WHAT PRICE LITHUANIAN INDEPENDENCE? By
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On the Threshold of the Holocaust: Anti-Jewish Riots and Pogroms In
Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. of the Holocaust carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? The Author Anti-Jewish Riots and Pogroms Were they guided or spontaneous? What Tomasz Szarota is Professor at the Insti- part did the Germans play in these events tute of History of the Polish Academy in Occupied Europe and how did they manipulate them for of Sciences and serves on the Advisory their own benefit? Delving into the source Board of the Museum of the Second Warsaw – Paris – The Hague – material for Warsaw, Paris, The Hague, World War in Gda´nsk. His special interest Amsterdam, Antwerp, and Kaunas, this comprises WWII, Nazi-occupied Poland, Amsterdam – Antwerp – Kaunas study is the first to take a comparative the resistance movement, and life in look at these questions. Looking closely Warsaw and other European cities under at events many would like to forget, the the German occupation. On the the Threshold of Holocaust ISBN 978-3-631-64048-7 GEP 11_264048_Szarota_AK_A5HC PLE edition new.indd 1 31.08.15 10:52 Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. -
Lithuanian Voices
CHAPTER FIVE Lithuanian Voices 1. Lithuanian Letters in the U.S. The list of American works featuring Lithuanians is short; it apparently consists of three novels. However, for such a small nation, not a “global player” in Franzen’s words, three novels authored by Americans can be seen as sufficient and even impressive. After all, three American authors found Lithuanians interesting enough to make them the main characters of their works. Two of those works, Upton Sinclair’s The Jungle and Jonathan Franzen’s The Corrections, became bestsellers and popularized the name of Lithuania in the U.S. and the world. The third work, Margaret Seebach’s That Man Donaleitis, although overlooked by critics and readers, nevertheless exists as a rare token of admiration for an obscure and oppressed people of the Russian empire. Many other small nations never made it to the pages of American texts. The best they could do was to present themselves to Americans in their own ethnic writing in English. However, the mere existence of such ethnic texts did not guarantee their success with the American audience. Ethnic groups from Eastern Europe for a long time presented little interest to Americans. As noted by Thomas Ferraro, autobiographical and biographical narratives of “immigrants from certain little-known places of Eastern Europe . did not attract much attention” (383). He mentions texts by a Czech, a Croatian, a Slovakian and a Pole written between 1904 and 1941, and explains the lack of attention to them from American public: “the groups they depict remained amorphous in the national imagination and did not seem to pose too much of a cultural threat” (383). -
Lithuanian Writers and the Establishment During Late Socialism: the Writers Union As a Place for Conformism Or Escape Vilius Ivanauskas
LITHUANIAN HISTORICAL STUDIES 15 2010 ISSN 1392-2343 PP. 51–78 LITHUANIAN WRITERS AND THE EStabLISHMENT DURING LatE SOCIALISM: THE WRITERS UNION AS A PLACE FOR CONFORMISM OR ESCAPE Vilius Ivanauskas ABSTRACT This article analyses how the changes in the dominant attitude of local Soviet writers were encouraged, screened or restricted by the Writers Union [WU] through mechanisms of planning, control and even through measures of creating a secure daily environment. The author looks at the tensions and conflicts between writers of different generations, observing less ideology in the younger generation than in their predecessors since the development and dissemination of national images among the declared values of communism were increasing. The union as a system covered both aspects – conformism and the escape (manoeuvre). Though the WU had a strong mechanism of control, it managed to ensure for the writers such a model of adaptation where even those, who were subject to restrictions, had a possibility of remaining within the official structure, through certain compromises, while actually avoiding involvement in dissident activities or samizdat publishing. Introduction In August 1940 a group of Lithuanian intellectuals, most of whom were writers, went off to Moscow “to bring back Stalin’s Sunshine”, at the same time asking for Lithuania to be incorporated into the USSR. Forty eight years later in early June 1988 a few members of the local literary elite joined the initial Sąjūdis Group and from thenceforth stood in the vanguard of the National Revival. These two historic moments, witnessing two contrary breaking points in history, when Lithuanian writers were active participants in events, naturally give rise to the question of how the status and role of writers and their relationship with the Soviet regime changed. -
