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The Iliad Homer
The Iliad Homer BOOK I. How Agamemnon and Achilles fell out at the siege of Troy; and Achilles withdrew himself from battle, and won from Zeus a pledge that his wrong should be avenged on Agamemnon and the Achaians. Sing, goddess, the wrath of Achilles Peleus’ son, the ruinous wrath that brought on the Achaians woes innumerable, and hurled down into Hades many strong souls of heroes, and gave their bodies to be a prey to dogs and all winged fowls; and so the counsel of Zeus wrought out its accomplishment from the day when first strife parted Atreides king of men and noble Achilles. Who among the gods set the twain at strife and variance? Apollo, the son of Leto and of Zeus; for he in anger at the king sent a sore plague upon the host, so that the folk began to perish, because Atreides had done dishonour to Chryses the priest. For the priest had come to the Achaians’ fleet ships to win his daughter’s freedom, and brought a ransom beyond telling; and bare in his hands the fillet of Apollo the Far- darter upon a golden staff; and made his prayer unto all the Achaians, and most of all to the two sons of Atreus, orderers of the host; “Ye sons of Atreus and all ye well-greaved Achaians, now may the gods that dwell in the mansions of Olympus grant you to lay waste the city of Priam, and to fare happily homeward; only set ye my dear child free, and accept the ransom in reverence to the son of Zeus, far-darting Apollo.” The Iliad Homer Then all the other Achaians cried assent, to reverence the priest and accept his goodly ransom; yet the thing pleased not the heart of Agamemnon son of Atreus, but he roughly sent him away, and laid stern charge upon him, saying: “Let me not find thee, old man, amid the hollow ships, whether tarrying now or returning again hereafter, lest the staff and fillet of the god avail thee naught. -
Provided by the Internet Classics Archive. See Bottom for Copyright
Provided by The Internet Classics Archive. See bottom for copyright. Available online at http://classics.mit.edu//Homer/iliad.html The Iliad By Homer Translated by Samuel Butler ---------------------------------------------------------------------- BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. -
Iliad Teacher Sample
CONTENTS Teaching Guidelines ...................................................4 Appendix Book 1: The Anger of Achilles ...................................6 Genealogies ...............................................................57 Book 2: Before Battle ................................................8 Alternate Names in Homer’s Iliad ..............................58 Book 3: Dueling .........................................................10 The Friends and Foes of Homer’s Iliad ......................59 Book 4: From Truce to War ........................................12 Weaponry and Armor in Homer..................................61 Book 5: Diomed’s Day ...............................................14 Ship Terminology in Homer .......................................63 Book 6: Tides of War .................................................16 Character References in the Iliad ...............................65 Book 7: A Duel, a Truce, a Wall .................................18 Iliad Tests & Keys .....................................................67 Book 8: Zeus Takes Charge ........................................20 Book 9: Agamemnon’s Day ........................................22 Book 10: Spies ...........................................................24 Book 11: The Wounded ..............................................26 Book 12: Breach ........................................................28 Book 13: Tug of War ..................................................30 Book 14: Return to the Fray .......................................32 -
New Approaches to the Temple of Zeus at Olympia
New Approaches to the Temple of Zeus at Olympia New Approaches to the Temple of Zeus at Olympia Proceedings of the First Olympia-Seminar 8th-10th May 2014 Edited by András Patay-Horváth New Approaches to the Temple of Zeus at Olympia: Proceedings of the First Olympia-Seminar 8th-10th May 2014 Edited by András Patay-Horváth This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by András Patay-Horváth and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7816-2 ISBN (13): 978-1-4438-7816-6 FOR J. GY. SZILÁGYI TABLE OF CONTENTS Preface ......................................................................................................... x List of Illustrations and Tables .................................................................. xii Abbreviations ............................................................................................ xx Introduction ................................................................................................ 1 Adopting a New Approach to the Temple and its Sculptural Decoration András Patay-Horváth Part I: Architecture Chapter One .............................................................................................. -
