The Parthenon, Part I: from Its Multiple Beginnings to 432 BCE"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Full Thesis Text Only
A DIACHRONIC EXAMINATION OF THE ERECHTHEION AND ITS RECEPTION Alexandra L. Lesk, B.A., M.St. (Oxon.), M.A. Presented to McMicken College of Arts and Sciences and the Department of Classics of the University of Cincinnati in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2004 Committee: C. Brian Rose (Chair) Jack L. Davis Kathleen M. Lynch J. James Coulton Abstract iii ABSTRACT “A Diachronic Examination of the Erechtheion and Its Reception” examines the social life of the Ionic temple on the Athenian Akropolis, which was built in the late 5th century B.C. to house Athens’ most sacred cults and relics. Using a contextualized diachronic approach, this study examines both the changes to the Erechtheion between its construction and the middle of the 19th century A.D., as well as the impact the temple had on the architecture and art of these successive periods. This approach allows the evidence to shed light on new areas of interest such as the Post-Antique phases of the building, in addition to affording a better understanding of problems that have plagued the study of the Erechtheion during the past two centuries. This study begins with a re-examination of all the pertinent archaeological, epigraphical, and literary evidence, and proposes a wholly new reconstruction of how the Erechtheion worked physically and ritually in ancient times. After accounting for the immediate influence of the Erechtheion on subsequent buildings of the Ionic order, an argument for a Hellenistic rather than Augustan date for the major repairs to the temple is presented. -
The Conversion of the Parthenon Into a Church: the Tübingen Theosophy
The Conversion of the Parthenon into a Church: The Tübingen Theosophy Cyril MANGO Δελτίον XAE 18 (1995), Περίοδος Δ'• Σελ. 201-203 ΑΘΗΝΑ 1995 Cyril Mango THE CONVERSION OF THE PARTHENON INTO A CHURCH: THE TÜBINGEN THEOSOPHY Iveaders of this journal do not have to be reminded of the sayings "of a certain Hystaspes, king of the Persians the uncertainty that surrounds the conversion of the or the Chaldaeans, a very pious man (as he claims) and for Parthenon into a Christian church. Surprisingly to our that reason deemed worthy of receiving a revelation of eyes, this symbolic event appears to have gone entirely divine mysteries concerning the Saviour's incarnation"5. unrecorded. The only piece of written evidence that has At the end of the work was placed a very brief chronicle been adduced concerns the removal of Athena's cult (perhaps simply a chronology) from Adam to the emperor statue, mentioned without a firm date in Marinus' Life of Zeno (474-91), in which the author advanced the view that Proclus (written in 485/6, the year following the the world would end in the year 6000 from Creation. philosopher's death)1. It is not clear, however, whether The original work was, therefore, composed between this removal marked the conversion of the building to 474 and, at the latest, 508, assuming the author was using Christian worship or merely its desacralization. The two, the Alexandrian computation from 5492 BC. The we have been told, need not have been simultaneous and expectation that the world would end in the reign of it is not inconceivable that the Parthenon remained Anastasius was, indeed, quite widespread at the time6. -
Mark Scheme for June 2018
GCE Classics: Classical Civilisation Unit F388: Art and Architecture in the Greek World Advanced GCE Mark Scheme for June 2018 Oxford Cambridge and RSA Examinations OCR (Oxford Cambridge and RSA) is a leading UK awarding body, providing a wide range of qualifications to meet the needs of candidates of all ages and abilities. OCR qualifications include AS/A Levels, Diplomas, GCSEs, Cambridge Nationals, Cambridge Technicals, Functional Skills, Key Skills, Entry Level qualifications, NVQs and vocational qualifications in areas such as IT, business, languages, teaching/training, administration and secretarial skills. It is also responsible for developing new specifications to meet national requirements and the needs of students and teachers. OCR is a not-for-profit organisation; any surplus made is invested back into the establishment to help towards the development of qualifications and support, which keep pace with the changing needs of today’s society. This mark scheme is published as an aid to teachers and students, to indicate the requirements of the examination. It shows the basis on which marks were awarded by examiners. It does not indicate the details of the discussions which took place at an examiners’ meeting before marking commenced. All examiners are instructed that alternative correct answers and unexpected approaches in candidates’ scripts must be given marks that fairly reflect the relevant knowledge and skills demonstrated. Mark schemes should be read in conjunction with the published question papers and the report on the examination. © OCR 2018 F388 Mark Scheme June 2018 SUBJECT SPECIFIC MARKING INSTRUCTIONS These are the annotations, (including abbreviations), including those used in RM Assessor, which are used when marking Annotation Meaning of annotation Blank Page – this annotation must be used on all blank pages within an answer booklet and on each page of an additional object where there is no candidate response. -