Lithuanian Literature in 1918–1940: the Dynamics of Influences and Originality
340 INTERLITT ERA RIA 2018, 23/2: 340–353 VANAGAITĖ Lithuanian Literature in 1918–1940: The Dynamics of Influences and Originality GITANA VANAGAITĖ Abstract. Lithuanian independence (1918–1940), which lasted for twenty- two years, and its symbolic center, the provisional capital Kaunas, have been very important for the country’s political, social, and cultural identity. In 1918, changes in the social, economic, and political status of an individual as well as transformations in the literary field followed the change of the political system. In what ways the relationship between the center and the periphery and the spheres of literary influences were altered by the new forms of life? Lithuania, the former geographic periphery of tsarist Russia, after the change of the political system became a geographical and cultural periphery of Europe. Nevertheless, political freedom provided an opportunity to use the dichotomy of center-periphery creatively. Lithuanian writers, who suddenly found them- selves living in Europe with old cultural traditions, tried to overcome the insignificance of their own literature, its shallow themes and problems by “borrowing” ideas and ways to express them. In fact, the imitation was not mechanical, so the new influences enabled writers to expand significantly the themes and forms of Lithuanian literature. The article examines the development of new cultural centers in inde- pendent Lithuania. It also discusses the avant-garde movement which emerged under the influence of Russian futurists and German expressionists. In addition, it focuses on individual authors, such as Antanas Vaičiulaitis, Kazys Binkis and Petras Cvirka, and the influence that affected their works. Keywords: center; periphery; literary influence; host culture Center and Periphery in Literature The word periphery translated from the Latin (peripherīa) means “a circle.” In turn, this Latin word is related to two Greek words, perí, which means “around,” and pherein – “to carry”. -
Conde, Jonathan (2018) an Examination of Lithuania's Partisan War Versus the Soviet Union and Attempts to Resist Sovietisation
Conde, Jonathan (2018) An Examination of Lithuania’s Partisan War Versus the Soviet Union and Attempts to Resist Sovietisation. Masters thesis, York St John University. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/3522/ Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] An Examination of Lithuania’s Partisan War Versus the Soviet Union and Attempts to Resist Sovietisation. Submitted in accordance with the requirements for the degree of Research MA History at York St John University School of Humanities, Religion & Philosophy by Jonathan William Conde Student Number: 090002177 April 2018 I confirm that the work submitted is my own and that appropriate credit has been given where reference has been made to the works of others. This copy has been submitted on the understanding that it is copyright material. Any reuse must comply with the Copyright, Designs and Patents Act 1988 and any licence under which this copy is released. @2018 York St John University and Jonathan William Conde The right of Jonathan William Conde to be identified as the Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 Acknowledgments My gratitude for assisting with this project must go to my wife, her parents, wider family, and friends in Lithuania, and all the people of interest who I interviewed between the autumn of 2014 and winter 2017. -
Darius Staliūnas HISTORIOGRAPHY of the LITHUANIAN NATIONAL
