/3 Flashback 145 3/1996 3/1 Caretaker, Part I 101 1/1995 Flesh and Blood, Part I 253 7/2000 721 1/1 827 7/3 Caretaker, Part II 102 1/1995 Flesh and Blood, Part II 254 7/2000 Cathexis 113 1/1995 1/4 Friendship One 267 7/2001 7/6 Child's Play 239 6/2000 6/5 Fury 241 6/2000 6/6 Chute, The 147 3/1996 3/1 Future's End, Part I 150 3/1996 3/2 Cloud, The 106 1/1995 1/2 Future's End, Part II 151 3/1996 3/3 Coda 158 3/1997 3/4 Gift, The 170 4/1997 4/1 Cold Fire 126 2/1995 2/3 Good Shepherd 240 6/2000 6/5 Collective 235 6/2000 6/4 Gravity 205 5/1999 5/4 Concerning Flight 179 4/1997 4/3 Haunting of Deck
    [Show full text]
  • Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan­ tastic future.
    [Show full text]
  • Creating “Star Trek CATAN – Federation Space”
    Creating “Star Trek CATAN – Federation Space” After Star Trek Catan was so well received, and as many of you asked us to take this joint venture of the two franchises Catan and Star Trek even further towards the “Final Frontier,” we thought long and hard about what kind of game expansion you would enjoy. As we knew that a lot of players liked our Catan Geographies™ maps so much, which take the whole Settlers of Catan experience towards a real map to put settlements in, we thought: Let us take Star Trek Catan into a “real” region of space to put our little NCC-1701 spaceships in. The crucial question was: Is there a region of space sufficiently “real” inside the Star Trek – The Original Series time period? After a bit of research, we discovered this wonderful map titled “The Explored Galaxy” over at the Memory Alpha wiki. As it turned out, this was “as real as it could get,” as it had been first shown hanging on a wall in none other than Captain James T. Kirk’s quarters in the Star Trek VI: The Undiscovered Country motion picture (and subsequently in various episodes of Star Trek: The Next Generation). Every true Star Trek fan knows that this particular map depicts a lot of the known and beloved locations shown in The Original Series of the 60s, and some of those from The Animated Series of the 70s. We took great effort to investigate and cross-reference all these depicted celestial bodies with their respective episodes. © CATAN GmbH - Page 1 We then added a couple of planets that were not actually shown on this map but that we would really want to have in our game, and tried to pinpoint their locations according to mostly in-canon and sometimes semi-canon sources.
    [Show full text]
  • Abstracts and Backgrounds
    Abstracts and Backgrounds NAVY Con TABLE OF CONTENTS DESTINATION UNKNOWN ................................................................................. 3 WAR AND SOCIETY ............................................................................................. 5 MATT BUCHER – POTEMKIN PARADISE: THE UNITED FEDERATION IN THE 24TH CENTURY ............ 5 ELSA B. KANIA – BEYOND LOYALTY, DUTY, HONOR: COMPETING PARADIGMS OF PROFESSIONALISM IN THE CIVIL-MILITARY RELATIONS OF BABYLON 5 ............................................ 6 S.H. HARRISON – STAR CULTURE WARS: THE NEGATIVE IMPACT OF POLITICS AND IMPERIALISM ON IMPERIAL NAVAL CAPABILITY IN STAR WARS ................................................................................ 6 MATTHEW ADER – THE ARISTOCRATS STRIKE BACK: RE-ECALUATING THE POLITICAL COMPOSITION OF THE ALLIANCE TO RESTORE THE REPUBLIC ......................................................... 7 LT COL BREE FRAM, USSF – LEADERSHIP IN TRANSITION: LESSONS FROM TRILL .......................... 7 PAST AND FUTURE COMPETITION ................................................................ 8 WILLIAM J. PROM – THE ONCE AND FUTURE KING OF BATTLE: ARTILLERY (AND ITS ABSENCE) IN SCIENCE FICTION .......................................................................................................................... 8 TOM SHUGART – ALL ABOUT EVE: WHAT VIRTUAL FOREVER WARS CAN TEACH US ABOUT THE FUTURE OF COMBAT ................................................................................................................... 10
    [Show full text]
  • Happily Ever After and Other Lies My Childhood Told Me Rachel Anna Neff University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 Happily Ever After And Other Lies My Childhood Told Me Rachel Anna Neff University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons, Gender and Sexuality Commons, and the Women's Studies Commons Recommended Citation Neff, Rachel Anna, "Happily Ever After And Other Lies My Childhood Told Me" (2016). Open Access Theses & Dissertations. 708. https://digitalcommons.utep.edu/open_etd/708 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. HAPPILY EVER AFTER AND OTHER LIES MY CHILDHOOD TOLD ME RACHEL ANNA NEFF Master’s Program in Creative Writing APPROVED: Andrea Cote-Botero, Ph.D., Chair Sasha Pimentel Cheryl Torsney, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Rachel Anna Neff 2016 Dedication To all the domesticated, feral, and wild hearts in my life who have shaped, challenged, and inspired me to become who I am today: these poems are for you. HAPPILY EVER AFTER AND OTHER LIES MY CHILDHOOD TOLD ME by RACHEL ANNA NEFF, BA English (2007), BA Spanish (2007), MA Spanish (2009), Ph.D. Spanish (2013) THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the
    [Show full text]
  • The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
    Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................