The Pedestal of the Athena Promachos 109
THE PEDESTALOF THE ATHENA PROMACHOS fr IHE FOUNDATIONS of the base of the Athena Promachos statue which once stood on the Acropolis of Athens lie about forty meters to the east of the Propy- laea and almost on.the axis of that great building (Figure 1).1 Fig. 1. The Athena Promachos As the Promachos statue was erected to commemorate the battle of Marathon, or possibly the Persian Wars in general, it is likely that the dedicatory inscription referred to this fact and that trophies won in the battles against the Persians were 1 When E. Beule wrote his great book L'Acropole d'Athe'nes, he reported (III, p. 307) as an already established fact the assignment of certain foundations and rock cuttings to the pedestal of the Promachos monument; compare also W. judeich, Topographie von Athen2, pp. 234-235; G. Lippold, R.E., s.v. Pheidias, cols. 1924-1925; C. Picard, Mai el d'Archeologie Grecql e, II, pp. 338-342. W. B. Dinsmoor assigned (A.J.A., XXV, 1921, p. 128, fig. 1) a fragment of an ovolo moulding to the capping course of the pedestal; compare also L. Shoe, Profiles of Greek Mouldings, p. 19 and plates C, 2, and IX, 6; G. P. Stevens, H:esperia, V, 1936, pp. 495, note 3, and 496, fig. 46. G. P. Stevens examined in detail the architectural remains (Hesperia, V, 1936, pp. 491-499, and figs. 42-49), and the present report is a continuation of his study based on the attribution by A. E. Raubitschek of two inscribed blocks to the lowest marble course of the pedestal (A.J.A., XLIV, 1940, p. -
New Approaches to the Temple of Zeus at Olympia
New Approaches to the Temple of Zeus at Olympia New Approaches to the Temple of Zeus at Olympia Proceedings of the First Olympia-Seminar 8th-10th May 2014 Edited by András Patay-Horváth New Approaches to the Temple of Zeus at Olympia: Proceedings of the First Olympia-Seminar 8th-10th May 2014 Edited by András Patay-Horváth This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by András Patay-Horváth and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7816-2 ISBN (13): 978-1-4438-7816-6 FOR J. GY. SZILÁGYI TABLE OF CONTENTS Preface ......................................................................................................... x List of Illustrations and Tables .................................................................. xii Abbreviations ............................................................................................ xx Introduction ................................................................................................ 1 Adopting a New Approach to the Temple and its Sculptural Decoration András Patay-Horváth Part I: Architecture Chapter One .............................................................................................. -
The Parthenon Frieze: Viewed As the Panathenaic Festival Preceding the Battle of Marathon
The Parthenon Frieze: Viewed as the Panathenaic Festival Preceding the Battle of Marathon By Brian A. Sprague Senior Seminar: HST 499 Professor Bau-Hwa Hsieh Western Oregon University Thursday, June 07, 2007 Readers Professor Benedict Lowe Professor Narasingha Sil Copyright © Brian A. Sprague 2007 The Parthenon frieze has been the subject of many debates and the interpretation of it leads to a number of problems: what was the subject of the frieze? What would the frieze have meant to the Athenian audience? The Parthenon scenes have been identified in many different ways: a representation of the Panathenaic festival, a mythical or historical event, or an assertion of Athenian ideology. This paper will examine the Parthenon Frieze in relation to the metopes, pediments, and statues in order to prove the validity of the suggestion that it depicts the Panathenaic festival just preceding the battle of Marathon in 490 BC. The main problems with this topic are that there are no primary sources that document what the Frieze was supposed to mean. The scenes are not specific to any one type of procession. The argument against a Panathenaic festival is that there are soldiers and chariots represented. Possibly that biggest problem with interpreting the Frieze is that part of it is missing and it could be that the piece that is missing ties everything together. The Parthenon may have been the only ancient Greek temple with an exterior sculpture that depicts any kind of religious ritual or service. Because the theme of the frieze is unique we can not turn towards other relief sculpture to help us understand it. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Serbian Students' Perception of Greek Cultural
