The Generic Transformation of the Masoretic Text of Qohelet 9. 7-10 in the Targum Qohelet and Qohelet Midrash Rabbah

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The Generic Transformation of the Masoretic Text of Qohelet 9. 7-10 in the Targum Qohelet and Qohelet Midrash Rabbah Durham E-Theses Wine, women and work: the generic transformation of the Masoretic text of Qohelet 9. 7-10 in the Targum Qohelet and Qohelet Midrash Rabbah Hardy, John Christopher How to cite: Hardy, John Christopher (1995) Wine, women and work: the generic transformation of the Masoretic text of Qohelet 9. 7-10 in the Targum Qohelet and Qohelet Midrash Rabbah, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5403/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 WINE, WOMEN AND WORK: THE GENERIC TRANSFORMATION OF THE MA50RETIC TEXT OF QOHELET 9. 7-10 IN THE TARGUM QOHELET AND QOHELET MIDRASH RABBAH John Christopher Hardy This tnesis seeks to understand the generic changes wrought oy targum Qonelet and Qoheiet raidrash rabbah upon our home-text, the masoretes' reading ot" woh. 9. 7-iO. An introduction orientates the reaaer by contextuaiizing our three subsequent analyses: ot" tne masoretic text (Chapters I and II;; ot the targuin (.Chapters III and IV;; oi the midrash (Chapters V and VI;. Hence the Bibical verses are positioned within their structural context, the targumic verses within their wider thematic context (the rabbinic debate on the respective merits of Torah-study, charity and prayer) and the midrashic verses within a methodological context (differing approaches to the study of haggadic midrash). Having located Qoh. 9. 7-10 within their parent text, we are free to define them generically. In Chapter I, we examine the indices of our sample verses' poeticism; and in Chapter II, the generic "nursery" from which our putative verse-fragment emanates, comparing it with Ancient Near Eastern parallels: in the Gilgamesh Epic, Ugaritic Baal myth, Theognidean lyric and Egyptian Royal Instruction. We further argue (a) that, although these may elucidate our sample-text's Sitz im Leben, they do not, demonstrably stand in a direct literary relationship to it; and (b) that it is best understood when read intrabiblically, that is with reference to its wider Wisdom context (the Proverbial "table etiquette" and "temperance" traditions, and the Deuteronomic Calls to Joy). Chapter III introduces our chosen targum-text (Knobel's) of Qoh. 9. 7-10, and investigates its modifications of the Biblical text and co-text, accounting for these in terms of (a) the targum's exegetical presuppositions (its dogmatic agenda) and <b) generic transformation (conversion into a pro-Solomonic oracle). Chapter IV broadens our enquiry by classifying the thematic matrix of the targumic adjustments, their explicit and implicit motifs: the Messianic banquet and sages' charity-obigations (explicit); Torah-study's priority, the world to come and Torah-renewal (implicit). The rabbis' pedagogical preoccupation with personal deportment further contextualises, we argue, the targumic rendition. Our two midrashic chapters offer a selective critique of Qoheiet midrash rabbah 9. 7-10: Chapter V assesses its generic transformation of Qoh. 9. 7, principally arguing, with three examples, (one of which, the Abba Tahnah pericope, is further tendered as a case-study in "chriization" - a specialized generic change) that its diverse traditions are thematically congruent (Abrahamic), hermeneutically dextrous comments on the Aqedah. Chapter VI, a quasi-biographical reading of the haggadic stories built around Qoh. 9.10, proposes that these evidence later tradents' reiinaging of their predecessors: amoraim generally (in relation to sage-dreams), and R. Judah ha Nasi specifically (in relation to his holiness). The conclusion highights some methodological issues outstanding from our comparative survey. WINE, WOMEN AND WORK; THE GENERIC TRANSFORMATION OF THE MASORETIC TEXT OF QOHELET 9. 7-1O IN THE TARGUM QOHELET AND QOHELET MIDRASH RABBAH JOHN CHRISTOPHER HARDY Submitted in fulfllmait of the requirements for the degree of Master of Arts The University of Durham Department of Theology 1 995. The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 1 ^ NOV 1995 ACKNOWLEDGEMENTS I am grateful for the assistance which I have received from ray Supervisor, Dr. Robert Hayward, whose critical comments as the thesis progressed were both encouraging and helpful. Professor John Sawyer (perhaps more aware than he knew of my predilections) suggested Qohelet 9. 