Νοῦν Μὲγ' Ἄριστος Καὶ Γλῶσσαν 2021 Acl National Greek
ACL NATIONAL GREEK EXAM - 2021 INTRODUCTION TO GREEK νοῦν µὲγ’ ἄριστος καὶ γλῶσσαν 2021 ACL NATIONAL GREEK EXAMINATION INTRODUCTION TO GREEK TIME: 50 MINUTES DO NOT USE DICTIONARY 1) In the upper left-hand corner, fill in the boxes with your name (last, first) and fill in the corresponding bubbles below each box. 2) In the lower left-hand corner under “special codes”, fill in the boxes with your school number. Your examiner will give you your school number. Fill in the corresponding bubbles below each box. 3) In the lower right box under “exam type”, write the exam name (INTRODUCTION). 4) In the vertical column in the middle, fill in the bubble for your current grade level. INSTRUCTIONS TO STUDENT: Mark the correct choice on your answer sheet. Answers not bubbled on the answer sheet will not be scored. There is only one correct answer/choice for each question. Choose the best possible answer. Remember: Use a #2 pencil only. Fill in the bubbles on the answer sheet completely and neatly. Erase unwanted answers on the answer sheet completely. Do not make any stray marks on the answer sheet. καλὴ εὐτυχία! π 1. The letter directly following is θ. a) ο b) . ρ c) . ν. d) Γ 2. The lower-case equivalent of the letter is λ. a) τ. b) γ. c) η. d) 1 ACL NATIONAL GREEK EXAM - 2021 INTRODUCTION TO GREEK Ζηνόθεµις 3. The name in an English transliteration would be a) Zinotemis. b) Zenothemis. c) Zevothemis. d) Zanophemis. 4. The word ‘orchēstra’ in Greek characters is ὀρξήστρα. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Breaking the Silence of Homer's Women in Pat Barker's the Silence
International Journal of English Language Studies (IJELS) ISSN: 2707-7578 DOI: 10.32996/ijels Website: https://al-kindipublisher.com/index.php/ijels Breaking the Silence of Homer’s Women in Pat Barker’s the Silence of The Girls Indrani A. Borgohain Ph.D. Candidate, University of Jordan, Amman, Jordan Corresponding Author: Indrani A. Borgohain, E-mail: [email protected] ARTICLE INFORMATION ABSTRACT Received: December 25, 2020 Since time immemorial, women have been silenced by patriarchal societies in most, if Accepted: February 10, 2021 not all, cultures. Women voices are ignored, belittled, mocked, interrupted or shouted Volume: 3 down. The aim of this study examines how the contemporary writer Pat Barker breaks Issue: 2 the silence of Homer’s women in her novel The Silence of The Girl (2018). A semantic DOI: 10.32996/ijels.2021.3.2.2 interplay will be conducted with the themes in an attempt to show how Pat Barker’s novel fit into the Greek context of the Trojan War. The Trojan War begins with the KEYWORDS conflict between the kingdoms of Troy and Mycenaean Greece. Homer’s The Iliad, a popular story in the mythological of ancient Greece, gives us the story from the The Iliad, Intertextuality, perspective of the Greeks, whereas Pat Barker’s new novel gives us the story from the Adaptation, palimpsestic, Trojan perspective of the queen- turned slave Briseis. Pat Barker’s, The Silence of the Girls, War, patriarchy, feminism written in 2018, readdresses The Iliad to uncover the unvoiced tale of Achilles’ captive, who is none other than Briseis. In the Greek saga, Briseis is the wife of King Mynes of Lyrnessus, an ally of Troy. -
The Parthenon, Part I: from Its Multiple Beginnings to 432 BCE"
1 THE FORTNIGHTLY CLUB Of REDLANDS, CALIFORNIA Founded 24 January 1895 Meeting Number 1856 March 13, 2014 "The Parthenon, Part I: From its Multiple Beginnings to 432 BCE" Bill McDonald Assembly Room, A. K. Smiley Public Library 2 [1] (Numbers in red catalog the slides) Fortnightly Talk #6 From Herekleides of Crete, in the 3rd century BCE: “The most beautiful things in the world are there [in Athens}… The sumptuous temple of Athena stands out, and is well worth a look. It is called the Parthenon and it is on the hill above the theatre. It makes a tremendous impression on visitors.” Reporter: Did you visit the Parthenon during your trip to Greece?” Shaq: “I can’t really remember the names of the clubs we went to.” Architects, aesthetes, grand tour-takers from England, France and Germany all came to Rome in the 3rd quarter of the 18th century, where they developed on uneven evidence a newly austere view of the classical world that in turn produced the Greek revival across northern Europe and in America. Johann Joachim Winckelmann (1717 – 1768) [2], a self-made scholar of ancient Greek language and texts, was their unofficial high priest. In 1755 Winckelmann arrived for the first time in Rome, where thanks not only to his brilliant publications but also to a recent and, shall we say, a timely conversion to Catholicism, he was admitted by papal authorities to the Vatican galleries and storerooms (his friend Goethe said that Winckelmann was really “a pagan”). His contemporaries in Rome saw Greek civilization as a primitive source for Roman art, and had never troubled to isolate Greek art from its successor; Winckelmann reversed that, making Greek art and 3 architecture, especially sculpture—and especially of the young male form that he especially admired—not only distinctive in its own right but the font of the greatest Western art. -