10th International Scientific Conference “Science and Higher Education in Function of Sustainable Development” 06 – 07 October 2017, Mećavnik – Drvengrad, Užice, Serbia SERBIAN STUDENTS’ PERCEPTION OF GREEK CULTURAL TOURISM Kristina Radicevic Business-Technical College of Vocational Studies, Uzice, SERBIA [email protected] Marija Djordjevic Business-Technical College of Vocational Studies, Uzice, SERBIA [email protected] Milos Djokic Business College of Vocational Studies, Leskovac, SERBIA [email protected] Tamara Milunovic Business College of Vocational Studies, Leskovac, SERBIA [email protected] Abstract: Cultural Tourism is the subset of tourism concerned with a country or region's culture, specifically the lifestyle of the people in those geographical areas, the history of those people, their art, architecture, religion(s), etc. Tourism of Athens traces its roots to the ancient times. Purpose of this paper is to represent cultural landmarks of Athens. Key words: Greece, Athens, tourism, culture 1.INTRODUCTION Cultural tourism has a long history, and with its roots in the Grand Tour is arguably the original form of tourism, and it’s also one of the forms of tourism that most policy makers seem to be betting on for the future. Greece has been a major tourist destination and attraction in Europe since antiquity, for its rich culture and history, which is reflected in large part by its 18 UNESCO World Heritage Sites, among the most in Europe and the world as well as for its long coastline, many islands and beaches. Tourism in Greece traces its roots to the ancient times. Cultural exchange took place between the Greek colonies of Magna Graeca and the young Roman Republic before Rome's rise to dominance of the Western Mediterranean. -
The Iliad Book 1 Lines 1-487
The Iliad Book 1 lines 1-487. Homer. The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0134:book=1:card=1 [1] The wrath sing, goddess, of Peleus' son, Achilles, that destructive wrath which brought countless woes upon the Achaeans, and sent forth to Hades many valiant souls of heroes, and made them themselves spoil for dogs and every bird; thus the plan of Zeus came to fulfillment, from the time when first they parted in strife Atreus' son, king of men, and brilliant Achilles. [8] Who then of the gods was it that brought these two together to contend? The son of Leto and Zeus; for he in anger against the king roused throughout the host an evil pestilence, and the people began to perish, because upon the priest Chryses the son of Atreus had wrought dishonour. For he had come to the swift ships of the Achaeans to free his daughter, bearing ransom past counting; and in his hands he held the wreaths of Apollo who strikes from afar, on a staff of gold; and he implored all the Achaeans, but most of all the two sons of Atreus, the marshallers of the people: Sons of Atreus, and other well-greaved Achaeans, to you may the gods who have homes upon Olympus grant that you sack the city of Priam, and return safe to your homes; but my dear child release to me, and accept the ransom out of reverence for the son of Zeus, Apollo who strikes from afar. -
The Parthenon and Its Sculptures
P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 The Parthenon and its Sculptures Edited by Michael B. Cosmopoulos University of Missouri–St. Louis iii P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2004 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2004 Printed in the United Kingdom at the University Press, Cambridge Typefaces Adobe Garamond 11.25/15 pt. and Lithos System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data is available. isbn 0 521 83673 5 hardback iv P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 Contents List of Figures page vii On Abbreviations and Transliteration xiii List of Contributors xv Introduction: The Methodological Framework of Parthenon Studies 1 Michael B. -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
Conference Booklet II
Teacher Training For Classical Teachers SAVING WESTERN CIVILIZATION ONE STUDENT AT A TIME ILIAD Book I The quarrel between Agamemnon and Achilles— Achilles withdraws from the war and sends his mother Thetis to ask Zeus to help the Trojans— Scene between Zeus and Hera on Olympus Sing, O goddess, the anger of Achilles, son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Zeus and Leto. For he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonored Chryses, his priest. Now Chryses had come to the ships of the Achaeans to free his daughter and had brought with him a great ransom. Moreover, he bore in his hand the scepter of Apollo, wreathed with a suppliant's wreath, and he besought the Achaeans, but most of all, the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam and to reach your homes in safety. But free my daughter and accept a ransom for her, in reverence to Apollo, son of Zeus." On this, the rest of the Achaeans, with one voice, were for respecting the priest and taking the ransom that he offered.