7-10 as an appropriate thesis topic and supervised my work in its earliest stages. Without the typing skills of my mother, Carol Pickering, the printing-out skills of my step-father. Bill Pickering, the forbearance of my Vicar, Raymond Best, and the loving support of his - and my - congregation at Christ Church, Walker, Newcastle upon Tyne, this project would never have been finished. CONTEIISJTS INTRODUCTION i I- POETICS: POETIC INDICES IN QOH. 9. 7-10 20 II A COMPARATIVE LITERARY STUDY: QOH. 9. 7-10 49 III TQ 9. 7-10: GENERIC TRANSFORMATION OF THE MASORETIC TEXT 85 IV CONTEXTUAL ANALYSIS: THE THEMATIC LOCALE OF TQ 9. 7-9 105 V QR 9.7.1: THEMATIC UNITY, HERMENEUTICAL DEXTERITY AND GENERIC TRANSFORMATION. 123 VI QR 9.10.1-3: PARANETIC SAGE-TALES 148 CONCLUDING REMARKS 168 APPENDICES 173 SELECT BIBLIOGRAPHY 203 Statement of Copyright The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Declaration I declare that none of the material contained in this thesis has previously been submitted for a degree in this or any other university. ABBREVIATIONS ( p /\/C i P AI-JET Ancient Near Eastern Texts Relating to the Old Testament ed. J.B. Fritchard. Third Edition. Princeton: Princeton University Press, 1969 ANETS Ancient Near Eastern Texts and Studies AF Andersen and Forbes AOAT Alter Orient und Altes Testament BDB Brown, Driver and Briggs BZAW Bethefte zur Zeitschrift fur die Alttestamentliche Wissenschaft CCSL Corpus Christianorum (Series Latina) CHCL Cambridge History of Classical Literature EJ Encyclopaedia Judaica FIB Frankfurter Tudaitische Beitrage HAR Hebrew Annual Review HAT Handbuch zum Alten Testament HSCP Harvard Studies in Classical Philology HUCA Hebrew Union College Annual ICC International Critical Commentary TDOT Theological Dictionary of the Old Testament JAAR Journal of the American Academy of Religion JBL Journal of Biblical Literature JE Jewish Encyclopaedia JJS Journal of Jewish Studies JNES Journal of Near Eastern Studies JQR Jewish Quarterly Review JSOT Journal for the Study of the Old Tetament JSOTSS Journal for the Study of the Old Testament Supplement Series JSS Journal of Semitic Studies JTS Journal of Theological Studies LCL Loeb Classical Library NCB New Century Bible Commentary N'EB New English Bible OCD Oxford Classicl Dictionary OLA Orientalia Lovaniensia Analecta OTL Old Testament Library,, RSV Revised Standard Version (of the Bible). SCM Student Christian Movement SFCK Society for the Propagation of Christian Knowledge. TOTC Tyndale Old Testament Commentaries VT Vet us Test amentum VTS Vet us Testamentum, Supplements ZAW Zeitschrift fUr Alt testament liche Wissenschaft (1) Biblical books (2) targums, (3) mishnaic and talmudic tractates and (4-) midrashim other than Qoheiet Rabbah are cited in the following form: (1) Gen. 1. 1; Exod. 1. 1 etc. (2) TN; TO; FT; Ps-J. etc. (3) M. Ab. 1.1; B. Sank 99a; J. Shabb. 12 b etc. (4) Gen. R. 55.1; Lev. R. 20.2; Sg. R. 8.2; PRK; PR INTRODUCXION This thesis is a miniature exercise in comparative midrash, partially inspired by C.A. Evans' study of the interpretation-history of Is. 6. 9-10 (1). The writer seeks to understand the generic changes wrought by targum Qohelet (TQ) and Qohelet midrash rabbah (QR) upon our home-text, the masoretes' reading of Qoh. 9. 7-10. § /. Our starting-point is naturally the masoretic text (MT) of these verses. Qoh. 9. 7-10 is a triadic unit (2), often commended as a vigorous (3) and specific (4) summons, to enjoy life, a summary of Qohelet's philosophy (5), reminiscent of other such "Calls to Enjoyment" in ancient literature (6). A climactic (7) presentation of the carpe diem theme (a recurrent Qohelet- motif), in imperatival rather than 1) (J y S form, fuller than earlier statements, it also casts incidental light on the author's and addressee's socio-economic status (6), possibly intimating their bourgeois religiosity (9). The context of Qoh. 9. 7-10 in Qohelet. By way of orientating the reader, we initially offer some view of our verses' role within the macro- structure of Qohelet. While some critics, assuming Qohelet's fundamental disunity (10) have entered upon special pleading for 9. 7-10 (as being, for example, an Epicurean gloss), arguably richer findings have come from proponents of the work's organic character, its overall coherence. Referring to our Call, we therefore critique two comparable analyses based on this premise. 1. A.G. Wright, noting the variety of putative structures worked out by commentators who feel that Qohelet has a plan - "some unity or progression of thought" (11), shares their belief in the text's integrity. Inspired by Castelllno's article of 1968 (12), he uses rhetorical ("New") criticism to 2 solve the conundrum of Qohelet's structure (the "Riddle of the Sphinx"), by reference to the patent repetition of key phrases (13).
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