    [Show full text]
  • Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs.
    [Show full text]
  • Download the Borg Assimilation
    RESISTANCE IS FUTILE… BORG CUBES Monolithic, geometric monstrosities capable of YOU WILL BE ASSIMILATED. defeating fleets of ships, they are a force to be Adding the Borg to your games of Star Trek: Ascendancy feared. introduces a new threat to the Galaxy. Where other civilizations may be open to negotiation, the Borg are single-mindedly BORG SPIRES dedicated to assimilating every civilization they encounter into Borg Spires mark Systems under Borg control. the Collective. The Borg are not colonists or explorers. They are Over the course of the game, Borg Spires will build solely focused on absorbing other civilizations’ technologies. new Borg Cubes. The Borg are not controlled by a player, but are a threat to all the forces in the Galaxy. Adding the Borg also allows you to play BORG ASSIMILATION NODES games with one or two players. The rules for playing with fewer Borg Assimilation Nodes are built around Spires. Built than three players are on page 11. Nodes indicate how close the Spire is to completing a new Borg Cube and track that Borg System’s current BORG COMPONENTS Shield Modifier. • Borg Command Console Card & Cube Card BORG TECH CARDS • 5 Borg Cubes & 5 Borg Spires Players claim Borg Tech Cards when they defeat • 15 Borg Assimilation Nodes & 6 Resource Nodes the Borg in combat. The more Borg technology you • 20 Borg Exploration Cards acquire, the better you will fare against the Borg. • 7 Borg System Discs • 20 Borg Technology Cards BORG COMMAND CARDS • 30 Borg Command Cards Borg Command Cards direct the Cubes’ movement • 9 Borg Dice during the Borg’s turn and designate the type of System each Cube targets.
    [Show full text]
  • 2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual
    2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual 2007 Edition This manual is published by the STARFLEET Marine Corps, a component of STARFLEET, the International Star Trek Fan Association, Inc., and released under the Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License (http://creativecommons. org/licenses/by-nc-nd/2.5/). You may freely copy, distribute, display, and perform this manual, but all other uses are strictly prohibited unless written permission is received from the Commandant or Deputy Commandant, STARFLEET Marine Corps. The STARFLEET Marine Corps holds no claims to any trademarks, copyrights, or other properties held by Paramount, other such companies or individuals. Published: October 2007 XA Manual Contents Part 1 - Introduction ��������������������������������������������������������1 Copyright and Disclaimer ��������������������������������������������������������������������������������������� 1 Pronoun Disclaimer ����������������������������������������������������������������������������������������������� 1 Acknowledgements ������������������������������������������������������������������������������������������������ 1 Reporting Authority ����������������������������������������������������������������������������������������������� 1 Part 2 - Andoria ����������������������������������������������������������������2 The Solar System ��������������������������������������������������������������������������������������������������� 2 Andoria (Procyon VIII) ������������������������������������������������������������������������������������������
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • STAR TREK the TOUR Take a Tour Around the Exhibition
    R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision.
    [Show full text]