Darius Staliūnas HISTORIOGRAPHY OF THE LITHUANIAN NATIONAL MOVEMENT CHANGING PARADIGMS The beginning of Lithuanian national historiography and the topic of ‘National Revival’ The Lithuanian historical narrative was formed during the nineteenth century as a component part of a newly developing Lithuanian national discourse. One of the most important and most difficult tasks facing the construction of a modern Lithuanian identity was how to separate it from the Polish identity (as well as from its Russian counterpart, even though Russianness was not regarded as being so parlous for the ‘purification’ of national identity). It therefore comes as no surprise that Lithuanians construed their concept of history as an alternative to the Polish construction (and to a lesser degree to the Russian version). Most nineteenth-century Polish political movements, including schools of history, did not regard the Lithuanians as having any independent political future and so it is not surprising that they were inclined first and foremost to stress the benefits of Polish culture and civilisation in Lithuania’s past. The Lithuanians had no other option than using their authentic ethnic culture as a counterweight to Polish civilisation. Conceiving Lithuanian identity as primarily ethno-cultural values, a concept of Lithuanian history was construed accordingly. The history of Lithuania was considered to be Darius Staliūnas, ‘Historiography of the Lithuanian national movement. Changing paradigms’, in: Studies on National Movements, 1 (2013) pp. 160-182. http://snm.nise.eu Studies on National Movements, 1 (2013) | ARTICLES the history of (ethnic) Lithuanians. Topics connected with ‘national revival’ have clearly dominated in texts devoted to nineteenth-century history. -
The Global Network Le Reseau Global
THE GLOBAL NETWORK LE RESEAU GLOBAL NO. 4-5 Le Reseau The Network Communication and Society in Eastern Europe • Communication et Societé en Europe de l’Est No 4-5 MARCH / JUNE 1996 Peter Gross & Ray Hiebert Departures on an Old Fashioned Track. Broadcast Laws in Romania, Poland and The Czech Republic Vesella Tabakova Women and Media in Bulgaria: Access to Expression and Decision Making File / Dossier Detailed presentation of some Central & Eastern European Schools of Journalism Contents / Sommaire ESSAY ESSAI Tapio Varis Global Communication in the Age of Cyberspace SPECIAL EMPHASIS LE POINT SUR Peter Gross & Ray Hiebert Departures on an Old Fashioned Track. Broadcasting Laws in Romania, Poland and the Czech Republic Marius Lukosiunas & Skirmantas Valiulis Lithuanian Mass Media and Its Legal Regulation Between 1991 - 1995 AR T I C L E S AR T I C L E S Vesella Tabakova Women and Media in Bulgaria: Access to Expression and Decision Making Daniela Frumusani New Role Models for Journalists in Eastern European Countries Teresa Sasinska-Klas Transformation of the Polish Media System FI L E DO S S I E R Detailed Presentation of some Central & Eastern European Schools of Journalism Facultatea de Jurnalism si Stiintele Comunicarii Universitatea Bucuresti FJSC PUB L I S H I N G DIR E C T O R / DIR E C T E U R DE L AP U B L I C A T I O N Mihai Coman „A strong publisher creates a cor- porate culture that can leave its EDITOR / REDACTEUR EN CHEF Oscar Stanciulescu mark on an organisation long after he or she is gone.“ ADVISORY BOARD / COMITÉE DE LECTURE Jean-Pierre Bacot France Philip Meyer Claude Jean Bertrand France Peter Gross US „An editor should tell the writer Andrei Marga Romania his writing is better than it is. -
Klaipedos Kr Dainos.Indd
Singing tradition of the Klaipėda region preserved in Lithuania and in the émigré communities In the eighteenth and nineteenth centuries it was the Lithuanian songs of East Prussia that opened the way for Lithuanian language and culture into Western Europe. The elegiac folk poetry, with characteristically straightforward structure and plain subject matter, fascinated the enlightened minds of artists and scholars, kindling their imagination and providing inspiration for their own creative work. Certain ideas that originated in the Age of Enlightenment and gained currency in Western Europe, coupled with the nascent concern about the newly discovered yet already vanishing layer of traditional culture, lent an important impetus for preservation of that obsolescent culture. It was then that the Lithuanian songs were first