The Iliad Book 1 Lines 1-487
The Iliad Book 1 lines 1-487. Homer. The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0134:book=1:card=1 [1] The wrath sing, goddess, of Peleus' son, Achilles, that destructive wrath which brought countless woes upon the Achaeans, and sent forth to Hades many valiant souls of heroes, and made them themselves spoil for dogs and every bird; thus the plan of Zeus came to fulfillment, from the time when first they parted in strife Atreus' son, king of men, and brilliant Achilles. [8] Who then of the gods was it that brought these two together to contend? The son of Leto and Zeus; for he in anger against the king roused throughout the host an evil pestilence, and the people began to perish, because upon the priest Chryses the son of Atreus had wrought dishonour. For he had come to the swift ships of the Achaeans to free his daughter, bearing ransom past counting; and in his hands he held the wreaths of Apollo who strikes from afar, on a staff of gold; and he implored all the Achaeans, but most of all the two sons of Atreus, the marshallers of the people: Sons of Atreus, and other well-greaved Achaeans, to you may the gods who have homes upon Olympus grant that you sack the city of Priam, and return safe to your homes; but my dear child release to me, and accept the ransom out of reverence for the son of Zeus, Apollo who strikes from afar. -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
UNIVERSITY of CALIFORNIA Los Angeles Homer's Roads Not Taken
UNIVERSITY OF CALIFORNIA Los Angeles Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Craig Morrison Russell 2013 ABSTRACT OF THE DISSERTATION Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey by Craig Morrison Russell Doctor of Philosophy in Classics University of California, Los Angeles, 2013 Professor Alex C. Purves, Chair This dissertation is a consideration of how narratives in the Iliad and Odyssey find their shapes. Applying insights from scholars working in the fields of narratology and oral poetics, I consider moments in Homeric epic when characters make stories out of their lives and tell them to each other. My focus is on the concept of “creativity” — the extent to which the poet and his characters create and alter the reality in which they live by controlling the shape of the reality they mould in their storytelling. The first two chapters each examine storytelling by internal characters. In the first chapter I read Achilles’ and Agamemnon’s quarrel as a set of competing attempts to create the authoritative narrative of the situation the Achaeans find themselves in, and Achilles’ retelling of the quarrel to Thetis as part of the move towards the acceptance of his version over that of Agamemnon or even the Homeric Narrator that occurs over the course of the epic. In the second chapter I consider the constant storytelling that [ii ] occurs at the end of the Odyssey as a competition between the families of Odysseus and the suitors to control the narrative that will be created out of Odysseus’s homecoming. -
Gaius Iulius Hyginus Fabulae
Filozofická fakulta Masarykovy univerzity v Brně Ústav klasických studií Gaius Iulius Hyginus Fabulae Diplomová práce Autorka: Hana Koudelková Vedoucí diplomové práce: Doc. PhDr. Dagmar Bartoňková, CSc. Brno 2006 Prohlašuji, že jsem diplomovou práci vypracovala zcela samostatně a použila pouze uvedené prameny. 2 Děkuji paní doc. PhDr. Dagmar Bartoňkové, CSc. za cenné rady a připomínky při odborném vedení mé diplomové práce. 3 1. Úvod Jako téma své diplomové práce jsem si vybrala po konzultaci s Doc. Bartoňkovou postavu Gaia Iulia Hygina a jeho sbírku nazvanou Fabulae. Již při bližším seznámení se s tématem jsem zjistila, že se budu muset vyrovnat jednak s nedostatkem či nedostupností pramenů, jednak s naprosto rozdílnými názory a přístupy na daný problém u jednotlivých badatelů. Každý filolog, jenž chtěl jakkoliv komentovat Hyginovo dílo, byl do značné míry ovlivněn tím, kterou edici zvolil jako základ pro své bádání. Zcela zásadní překážkou při pátrání po podobě původního Hyginova díla je totiž skutečnost, že originál Hyginova rukopisu se nedochoval, a tudíž nejstarší ucelenou prací zabývající se dílem Fabulae je tzv. editio princeps z pera autora Mycilla. Každá další edice pak do jisté míry měnila náhled na díla předešlá, polemizovala s výsledky bádání či upravovala závěry jejich autorů. Tyto nové „objevy“ pak často přežily pouze do doby, kdy byla zpracována další edice přicházející se závěry novými a ty byly často až v úplném rozporu se závěry předešlých badatelů. Na základě výše uvedených skutečností je tudíž zcela evidentní, že se jednotlivé dosažené výsledky od sebe mohou velmi výrazně lišit, a to jak v závislosti na době, v níž konkrétní autoři a editoři působili, tak i na množství materiálů a počtu edicí, které měli k dispozici.