recorded, published and researched. The network of Prussian clergymen who were the first collectors of folklore formed around Liudvikas Rėza (Ludwig Rhesa) (1776‒1840), a professor at the University of Königsberg, amassed a priceless repository of Lithuanian non-material culture, which kept growing by the effort of countless devout enthusiasts during the coming two hundred years. The present collection of Songs and Music from the Klaipėda Region is yet another contribution to this ever expanding repository. At long last we will have an opportunity to hear the real sound of what many of us have only known in the form of written down verses, notated melodies, and interpretations thereof. As a matter of fact, no sound recordings of authentic Prussian Lithuanian songs or instrumental music have been published in Lithuania in the course of the 20th century. On the other hand, there was no apparent lack of valuable materials preserved at folklore archives and informants who could have sung Lithuanian folk songs for the compilers of sound anthologies in the middle of 26 the 20th century. -
Appendix 2 25 Years After the 1989 Revolutions: Time for Reflection on Unfinished Business a Seminar, October 3-5, 2014, Warsaw
25 Years After 1989: Reflections on Unfinished Revolutions Page 61 Appendix 2 25 Years After the 1989 Revolutions: Time for Reflection on Unfinished Business A Seminar, October 3-5, 2014, Warsaw, Poland Seminar Statement As one reflects twenty-five years after the Revolutions of 1989 in Eastern Europe and the subsequent collapse of the Soviet Union, it is obvious that a great deal was left unfinished. Indeed, today, we are witnessing an attempt to reverse some of the fundamental outcomes of that transformation. Yet, even before the most recent events, it was clear that the larger promise and hopes of the 1989-91 transformations remained unfulfilled. The political, economic, and social deficits are more obvious in most republics of the former Soviet Union, but they are also notable in East Central European, Baltic, and Balkan countries, which continue to face serious challenges remaining from the legacy of the communist period. All of these factors are significant as the world confronts a revisionist Russian Federation seeking to reassert its domi- nance over the region. The Institute for Democracy in Eastern Europe (IDEE) believes that the twenty-fifth anniversary of the events of 1989 provides an opportunity to analyze what oc- curred, to assess the different outcomes across the region, and to develop ideas and strategies for taking on the unfinished business of that era. To do that, IDEE is organizing a focused seminar gathering democratic activists who helped bring about the 1989-91 revolutions and took part in the region’s transition to address these issues. IDEE has drawn participants for the seminar from the community of activists it has worked with over more than three decades. -
MONTHLY GUIDE November 2015 | ISSUE 76 | Eastern
MONTHLY GUIDE NOVEMBER 2015 | ISSUE 76 | EASTERN How We Played the Endless Corridor Revolution Leon Somov & Jazzu Live The Fortress of Sleeping Butterflies Low Lights Conversations on Serious Topics Celebrate Lithuania with a stellar selection of feature films, shorts, documentaries, and music! Vortex Without Letters Live Without Letters Live Euroshorts LithuaniaEUROCHANNEL GUIDE | NOVEMBER 2015 | 1 2 | EUROCHANNEL GUIDE | NOVEMBER 2015 | MONTHLY GUIDE| NOVEMBER 2015 | ISSUE 74 The Fortress of Sleeping Butterflies lithuanian m o n t h n November, Eurochannel pays tribute to Lithuania and celebrates the I Conversations on Serious Topics 25th anniversary of the Day of Restoration of Lithuanian Independence with a curated selection of movies and documentaries that promise to entertain and reveal new knowledge about this enigmatic, fascinating country! Eurochannel’s Lithuanian Month explores the many different, often hidden sides of Lithuanian culture and heritage through provocative documentaries and breathtaking feature films. Never before has Lithuania been the center of the main programming for a whole month on cable TV, and the time has come to discover its thrillingly engaging Leon Somov & Jazzu Live stories, and learn about its nearly forgotten struggles and nearly lost folk culture, as well as the genius of their filmmakers. Don’t miss this one-of-a-kind event! History and modernity blend in this month’s movies and documentaries TABLE OF lineup as we offer you the pieces of the enchanting puzzle that is CONTENTS Lithuania. Their suffering during the Soviet Era, how they gained their independence through a revolution lead by irreverent musicians, the view of Lithuanian children about topics such as divorce, love, 6 Highlights friendship, the future, and much more are on Eurochannel this month. -
NONVIOLENT RESISTANCE in LITHUANIA a Story of Peaceful Liberation
NONVIOLENT RESISTANCE IN LITHUANIA A Story of Peaceful Liberation Grazina Miniotaite The Albert Einstein Institution www.aeinstein.org 2 CONTENTS Acknowledgments Introduction Chapter 1: Nonviolent Resistance Against Russification in the Nineteenth Century The Goals of Tsarism in Lithuania The Failure of Colonization The Struggle for the Freedom of Religion The Struggle for Lithuanian Press and Education Chapter 2: Resistance to Soviet Rule, 1940–1987 An Overview Postwar Resistance The Struggle for the Freedom of Faith The Struggle for Human and National Rights The Role of Lithuanian Exiles Chapter 3: The Rebirth From Perestroika to the Independence Movement Test of Fortitude The Triumph of Sajudis Chapter 4: Towards Independence The Struggle for Constitutional Change Civil Disobedience Step by Step The Rise of Reactionary Opposition Chapter 5: The Struggle for International Recognition The Declaration of Independence Independence Buttressed: the Battle of Laws First Signs of International Recognition The Economic Blockade The January Events Nonviolent Action in the January Events International Reaction 3 Chapter 6: Towards Civilian-Based Defense Resistance to the “Creeping Occupation” Elements of Civilian-Based Defense From Nonviolent Resistance to Organized Civilian-Based Defense The Development of Security and Defense Policy in Lithuania since 1992 Concluding Remarks Appendix I Appeal to Lithuanian Youth by the Supreme Council of the Republic of Lithuania Appendix II Republic in Danger! Appendix III Appeal by the Government of the Republic -
The Revival of Lithuanian Polyphonic Sutartinės Songs in the Late 20Th and Early 21St Century Daiva Račiūnaitė-Vyčinienė
The Revival of Lithuanian Polyphonic Sutartinės Songs in the Late 20th and Early 21st Century Daiva Račiūnaitė-Vyčinienė Introduction The ‘Neo-Folklore movement’ (in Lithuania, In contemporary ethnomusicology, attention is folkloro judėjimas, folkloro ansamblių judėjimas; increasingly paid to the defi nition of the terms in Latvia, folkloras absambļu kustība; in Estonia, ‘tradition’ and ‘innovation’. These defi nitions folklooriliikumine) is the term used in the Baltic include stability and mobility; repetition and contries (Estonia, Latvia and Lithuania) to denote creativity; ‘fi rst’ and ‘second existence’1 and similar the increased interest in folklore tradition during concepts, and how these phenomena relate the 1970s and 80s. The term also ‘describes the to folklore traditions. Most of today’s musical practical forms of actualizing folklore in daily traditions can be described as ‘revival’. This term life and in the expressions of amateur art that is used widely yet ambiguously in research in have accompanied the spiritual awakening of the English language.2 The word is applied to the people and their fi ght for the restoration of the phenomena of revitalisation, recreation, independence at beginning of the 1990s’ (Klotiņš innovation, and transformation, these terms often 2002: 107). In Soviet times, the Lithuanian folklore being used synonymously and interchangeably.3 ensemble movement,5 one among thousands of its Nevertheless, there are some ethnomusicologists kind, was a form of resistance to denationalisation who take a purist approach, adhering to the and to other Soviet ideologies. Without this original meanings of these terms. The Swedish ethnic, cultural union there would not have been ethnomusicologist Ingrid Åkesson describes a Singing Revolution.6 three basic concepts that apply to the processes This movement encompassed a variety of of change in folklore, each with its own shade of folklore genres and styles, refl ecting the general meaning: ‘recreation’, ‘reshaping’/‘transformation’, revival and reinvigoration of folklore.